[pt] O presente estudo procura refletir a problemática da relação ser humano e Deus no pensamento de Wolfhart Pannenberg. Para a elaboração do trabalho foram consideradas duas temáticas de grande relevância no autor mencionado: a antropologia e a história. A primeira parte se encarrega em apresentar os fundamentos antropológicos da dimensão religiosa. Para isso foi importante compreender o conceito de pessoa, de sujeito e de liberdade em nosso autor. Em Pannenberg, o tema da abertura caracteriza uma antropologia que não se fecha diante do puro imanente, mas se coloca frente ao infinito mistério de Deus. O ser humano é aquele que transcende a sua finitude e se abre ao infinito. A noção de imagem e semelhança de Deus oferece bases para uma leitura teológica da antropologia. A segunda parte trabalha o tema da revelação como história no contexto judaico - cristão. Conforme o teólogo alemão a revelação se dá de forma indireta através dos acontecimentos históricos. Nesse sentido a primeira parte se harmoniza com a segunda, pois somente se pode falar de história se consideramos o ser humano como seu protagonista. É na história humana que Deus se revela como criador, libertador e salvador da humanidade. O ápice da revelação se dá em Jesus Cristo, pois nele ela chega ao seu ponto final. Jesus já é de forma proléptica o que acontecerá com todo ser humano. A sua ressurreição antecipa a esperança futura reservada a cada pessoa. Em conformidade com o que foi afirmado, a escatologia se faz muito importante para o teólogo luterano. É nela que acontecerá o desfecho final da história humana, chamado por ele de fim da história. Jesus Cristo é o centro unificador desse futuro, em que haverá uma perfeita harmonia entre passado, presente e futuro no presente eterno de Deus. A realização final da pessoa será a eterna participação do amor divino, da trindade. Amor já manifestado pelo Pai desde o início da criação. / [en] The present study aims at reflecting the problem of the relationship between human beings and God in Wolfhart Pannenberg s thought. Two issues of great importance in Pannenberg s work were taken into consideration: anthropology and history. The first presents the anthropological foundations of the religious dimension. For that matter, it is important to understand the concept of person, subject and freedom in Pannenberg. For him the opening theme features an anthropology that does not close itself before the immanent pure, but it is placed against the infinite mystery of God. The human being transcends its finitude and opens himself to infinity. The notion of image and likeness of God provides a foundation for a theological reading of anthropology. The second part works with the theme of revelation as history in the Jewish-Christian context. According to the German theologian, the revelation is given indirectly through historic events. In this sense the first part agrees with the second because one can only talk about history if we consider man as the performer. It is in human history that God reveals himself as the creator, liberator and savior of humanity. The apex of revelation is in Jesus Christ, for there it reaches its end. Jesus is already in a prolepsis of what will happen to every human being. His resurrection anticipates the future hope reserved for each person. In accordance with what was said, eschatology becomes very important for the Lutheran theologian. That is where the final outcome of human history will happen – what he calls the end of history. Jesus Christ is the unifying center of the future, when there will be a perfect harmony of past, present, and future in the eternal present of God. The ultimate realization of the person will be eternal participation in the love of God, the Trinity. Love that the Father has already expressed since the beginning of creation.

