[pt] Com a Modernidade, estruturou-se uma nova forma de compreensão humana, um novo paradigma, que, naqueles aspectos que interessam ao nosso trabalho pode ser caracterizada pelo predomínio da racionalidade científica como critério absoluto da verdade. Isto colocava um problema para a fé cristã na medida em que parecia impossível, então, um discurso racional sobre Deus, já que este não era verificável pelo método científico. Como maneira de dialogar com este novo paradigma, numerosos teólogos começaram a elaborar suas reflexões sobre Deus partindo, não mais da natureza, mais da existência humana. Entre eles se encontra Karl Rahner, teólogo alemão e um dos grandes nomes da Igreja no século passado. Ele aplicou à teologia o método transcendental que se perguntava pelas condições de possibilidade do sujeito para o conhecimento. Rahner, a partir da inteligência e liberdade humana chega a Deus como o Mistério último, o horizonte ilimitado que possibilita a própria subjetividade humana. Deste modo, quando este Mistério se dá a nós, por meio da Encarnação e da Graça, ele não é algo extrínseco, mas apesar de indevido, satisfaz plenamente a nossa própria natureza. Isto postula uma relação universal de todo ser humano com Deus, mesmo que nesse nível de experiência, ele não seja assim denominado. Se Deus não é uma realidade ao lado de outras, mas está sempre implicado na experiência humana, mesmo os aspectos mais profanos da vida estão a ele ligados, e alguém pode estar numa autêntica relação com ele, mesmo que o negue conscientemente. / [en] The Modern Era witnessed the structuring of a new form of human comprehension, a new paradigm, which, in those aspects of interest to our work, is characterized by the prevalence of scientific rationality as the absolute criterion of truth. This constituted a problem for the Christian faith as it appeared to eliminate any possibility of rational discussion regarding God, an entity whose existence is impossible to prove through scientific methods. To enable an exchange with this new paradigm, many theologians began developing their thoughts concerning God, basing them on human experience instead of nature. One of these was Karl Rahner, a German theologian and a prominent name of the Church in the last century. He applied the transcendental method to Theology, which questioned the necessary conditions for knowledge. Rahner, based on human intelligence and freedom, perceives God as the Absolute Mystery, the unlimited horizon that makes human subjectivity itself possible. Thus, when this Mystery reveals itself to us, through God's Incarnation and Grace, it is not extrinsic; however, despite being unwarranted, it fully satisfies our own nature. This postulates that there is a universal relationship between every human being and God, even if, on this level of experience, it not designated as such. If God is not a reality alongside others, but is always implicated in human experience, then even the more profane aspects of life are linked to God, and a person can be in a genuine relationship with Him, even if he/she consciously denies His existence.

The high Christology and unique pneumatology of John’s gospel has often eclipsed the apostle’s teaching on the relationship of the believer to Christ and the Father through the Spirit in Johannine studies. This dissertation seeks to fill this gap by providing an exegetically-focused treatment of sonship in the Johannine corpus that gives special attention to the role of the Spirit in bringing God’s children to participate in the life of the Son and his relationship with the Father. The central thesis is that John, in a manner distinct from Paul’s metaphor of adoption, presents the sonship of believer’s as the result of the Spirit’s work of regeneration out of which flows faith and participation in Christ’s life as Son. At the heart of this study are eight Johannine passages––John 1:12–13; 3:3–8; 14:16–23; 20:17; 1 John 3:1–3, 24; 4:13; and Revelation 21:7––that provide the exegetical lens to view the Spirit of Sonship in John. Although the exegesis of chapter 3 forms the foundation of study, chapter 2 considers the eight Johannine passages through the eyes of John Calvin and John Gill––both instrumental in advancing the theology of the Spirit and providing an exegetical foundation for their theology. Chapter 4 identifies three primary themes––obedience, love, and life––drawn from the eight passages and briefly synthesizes and correlates these themes with other key texts in the Johannine corpus. A brief survey of literature on sonship is reviewed in chapter 1, setting the landscape to which this dissertation seeks to contribute. By focusing on the role of the Spirit the persons of the Father and Son are not diminished, but brought into clearer focus, which is consistent with the Spirit’s ministry to glorify the Son (John 16:14). The Father is the divine initiator, the Son the divine accomplisher, and the Spirit the divine mediator of every spiritual reality that is in and through the Son to the believer. At the center of the Spirit of sonship is the glory of the Son who reveals the glory of the Father in the hearts of the children.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This work aims to analyze Orpheu myth s ressonances in Os quatro cantos do tempo, by portuguese writer David Mourão-Ferreira. The study is divided into three chapters. Chapter one intends to discuss the place of David Mourão-Ferreira in the portuguese contemporary poetry tendency s. Next, this chapter observe critics consideration s about elements of classical tradition in David Mourão-Ferreira poetry s. Chapter two describes the principal components of Os quatro cantos do tempo in order to identify wich relate to Orpheu myth s. The third chapter discuss the orphic ressonances in the book. This chapter investigate the assimilation of magic verb in modern poetry and in Mourão-Ferreira poetry s. Besides, It searches how Orpheu and Eurydice adventure s is figurated in the book. / Este trabalho tem como objetivo analisar as ressonâncias do mito de Orfeu em Os quatro cantos do tempo, do escritor português David Mourão-Ferreira. O estudo divide-se em três capítulos. No primeiro, procura-se situar o escritor nas tendências da poesia portuguesa do século XX, para, em seguida, observar as considerações da crítica sobre o modo como a poesia davidiana recupera elementos da tradição clássica. No segundo, apresentam-se os principais aspectos de Os quatro cantos do tempo, a fim de identificar aqueles que indicariam a recuperação do mito de Orfeu. Finalmente, o terceiro capítulo aborda as ressonâncias órficas na obra. Investiga-se, inicialmente, o modo como a magia da palavra seria assimilada pela lírica ocidental e, conseqüentemente, pelos poemas da obra, para, em seguida, analisar como a aventura de Orfeu e Eurídice é atualizada no livro.

