While translation can be studied with a view to throwing light on a number of aspects in life, in this thesis translation has been researched with a view to outlining the development of written Zulu from its earliest stages, using twelve texts of the Book of Matthew. The Book of Matthew has been chosen in this undertaking because it was the first book of the Bible to be translated into Zulu and was thought to be the most apposite instrument with which the development of written Zulu could be measured. The polysystem theory and the descriptive approach to translation studies are the theoretical models that inform the arguments presented in this study. Polysystem theory sees translated literature as a system operating in the larger social, literary and historical systems of the target culture, while with the descriptive approach translations are regarded as facts of the target culture. Against this premise the focus of this study is mainly on the twelve translations of the Book of Matthew and no comparisons between source and target texts are undertaken here. Corpus-based research provided tools such as WordSmith Tools 3.0 for linguistic analysis. Biblical texts were obtained, scanned and presented in electronic format ready to be analysed. From the findings drawn, written Zulu developed all the way through Bible translation, with some translations revealing slight developments and others showing enormous ones. As the findings of this study reveal, Zulu developed gradually, as evidenced by the change to conjunctive writing which occurred over a considerable period, along with the appropriate representation of Zulu speech sounds and grammar conventions. It could also be established at what point during the development of the language, processes such as consonantalisation and palatalisation were introduced into the written language. It is also clear that words of Greek and Hebrew origin were brought into the Zulu language through Bible translation. Furthermore, this study demonstrates that it is feasible to use corpus-based research for analysis in the indigenous languages of South Africa. / Linguistics / D. Litt. et Phil. (Linguistics)

La ricerca studia le riscritture delle opere di Gianni Rodari (1920-1980) in traduzione inglese attraverso la mediazione degli editori, critici letterari ma soprattutto dei traduttori tra il 1960 e il 2011. Nell’ambito degli studi sul contesto di produzione delle opere tradotte (Bassnett & Lefevere, 1998; Chesterman et al., 2000), la prima parte della ricerca presenta le caratteristiche traduttive della letteratura per l’infanzia attraverso un’analisi retrospettiva (Toury, 2012) utile a contestualizzare le opere di Rodari in inglese per il pubblico Anglo-Americano. La seconda parte illustra la mediazione linguistica dei traduttori in quattro di queste opere in inglese a partire dagli S-Universals (Chesterman, 2004). L’analisi delle traduzioni di Patrick Creagh (1965, 1971), Jack Zipes e Antony Shugaar (2008, 2011 rispettivamente), condotta attraverso le nove categorie traduttive proposte da J. L. Malone nel 1988, ha mostrato diversi gradi di addomesticamento ed estraniamento traduttivo (Venuti, 1995) a seconda dell’età del pubblico ricevente. Specificamente, le traduzioni addomesticanti si sono rivelate creative al punto da avvicinarsi all’intento narrativo di Rodari nei testi originali. La traduzione estraniante di Shugaar del 2011 ha mantenuto i riferimenti alla cultura italiana del testo rodariano, mostrando un cambiamento di pubblico ricevente dal testo fonte (pubblico giovane) al testo di arrivo (adulti). / The research investigates the extent to which Gianni Rodari’s (1920-1980) works changed in their English translations through the mediating presence of publishers, reviewers, and especially translators between the 1960s and 2011. With reference to the cultural context of production of translated works (Bassnett & Lefevere, 1998; Chesterman et al., 2000), translational patterns of children’s literature were firstly studied from a retrospective point of view (Toury, 2012) to contextualise Rodari’s books in English in the UK and the US. Secondly, the intervention of translators in four of these books was analysed within the mediation framework provided by S-Universals in translation (Chesterman, 2004). The discrete analysis of the translations by Patrick Creagh (1965, 1971), Jack Zipes and Antony Shugaar (2008, 2011 respectively), based on the nine translational trajections identified by J. L. Malone (1988), showed that the translators adopted different foreignising and domesticating strategies (Venuti, 1995) according to the intended public. More specifically, domesticating strategies presented a high degree of creativity in line with Rodari’s original narrative purpose, whereas Shugaar’s foreignising translation (2011) retained references to the Italian culture as in Rodari’s source text, marking a shift of audience from children to adults, from the Italian to the English target text.

