Submitted by Silvana Teresinha Dornelles Studzinski (sstudzinski) on 2016-08-22T19:26:32Z No. of bitstreams: 1 Vanessa de Oliveira Bernardi_.pdf: 856516 bytes, checksum: af8c7978683b7dce5f35c4a6b769a1d5 (MD5) / Made available in DSpace on 2016-08-22T19:26:33Z (GMT). No. of bitstreams: 1 Vanessa de Oliveira Bernardi_.pdf: 856516 bytes, checksum: af8c7978683b7dce5f35c4a6b769a1d5 (MD5) Previous issue date: 2016-06-27 / Nenhuma / Diante da concorrência de jurisdição entre dois ou mais países herdadas das facilidades advindas da globalização, o presente trabalho possui o objetivo de responder, principalmente a dois questionamentos: a) é possível à adoção da doutrina do forum non conveniens como um princípio comum a fim de harmonizar as normas de processo civil e evitar a ocorrência da litispendência internacional e do forum shopping; b) até que ponto o Instituto Internacional para Unificação do Direito Privado (UNIDROIT) e a Conferência de Haia sobre Direito Internacional Privado (HCCH), principais órgãos unificadores processuais, são adequados para, ao mesmo tempo, garantir um pluralismo jurídico e assegurar uma aproximação entre os diferentes sistemas. Assim, o estudo apresenta a teoria do pluralismo ordenado proposta pela jurista francesa Mireille Delmas-Marty, onde destaca-se a noção de mundialização do Direito e um certo número de técnicas para a coordenação de diferentes sistemas legais, tais como a Coordenação por entrecruzamento, da Harmonização por Aproximação e da Unificação por Hibridação. Num segundo momento, serão abordados os dois principais problemas decorrentes da concorrência de jurisdição; o forum shopping e a litispendência internacional. Ao final, serão estudados dois órgãos de unificação do Direito Internacional Privado, o UNIDROIT e a HCCH com a finalidade de averiguar se o método de trabalho utilizado pelos órgãos respeita a pluralidade jurídica existente. Por último, estudar-se-á a doutrina do forum non conveniens, a fim de analisar a possibilidade de inserção desta como um meio de harmonizar as normas processuais, abordando-se, também as alterações propostas à doutrina pela House of Lords Inglesa, a qual demonstra uma maior possibilidade de ser adotada como um princípio comum, avaliando-se se esta seria capaz de respeitar o pluralismo jurídico existente. A metodologia utilizada neste trabalho foi de natureza qualitativa, utilizando-se principalmente um levantamento bibliográfico, de jurisprudências nacionais e a análise de casos provenientes do sistema jurídico do common law. / Considering the competing jurisdiction of two or more countries arising from the conveniences brought by globalization, the present research is intended to answer mainly two questions: (i) it is possible to adopt the forum non conveniens doctrine as a common principle to harmonize the rules of civil procedure and prevent the occurrence of international lis pendens and forum shopping; (ii) to which extent the International Institute for the Unification of Private Law (UNIDROIT) and the Hague Conferences on Private International Law (HCCH), the two major procedural unifying institutions, are suitable to ensure legal pluralism and bring different systems closer at the same time. Thus, firstly the study presents the ‘ordered pluralism theory’ proposed by the French jurist Mireille Delmas-Marty, which comprises the idea legal internationalization and a number of techniques for coordinating differing legal systems such as ‘inter-crossing’, ‘harmonization through proximity’ and ‘unification through hybridization’. Subsequently, the two main problems arising from competing jurisdiction – forum shopping and the international lis pendens – will be addressed. Then, the two unification institutions of private international law before mentioned – UNIDROIT and HCCH – will be studied to determine whether the working method used by such bodies respect the existing legal pluralism. At the end, the doctrine of forum non conveniens will be discussed so that the possibility of including it as a means of harmonizing the existing procedural rules is examined. For this matter, the alterations proposed by the English House of Lords will be assessed in order to confirm that they respect the existing legal pluralism, as they indicate a greater chance for the forum non conveniens doctrine being adopted as a common principle. The methodology used in this research is of a qualitative nature, mainly basing itself on specialized literature, national jurisprudence and on common law case studies.