La théologie naît de la parole de Dieu. Elle doit donc expliciter ce qui caractérise la parole de Dieu. Or, c’est dans le Christ que Dieu s’adresse en personne aux hommes. Il est en outre nécessaire de préciser quelle philosophie de la parole est capable de servir d’instrument à cette réflexion théologique. Dans le Christ, parole et geste sont relatifs à son Je Suis divin et sont portés par une intention et un jugement nouveaux, divins. On reprend ainsi quelques questions fondamentales : foi et intelligence ; histoire et métaphysique ; théologie et mystique : en terre chrétienne, elles sont inséparables et une sagesse théologique demande d’être à la fois savoureuse et rigoureuse du point de vue de la vérité ; ce qui le permet est une philosophie qui explicite la cause finale grâce à l’amour. Enfin, on aborde l’unité et l’organisation de la théologie : c’est à partir du Christ que s’explicite l’ordre de la théologie dans le développement organique de ses parties. / Theology flows from the word of God. Its task, therefore, is to explicate what characterises that word. In Christ, God speaks in person to mankind, which is why we need to establish which philosophy of the human word is capable of serving theological reflection. Christ’s words and actions are relative to His divine I Am ; his words and actions are carried by a new, divine judgement and intention. This brings us to some fundamental questions : faith and intelligence ; history and metaphysics ; theology and the mystical. These pairs are inseparable in Christianity. A theological wisdom must be both appealing and rigorous as regards the truth ; what is it that allows it to be just that ? A philosophy which, thanks to love, explicates the final cause. Finally, we look at the unity and the organisation of theology : Christ himself determines the order of theology in the organic development of its different areas.

L'Ethique prétend nous conduire comme par la main vers la béatitude et le salut, Elle nous montre le chemin qui nous permet, en associant le plus possible nos affects à des idées vraies, de parvenir à la connaissance vraie et à l'amour de Dieu. A qui s'adresse l' « Ethique » ? Notre hypothèse est qu'elle s'adresse aux mêmes lecteurs que ceux du « Traité théologico-politique » qui philosopheraient plus librement s'ils n'en étaient empêchés par l'idée que la raison doit être la servante de la théologie. Après avoir montré que l'Ecriture Sainte devait être interprétée avant d'être affirmée Parole de Dieu, que la certitude prophétique n'était qu'une certitude morale, Spinoza propose la certitude mathématique de l'entendement, comme véritable parole de Dieu qui parle directement à notre âme, Dieu qui se fait connaître, non comme un Dieu transcendant, mais comme un Dieu immanent, cause efficiente de toutes choses et donc de nos idées claires et distinctes, qui nous permettront de découvrir un Dieu qui agit librement par nécessité de nature, en totale opposition avec les doctrines scolastique et cartésienne. Cette révélation rationnelle n'annule néanmoins pas la révélation prophétique dont la vérité ne se trouve pas dans la spéculation, mais dans les enseignements moraux, et surtout par le message d'amour du Christ, modèle de vie vraie. Mais si le but ultime de chacune des révélations est de jouir de l'amour de Dieu, quelle est en chacune la nature de cet amour ? / Ethic purports to lead us, as if by the band, towards beatitude and salvation. It shows us the way which allows us, by associating as much as possible our affects to real ideas, to attain true knowledge and the love of God. Whom does “Ethics” address ? Our hypothesis is that it addresses the same readers as the “Theologico-Political Treatise” does, who would philosophize more f eely would they not be prevented from it by the thought that reason should serve theology. After having shown that scripture should be interpreted before being claimed God's word, that prophetic certainty was just moral certainty, Spinoza offers the mathematical certainty of understanding, as the true word of God which speaks directly to our soul ; God who becomes known not as a transcendental God but as an immanent God, efficient cause of all things and thus of our ideas, distinct and clear, which shall allow us to discover a God which acts feely out of necessity of nature, in outright opposition to the scholastic and Cartesian doctrines. This rational revelation nonetheless does not cancel the prophetic revelation, which truth isn't in speculation, but in moral teachings, and especially by in Christ's message of love, model of true life. But if the ultimate goal of each of the revelations is to enjoy the love of God, what is in each of them the nature of this love?