Text in English / Abstracts in English, isiXhosa and Afrikaans / The Constitution of the Republic of South Africa, Act 108 of 1996, mandates the state to take practical and positive measures to elevate the status and the use of indigenous languages. The implementation of this pronouncement resulted in a growing demand for specialised translations in fields like technology, science, commerce, law and finance. The lack of terminology and resources such as specialised bilingual dictionaries in indigenous languages, particularly isiXhosa remains a growing concern that hinders the translation and the intellectualisation of isiXhosa. A growing number of African scholars affirm the importance of specialised dictionaries in the African languages as tools for language and terminology development so that African languages can be used in the areas of science and technology. In the light of the background above, this study explored how parallel corpora can be interrogated using a bilingual concordancer, ParaConc to extract bilingual terminology that can be used to create specialised bilingual dictionaries. A corpus-based approach was selected due to its speed, efficiency and accuracy in extracting bilingual terms in their immediate contexts. In enhancing the research outcomes, Descriptive Translations Studies (DTS) and Corpus-based translation studies (CTS) were used in a complementary manner. Because the study is interdisciplinary, the function theories of lexicography that emphasise the function and needs of users were also applied. The analysis and extraction of bilingual terminology for dictionary making was successful through the use of the following ParaConc features, namely frequencies, hot word lists, hot words, search facility and concordances (Key Word in Context), among others. The findings revealed that English-isiXhosa Parallel Corpus is a repository of translation equivalents and other information categories that can make specialised dictionaries more user-friendly and multifunctional. The frequency lists were revealed as an effective method of selecting headwords for inclusion in a dictionary. The results also unraveled the complex functions of bilingual concordances where information on collocations and multiword units, sense distinction and usage examples could be easily identifiable proving that this approach is more efficient than the traditional method. The study contributes to the knowledge on corpus-based lexicography, standardisation of finance terminology resource development and making of user-friendly dictionaries that are tailor-made for different needs of users. / Umgaqo-siseko weli loMzantsi Afrika ukhululele uRhulumente ukuba athabathe amanyathelo abonakalayo ekuphuhliseni nasekuphuculeni iilwimi zesiNtu. Esi sindululo sibangele ukwanda kokuguqulelwa kwamaxwebhu angezobuchwepheshe, inzululwazi, umthetho, ezemali noqoqosho angesiNgesi eguqulelwa kwiilwimi ebezifudula zingasiwe-so ezinjengesiXhosa. Ukunqongophala kwesigama kunye nezichazi-magama kube yingxaki enkulu ekuguquleleni ngakumbi izichazi-magama ezilwimi-mbini eziqulethe isigama esikhethekileyo. Iingcali ezininzi ziyangqinelana ukuba olu hlobo lwezi zichazi-magama luyimfuneko kuba ludlala iindima enkulu ekuphuhlisweni kweelwimi zesiNtu, ekuyileni isigama, nasekusetyenzisweni kwazo kumabakala obunzululwazi nobuchwepheshe. Olu phando ke luvavanya ukusetyenziswa kwekhophasi equlethe amaxwebhu esiNgesi neenguqulelo zawo zesiXhosa njengovimba wokudimbaza isigama sezemali esinokunceda ekuqulunqweni kwesichazi-magama esilwimi-mbini. Isizathu esibangele ukukhetha le ndlela yophando esebenzisa ikhompyutha kukuba iyakhawuleza, ulwazi oluthathwe kwikhophasi luchanekile, yaye isigama kwikhophasi singqamana ngqo nomxholo wamaxwebhu nto leyo eyenza kube lula ukufumana iintsingiselo nemizekelo ephilayo. Ukutyebisa olu phando indlela yekhophasi iye yaxhaswa zezinye iindlela zophando ezityunjiweyo: ufundo lwenguguqulelo oluchazayo (DTS) kunye neendlela zokuguqulela ezijoliswe kumsebenzi nakuhlobo lwabasebenzisi zinguqulelo ezo. Kanti ke ziqwalaselwe neenkqubo zophando lobhalo-zichazi-magama eziinjongo zokuqulunqa izichazi-magama ezesebenzisekayo neziluncedo kuninzi lwabasebenzisi zichazi-magama ngakumbi kwisizwe esisebenzisa iilwimi ezininzi. Ukuhlalutya nokudimbaza isigama kwikhophasi kolu phando kusetyenziswe isixhobo sekhompyutha esilungiselelwe ikhophasi enelwiimi ezimbini nangaphezulu ebizwa ngokuba yiParaConc. Iziphumo zolu phando zibonise mhlophe ukuba ikhophasi eneenguqulelo nguvimba weendidi ngendidi