I den här undersökningen har vi tagit del av diskussioner på två nätforum. Det ena är Flashback, ett privat, kommersiellt och mer eller mindre icke-kontrollerat forum. Det andra är Soctanterna på nätet, som drivs av Malmö stad och inom vilket professionella socialsekreterare verkar. Vårt material består av trådar där unga beskriver och diskuterar problem med den egna psykiska hälsan och som därför har sökt hjälp på dessa forum. I studien jämförs de två forumen med utgångspunkt i forumets kontroll, vertikal och horisontell dialog, samt den professionella ansatsen som Soctanterna på nätet har, respektive den icke-professionella ansatsen som förekommer på Flashback. Undersökning är alltså komparativ och syftar till att belysa möjligheter och hinder för självhjälp på internet. För att analysera materialet har vi använt innehållsanalys, och konstruerat ett kodningsschema. Det resultat som framträder är att kontrollen på det professionella forumet Soctanterna på nätet begränsar samtalet och påverkar hur kunskap förmedlas, men också att den kontroll som där finns medför en trygghet i dialogen. Professionalitet skapar en kärnfull kunskap i ett mer vertikalt samtal medan icke-professionalitet, vilket gäller Flashback, kan ge en erfarenhetsbaserad kunskap i ett horisontellt samtal. En risk som framträder på det icke-professionella forumet är bristande struktur.

<p>The courts international juristiction within the European union is regulated by the Brussels I Regulation. Article 2.1 of the Brussels I Regulation contains the fundamental provision. According to this Article the plaintiff shall submit an action where the defandent is domiciled. The Regulation provides exemptions to the this provision in Article 2.1.</p><p>The court of the international case can also be determined according to Article 5 (1) of the Brussels I Regulation. This Article contains an alternative to the general provision within Article 2.1. Article 5 (1) is applicable when the dispute is based on an agreement between the parties. The Article is justified because of the close link between the contract and the court of the place where the contract was, or is to be, performed. Article 5 (1) b of the Brussels I Regulation contains a uniform definition of the place of performance, if the agreement consists of contracts for the sale of goods and the provisions of services.</p><p>The European Court of Justice in the cases Color Drack, Peter Rehder, Car Trim and Wood Floor interprets the place of performance. In paragraph 18 of the Color Drack-case the ECJ establish that the place of performance shall be “interpreted in the light of the origins, objectives and scheme of that regulation”. The ECJ follows these principles in the interpreting of the cases Peter Rehder, Car Trim and Wood Floor. This essay analyzes the above-mentioned rulings in order to investigate the impact of The ECJ rulings in Car Trim and Wood Floor for the application of Article 5 (1) b of the Brussels I Regulation.</p><p> </p>

