Submitted by Leonardo Cavalcante (leo.ocavalcante@gmail.com) on 2018-04-10T17:47:48Z No. of bitstreams: 1 Aquivototal.pdf: 2468381 bytes, checksum: 8f96e778981206f36a1cb075bf76e1d8 (MD5) / Made available in DSpace on 2018-04-10T17:47:49Z (GMT). No. of bitstreams: 1 Aquivototal.pdf: 2468381 bytes, checksum: 8f96e778981206f36a1cb075bf76e1d8 (MD5) Previous issue date: 2016-08-19 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / Based on gender studies, media representation and Queer Theory, this research discusses the construction of identities, bodies and sexualities of trans characters in Pedro Almodovar's films, on the assumption that the filmmaker uses in his work elements that create questions about the conception of subjects, showing new ways of thinking truths about individuals, presented in his films, from slippery and fluid optical that does not hold the intelligibility standards that try to crystallize the social understanding of the bodies, identities and sexual experiences. / Baseado nos estudos de gênero, representação midiática e Teoria Queer, a pesquisa discute a construção das identidades, corpos e sexualidades das personagens trans nos filmes de Pedro Almodóvar. O trabalho parte do pressuposto que o cineasta utiliza em sua obra elementos que criam questionamentos sobre a concepção dos sujeitos, mostrando novas formas de pensar as verdades sobre os indivíduos, apresentados, nas suas películas, a partir de óticas escorregadias e fluidas que não se prendem às normas de inteligibilidade que tentam cristalizar a compreensão social acerca dos corpos, das autoafirmações identitárias e das vivências sexuais. As personagens revelam que determinados saberes tidos como únicos são mais plurais e múltiplos do que as regras normativas tentam impor.

abstract: The nature of the link between a literary text and its film adaptation has been a point of contention within academic thought since the inception of cinema due to the fact that film adaptation forms part of film history since the early 20th century. For most of the past century, the main concern of critics has been the level of fidelity that adaptations exhibit in terms of their relationship with the text, which was viewed as "the original" that directors needed to use as a model. In the last 25 years, however, the discourse of fidelity has been challenged by a number of intellectuals as a result of poststructuralist thought, which rejects the notion of an "original" text and proclaims the existence of infinite meanings within each text that are constructed by the reader, not the writer. The present investigation will take into account this type of epistemology as its starting point in order to review and defy a number of theoretical approximations from the last several decades that deal with the relationship between literature and cinema towards its main goal of overcoming the limitations of fidelity discourse. This will be carried out through an in-depth analysis of Latin American texts that have been adapted to film. Thematically both the literary texts and the films contain elements that portray the reality of marginalized groups that build their existence in opposition to the model of patriarchal heteronormativity. In current epistemological thought such a modus vivendi falls within the realm of queer theory. Another common thread that unites all the cultural productions is the presence of violence that showcases the high level of intolerance towards any subject who somehow seems to be different, hence threatening the dominant configuration of patriarchy. Furthermore, the different texts and films expose a general fragmentation within Latin American society, a result of the constant struggles among its diverse social groups, between the ones who occupy the position of socioeconomic power and those who are left outside of it; such a fragmentation also stems from the multiple clashes that occur within the marginalized groups themselves. / Dissertation/Thesis / Ph.D. Spanish 2011

abstract: The hagiographic comedy written by Tirso de Molina Los lagos de San Vicente (1607) presents the journey of Santa Casilda in search of the cure of an illness in her blood that affects her. Casilda rejects the medical assistance offered to her by Muslim doctors and miraculously she finds the cure in the Christian world. In this quest, the intellectual and theological evolution of the future saint in defense of the Christian faith is presented. This dissertation will study the resources that Tirso de Molina employs to show the rejection and displacement against the Islamic world represented by a series of erotic behaviors that, in the effort of dramatizing these impertinences they are characterized within a second discourse. Tirso de Molina takes advantage of the hagiographic comedy's discourse nature and the baroque's obscure literary characteristics to express his messages. This dissertation will study in detail how the combination of hagiographic theatrical elements with linguistic expressions are used to convey a subversive discourse that therefore suggests the application of queer theory as a frame of reference. As a result of this investigation it is concluded that Tirso de Molina promotes the hagiographic model and in order to contrast the triumph of the moral Catholic world over the immoral Muslim world the play writer makes references to the nefarious sin. / Dissertation/Thesis / Ph.D. Spanish 2011