This thesis examines the use and interpretation of Revelation in the writings of the contemporary prophets Richard Brothers, Joanna Southcott and William Blake. Contributing to an emerging scholarly interest in the reception of biblical texts within marginalised interpretative traditions, the thesis offers a detailed exploration of how Revelation is incorporated into these authors' prophetic texts, and how it informs the identity of readers who see their activities as bringing about the fulfilment of the text's visions on the historical plane. This aim is achieved by engaging with extant comparative studies of Brothers, Southcott and Blake within historical and literary studies; a comparison with similar contemporary prophetic figures and the contribution of Revelation to their prophetic self-understandings; and contextualising these figures against contemporary constructions of Revelation as a prophetic text, and the recognition of the poetic nature of biblical prophecy in the eighteenth century. In particular, the thesis advocates for the continued exploration of "emic" approaches to these figures, a process started by members of Oxford's Prophecy Project. The thesis thus argues that "prophecy", rather than "millenarianism," is the most appropriate way of characterising these authors' scriptural engagement, and explores how prophecy is understood in their writings to delineate commonalities in their understanding of the prophet's role. Finally, it surveys how Revelation is interpreted within the respective works of the writers who are the focus of this thesis. The conclusion offers a hermeneutical reflection on the relationship between the prophetic interpreter and the texts they engage with. It suggests that the reader who claims to be "inspired" faces a tension between offering an interpretation of the authoritative text, and claiming an equivalent level of authority for their own works. The thesis makes three contributions to existing scholarly debates. Firstly, it demonstrates that attention to these three authors' interpretations of Revelation shows how attention to neglected voices illuminates the history of interpretation of this biblical book. Secondly, it justifies comparing these three authors under the framework of "prophecy", rather than the anachronistic terminology of "millenarianism." Thirdly, it explores their readings of Revelation to shed light on how interpretation of a scriptural text such as Revelation is key to the evolution of prophetic vocation; how Revelation’s images are developed and transformed in their own prophetic texts; and finally, their sensitivity to hermeneutical questions raised by Revelation’s relationship to other biblical texts and the problems posed by its eschatology.