zamagama nolwazi olunokuphucula izichazi-magama zeli xesha. Kaloku abaguquleli basebenzise amaqhinga ngamaqhinga ukunika iinguqulelo bekhokelwa yimigomo nemithetho yoguqulelo enxuse abasebenzisi bamaxwebhu aguqulelweyo. Ubuchule beParaConc bokukwazi ukuhlela amagama ngokwendlela afumaneka ngayo kunye neenkcukacha zamanani budandalazise indlela eyiyo yokukhetha imichazwa enokungena kwisichazi-magama. Iziphumo zikwabonakalise iintlaninge yolwazi olufumaneka kwiKWIC, lwazi olo olungelula ukulufumana xa usebenzisa undlela-ndala wokwakha isichazi-magama. Esi sifundo esihlanganyele uGuqulelo olusekelwe kwiKhophasi noQulunqo-zichazi-magama zobuchwepheshe luya kuba negalelo elingathethekiyo kwindlela yokwakha izichazi-magama kwilwiimi zeSintu ngokubanzi nancakasana kwisiXhosa, nto leyo eya kothula umthwalo kubaqulunqi-zichazi-magama. Ukwakha nokuqulunqa izichazi-magama ezilwimi-mbini zezemali kuya kwandisa imithombo yesigama esinqongopheleyo kananjalo sivelise izichazi-magama eziluncedo kwisininzi sabantu. / Die Grondwet van die Republiek van Suid-Afrika, Wet 108 van 1996, gee aan die staat die mandaat om praktiese en positiewe maatreëls te tref om die status en gebruik van inheemse tale te verhoog. Die implementering van hierdie uitspraak het gelei tot ’n toenemende vraag na gespesialiseerde vertalings in domeine soos tegnologie, wetenskap, handel, regte en finansies. Die gebrek aan terminologie en hulpbronne soos gespesialiseerde woordeboeke in inheemse tale, veral Xhosa, wek toenemende kommer wat die vertaling en die intellektualisering van Xhosa belemmer. ’n Toenemende aantal vakkundiges in Afrika beklemtoon die belangrikheid van gespesialiseerde woordeboeke in die Afrikatale as instrumente vir taal- en terminologie-ontwikkeling sodat Afrikatale gebruik kan word in die areas van wetenskap en tegnologie. In die lig van die voorafgaande agtergrond het hierdie studie ondersoek ingestel na hoe parallelle korpora deursoek kan word deur ’n tweetalige konkordanser (ParaConc) te gebruik om tweetalige terminologie te ontgin wat gebruik kan word in die onwikkeling van tweetalige gespesialiseerde woordeboeke. ’n Korpusgebaseerde benadering is gekies vir die spoed, doeltreffendheid en akkuraatheid waarmee dit tweetalige terme uit hulle onmiddellike kontekste kan onttrek. Beskrywende Vertaalstudies (DTS) en Korpusgebaseerde Vertaalstudies (CTS) is op ’n aanvullende wyse gebruik om die navorsingsuitkomste te verbeter. Aangesien die studie interdissiplinêr is, is die funksieteorieë van leksikografie wat die funksie en behoeftes van gebruikers beklemtoon, ook toegepas. Die analise en ontginning van tweetalige terminologie om woordeboeke te ontwikkel was suksesvol deur, onder andere, gebruik te maak van die volgende ParaConc-eienskappe, naamlik, frekwensies, hotword-lyste, hot words, die soekfunksie en konkordansies (Sleutelwoord-in-Konteks). Die bevindings toon dat ’n Engels-Xhosa Parallelle Korpus ’n bron van vertaalekwivalente en ander inligtingskategorieë is wat gespesialiseerde woordeboeke meer gebruikersvriendelik en multifunksioneel kan maak. Die frekwensielyste is geïdentifiseer as ’n doeltreffende metode om hoofwoorde te selekteer wat opgeneem kan word in ’n woordeboek. Die bevindings het ook die komplekse funksies van tweetalige konkordansers ontknoop waar inligting oor kollokasies en veelvuldigewoord-eenhede, betekenisonderskeiding en gebruiksvoorbeelde maklik identifiseer kon word wat aandui dat hierdie metode viii doeltreffender is as die tradisionele metode. Die studie dra by tot die kennisveld van korpusgebaseerde leksikografie, standaardisering van finansiële terminologie, hulpbronontwikkeling en die ontwikkeling van gebruikersvriendelike woordeboeke wat doelgemaak is vir verskillende behoeftes van gebruikers. / Linguistics and Modern Languages / D. Litt. et Phil. (Linguistics (Translation Studies))

[pt] Esta tese apresenta uma análise de reescritas brasileiras dos contos de Charles Perrault, sob uma perspectiva diacrônica e sincrônica, com o objetivo de compreender as diferentes formas como os contos do autor francês do século XVII têm sido reescritos no sistema literário brasileiro. Publicada na França, em 1697, a obra Histórias ou Contos do tempo antigo com moralidades ou Contos de Mamãe Gansa, alçada posteriormente à categoria de clássico da literatura infantojuvenil, contém oito contos em prosa, seguidos de moralidades em verso ao final de cada narrativa: A Bela Adormecida no bosque, O Chapeuzinho Vermelho, Barba Azul, O Mestre Gato ou o Gato de Botas, As Fadas, A Gata