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Zum Verhältnis von Text und Musik in Luigi Nonos Das atmende KlarseinJunker, Joachim 28 October 2024 (has links)
No description available.
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Science as narrative : Alan Sokal's critique of postmodernismKrueger, Anton Robert 01 1900 (has links)
Alan Sokal has questioned the postmodern assertion that 'science is ... a "myth'', a "narration" ... a "social construction'" (1998: x). This dissertation examines his reasons for rejecting this allegedly postmodern declaration. Firstly, it suggests that the basis for Sol'1ll's contention that a 'true' world exists beyond one's awareness of it extends to an attack on modem philosophy, and is not limited to its postmodern component. Then, it describes defences of the 'linguistic construction' of science as thinly veiled attempts at emulating scientific discourses. In a more speculative vein, the dissertation goes on to evaluate claims made against science in terms of its connection to warfare; its insensitivity to mythology, and its generally misdirected values. It is in terms of value that the dissertation detects an analogous relationship between the discourses of mythology and science. Finally, a playful 'postmodern' reading is attempted of Sol'1ll's use of fiction in establishing the truth of his assertions. / English Studies / M.A.(English)
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Dostoiévski e a dialética: fetichismo da forma, utopia como conteúdo / Dostoevsky and dialectics: fetishism of form, utopia ascontentVassoler, Flávio Ricardo 11 December 2015 (has links)
Esta tese tem como objetivo a análise e interpretação do sentido histórico, estético, político e literário das tensões dialéticas expostas na obra do escritor russo Fiodor Dostoiévski. Na primeira parte (tese), Dostoiévski e o fetichismo da forma mercadoria, a análise da obra de Dostoiévski nos leva às tensões e às afinidades eletivas que enredam duas vertentes: a polifonia proposta pelo crítico russo Mikhail Bakhtin (1895-1975), em Problemas da Poética de Dostoiévski (1929/1963), e a dialética materialista, sobretudo a partir da Teoria Estética (1968), do autor frankfurtiano Theodor Adorno (1903-1969). Trata-se de totalizar as aporias do concerto polifônico, de modo que, dialeticamente, o transcurso analítico desvele a mimese imanente da forma mercadoria como o sentido histórico-tautológico da forma dostoievskiana, sobretudo a partir de Memórias do Subsolo (1864). Na segunda parte (antítese), O conteúdo em Dostoiévski como a cicatrização do espírito rumo à utopia?, procuramos estruturar a filosofia da história que transpassa a obra do escritor russo. Os diálogos dostoievskianos envolvendo socialismo e cristianismo nos fazem correlacionar as discussões estabelecidas nesse sentido em Recordações da Casa dos Mortos (1862), Notas de Inverno sobre Impressões de Verão (1863), Memórias do Subsolo (1864), Crime e Castigo (1866), O Idiota (1869), Os Demônios (1872) e, fundamentalmente, em dois capítulos de Os Irmãos Karamázov (1879): A Revolta e O Grande Inquisidor. Ao fim e ao cabo e como um prenúncio de superação (Aufhebung) o conteúdo dostoievskiano da história como o movimento dialético rumo à utopia nos faz colocar em diálogo o conto O sonho de um homem ridículo (1877) com o conceito de cicatrização do espírito, que o filósofo alemão Georg Wilhelm Friedrich Hegel (1770- 1831) desenvolve em sua Filosofia da História (1837). / The aim of this dissertation is to analyse and interpret the historical, aesthetic, political and literary meaning of the dialectical tensions exposed in the work of the Russian author Fyodor Dostoevsky. On the first part (thesis), Dostoevsky and the Fetishism of Commodity Form, the analysis of Dostoevskys work takes us to both tensions and elective affinities which intertwine two perspectives: polyphony, as it is proposed by the Russian critic Mikhail Bakhtin (1895-1975), in Problems of Dostoevskys Poetics (1929/1963), and materialist dialectics, mainly from the Aesthetic Theory (1968), by the German author Theodor Adorno (1903-1969). The aim is to totalize the polyphonic concerts aporias, so that the analysis dialectically unveils the immanent mimesis of commodity form as the historical and tautological meaning of Dostoevskys form, mainly from Notes from Underground (1864). On the second part (antithesis), Dostoevskys Content as the Healing of the Spirit towards Utopia?, we try to structure the philosophy of history which is established through the authors work. Dostoevskys dialogues which intertwine socialism and Christianity make us correlate the discussions which are established in Memoirs from the House of the Dead (1862), Winter Notes on Summer Impressions (1863), Notes from Underground (1864), Crime and Punishment (1866), The Idiot (1869), The Devils (1872) and, essentially, in two chapters of The Brothers Karamazov (1879): The Revolt and The Grand Inquisitor. Finally and as a harbinger of an overcoming (Aufhebung) Dostoevskys content of history as a dialectical movement towards utopia makes us put into dialogue the short story The dream of a ridiculous man (1877) with the concept of healing of the spirit, which the German philosopher Georg Wilhelm Friedrich Hegel (1770-1831) develops in his Philosophy of History (1837).