Submitted by Drielly Teixeira Lopes Silveira (driellylopess@gmail.com) on 2018-07-30T05:23:22Z No. of bitstreams: 1 DDrielly_part1 (1).pdf: 1880333 bytes, checksum: 31028c6d7e1ebb39cf89aa52be3cd3af (MD5) / Approved for entry into archive by Aline Aparecida Matias null (alinematias@fclar.unesp.br) on 2018-07-30T11:09:39Z (GMT) No. of bitstreams: 1 silveira_dtl_me_arafcl.pdf: 1880333 bytes, checksum: 31028c6d7e1ebb39cf89aa52be3cd3af (MD5) / Made available in DSpace on 2018-07-30T11:09:39Z (GMT). No. of bitstreams: 1 silveira_dtl_me_arafcl.pdf: 1880333 bytes, checksum: 31028c6d7e1ebb39cf89aa52be3cd3af (MD5) Previous issue date: 2018-05-03 / A experiência transexual é uma temática de especial evidência no contexto acadêmico contemporâneo, sendo descrita como um fenômeno complexo, que pressupõe uma incompatibilidade entre gênero e sexo biológico. Por interrogar o modelo binário sexo/gênero, permite que se questione os discursos científicos envoltos em pressupostos de naturalização dos corpos. A deficiência, fora dos modelos reabilitativos, representaria per si um transgressão da “ordem anatômica”, ainda que seja reconhecida pelo modelo biomédico como o resultado de uma falha, congênita ou adquirida, que afetará o funcionamento “normal” do corpo ou de algumas de suas partes. A percepção de ambos os corpos recebe novos contornos quando de encontro à leitura de Judith Butler, para a qual, o lugar de patologização e abjeção conferido a estas experiências são resultado de práticas discursivas que estabelecem relações de poder que incidem sobre os corpos. Refletindo sobre as múltiplas possibilidades de experiências compreendidas a partir do feminino e considerando a posição de subalternidade conferida a esses corpos diante das normas hegemônicas, este trabalho se propõe a oportunizar um espaço de narrativa e análise para uma experiência pouco explorada academicamente: a experiência subjetiva de mulheres trans deficientes. Focalizando em especial os disability studies e suas possíveis interlocuções com a Teoria Queer como aporte teórico, foram realizadas entrevistas com três mulheres trans deficientes, sendo elas: duas portadoras de deficiência física e uma sensorial. Utilizou-se para a coleta de dados do método de História Oral Temática (Meihy, 1996). As análises de narrativas foram organizadas conforme a metodologia de Análise Textual Discursiva, destacando as categorias que recebem destaque na fala, constituindo 3 eixos de análise: (1) O transito como transgressão: da dificuldade de locomoção ao gênero itinerante. (2) O olhar como fonte de escárnio, reconhecimento e desejo. (3) A mulher como poder. Esta pesquisa possui um caráter qualitativo e exploratório, e tem como pretensão, ampliar e fomentar novas produções e discussões relacionadas às noções de feminilidade, corpo e sexualidade a partir da subjetividade trans em interface com a deficiência. / The transsexual experience is a highlighted theme in the current academic context, being portrayed as a complex phenomenon, which presupposes an incompatibility between gender and biological sex. By questioning the binary sex/gender model, it is allowed to question the scientific speeches wrapped in body naturalization presumptions. Disability, out of rehabilitative model, would represent, per se, a transgressions of the “anatomic order”, even if recognized by the biomedical model as the result of a flaw, either congenital or acquired, that will affect the “normal” functioning of the body or of some of its parts. The perception of both bodies acquire new outlining when facing the reading of Judith Butler, for whom the place of pathologization and abjection conferred to these experiences are the result of speech practices that establish power relations that act upon the bodies. Reflecting upon the multiple possibilities of experiences, understood on the basis of feminine, and considering the subordinate position conferred to these bodies in the face of the hegemonic rules, this work aims to create a space of narrative and analysis for an experience that has been little explored academically: the subjective experience of disabled trans women. Focusing, specially, on the disability studies and its possible interlocutions with the Queer theory as theoretical basis, interviews with three disabled trans women were made, being them: two physically disabled women and a sensorial disabled one. For data collection, we made use of the Thematic Oral History method (Meihy, 1996).The analyses of the narratives were organized according to the Discursive Textual Analysis, highlighting the categories that are prominent in the speech, constituting 3 analysis axes: (1) Transit as transgression: from walking difficulties to the itinerant genre. (2) The eyes as a source of scorn, recognition, and desire. (3) The woman as power. This research has a qualitative and exploratory nature, intending to expand and foment new works and discussions regarding the notions of femininity and sexuality from the interface between transgender subjectivity and disability