Borralheira ou A Sapatilha de Vidro, Riquete do Topete e O Pequeno Polegar (títulos dos contos de acordo com a tradução de Mário Laranjeira). Nesses contos, ao mesmo tempo em que recupera histórias populares da oralidade, Perrault insere sua marca autoral, a moralidade em verso, comentário final do autor sobre a história contada em prosa. Considerando que as moralidades possuem uma dupla função - autoral e literária - esta pesquisa se volta para o estudo da transmissão dos contos no Brasil com foco nesse duplo aspecto: a questão da autoria e a questão da literariedade. Tendo como principal pilar teórico os Estudos Descritivos da Tradução e adotando a metodologia de Lambert e Van Gorp, o corpus objeto de análise é composto por reescritas (e seus paratextos) publicadas em livro, desde o momento inicial em que os contos surgem no sistema literário brasileiro, ao final do século XIX, até a contemporaneidade, com a mais recente reescrita publicada em 2016. São também examinados alguns metatextos, tais como cartas e entrevistas, que auxiliam na compreensão das propostas dos reescritores e editores das obras. A partir das noções de André Lefevere acerca de reescrita e patronagem, considera-se que reescritas exercem papel central para o estabelecimento e a manutenção de cânones literários e projetam imagens novas ou distintas de obras e autores, de acordo com concepções ideológicas e poetológicas dos responsáveis pelas publicações (reescritores, prefaciadores, editores). Portanto, esta tese propõe a adoção de uma linha de pesquisa para os estudos literários que atente para a centralidade do fator reescrita, quando são analisadas obras estrangeiras inseridas em sistemas literários alvo. Como será visto no caso de Perrault no Brasil, as reescritas mais recentes, com diferenças relevantes em termos literários em relação às reescritas mais antigas, projetam novas imagens da obra e do autor, possibilitando novas leituras por parte do público leitor contemporâneo. / [en] In this doctoral dissertation, Brazilian rewritings of Charles Perrault s tales are analysed from a diachronic and synchronic perspective with the aim of comprehending the different forms in which this seventeenth-century French writer s stories have been rewritten in the Brazilian literary system. Published in France in 1697, Stories or Tales of Bygone Times, with Morals or Tales of Mother Goose, which was later acknowledged as a classic of children s literature, contains eight tales in prose followed by morals in verse at the end of each narrative: The Sleeping Beauty in the Wood, Little Red Riding-Hood, Bluebeard, The Master Cat or Puss in Boots, The Fairies, Cinderella or The Little Glass Slipper, Ricky of the Tuft and Little Thumb (full translations of the titles from the French source text). In these tales, while drawing on popular stories from the oral tradition, Perrault inserts his trademark morals in verse, offering a final comment on the story told in prose. Considering that the morals have a twofold function - both authorial and literary - the transmission of the tales in Brazil is studied with a focus on this dual aspect: authorship and literariness. Taking Descriptive Translation Studies as the main theoretical perspective and adopting Lambert and Van Gorp s methodology, the corpus under analysis is composed of rewritings (and their paratexts) published in books, ranging from when the tales first appeared in the Brazilian literary system in the late nineteenth century to the current day, the most recent of which having been published in 2016. Some metatexts are also examined, such as letters and interviews, which are helpful for understanding the rewriters and editors objectives. Based on Andre Lefevere s theoretical work on rewriting and patronage, it is suggested that rewritings exert a central role in establishing and maintaining literary canons and project new or distinct images of works and authors, according to the poetological and ideological conceptions of the actors responsible for the publications (rewriters, preface writers, editors). Therefore, a proposal is made for the adoption of an approach for research in literary studies that takes account of the centrality of the rewriting factor, in analyses of foreign works in target literary systems. As seen in the case of Perrault in Brazil, the most recent rewritings, which differ significantly in literary terms from the older rewritings, project new images of the work and the writer, making new readings possible for a contemporary readership.