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十四、十五世紀朱子學的流傳與演變: 以《四書五經性理大全》的成書與思想反應為中心. / 以四書五經性理大全的成書與思想反應為中心 / 十四十五世紀朱子學的流傳與演變 / Spread and evolution of Neo-Confucianism in the 14th and 15th centuries: a study on the Sishu Wujing Xingli Daquan's formation and intellectual reactions / Study on the Sishu Wujing Xingli Daquan's formation and intellectual reactions / CUHK electronic theses & dissertations collection / Shi si, shi wu shi ji Zhuzi xue de liu chuan yu yan bian: yi "Si shu wu jing xing li da quan" de cheng shu yu si xiang fan ying wei zhong xin. / Yi Si shu wu jing xing li da quan de cheng shu yu si xiang fan ying wei zhong xin / Shi si shi wu shi ji Zhuzi xue de liu chuan yu yan bianJanuary 2012 (has links)
本文以明初官定程朱理學讀本《四書五經性理大全》的成書和思想反應為中心,旨在探討朱子學在14、15世紀流衍、官學化乃至自我更新的過程。作為士人參加科舉考試的必讀之書,《四書五經性理大全》原則上締造著明代士人的思維結構乃至行事方式,成為他們為學從政的依據和根基。全文主要分為三個部份:第一部份重點討論此書萌生於14世紀的主要學術背景,指出它是在元代浙江、江西、徽州三地朱子學並競發展的多元化局面中醞釀而生的。第二部份首先檢討了明初洪武、永樂兩朝帝王一脈相承卻又有不同的理學取態。同樣尊信理學可以幫助治國,太祖樂於以務實態度來修正和完善朱子學並顯現出他淩駕於道統的情形,而明成祖則將程朱理學視作其政權合法性的依據進而操縱了儒家道統,《大全》正是在明初政治文化微妙而重大轉變中應運而生的。本文接著考察了《大全》的編纂、取材與影響,從中指出編纂地選在北京對成祖遷都部署的配合作用,並分析《大全》內容取材的地域特色,及此特色所受敕撰要求、書籍流通、人事安排等因素的影響;統計其刊行情況以證實《大全》地位在有明一代從未被動搖,在晚明乃至成為商業出版中有利可圖的公共文化資源的情形。本文第三部份重點以15世紀持續出現的多種《大全》反應性著作為分析對象,從中觀察《大全》被作為舉業的讀本、行道的載體、救正時弊乃至變革士人思想的必由取徑,而在地方學官、著名儒者以及土木之變後學者型官員中引發的激烈迴響和對其批評、質疑、修正的相應行動。透過這些討論,本文期望檢討14世紀朱子後學的多元化發展與並競局面、明初帝王的理學取態對於明初理學的官學化進程的實際影響,以及15世紀的菁英士大夫如何運用“統一“後的理學學說來應對現實危機與朱子學發展困境等議題。 / This dissertation studies the formation of and intellectual responses to the Sishu Wujing Xingli Daquan( Great Compendia of the Four Books, Five Classics and Human Nature and Heavenly Principle), which were compiled in the Yongle period (1403-1424), in the context of the spreading and self renewal of Zhu Xi’s philosophical school in the fourteenth and fifteenth centuries. As must-read books for the imperial examinations, the Compendia affected Ming scholars’ mode of thinking and their way of doing things. They also formed the basis of their classical learning and political participation. / The study begins with an analysis of the intellectual background of the Compendia in the fourteenth century. It points out that there were three types of development and competition patterns of Yüan Neo-Confucianism in Zhejiang, Jiangxi and Huizhou. / The research then reviews the important changes of attitude from the Hongwu emperor to the Yongle emperor towards Neo-Confucianism. Although both emperors believed that Neo-Confucianism could help them better govern the country, the Hongwu emperor was keen to see revisions of Zhu Xi’s classical exegesis. To meet his realistic needs he even ignored the Neo-Confucian orthodoxy. The Yongle emperor, however, used Neo-Confucianism as the basis of his political legitimacy and thus manipulated the Neo-Confucian orthodoxy. / This study also discusses the process of compilation, selection of material and Ming editions of the Compendia. It finds that the whole set was compiled in