Magister Legum - LLM / For many, the human rights which South Africa has been able to secure for LGBTI (lesbian, gay, bisexual, transgender and intersex) people has been very progressive. However, with the conflation of sexual orientation and gender identity, the assumption of access to human rights for all within the LGBTI and society at large, has led to transsexual people not being able to claim their rights and assert their existence as human beings effectively within our constitutional democracy. Currently, there is a vacuum in South Africa's law of marriage based on its inability to accommodate spouses who married as a 'heterosexual' couple but where the one spouse subsequently undergoes gender affirmation, conforming the relationship to what is perceived as 'homosexual'. On account of this, the Department of Home Affairs are subjecting these couples to compulsory or forced divorces by refusing to have the transsexual spouse recognised within his or her affirmed gender on the marriage certificate. This means that the transsexual spouse either remains married under the Marriage Act and is subject to being recognised as his or her birth-sex, or submits to a compulsory or forced divorce in order to be recognised as his or her affirmed sex on a marriage certificate issued under the Civil Union Act upon them 'remarrying'. This thesis addresses the inequalities and inequities brought about by the Marriage Act. It investigates the history of marriages within South Africa that were prohibited based on characteristics such as race which people have no control over. It looks at how the State, through its departments, has imposed itself on the social relationships people formed subject to its legal terms and conditions. This thesis questions whether the State through its action is acting in a way that is administratively just. It argues that the successfulness of a divorce decree is dependent on at least one party voluntary applying for it. This presupposes the idea that whenever couples who are validly married are forced or compelled to divorce one another that this, in fact, cannot be seen as one of the valid ways in which to obtain a divorce decree legally. Before venturing into the legal aspect concerning this research topic, a theoretical framework will be advanced to position these couples in a greater social context. Subsequently, in order to establish the legal position of these couples, this thesis will draw on the current South African human rights discourse that has been developed by and for the LGBTI community, especially as it relates to the law of marriage. It will also establish the international and foreign human rights discourses that assert or, at least, seek to assert LGBTI human rights broadly. Ultimately, a constitutional analysis will be conducted to establish the position of these couples under the Marriage Act.

This dissertation is a multi-methodological project that examines the experiences of being both LGBTQ+ and disabled from an intersectional perspective through narratives constructed in virtual spaces. In this project, I address the question ‘how do individuals who identify as both disabled/chronically ill and LGBTQ+ negotiate these often contradictory identities?’ I also complexify this intersectional analysis by examining how LGBTQ+/disabled identities are constructed in relation to race, class, and gender. Additionally, by conducting virtual ethnography as the primary method of data collection, I explore questions pertaining to how members of LBGTQ+ and disability online communities engage in virtual identity construction and virtual community building. Through these projects I seek to bring disability and LGBTQ+ identities into the intersectionality literature and discourse that has frequently excluded, and at times even ignored, these positionalities.

The grotesque has long been utilized in literature as a means for subverting societal constraints and inverting constructions of normalcy. Unfortunately, in many instances, it has been constructed at the expense of disabled characters using their embodiment as metaphorical plot devices rather than social and political agents. Criticism of the grotesque’s use of bodily difference has prompted this analytical project in order to rethink disability as socially and politically positioned within texts, rather than simply aesthetics for symbolic means. The aim of this paper is to explore the ways the literary grotesque can be reread using queer theory and crip theory as frameworks for constructing agential disabled embodiments in Katherine Dunn’s Geek Love. Ultimately, the potential of queer and crip interventions necessitates an examination of the systems of power disabled subjects operate within in these narratives.