While translation can be studied with a view to throwing light on a number of aspects in life, in this thesis translation has been researched with a view to outlining the development of written Zulu from its earliest stages, using twelve texts of the Book of Matthew. The Book of Matthew has been chosen in this undertaking because it was the first book of the Bible to be translated into Zulu and was thought to be the most apposite instrument with which the development of written Zulu could be measured. The polysystem theory and the descriptive approach to translation studies are the theoretical models that inform the arguments presented in this study. Polysystem theory sees translated literature as a system operating in the larger social, literary and historical systems of the target culture, while with the descriptive approach translations are regarded as facts of the target culture. Against this premise the focus of this study is mainly on the twelve translations of the Book of Matthew and no comparisons between source and target texts are undertaken here. Corpus-based research provided tools such as WordSmith Tools 3.0 for linguistic analysis. Biblical texts were obtained, scanned and presented in electronic format ready to be analysed. From the findings drawn, written Zulu developed all the way through Bible translation, with some translations revealing slight developments and others showing enormous ones. As the findings of this study reveal, Zulu developed gradually, as evidenced by the change to conjunctive writing which occurred over a considerable period, along with the appropriate representation of Zulu speech sounds and grammar conventions. It could also be established at what point during the development of the language, processes such as consonantalisation and palatalisation were introduced into the written language. It is also clear that words of Greek and Hebrew origin were brought into the Zulu language through Bible translation. Furthermore, this study demonstrates that it is feasible to use corpus-based research for analysis in the indigenous languages of South Africa. / Linguistics and Modern Languages / D. Litt. et Phil. (Linguistics)

La presente tesi ha come scopo l’analisi della traduzione per il doppiaggio dell’umorismo costruito su argomenti tabù (quali ad esempio riferimenti al sesso, alla sessualità, all’obesità, al consumo di alcol e droghe) presente in quattro sitcom americane, nello specifico Friends, Will & Grace, How I Met Your Mother e 2 Broke Girls. In particolare, partendo dalla teoria della riscrittura proposta da Lefevere (1992,) la ricerca mira ad identificare casi di censura e manipolazione presenti nella traduzione in italiano dei suddetti testi audiovisivi. Con un approccio traduttivo descrittivo, i dialoghi trascritti dall’inglese sono stati confrontati con la loro traduzione in lingua italiana e i risultati dimostrano che censura e manipolazione all’interno della traduzione per il doppiaggio sono due fenomeni esistenti pur non essendo sempre possibile distinguere tra i due dal momento che non solo i vari specialisti coinvolti nel doppiaggio, quali traduttori, direttori del doppiaggio, doppiatori, adattatori, ma anche gli organi afferenti al patronato (Lefevere 1992) possono in qualche modo influire sull’atto traduttivo stesso. Un confronto diacronico tra le sitcom prese in esame dimostra tuttavia come fenomeni censori e manipolatori nella traduzione dell’umorismo tabù siano oggi in diminuzione rispetto al passato, probabile segno di una mutata ideologia nella cultura di arrivo. / The purpose of the present thesis is to analyse the translation for dubbing of humour based on taboo topics – such as, for example, references to sex, sexuality, obesity, alcohol and drug addiction – present in four American sitcoms, namely Friends, Will & Grace, How I Met Your Mother and 2 Broke Girls. Moving from the theory of rewriting introduced by Lefevere (1992), the present research aims to identify cases of manipulation and censorship in the Italian translation of the above-mentioned audiovisual texts. Following a descriptive translational approach, the English dialogues have been compared to their Italian translation. Results show that censorship and manipulation exist in the translation for dubbing even though it is not always possible to distinguish between the two. Indeed, not only the several specialists involved in the dubbing process, such as translators, dubbing directors, dubbing actors, adaptors, but also the powers linked to patronage (Lefevere 1992) can influence in several ways the translation process. However, a diachronic comparison of the analysed sitcoms demonstrates that censorial and manipulative phenomena in the translation of taboo humour are decreasing compared to the past, and this is probably due to a change in the receiving culture ideology.