Beijing to parallel the policy of moving the capital from Nanjing to Beijing. It points out that the Compendia are mainly based on the works written by Yüan scholars from Huizhou prefecture, and for a number of reasons: requirement of the Yongle emperor, good circulation of books or classical commentary in late Yüan and early Ming Huizhou area, and arrangement of the editorial personnel. Finally, I analyze the editions of the Compendia published throughout the Ming dynasty to show the reception of them and to confirm its popularity in commercial publishing in the late Ming period. / By focusing on the views of scholars in the fifteenth Century who wrote their books in response to the Compendia, I show how school teachers, Confucian thinkers, and scholar-officials after the Tu-mu incident of 1449 saw the Compendia as teaching materials, vehicle for driving daoxue learning, a way to solve the problems of their times, but also subjected them to criticism, questioning and revision. / This then reveals the influence of the state-sanctioned Cheng-Zhu of Neo-Confucianism and its decline in the course of 14th and 15th centuries. The challenges the school faced in the 15th century formed the background of the marked shift to another approach of Confucian learning in the next century best represented by Wang Yangming. / Detailed summary in vernacular field only. / 朱冶. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references (leaves 275-293). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Zhu Ye. / 目錄 --- p.1 / Chapter 第一章 --- 緒論 --- p.5 / Chapter 一、 --- 元代朱子學研究的回顧與展望 --- p.6 / Chapter 二、 --- 明初政治文化與《大全》研究 --- p.11 / Chapter 三、 --- 十五世紀思想史的研究路向 --- p.16 / Chapter 四、 --- 論文結構 --- p.19 / Chapter 第二章 --- 多元並競:元代南方三地朱子學的推廣與認受 --- p.21 / Chapter 第一節 --- 學術譜系的建構與強化以金華吳師道為例 --- p.22 / Chapter 一、 --- 鄉里傳統:“金華四先生“的成立 --- p.22 / Chapter 二、 --- 師友淵源:吳師道與“金華四先生“之一許謙的交往 --- p.25 / Chapter 三、 --- 求助於官:吳師道推廣金華學術的努力 --- p.31 / Chapter 四、 --- “獨得其宗:吳師道對金華學統的強烈自認 --- p.36 / Chapter 第二節 --- 學問自得與道統傳遞以江西虞集為中心 --- p.41 / Chapter 一、 --- 期為“豪傑“:虞集之師吳澄的學術面向與道學承創 --- p.42 / Chapter 二、 --- 文名之外:虞集的理學身份與學問趨向 --- p.51 / Chapter 三、 --- 誰是正學?:虞集拒絶撰寫許謙墓銘的由來及其相關問題 --- p.57 / Chapter 第三節 --- 一宗朱子與著述傳道以新安汪克寬等人為例 --- p.66 / Chapter 一、 --- 羽翼與纂釋:新安朱子學的特色及其影響 --- p.66 / Chapter 二、 --- 挫折與執著:汪克寬的為學、著述及與虞集的學術分野 --- p.80 / Chapter 三、 --- 反思與開新:朱升各經《旁注》的撰作及用意 --- p.87 / 小結 --- p.96 / Chapter 第三章 --- 君師治教:明初洪武、永樂兩朝對待宋元理學的取態 --- p.98 / Chapter 第一節 --- 學以輔政:太祖敕修《書傳會選》的用意及影響 --- p.99 / Chapter 一、 --- 太祖修訂蔡《傳》的背景及用意 --- p.100 / Chapter 二、 --- 《書傳會選》的編纂及內容特色 --- p.107 / Chapter 三、 --- 《書傳會選》的有限影響:以永樂二年的廷試對策為中心 --- p.111 / Chapter 第二節 --- 道治天下:成祖治國理念的演進以《聖學心法》為中心 --- p.114 / Chapter 一、 --- 學在皇家:成祖與帝王教育 --- p.115 / Chapter 二、 --- 治平有道:成祖與《聖學心法》 --- p.116 / Chapter 三、 --- 道在六經:成祖與三部《大全》 --- p.135 / 小結 --- p.145 / Chapter 第四章 --- 垂世立教:《大全》的編纂、取材及其流傳 --- p.147 / Chapter 第一節 --- 纂修地點與編修人員、分工特色 --- p.147 / Chapter 一、 --- 北京:纂修地的安排及用意 --- p.147 / Chapter 二、 --- 人員任用與分工 --- p.151 / Chapter 第二節 --- 《四書五經大全》的內容取材及成因 --- p.161 / Chapter 一、 --- 《大全》的體例、性質與取材的關係 --- p.163 / Chapter 二、 --- 《大全》所選書籍在明初的影響 --- p.165 / Chapter 三、 --- 人事因素與《大全》取材 --- p.172 / Chapter 第三節 --- 《大全》在明代的刊行與流傳 --- p.174 / Chapter 一、 --- 刊行歷史概說 --- p.175 / Chapter 二、 --- 校訂本 --- p.176 / Chapter 三、 --- 增補本、合刊本 --- p.177 / 小結 --- p.178 / Chapter 第五章 --- 十五世紀士人對《大全》的反應及其意義 --- p.181 / Chapter 第一節 --- 地方學官:最初的反應 --- p.181 / Chapter 一、 --- 摘取切要:彭勗及其《書傳大全通釋》 --- p.182 / Chapter 二、 --- “不可泥也:陳璲等人之意見 --- p.185 / Chapter 第二節 --- 儒者的取態:薛瑄及其《讀書錄》 --- p.187 / Chapter 一、 --- 《性理大全》:《讀書錄》的主要閱讀對象 --- p.187 / Chapter 二、 --- 《讀書錄》對《四書五經大全》的具體意見 --- p.190 / Chapter 第三節 --- “一道德與“經世:十五世紀中後期學者型官員對《大全》的修正 --- p.195 / Chapter 一、 --- 理事之道:楊守陳及其《私抄》 --- p.197 / Chapter 二、 --- 經世面向:周洪謨及其《疑辨錄》 --- p.206 / Chapter 三、 --- 以心考之:王恕及其《石渠意見》 --- p.226 / Chapter 四、 --- 輔翼之書:蔡清及其《蒙引》諸書 --- p.235 / 小結 --- p.259 / Chapter 第六章 --- 結論 --- p.261 / Chapter 附錄一: --- 《四書五經性理大全》的明代版本 --- p.266 / 參考文獻 --- p.275
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Aprender história com sentido para a vida: consciência histórica em estudantes brasileiros e portugueses / Learn history with sense to life: historical consciousness of brazilian and portuguese students.Alves, Ronaldo Cardoso 20 May 2011 (has links)
É possível aprender História com sentido para a Vida? Esta pesquisa, cujo objetivo é compreender em que medida o pensamento histórico de estudantes brasileiros e portugueses apresenta aspectos de uma consciência histórica pertinente para a reflexão acerca das demandas da cultura histórica contemporânea, pautou-se por essa indagação. Em outras palavras, procurou verificar como o ensino de História, nas escolas públicas de Brasil e Portugal, tem contribuído para o desenvolvimento de uma consciência histórica que possibilite a satisfação das carências de orientação temporal e constituição de identidade na sociedade atual. Para a consecução dessa meta coletou informações com o intuito de conhecer os diferentes perfis de caráter socioeconômico e cultural dos grupos pesquisados, além de narrativas discentes geradas pela interpretação de um fato histórico comum a Brasil e Portugal - a transferência da família real portuguesa (1808). Tal material empírico foi analisado com critérios quantitativos e qualitativos, balizados pela interpretação do repertório teóricoepistemológico composto por experiências de autores de diferentes áreas do conhecimento histórico como a Filosofia da História, a Didática da História e a Educação Histórica. Este percurso possibilitou a construção de uma tipologia de análise narrativa que permite verificar as tendências de constituição do sentido histórico à orientação temporal subsumidas a grupos pesquisados. Em outras palavras, o exercício meta-histórico realizado ao longo da pesquisa permitiu a elaboração de uma tipologia que indica qual ou quais tipos de consciência histórica são predominantes nos discursos de um grupo. Finalmente, discutir com os estudantes