A presente pesquisa procura um deslocamento dos limites da arte para situações da vida, através da redescoberta do olhar sobre determinadas imagens fotográficas e o fenômeno do apagamento, contrariando assim o excesso de exposição que caracteriza a fotografia desde suas origens. A proposta plástica explora as dimensões estéticas de situações banais e características como o esquecimento, o apagamento e o esconderijo, surpreendendo o olhar do observador com objetos onde este não espera encontrá-los, expandindo o campo do laboratório e trazendo o questionamento dos processos da fotografia para o cotidiano. Os objetos constituem-se de pequenas embalagens contendo em seu interior fotografias com sais de prata ainda em processo de oxidação, resultando numa imagem instável que, ao ser exposta à luz, sofre um apagamento. Dessa forma, cada vez que a fotografia é retirada da embalagem, há uma perda progressiva da informação visual. As embalagens são escondidas – intencionalmente esquecidas - em livros de bibliotecas de acesso público, onde podem ser encontradas por pessoas desavisadas: observadores acidentais. A escolha dos livros baseia-se no conteúdo dos mesmos, que possuem relação com os temas explorados neste trabalho. O apagamento da imagem e seu modo de circulação questionam o lugar da imagem fotográfica e propõe uma extensão da experiência do laboratório para outros contextos de recepção. / This search explores the limits of art to life situations, through the rediscovery of view on certain photographic images and the erasure phenomenon, being contrary to the over-exposure that characterizes the photo from its origins. The plastic proposal explores the aesthetic dimensions of banal situations and characteristics such as forgetfulness, erasing and hiding surprising the observer eye with artistic object where it does not expect to find them, expanding the field of the laboratory and bringing the questioning of photo procedures for the daily life. The objects are small packages with inside photos with salts of silver still in process of oxidation, resulting an unstable image that suffers deletion when exposed to light. Thus, each time the photo comes from packaging, there is a progressive loss of sharpness. The packages are hidden - intentionally forgotten - in books from public access libraries, which can be found by people who don’t expect them: accidental observers. The choice of books is based on their content, that has relation with the themes explored in this search. The erasure of the image and its method of presentation questioning the place of the photographic image and proposes an extension of the laboratory experience to other contexts of receipt.

This dissertation seeks to capture Muhammad's emergence as Prophet. It starts from the premise that he located himself as a Prophet within a fraternity of prophethood. More specifically he has seen his work as a continuation of the Biblical prophetic tradition. However he has stressed his election as correcting what has been altered in this Biblical tradition. Muhammad: A prophet of God argues that he has as prophet the same defining elements as Biblical prophets; as result we must not criticise him unnecessarily, that is, for the sake of fitting him into our categories. Muhammad must be seen terms of his experiences. In addition we must capture his contribution to humanity. / Religious Studies and Arabic / M.A. (Religious Studies)

Made available in DSpace on 2016-08-03T12:19:11Z (GMT). No. of bitstreams: 1 SGraciliano.pdf: 526446 bytes, checksum: bdfa6d3abf96f944133713a54ee1e5e5 (MD5) Previous issue date: 2012-03-14 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This research intends to demonstrate the mystery on Paul Tillich s Systematic Theology. It certifies that the mystery is the manifestation of the sacred for the human being knowledge. Nevertheless, this research concludes that the human being unites to the divine from the knowledge of the revelation of the mystery. Tillich says that the existential knowledge is based on an encounter in which a new meaning is created and recognized. The revelation of the mystery is an existential knowledge and its manifestation in the human bearer of revelation comes to know another person, he knows his history and participates in the reality in which the mystery is revealed in its totality. The mystery is the manifestation of the sacred, for that its revelation causes profound changes in the human being. In Tillich s Systematic Theology the mystery is described as a mark of revelation, its first mark. However as we approach to the text we see that the mystery is more than a mark to Tillich, the mystery is the manifestation of the ground of being, the mystery is the manifestation of the divine that communicates symbolically to the human being from the final revelation of Jesus as the Christ. / Esta pesquisa propõe-se a tematizar o mistério na Teologia Sistemática de Paul Tillich. Ela constata que o mistério é a manifestação do sagrado para o conhecimento do ser humano. Portanto, essa pesquisa conclui que o ser humano une - se ao divino a partir do conhecimento da revelação do mistério. Tillich afirma que o conhecimento existencial basea-se num encontro no qual uma nova significação é criada e reconhecida. A revelação do mistério é um conhecimento existencial e na sua manifestação o ser humano portador da revelação passa a conhecer outra pessoa, ele conhece a sua história e participa da realidade na qual o mistério se revelou na sua totalidade. O mistério é a manifestação do sagrado, por isso a sua revelação causa no ser humano profundas mudanças. Na teologia sistemática de Tillich o mistério é descrito como uma marca da revelação, a sua primeira marca. No entanto ao nos aproximarmos do texto percebemos que ele é mais que uma marca para Tillich, o mistério é a manifestação do fundamento do ser, o mistério é a manifestação do divino que se comunica simbolicamente ao ser humano a partir da revelação final de Jesus como o Cristo.