This study is a critical analysis of translation-mediated Arabic news items on the “Arab Spring”. It explores the influence of social, historical, political, localic, and socio-ideological aspects of news translation via certain media agendas, by applying Critical Discourse Analysis (CDA) and qualitative descriptive methods in the analysis of the localised news items, interviews with translators, and a corpus of comments by the Arabic-speaking readership. The data analysed in this case study comprise a four-year (2010-2014) collection of news items that were localised by Al Jazeera and published on its website, as well as readers’ commentaries on said localisations, and interviews with two of Al Jazeera’s translators. Making use of this rich source of data, this study aims at finding answers for the questions: Are there discernible patterns in the translated texts? If so, how and for what purpose are they produced and re-produced through localisation in Al Jazeera’s translation-mediated Arabic news articles? Whose interests are served and whose interests are annulled by the reproduction and localisation processes? The three sets of data were thematically coded; then their most salient points and arguments were analysed. The localised news items were examined for clues to the localisation techniques, ideologies, and the agenda(s) of Al Jazeera. The readers’ comments were probed for the influence that the localised news items had on Al Jazeera’s target readership, and were examined to find out which of Al Jazeera’s ideologies resonate with which readers to form Al Jazeera’s target locale(s). The analysis of the interviews with Al Jazeera’s translators was undertaken with the aim of delineating the tasks of these translators, specifically to see to what extent journalism and translation meld, as suggested in much of the research done so far on translating news items. The tripartite analysis has provided a more comprehensive understanding of the processes involved in the production of translation-mediated news items as well as their effect on the readership. It also suggests relatively new insights into viewing the term localisation as a good alternative to acculturation in accounting for news translation. Within the umbrella of the social turn in translation studies (TS), this study suggests that current approaches to studying news translation question large-scale concepts such as culture and acculturation, and proposes they be replaced with the small-scale concepts of locale and localisation. Hence, this study suggests using localisation to extract and understand the underlying particulars of the processes involved in producing translation-mediated news items. The results of the analysis show that Al Jazeera ostensibly promulgates three major ideologies: anti-regimism, Islamistism, and pan-Arabism and embeds these ideologies in the messages it delivers to its target locales through the localised news items. The study concludes that Al Jazeera’s localisation techniques reflect the viewpoints of its benefactor the State of Qatar whose goal is to create a solipsistic identity that distinguishes it from its immediate rivalling neighbours within a dichotomy of the Same and the Other. These localisation techniques are driven by motives associated with the sociopolitical and sociohistorical circumstances of the founding of the State of Qatar and Al Jazeera.

Includes bibliographical references (leaves 185-194) / Underpinned by the premise that any text can be studied as a translation provided it is identified as such, this study theoretically uses Descriptive Translation Studies (DTS) to investigate English-Swahili healthcare texts. The aim of the study was to: identify, describe and analyse linguistic and cultural aspects in the texts; identify, describe, and analyse translation strategies used in the texts; and describe and analyse the use of illustrations in the texts. The study made use of Kruger and Wallmach’s (1997) analytical framework. The Tertium Comparationis of the study was descriptive terms, cohesive devices, translation strategies, division of texts, illustrations, text titles, and taboo words. On the linguistic aspects, the study’s main findings were: that the English texts use more descriptive terms than the Swahili texts; Swahili texts have a higher frequency use of references because it contains a number of derivational and inflectional morphemes; substitution is sparingly used whereas ellipsis is almost non-existent in Swahili texts in spite of its presence in the source texts; additive and causal conjunctions were the most prevalent in the texts; and inasmuch as there were no significant differences