como os conceitos estruturadores do pensamento histórico atuam para construir conhecimento, mediado pela consciência histórica subsumida à argumentação, se constitui como a proposição desta pesquisa. Potencializar as ideias históricas através de princípios metodológicos que invistam no desenvolvimento da argumentação é função intransferível do ensino de História e, por isso, conceitos metahistóricos podem ser trabalhados nas aulas do ensino básico, paulatina e progressivamente, como meios pelos quais se articula o pensamento histórico. Dessa forma, a História mostrará como é área do conhecimento fundamental para a geração de reflexão e autorreflexão acerca das experiências humanas. Aprender História com sentido para a Vida. / This research aims at understanding how far the historical thinking of Brazilian and Portuguese students present aspects of a historical consciousness relevant to discuss about Contemporary Historical Culture, in order to answer the question: is it possible to learn History with sense to life?. In other words, the aim of this work is to verify how the History teaching in the public schools in Brazil and Portugal has contributed to the development of a historical consciousness that enables the satisfaction to fulfill the lack of time orientation and identity formation in contemporary society. In order to achieve this goal, data was collected in order to know the different profiles of socioeconomic and cultural of the groups searched, beyond the students narrative about their interpretation of a common historical fact to Brazil and Portugal - the transfer of the Portuguese royal family (1808). This empirical material was analyzed with quantitative and qualitative criteria, guided by the studies on a theoretical epistemology of author experiences from different areas of historical knowledge as the Philosophy of History, the Didactic of History and the History Education. This way of study has enabled the construction of an analysis narrative typology which allows verifying the trends of historical sense formation to time orientation subsumed to groups searched. In other words, the metahistorical exercise done throughout the research allowed the development of a typology that indicates how or what types of historical consciousness are predominant in a group discourse. Finally, discuss with students how the concepts of historical thinking work to build knowledge, mediated by the historical consciousness subsumed to the argument, it is the aim of this research. Improve the historical ideas through methodological principles that invest in developing the argument is indelible function of teaching history and therefore, metahistorical concepts can be worked in class , gradually and progressively, as the means by which articulates historical thought. Thus, history will show how the area of fundamental knowledge is to generate reflection and self reflection about the human experience. Learn History with sense to Life.