This dissertation constitutes a fresh interpretation of Exodus 34:29-35 and analyzes how the passage is used in both the Old and New Testaments. Chapter 1 is a historical overview of how this passage has been interpreted through the centuries. Chapter 2 provides an exegetical discussion of Exodus 32-34, which makes up the context of the passage in question. Chapter 3 argues that the primarily exegetical problem within this passage, the identification of the meaning of the verbal form of "qrn," is resolved by the recognition that it means "to shine" or "emanate light/rays" as opposed to "had horns" or other interpretations. The function of the entire phrase--"the skin of his face shone"--is fourfold: as a reminder or extension of Yhwh's presence at Sinai, to distinguish Moses in terms of status, to communicate Yhwh's "goodness," and to transition from the rebellion narrative in chapters 32-34 to the building of the tabernacle in 35-40. Knowing the function of the phrase sheds light on the concomitant matter of Moses' veil ("masweh"), which is more akin to a scarf than to a mask, and which functions simply to hide Moses' face when he is uninvolved with his role as mediator because his face was frightening and disturbing to the Israelites. The exegetical study in chapter 3 culminates in an explanation of the theology of Exodus 34:29-35, focusing on God's presence, glory, grace/compassion, and life/light. This thesis is developed in chapter 4, which shows that how certain OT passages highlight the image of a shining face as a theological metaphor for grace and compassion. Many later biblical texts (e.g., Num 6:24-27, portions of the Psalter and the book of Daniel) also echo this language in prayers and songs. In addition, idiomatic expressions about the "face" or the brightness of the face are found in some extrabiblical sources and ANE inscriptions, which confirm and validate the interpretation in chapter 3. Three further texts are examined with relation to the role of Sinai theophanies (1 Kgs 19), the "veiling" of God's presence in the future (Hab 3:1-4), and images of God's eschatological glory (Isa 60:1-5, 19-20). Chapter 5 applies the OT study to the NT, where special attention is given to three passages: the narrative of the transfiguration of Jesus in Matthew 17:1-8, Paul's statements in 2 Corinthians 3:7-18 about the old and new covenants, and the prologue to John's Gospel in John 1:1-18. Chapter 6 summarizes the study and concludes the work.