in the use of lexical cohesion in the ST and TT, Swahili texts were found to be more cohesive due to the slightly higher number of lexical items. Regarding the cultural aspects, it was found that translators use euphemism in the translation of words considered taboo and this informed the conclusion that there reigns the euphemism norm in Swahili texts. It equally emerged that strategies used to overcome non-lexicalisation include: use of pure loan words, use of pure loan words preceded by explanation, use of indigenised loan words, use of omission and translation by a more general word. On the other hand, translators used strategies of substitution, use of general words, paraphrasing and cultural substitution to translate words considered taboo. In addition, the study found that illustrations are used in more less the same way both in the ST and TT save for some slight modifications that are done in order to align them with the target culture expectations. Furthermore, the study theoretically effectuated four norms: explicitation norm, explicitness norm, euphemism norm, and illustration norm / Linguistics and Modern Languages / D. Litt.et Phil. (Linguistics)

Text has abstracts in English, Afrikaans and isiZulu / Translators give us access to texts written in other languages, yet they remain mostly invisible to us. The translator’s preface therefore becomes the most important paratext where their voices are heard and where the text is identified as a translation. Research on South African paratexts is scarce and the study contributes to filling this gap. The aim of this study was to explore the nature of South African translatorial prefaces by determining the characteristics, content and functions of the prefaces and describing how translators are visible in their prefaces. A qualitative study was done where Genette’s (1997) conceptual framework was fitted into the overarching theory of Descriptive Translation Studies, making use of thematic analysis as described by Braun and Clarke (2013) to analyse the data. The data consisted of 65 South African literary texts with translatorial prefaces, published between 1945 and 2016 in the official South African languages. The study found that South African translators are mostly invisible through the absence of translatorial prefaces, but when they do write prefaces, they become highly visible and write about a wide variety of topics that make their prefaces a rich documentary source of valuable information for readers, translation studies students and scholars. The study provides a foundation for further research on South African translatorial prefaces. Translatorial prefaces should be included in the curricula for Translation Studies students and in a multilingual country like South Africa, no translation should be without a preface. Translators are encouraged to write comprehensive prefaces that will increase their visibility and situate translations in the polysystem of South African literature. / Vertalers gee ons toegang tot tekste wat in ander tale geskryf is, maar tog bly hulle meestal onsigbaar vir ons. Die vertalersvoorwoord word dus die belangrikste teks waar hul stemme gehoor kan word en waar die teks as ’n vertaling geïdentifiseer kan word. Navorsing oor Suid-Afrikaanse parateks is skaars en die studie dra daartoe by om hierdie leemte te vul. Die doel van die studie was om die aard van Suid-Afrikaanse vertalersvoorwoorde te ondersoek deur die kenmerke, inhoud en funksies van die voorwoorde te bepaal en te beskryf hoe vertalers sigbaar is in hulle voorwoorde. ’n Kwalitatiewe studie is gedoen waar die konseptuele raamwerk van Genette (1997) in die oorkoepelende teorie van Beskrywende Vertaalstudies toegepas is, met behulp van tematiese analise soos beskryf deur Braun en Clarke (2013) om die data te ontleed. Die data bestaan uit 65 Suid-Afrikaanse letterkundige tekste met vertalersvoorwoorde, wat tussen 1945 en 2016 in die amptelike Suid-Afrikaanse landstale gepubliseer is. Die studie het bevind dat Suid-Afrikaanse vertalers hoofsaaklik onsigbaar is deur die afwesigheid van vertalersvoorwoorde, maar wanneer hulle wel voorwoorde skryf, word hulle hoogs sigbaar en skryf hulle oor ’n wye verskeidenheid van onderwerpe wat hul voorwoorde ’n ryk dokumentêre bron van inligting vir lesers, studente in vertaalstudies en vakkundiges maak. Die studie bied ’n basis vir verdere navorsing oor Suid-Afrikaanse vertalersvoorwoorde. Vertalersvoorwoorde behoort opgeneem te word in die kurrikula van vertaalstudie studente en in ’n veeltalige land soos Suid-Afrika behoort geen vertaling sonder ’n vertalersvoorwoord te wees nie. Vertalers word aangemoedig om omvattende voorwoorde te