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Science as narrative : Alan Sokal's critique of postmodernismKrueger, Anton Robert 01 1900 (has links)
Alan Sokal has questioned the postmodern assertion that 'science is ... a "myth'', a "narration" ... a "social construction'" (1998: x). This dissertation examines his reasons for rejecting this allegedly postmodern declaration. Firstly, it suggests that the basis for Sol'1ll's contention that a 'true' world exists beyond one's awareness of it extends to an attack on modem philosophy, and is not limited to its postmodern component. Then, it describes defences of the 'linguistic construction' of science as thinly veiled attempts at emulating scientific discourses. In a more speculative vein, the dissertation goes on to evaluate claims made against science in terms of its connection to warfare; its insensitivity to mythology, and its generally misdirected values. It is in terms of value that the dissertation detects an analogous relationship between the discourses of mythology and science. Finally, a playful 'postmodern' reading is attempted of Sol'1ll's use of fiction in establishing the truth of his assertions. / English Studies / M.A.(English)
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Trajectoires de l’Aufklärung : autour de la polémique Kant-HerderFerland, Vincent 01 1900 (has links)
No description available.
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A (moderna) historiografia teatral de Décio de Almeida Prado / The (modern) theater historiography of Décio de Almeida PradoLeite, Rodrigo Morais [UNESP] 18 May 2018 (has links)
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Previous issue date: 2018-05-18 / A pesquisa apresenta uma reflexão sobre a historiografia teatral de Décio de Almeida Prado, importante crítico e historiador do teatro brasileiro. Intelectual ligado à terceira fase do movimento modernista, que alguns autores designam como a “Geração de 1945”, seu pensamento estético e historiográfico possui laços estreitos com uma certa concepção de mundo moderna, donde se explica o título conferido ao trabalho. A tese defendida objetiva demonstrar os diferentes imbricamentos existentes entre os ensaios de Prado sobre o passado cênico nacional e semelhante cosmovisão, procurando deslindá-los à luz de certos parâmetros como, por exemplo, a filosofia da história e algumas noções estético-teatrais que conformariam essa vertente de sua obra. Em que pese, contudo, o foco mais concentrado nos ensaios historiográficos, informe-se que suas críticas de espetáculos, produzidas ao longo de anos, não foram ignoradas, na medida em que fazem parte do escopo deste estudo, cujo projeto, dentro de suas possibilidades, é analisar o pensamento de Prado como um todo. Tendo isso em vista, para uma melhor compreensão do assunto, empreendeu-se uma comparação, que atravessa a pesquisa do início ao fim, entre o ensaísmo teatral de Prado e o ensaísmo literário de Antonio Candido, lembrando que ambos começaram suas carreiras juntos ao fundarem, em parceria com outros nomes, como Paulo Emílio Salles Gomes e Ruy Coelho, a revista Clima (1941-1944). Pelo fato de suas respectivas historiografias apresentarem muitos vínculos entre si, a ponto de ser possível afirmar que elas pertenceriam a um mesmo projeto intelectual, tal cotejo acabou se mostrando fundamental para as pretensões embutidas na tese, fazendo com que este trabalho se tornasse, à sua maneira, uma obra de historiografia comparada. / This research presents a reflection on the theatrical historiography of Décio de Almeida Prado, an important critic and historian of Brazilian theater. As an intellectual associated with the third phase of the modernist movement, which some authors call the “Generation of 1945”, his aesthetic and historiographical thinking has close ties with a certain conception of the modern world, which explains the title given to this paper. The thesis defended here aims to demonstrate the different overlaps existing between Prado’s essays on the country’s theatrical past and similar worldviews, aiming to address them in the light of certain parameters, such as the philosophy of history and some aesthetic and theatrical notions that shape this aspect of his writings. However, despite the more concentrated focus on his historiographical essays, the reviews of performances he penned over the years have not been ignored, to the extent that they are included within the scope of this paper, which is intended, as far as this is possible, to analyze Prado’s overall thinking. That said, in order to provide a better understanding of the topic, a comparison has been made, throughout the research from start to finish, between Prado’s theatrical essays and the literary essays of Antonio Candido, recalling that they both started their careers together when they founded, in partnership with other names such as Paulo Emílio Salles Gomes and Ruy Coelho, the magazine Clima (1941-1944). Given that their respective historiographies are related in many ways, to the point that it is possible to say that they belong to the same intellectual tradition, this comparison proved to be instrumental for the aspirations of this thesis, turning this paper, in its own way, into a comparative historiography.