Bakgrund: Konstruktioner av ensamkommande barn har undersökts till viss del. Föreställningar om barnen i bland annat medier och policydokument har studerats. Hur barnen konstrueras inom en "vardagskontext", i form av ett öppet diskussionsforum online (Flashback Forum), och hur konstruktioner däri görs trovärdiga, bedöms eftersatt. Syfte: Syftet med föreliggande studie var att identifiera olika inom Flashback Forum förekommande diskurser kring ensamkommande barn, med avseende på deras retoriska organisering. Med diskurs avsågs ett sätt att tala om och förstå världen som konstruerar ett objekt eller företeelse på ett särskilt sätt. Metod: För att besvara syftet användes en diskurspsykologisk ansats vilken fokuserar på hur trovärdighet och sanning skapas i kommunikation. Utifrån en teoretisk modell, innefattande de fyra retoriska teknikerna category entitlement, empirisk repertoar, konsensus och extremfallsformuleringar, undersöktes hur skribenter på forumet skapade sanning och bemötte andras föreställningar om barnen. Resultat: Resultatet visade att ensamkommande barn omges av diskurserna de vuxna, barnen, våldtäktsmännen, de särbehandlade, de sexuellt utsatta samt diskursen om de biologiskt manliga könet. Diskurserna användes parallellt i talen och underbyggde argumenteringar på forumet. Skribenterna använde de studerade retoriska teknikerna för att skapa trovärdighet i uttalanden. Med särskilda uttrycksformer skapades fakta om ensamkommande barn. / Background: Constructions of unaccompanied children have been researched to some extent. Concepts of the children have been studied in media and policy documents amongst others. How the children are constructed within an "everyday context", in form of an open online discussion forum (Flashback Forum), and how the constructions become credible, are regarded as under-researched. Aim: The aim of the present study was to identify different discourses concerning unaccompanied children on the Flashback Forum, with regard to their rhetorical organization. Discourse is meant as a way to talk about and understand the world that constructs an object or phenomenon in a particular way. Method: To answer the aim, a discursive psychological approach was used, which focuses on how credibility and truth are created in communication. Based on a theoretical model, including the four rhetorical techniques category entitlement, empirical repertoire, consensus and extreme case formulations, it was examined how the writers at the forum created truth and responded to others' beliefs about the children. Result: The results showed that unaccompanied children are surrounded by the discourses: the adults, the children, the rapists, the special treated, the sexually vulnerable and the discourse of the biologically male sex. Discourses were used in parallel in the speeches and to back up arguments at the forum. The writers used the studied rhetorical techniques to build credibility in the statements. With specific expression, facts about unaccompanied children were created.

The courts international juristiction within the European union is regulated by the Brussels I Regulation. Article 2.1 of the Brussels I Regulation contains the fundamental provision. According to this Article the plaintiff shall submit an action where the defandent is domiciled. The Regulation provides exemptions to the this provision in Article 2.1. The court of the international case can also be determined according to Article 5 (1) of the Brussels I Regulation. This Article contains an alternative to the general provision within Article 2.1. Article 5 (1) is applicable when the dispute is based on an agreement between the parties. The Article is justified because of the close link between the contract and the court of the place where the contract was, or is to be, performed. Article 5 (1) b of the Brussels I Regulation contains a uniform definition of the place of performance, if the agreement consists of contracts for the sale of goods and the provisions of services. The European Court of Justice in the cases Color Drack, Peter Rehder, Car Trim and Wood Floor interprets the place of performance. In paragraph 18 of the Color Drack-case the ECJ establish that the place of performance shall be “interpreted in the light of the origins, objectives and scheme of that regulation”. The ECJ follows these principles in the interpreting of the cases Peter Rehder, Car Trim and Wood Floor. This essay analyzes the above-mentioned rulings in order to investigate the impact of The ECJ rulings in Car Trim and Wood Floor for the application of Article 5 (1) b of the Brussels I Regulation.

Cette recherche explore le Théâtre-forum comme support méthodologie d’un espace délibératif pour discuter des tensions sociales liées à la coprésence au centre-ville de Montréal entre des personnes en situation de rue et leurs voisins domiciliés. L’argument au cœur de la problématique repose sur les taches aveugles de la délibération: dans les forums de quartier, les inégalités sociales se traduisent par des inégalités délibératives au désavantage des personnes sans adresse en défaut d’autorité épistémologique en raison de leur statut; ces inégalités délibératives reproduisent le déni de reconnaissance qui traverse l’expérience relationnelle de ces personnes. Le Théâtre-forum est issu du Théâtre de l’opprimé : une pratique d’intervention théâtrale conçue par Augusto Boal durant la dictature au Brésil comme dispositif émancipateur pour les groupes opprimés. Le Joker incite les membres de l’auditoire à devenir Spect-acteurs par les remplacements du protagoniste, et ce, afin de surmonter son oppression. Ainsi, cette projection dans les chaussures du protagoniste-itinérant facilite-t-elle ce passage de l’indignité à la reconnaissance pour les personnes en situation de rue? L’échange théâtral peut-il ouvrir la voie vers la reconstruction d’un lien intersubjectif entre personnes sans adresse et domiciliés, intersubjectivité qui au cœur-même des vertus délibératives et des principes fondateurs défendus par les théoriciens de la reconnaissance comme Honneth et Renault? / Inspired by the democratic virtues of public deliberation but preoccupied with its blind spots, this research explores Forum Theatre as a deliberative medium to initiate discussion about the social tensions which underscore copresence between the homeless and other dwellers of public space in downtown Montreal. Indeed, we argue that in neighborhood forums social inequalities lead to deliberative ones for the homeless who lack epistemological authority due to their status, thereby reproducing the denial of recognition they endure as pariahs of public space. Forum Theatre stems from Theatre of the Oppressed which was initiated by Augusto Boal during the Brazil dictatorial regime as a revolutionary practice for the oppressed. It is premised on active audience engagement whose members are encouraged by the Joker to become Spect-Actors by replacing the protagonist in order to overcome his oppression. As such, can stepping inside the shoes of the homeless protagonist thru character replacement facilitate a passage from indignity to recognition for the latter? In other words, can a theatrical exchange create a space of intersubjectivity between the homeless and their domiciled neighbours? After all, the virtues of deliberation, not to mention the principles defended by recognition theorists like Honneth and Renault, both rest on intersubjectivity.