The topic of this study is: The logic of faith: prayer as the link between rationality and experience in a study of Karl Rahner and John Calvin. The term ‘logic of faith’ refers to the correct way of reasoning about faith. Why do a study about the theology of Rahner? Firstly because Rahner is known as the theologian who emphasises a unity between theology and spirituality. In exploring Rahner’s theology, the question that does arise is: is Rahner a philosopher or a theologian? Rahner endeavours to question the logic of theology. In his philosophical, theological and spiritual works one discovers the ‘heart’ of modern man. Rahner connects the logic of faith with the everyday experience of man. This experience is his point of departure in presenting the case for Christianity. In relation to this, Rahner sees prayer as a common human experience and the key in discovering the unity between rationality and experience. Prayer implies experiencing God in ordinary everyday life. Through prayer the lost unity between God and man is restored. Although Rahner’s definition of experience may be vague and therefore subject to criticism, he gives a positive interpretation of the concept of experience in the sense of acceptance of the ‘self’. To him, the logic of faith is closely related to the acceptance of the ‘self’. Rahner’s view give rise to the following question: Does the truth of a theological statement present itself in experience or in faith only? This question is also put to the reformed tradition of which Calvin is a representative. Both Rahner and Calvin stress the unity between theology and spirituality. Knowing God and understanding man are inseparable concepts. Yet we a find an emphasis in Calvin’s theology, that we do not see in Rahner’s theology. Calvin accepts, unconditionally, the revelation of God in Jesus Christ as the source of faith. True understanding of human nature is dependant on God’s revelation in Scripture. To Calvin, the logic of faith goes against common human experience and rationality. We ask the question about the logic of faith; prayer directs us to the source of the answer: the Word of God. This is the truth that the reformers rediscovered. The logic of faith implies a living relationship with Jesus Christ through His Word and Spirit and prayer is the main exercise of this relationship. In this sense prayer is the Urakt of Christian ethics, the first step in becoming a disciple. This we see in Calvin’s exegesis of the Lord’s Prayer. The logic of faith and therefore faith itself become mysticism without God’s revelation through Scripture. This study concludes that prayer is a neglected theme in the reformed tradition. Rahner and Calvin give us a new appreciation for the logic of faith and prayer as an integral part thereof. / Thesis (DD (Dogmatics and Christian Ethics))--University of Pretoria, 2007. / Dogmatics and Christian Ethics / unrestricted

This dissertation analyses and critically evaluates an aspect of Karl Barth's thought, the understanding of which is important to a broader understanding of Barth, his relationship to other (especially iconoclastic) thinkers, and his relevance for contemporary theology: his understanding and critique of idolatry and the idol. Chapter 2 argues that it was revelation which both drove Barth's idolatry-critique and determined his concepts of idolatry and the idol. It analyses Bath's idolatry-critique as it was levelled against natural theology, and offers an evaluation of the picture of Barth's thought which emerges. Chapter 3 analyses Barth's idolatry-critique in relation to the doctrine of God. Directives which, for Barth, had to be adhered to within the development of the doctrine of God for the avoidance of idolatry, are discussed. Finally, an evaluation and critique of Barth's critique of idolatry within the doctrine of God, and of his own adherence to these directives, is offered. Chapter 4 analyses the relationship of Barth's idolatry-critique to his discussion of religion. It is shown that Barth, in his mature thought, criticised both the essence of religion and certain theological uses of the concept of religion as idolatry. Barth's critique of religion as idolatry is itself subjected to critique, and the question of what bearing his critique of religion as idolatry ought to have for Christian, theological engagement with adherents of other world religions is taken up. Chapter 5 summarises and discusses further some of the findings and implications of this study. It is suggested that Barth's thoroughly christological critique of idolatry (which is not without its own problems), in that it stands in contrast to the less particularistic forms of idolatry-critique set forth by several other modern scholars, raises the question of whether an idolatry-critique like his own might be called for within contemporary theology.

The Light is a twenty-four minute composition for two narrators and chamber orchestra. The two narrators perform the roles of the Apostle John and Moses. After an overview of the piece and a brief history of pieces incorporating narrators, the essay focuses on my compositional process, describing how orchestration, drama, motive, and structure work together in the piece. The Light is organized as a series of five related scenes. In the first scene, God creates light. In the second scene, God places Adam and Eve into the Garden of Eden to tend it, allowing them to eat from any tree except the tree of the knowledge of good and evil. The serpent appears, Adam and Eve succumb to his evil influence, and God banishes them from the Garden of Eden. Many generations have passed when Scene Three begins. Moses relates a story from Israel's journey in the wilderness after leaving Egypt. The people had become frustrated with Moses and with God. When God sent serpents among them as punishment, they appealed to Moses to pray for them. God's answer was for Moses to make a bronze serpent and place it on a pole. Whoever looked at the serpent would live. In Scene Four, John relates his vision of final redemption. New Jerusalem descends from heaven, with the River of Life and the Tree of Life ready to bring healing to the nations. Sadly, some people are not welcomed into the city, and the drama pauses to give respectful consideration to their fate. Finally, the fifth scene celebrates the eternal victory over sin, death, and the serpent of Eden. As I composed The Light, I had in mind the dramatic profile, the general motivic progression and the fundamental structural progression. However, most of the intricate interrelationships among orchestration, drama, motive, and structure were the result of informed intuition. Throughout the piece, each of these four elements interacts with the others, sometimes influencing and sometimes responding to them. My hope is that these subtle tensions propel the composition forward toward its ultimate resolution.