skryf wat hul sigbaarheid sal verbeter en hul vertalings in die polisisteem van Suid-Afrikaanse letterkunde sal plaas. / Abaguquli beelwimi basenza sikwazi ukufikelela kwiimbalo ezifumaneka ngezinye iilwimi, kodwa bahlala befihlakele kuthi. Iimbulambethe zabaguli zilwimi ngoko ke ziba yingcaciso ebaluleke kakhulu ethi ibaveze ivakalise amazwi abo, kwaye yenza iimbalo ezo zibe nokuphawulwa okanye zichazwe njengeenguqulelo. Uphando malunga neembulambethe okanye iingabulazigcawu eMzantsi Afrika lunqabile kungoko olu phando lunegalelo ekuvaleni esi sikhewu. Injongo yolu phando kukuphonononga ubume beembulambethe zeenguqulelo ezifumaneka eMzantsi Afrika ngokufumanisa iimpawu zazo, umxholo kunye nemisebenzi yeembulambethe, kwakunye nokuchaza indlela abazibonakalisa ngayo abaguquli kwiimbulambethe zabo. Kwenziwe uphando lohlobo oluchazayo (qualitative), apho kuysetyenziswe inkqubosikhokelo yengqiqo kaGenette (1997) ndawonye nethiyori esisikhokelo yeziFundo zoGuqulo loLwimi eziChazayo (Descriptive Translation Studies), nolusebenzisa uhlahlelo lwethematiki njengoko luchaziwe nguBraun noClarke (2013) ekuhlalutyeni idatha. Idatha iqulathe iimbalo zoncwadi ezingama-65 zaseMzantsi Afrika ezineembulambethe zeenguqulelo ezapapashwa phakathi konyaka ka-1945 no-2016 ngeelwimi ezisemthethweni eMzantsi Afrika. Olu phando lufumanise ukuba abaguquli beelwimi ikakhulu, ababonakali ngenxa yokungabikho kweembulambethe zezi nguqulelo, kodwa xa bathe bazibhala iimbulambethe, bayabonakala kakhulu kunjalonje batsho babhale ngenqwaba yezihloko ezahlukeneyo nezenza iimbulambethe zabo zibe ngamaxwebhu angoovimba abaqulethe ubutyebi bolwazi olubalulekileyo kubafundi zincwadi, abafundi bezifundo zoguqulo kunye nezifundiswa. Olu phando lwakha isiseko solunye uphando olunokwenziwa ngeembulambethe zeenguqulelo zaseMzantsi Afrika. Ngolu phando kuhlatyw’ ikhwelo lokuba iimbulambethe zeenguqulelo zibe yinxalenye yekharityhulam yabafundi beziFundo zoGuqulo kananjalo, kwilizwe elineelwimi ngeelwimi njengoMzantsi Afrika, makungabikho nguqulelo ingenambulambethe. Abaguquli bayakhuthazwa ukuba babhale iimbulambethe ezityebileyo eziya kubatyhila ngakumbi babonakale kubafundi neziya kubeka iinguqulelo kwisixokelelwano soluhlu loncwadi lwaseMzantsi Afrika. / Linguistics and Modern Languages / M.A. (Linguistics)

Music videos have been published on YouTube since the site’s creation in 2005. However, on-demand subtitles for music videos are a relatively recent phenomenon. As fans can now understand lyrics in a language that is not their own, by using translated subtitles, artists have the possibility of reaching a wider international audience than ever. This qualitative study aims to fill a gap in translation studies by examining the translation of French song lyrics into English in the subtitles of music videos on YouTube. The study poses the following questions: how are specific linguistic features that are characteristic of song lyrics translated in the subtitles of music videos? What is the overall effect of these translations – is there a loss of meaning or of style once the lyrics have been translated? What are the particularities of this medium of translation?  The corpus consists of 14 music videos published on YouTube within the last decade. All 14 pop/hip-hop songs examined are performed in French and subtitled in English. The study gives an overview of the translation techniques used in the English subtitles on French music videos, by examining both the methods used to translate songs as well as the strategies used by subtitlers to translate specific linguistic features. The linguistic features examined through comparative text analysis are phonetic (assonance, alliteration, rhyme, and language play), socio-cultural (linguistic register, cultural references, and idiomatic expressions including slang), and grammatical.  This thesis begins with an interrogation of previous research on audiovisual and song translation, including an examination of taxonomies of subtitling strategies. These taxonomies are applied to the under-examined context of YouTube music videos, following the paradigm of Descriptive Translation Studies.  Through a descriptive analysis of the pairs of source-language and target-language linguistic features, the study found that translation strategies were varied, and could result in a tension between the prioritisation of stylistic elements over the original meaning of the lyrics. The results confirmed a lack of standardised conventions for subtitled translations on YouTube, and certain markers of this digital, community-oriented medium were present, where they might not be found in more conventional arenas of audiovisual translation.