This work has the goal of learning about the homosexual experience inside the Inclusive Missionary Church – the first inclusive community of Alagoas located in the district of Poço, in the city of Maceió. Looking at some aspects of a christian morality, this work, through the usage of a case study, problematizes the human conflicts that exist inside the denomination and the process of building of its identity. As of the moral aspect, it is possible to perceive that the speech of the church shows a view of social adequacy, in an attempt of teaching a new perception about the homosexuality. This new perception, a sanctified one, guides the action of the individuals inside this space. The frequent search for social acknowledgment keeps the social actors of this church adapting their actions, all the time, to a christian worldview, reproducing, in many aspects, elements of a heteronormative segment, but meanwhile unlinking themselves from a biological-determinist discourse. Therefore it is possible to see as much elements of control of bodies and behaviors as means of sexual emancipation, especially with the belief of the freedom-of-speech, of the construction of emotional relationships guided by a matter of intimate preference. / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / O presente trabalho tem como objetivo apreender a vivência homossexual dentro da Igreja Missionária Inclusiva - primeira comunidade cristã inclusiva de Alagoas situada no bairro do Poço, na cidade de Maceió. Observando aspectos de uma moralidade cristã, o trabalho, por meio de um estudo de caso, problematiza os conflitos humanos existentes dentro da denominação e o processo de construção de sua identidade. Quanto ao aspecto moral, constatou-se que o discurso da igreja transmite uma visão de adequação social, na tentativa de imprimir uma nova percepção acerca da homossexualidade. Essa nova percepção, santificada, norteia a ação dos indivíduos dentro desse espaço. A constante busca por reconhecimento social faz com que os atores sociais, desta igreja, estejam a todo o momento adequando suas ações a uma cosmovisão cristã, reproduzindo, em muitos aspectos, elementos de um segmento heteronormativo, mas ao mesmo tempo, desvinculando-se de um discurso biológicodeterminista. Portanto é possível enxergar tanto elementos de controle dos corpos e condutas como também meios de emancipação sexual, sobretudo com a crença da livre-expressão, da construção de relacionamentos afetivos pautados por uma questão de gosto íntimo.

Esta dissertação é uma análise dos novos modelos de organização familiar e da epidemia de AIDS como são apresentados em As Horas, de Michael Cunningham. Para discutir as experiências familiares no romance, as personagens Laura Brown e Clarissa Vaughan foram analisadas em função de suas identidades queer e normativa, respectivamente. No referente à epidemia de AIDS, foi discutida a sua potencialidade metafórica na literatura, principalmente em relação ao personagem Richard Brown. A contextualização da síndrome no cenário norte-americano e seu impacto na comunidade gay foram também examinados. / This thesis is an analysis of new forms of familiar arrangements and the AIDS epidemic as presented in Michael Cunninghams The Hours. In order to discuss familiar experiences in the novel, the characters Laura Brown and Clarissa Vaughan were analyzed in terms of their queer and normative identities, respectively. In reference to the AIDS epidemic, its metaphorical potentiality in literature was discussed, mainly in relation to the character Richard Brown. The contextualization of the syndrome in the American scenario and its impact over the gay community were also examined.

Conselho Nacional de Desenvolvimento Científico e Tecnológico / Este trabalho tem como propósito estudar a queerness de relacionamentos entre mulheres heterossexuais e homens gays no romance A Home at the End of the World, de Michael Cunningham, e no seriado de televisão Will & Grace. O objetivo é analisar tais relacionamentos do ponto de vista das personagens femininas principais Clare e Grace, respectivamente , comparando e contrastando os textos literário e televisual. A dissertação fundamenta-se nos conceitos teórico-metodológicos da teoria queer, nos quais se baseia a análise das personagens e de seus relacionamentos. Contudo, à medida que estabelece um diálogo entre um romance e um programa televisual, foi adicionado um capítulo sobre teoria da televisão. Além de fornecer uma visão geral sobre tal teoria, o capítulo mostrou-se relevante na discussão de Will & Grace. Por meio do estudo mais aprofundado da teoria queer percebe-se que queerness, ao invés de uma identidade fixa, pode ser mais bem compreendida como uma atitude de resistência às normas sociais heteropatriarcais. Portanto, apesar das aspirações convencionais de Grace e Clare, ambas agem de forma queer em várias situações, provando que queerness é um posicionamento que todos podem assumir; até mesmo os heterossexuais / The purpose of this work is to study the queerness of relationships between straight women and gay men in Michael Cunninghams novel A Home at the End of the World and in the TV sitcom Will & Grace. The intention is to analyze such relationships from the point-of-view of the main female characters Clare and Grace, respectively , comparing and contrasting the literary and televisual texts. The theoretical-methodological core of this thesis lies on the concepts of queer theory, based on which the characters and their relationships have been analyzed. However, as it establishes a dialog between a literary work and a TV show, a theoretical chapter on television theory has been added. While providing an overview of television theory, this chapter has also been really relevant in the discussion of Will & Grace. Through a deeper study of queer theory, one realizes that queerness, instead of a fixed identity, may be better understood as an attitude of resistance to heteropatriarchal social rules. Therefore, in spite of Graces and Clares conventional aspirations, they both act queerly in several situations, proving that queerness is a positionality which everyone may assume; even straight people