Thesis (MPhil)--University of Stellenbosch, 2006. / Includes bibliographical references. Also available via the Internet.

Orientador: Thomas Patrick Dwyer / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-12T07:29:44Z (GMT). No. of bitstreams: 1 Almeida_Fernandade_M.pdf: 2533063 bytes, checksum: 3f592139e58206d9bc97868396ea45bc (MD5) Previous issue date: 2008 / Resumo: Observando o Fórum Social Mundial (FSM) como um sujeito político que se utiliza da lógica das redes sociais para se organizar, a presente pesquisa procurou analisar sua rede lançando mão das ferramentas de Análise de Redes Sociais, de modo a melhor perceber os entraves à relação entre o local e o global intrínseco ao FSM, procurando respostas sobre os motivos para que grandes redes globais se fragmentem em redes locais, regionais ou nacionais. A hipótese que norteou essa pesquisa sugeria a existência de uma combinação entre dois elementos que conduziam à fragmentação nas redes globais, e que, permitiriam que a mesma assumisse um caráter local, mas se relacionasse globalmente com as demais. Desta forma as agendas temáticas e as movimentações do FSM via fóruns regionais e temáticos foram problematizadas a partir da relação local/global e permitiram constatar um padrão de relacionamento estruturador das relações na "sociedade civil global". Finalmente, através da operacionalização dos conceitos de "flexibilização" e "tradução" nas agendas das organizações que compõem a rede do FSM percebeu-se um movimento de fragmentação espontânea do Fórum assegurando assim a sua continuidade e não a extinção, como se acreditava inicialmente. Esse movimento foi, portanto, confirmado com a observância de um processo de reprodução e constante adequação de agendas e contextos de modo a envolver a sociedade civil sob bandeiras de trabalho aproximadas entre si, sugerido quase como uma reprodução do mesmo em distintas escalas. / Abstract: By observing the World Social Forum (WSF) as a political entity that uses the social network logic to organize itself, this research sought to analyze its network by employing Social Networks Analysis tools in order to better understand the barriers imposed to the relationship between the local and global aspects intrinsic to the WSF, searching for answers to the reasons for which large global networks are fragmented in local, regional or national ones. The hypothesis that guided this research suggested the existence of a combination of two factors leading to the fragmentation of global networks and that consequently would allow them to assume a local character, yet globally dealing with their counterparts. Bearing that in mind, both the thematic agenda and the movements of the WSF over regional forums were problematized from the perspective of a local/global relationship, enabling the establishment of a pattern that structures the relations in the "global civil society." Finally, a spontaneous fragmentation movement of the Forum was observed through the operation of the "flexibility" and "translation" concepts on the agenda of the organizations that comprise the WSF, thus ensuring its continuity rather than its extinction, opposing previous belief. This movement was thus confirmed through the observation of a reproduction process and a constant adaptation of the agenda and its contexts such that the the civil society is embraced in closely related ideas of action, mostly suggesting a reproduction of the same in different scales. / Mestrado / Cultura e Politica / Mestre em Ciência Política