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Aprender história com sentido para a vida: consciência histórica em estudantes brasileiros e portugueses / Learn history with sense to life: historical consciousness of brazilian and portuguese students.Ronaldo Cardoso Alves 20 May 2011 (has links)
É possível aprender História com sentido para a Vida? Esta pesquisa, cujo objetivo é compreender em que medida o pensamento histórico de estudantes brasileiros e portugueses apresenta aspectos de uma consciência histórica pertinente para a reflexão acerca das demandas da cultura histórica contemporânea, pautou-se por essa indagação. Em outras palavras, procurou verificar como o ensino de História, nas escolas públicas de Brasil e Portugal, tem contribuído para o desenvolvimento de uma consciência histórica que possibilite a satisfação das carências de orientação temporal e constituição de identidade na sociedade atual. Para a consecução dessa meta coletou informações com o intuito de conhecer os diferentes perfis de caráter socioeconômico e cultural dos grupos pesquisados, além de narrativas discentes geradas pela interpretação de um fato histórico comum a Brasil e Portugal - a transferência da família real portuguesa (1808). Tal material empírico foi analisado com critérios quantitativos e qualitativos, balizados pela interpretação do repertório teóricoepistemológico composto por experiências de autores de diferentes áreas do conhecimento histórico como a Filosofia da História, a Didática da História e a Educação Histórica. Este percurso possibilitou a construção de uma tipologia de análise narrativa que permite verificar as tendências de constituição do sentido histórico à orientação temporal subsumidas a grupos pesquisados. Em outras palavras, o exercício meta-histórico realizado ao longo da pesquisa permitiu a elaboração de uma tipologia que indica qual ou quais tipos de consciência histórica são predominantes nos discursos de um grupo. Finalmente, discutir com os estudantes como os conceitos estruturadores do pensamento histórico atuam para construir conhecimento, mediado pela consciência histórica subsumida à argumentação, se constitui como a proposição desta pesquisa. Potencializar as ideias históricas através de princípios metodológicos que invistam no desenvolvimento da argumentação é função intransferível do ensino de História e, por isso, conceitos metahistóricos podem ser trabalhados nas aulas do ensino básico, paulatina e progressivamente, como meios pelos quais se articula o pensamento histórico. Dessa forma, a História mostrará como é área do conhecimento fundamental para a geração de reflexão e autorreflexão acerca das experiências humanas. Aprender História com sentido para a Vida. / This research aims at understanding how far the historical thinking of Brazilian and Portuguese students present aspects of a historical consciousness relevant to discuss about Contemporary Historical Culture, in order to answer the question: is it possible to learn History with sense to life?. In other words, the aim of this work is to verify how the History teaching in the public schools in Brazil and Portugal has contributed to the development of a historical consciousness that enables the satisfaction to fulfill the lack of time orientation and identity formation in contemporary society. In order to achieve this goal, data was collected in order to know the different profiles of socioeconomic and cultural of the groups searched, beyond the students narrative about their interpretation of a common historical fact to Brazil and Portugal - the transfer of the Portuguese royal family (1808). This empirical material was analyzed with quantitative and qualitative criteria, guided by the studies on a theoretical epistemology of author experiences from different areas of historical knowledge as the Philosophy of History, the Didactic of History and the History Education. This way of study has enabled the construction of an analysis narrative typology which allows verifying the trends of historical sense formation to time orientation subsumed to groups searched. In other words, the metahistorical exercise done throughout the research allowed the development of a typology that indicates how or what types of historical consciousness are predominant in a group discourse. Finally, discuss with students how the concepts of historical thinking work to build knowledge, mediated by the historical consciousness subsumed to the argument, it is the aim of this research. Improve the historical ideas through methodological principles that invest in developing the argument is indelible function of teaching history and therefore, metahistorical concepts can be worked in class , gradually and progressively, as the means by which articulates historical thought. Thus, history will show how the area of fundamental knowledge is to generate reflection and self reflection about the human experience. Learn History with sense to Life.