Univerzita Karlova v Praze, Filozofická fakulta, Ústav germánských studií Ludwig-Maximilians-Universität München, Fakultät für Sprach- und Literaturwissenschaften, Institut für Deutsche Philologie Abstract Dissertation / Disertační práce "Denn die Zeit ist nahe." Eschatologie in Grimmelshausens Simplicianischen Schriften: Zeit und Figuren der Offenbarung. "Čas je blízko." Eschatologie v Grimmelshausenově "Simpliciánských spisech": Čas a figury zjevení "Because the time is near." Eschatology in Grimmelshausen's "Simplicianische Schriften": The Time and Figures of Revelation Autor: PhDr. Jana Maroszová Studijní obor / Fach: Filologie, Germánské jazyky a literatury / Neuere Deutsche Literatur, Deutsche Sprache und Literatur des Mittelalters Vedoucí / Betreuer: Doc. PhDr. Milan Tvrdík, CSc.; Prof. Dr. Friedrich Vollhardt LS 2011 / Sommersemester 2011 1 "Because the time is near." Eschatology in Grimmelshausen's "Simplicianische Schriften": The Time and Figures of Revelation Abstract This research study deals with Grimmelshausen's baroque novels known and designated by the author himself as "Simplicianische Schriften"1 (1668-1675). The purpose of this dissertation is to explore the way eschatology in these literary works is presented. This study is introduced with historical, cultural and religious background,...

The Lord has not left women to wonder how to perform during mortality. The teachings of the ten presidents of The Church of Jesus Christ of Latter-day Saints have given very satisfying answers to most questions, and have invited women to ask God for inspiration of their own for further, personalized direction.The counsel of the prophets gives women directions concerning whom, when, and where to marry. However, if the proper opportunities for a Church-recommended marriage don't present themselves, women are told to be patient and to spend their time giving one of the several services for which they are naturally gifted. Then if they prove worthy they have been promised complete fulfillment as wives and mothers in future realms.Instructions have been given to women on how to perform as helpmeets to their husbands, mothers to their children, homemakers, and good neighbors. Their questions have been answered on birth control, other careers, and dress fashions.The study concludes with a word picture of women's complete existence from their spiritual birth to their chances of an eternity as exalted beings.

<p>This dissertation examines the thought of Jean-Luc Marion in light of his treatment of divine revelation and in connection to the hermeneutic phenomenology of Paul Ricoeur. It argues, first, that Marion’s thought bears within itself significant ambiguities that are determined by the legacies of the key concepts which organize his work: ‘givenness’ (<em>donation</em>) and saturation. Secondly, it also argues that even if a way can be found to resolve these ambiguities the resultant proposal does not meet the criticism raised by Paul Ricoeur in reference to phenomenologies of religion that remain determined by a ‘Husserlian idealism.’ As a result, the dissertation offers a study of Ricoeur’s hermeneutics of revelation in an effort to displace Marion’s account and offer an alternative proposal. Specifically, it treats the connection of Ricoeur’s proposed transformation of phenomenology through hermeneutics, the idea of a hermeneutics of testimony that is generated as a result of that transformation, and Ricoeur’s notion of revelation as being articulated in reference to the ‘world of the text.’ By focusing on the notion of ‘anteriority’ throughout the analysis, the dissertation argues that not only does Marion’s work remain limited by its formal commitments to pure apparition, but it fails to access the sort of radical anteriority that it seeks. This is so because it remains tied to a philosophy of consciousness which is blocked from accessing the pre-reflective level of belonging that is made accessible by Ricoeur’s hermeneutic phenomenology. By making this argument, the dissertation provides a critical analysis of Marion’s work from the perspective of divine revelation and, furthermore, brings that work into conversation with Paul Ricoeur. This important engagement between Ricoeur and Marion has not been adequately addressed in the current secondary literature and this dissertation fills that gap.</p> / Doctor of Philosophy (PhD)