The thesis deals with the optimal choice of competitive strategy for the company Sulko. The work consists of an analysis of the company´s current state, the theoretical background and the proposal part. The part of thesis analyzing the company´s current state focuses on whether the company has a competitive strategy and strategic goals set. The theoretical part describes the issue of competitive strategy, the process of strategy formation and competitive advantages. The third part includes the comparison of Sulko to the top ten competitors at the market and also there is a practical example of all companies´ responses to customer´s demand for a product. Finally, the optimal competitive strategy is determined.

Dans le contexte actuel de globalisation et de développement des nouvelles technologies, notamment internet, les modes d’appropriation des œuvres culturelles sont devenus de plus en plus faciles mais aussi variés et complexes. Cette thèse traite des modes d’appropriation des films français en Chine, et étudie trois terrains de recherche : les sous-forums des films Le Fabuleux destin d’Amélie Poulain et de La grande vadrouille sur Tieba et le sous-forum des Cahiers du cinéma sur Douban. Nous avons étudié deux types principaux des passionnés culturels : fan et amateur. Le premier est souvent lié aux films grand public. Les fans manifestent une série de caractéristiques dans l’appropriation des films : l’engouement pour leur objet culte, le désir de partager et de communiquer, créativité, collectivité, etc. Le film peut intervenir directement dans leur vie quotidienne à travers l’imitation et la copie des éléments ou des personages. Lorsqu’on parle des films d’auteur, nous avons trouvé que le terme « amateur » est plus approprié pour déterminer leurs publics. Ils déclarent souvent leur admiration d’une manière plus ‘discrète’. Ils s’intéressent souvent plus aux idées des réalisateurs ou aux techniques de la production du film qu’aux acteurs ou personnages du films et possèdent généralement de bonnes connaissances dans le domaine culturel. Voir les films d’auteur est aussi un moyen pour eux d’accumuler les capitaux culturels. Les deux postures ne sont pas conflictuelles. Certains amateurs construisent aussi des communauté et cherchent à partager et communiquer avec les gens qui ont les mêmes passions qu’eux. Cette complexité est encore plus évidente dans le cadre international. D’un certain point de vue, le visionnement des films français est devenu un acte distinctif pour certains publics chinois. Et l’appropriation des films français peut satisfaire un désir d’être plus ‘cultivés’. Ce travail vise à ouvrir de nouvelles perspectives dans les recherches sur l’appropriation des oeuvres culturelles. / In the current context of globalization and the development of new technologies, especially the internet, the modes of appropriation of cultural works have become easier but also more varied and complex. This thesis discusses the modes of appropriation of french films in China by studying on three areas of research: the subforums of Le fabuleux destin d'Amelie Poulain and La grande vadrouille on Tieba, and the subforum of Cahiers du cinema on Douban. We studied two main types of cultural enthusiasts: fan and amateur. The first is often linked to the popular films. The fans show a series of characteristics in the appropriation of movies: the passion for their cult object, the desire to share and communicate creativity, community, etc. The film can be directly involved in their daily lives through the imitation of elements or personages in the film. When we talk about “auteur cinema”, we found that the term "amateur" is more appropriate to determine their audiences. They often express their admiration in a more discrete way. For example, they are often more interested in the ideas of directors or the technical of production of the films than in the actors or characters. They usually have good knowledge in the cultural field: literature, film or art. Seeing the “auteur movies” is also a way for them to accumulate cultural capital. However, the two positions are not in conflict. Some ‘amateurs” also show a community which is manifested in their collective communications. This complexity is even more evident in the international background. In some ways, viewing the french movies has become a distinctive act for certain chinese audiences. So the appropriation of french films satisfy a desire to be more 'cultivated'. This work aims to open up some new perspectives in the research on the appropriation of cultural works.