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Dostoiévski e a dialética: fetichismo da forma, utopia como conteúdo / Dostoevsky and dialectics: fetishism of form, utopia ascontentFlávio Ricardo Vassoler 11 December 2015 (has links)
Esta tese tem como objetivo a análise e interpretação do sentido histórico, estético, político e literário das tensões dialéticas expostas na obra do escritor russo Fiodor Dostoiévski. Na primeira parte (tese), Dostoiévski e o fetichismo da forma mercadoria, a análise da obra de Dostoiévski nos leva às tensões e às afinidades eletivas que enredam duas vertentes: a polifonia proposta pelo crítico russo Mikhail Bakhtin (1895-1975), em Problemas da Poética de Dostoiévski (1929/1963), e a dialética materialista, sobretudo a partir da Teoria Estética (1968), do autor frankfurtiano Theodor Adorno (1903-1969). Trata-se de totalizar as aporias do concerto polifônico, de modo que, dialeticamente, o transcurso analítico desvele a mimese imanente da forma mercadoria como o sentido histórico-tautológico da forma dostoievskiana, sobretudo a partir de Memórias do Subsolo (1864). Na segunda parte (antítese), O conteúdo em Dostoiévski como a cicatrização do espírito rumo à utopia?, procuramos estruturar a filosofia da história que transpassa a obra do escritor russo. Os diálogos dostoievskianos envolvendo socialismo e cristianismo nos fazem correlacionar as discussões estabelecidas nesse sentido em Recordações da Casa dos Mortos (1862), Notas de Inverno sobre Impressões de Verão (1863), Memórias do Subsolo (1864), Crime e Castigo (1866), O Idiota (1869), Os Demônios (1872) e, fundamentalmente, em dois capítulos de Os Irmãos Karamázov (1879): A Revolta e O Grande Inquisidor. Ao fim e ao cabo e como um prenúncio de superação (Aufhebung) o conteúdo dostoievskiano da história como o movimento dialético rumo à utopia nos faz colocar em diálogo o conto O sonho de um homem ridículo (1877) com o conceito de cicatrização do espírito, que o filósofo alemão Georg Wilhelm Friedrich Hegel (1770- 1831) desenvolve em sua Filosofia da História (1837). / The aim of this dissertation is to analyse and interpret the historical, aesthetic, political and literary meaning of the dialectical tensions exposed in the work of the Russian author Fyodor Dostoevsky. On the first part (thesis), Dostoevsky and the Fetishism of Commodity Form, the analysis of Dostoevskys work takes us to both tensions and elective affinities which intertwine two perspectives: polyphony, as it is proposed by the Russian critic Mikhail Bakhtin (1895-1975), in Problems of Dostoevskys Poetics (1929/1963), and materialist dialectics, mainly from the Aesthetic Theory (1968), by the German author Theodor Adorno (1903-1969). The aim is to totalize the polyphonic concerts aporias, so that the analysis dialectically unveils the immanent mimesis of commodity form as the historical and tautological meaning of Dostoevskys form, mainly from Notes from Underground (1864). On the second part (antithesis), Dostoevskys Content as the Healing of the Spirit towards Utopia?, we try to structure the philosophy of history which is established through the authors work. Dostoevskys dialogues which intertwine socialism and Christianity make us correlate the discussions which are established in Memoirs from the House of the Dead (1862), Winter Notes on Summer Impressions (1863), Notes from Underground (1864), Crime and Punishment (1866), The Idiot (1869), The Devils (1872) and, essentially, in two chapters of The Brothers Karamazov (1879): The Revolt and The Grand Inquisitor. Finally and as a harbinger of an overcoming (Aufhebung) Dostoevskys content of history as a dialectical movement towards utopia makes us put into dialogue the short story The dream of a ridiculous man (1877) with the concept of healing of the spirit, which the German philosopher Georg Wilhelm Friedrich Hegel (1770-1831) develops in his Philosophy of History (1837).
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