A presente pesquisa procura um deslocamento dos limites da arte para situações da vida, através da redescoberta do olhar sobre determinadas imagens fotográficas e o fenômeno do apagamento, contrariando assim o excesso de exposição que caracteriza a fotografia desde suas origens. A proposta plástica explora as dimensões estéticas de situações banais e características como o esquecimento, o apagamento e o esconderijo, surpreendendo o olhar do observador com objetos onde este não espera encontrá-los, expandindo o campo do laboratório e trazendo o questionamento dos processos da fotografia para o cotidiano. Os objetos constituem-se de pequenas embalagens contendo em seu interior fotografias com sais de prata ainda em processo de oxidação, resultando numa imagem instável que, ao ser exposta à luz, sofre um apagamento. Dessa forma, cada vez que a fotografia é retirada da embalagem, há uma perda progressiva da informação visual. As embalagens são escondidas – intencionalmente esquecidas - em livros de bibliotecas de acesso público, onde podem ser encontradas por pessoas desavisadas: observadores acidentais. A escolha dos livros baseia-se no conteúdo dos mesmos, que possuem relação com os temas explorados neste trabalho. O apagamento da imagem e seu modo de circulação questionam o lugar da imagem fotográfica e propõe uma extensão da experiência do laboratório para outros contextos de recepção. / This search explores the limits of art to life situations, through the rediscovery of view on certain photographic images and the erasure phenomenon, being contrary to the over-exposure that characterizes the photo from its origins. The plastic proposal explores the aesthetic dimensions of banal situations and characteristics such as forgetfulness, erasing and hiding surprising the observer eye with artistic object where it does not expect to find them, expanding the field of the laboratory and bringing the questioning of photo procedures for the daily life. The objects are small packages with inside photos with salts of silver still in process of oxidation, resulting an unstable image that suffers deletion when exposed to light. Thus, each time the photo comes from packaging, there is a progressive loss of sharpness. The packages are hidden - intentionally forgotten - in books from public access libraries, which can be found by people who don’t expect them: accidental observers. The choice of books is based on their content, that has relation with the themes explored in this search. The erasure of the image and its method of presentation questioning the place of the photographic image and proposes an extension of the laboratory experience to other contexts of receipt.

Made available in DSpace on 2014-06-11T19:29:04Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-12-04Bitstream added on 2014-06-13T20:59:04Z : No. of bitstreams: 1 rocha_lf_me_assis.pdf: 596906 bytes, checksum: b31523730a0749821fdb976503a284d4 (MD5) / O abuso sexual infanto-juvenil constitui-se, há muito tempo, em um fenômeno complexo que ultrapassa os limites dos diversos campos do saber, apresentando-se de forma indiscriminada, em nossa sociedade, independentemente de classe social, etnia e gênero. Por definição, pode ser considerada como toda e qualquer conduta ou manipulação sexual entre adultos e crianças/adolescentes, com a finalidade precípua de estimular ou utilizar sexualmente estes últimos, para obtenção de prazer sexual, sem a necessidade de que haja expedientes violentos, ou força física, por parte do agressor. A ausência/insuficiência de investigações científicas abordando o fenômeno da violência sexual infanto-juvenil doméstica/intrafamiliar, notadamente com enfoque direcionado para a revelação, bem como a experiência profissional que acumulamos, atuando nas áreas criminal, civil e da infância e juventude compõem, entre outras, o quadro de justificativas para esta pesquisa. O objetivo foi caracterizar uma tipologia do fluxo de procedimentos e dos atos normativos (inquéritos policiais e/ou processos judiciais) adotados a partir da revelação do fato, até a finalização do processo de responsabilização do acusado/agressor, com vista a identificar que aspectos (supervalorizações, subjetivações, lacunas, omissões, etc., deliberados, ou não) podem ter sido decisivos para o desfecho dos casos.A pesquisa se deu numa cidade de aproximadamente trinta e cinco mil habitantes, do interior do Estado de São Paulo, abrangendo casos ocorridos no período compreendido entre os anos de 1992 e 2003, utilizando-se como fonte inquéritos policiais e processos arquivados no Fórum da Comarca. Dados os objetivos propostos e as características do objeto de estudo... / Child and juvenile sexual abuse has been for ages a complex phenomenon that trespasses the boundaries of our comprehension, occurring indiscriminately in our society regardless economic status, culture, race and gender. By definition, it can be considered any kind of behavior or sexual manipulation between adults and children / adolescents with the aim of stimulating and sexually using the latter, to obtain sexual satisfaction, without the use of violence or physical strength on the part of the perpetrator. The lack of scientific research covering the subject of child and juvenile sexual abuse within the family environment, focusing at the revelation, as well as the professional experience acquired for the past years working in the criminal and civil areas, child and juvenile areas, among many other facts, justify this research. The aim of this study was to highlight a chain of procedures and the normative rulings (police investigation and/or court suits) adopted from the moment of the revelation of the fact itself until the finalization of the process of making the perpetrator responsible for his acts, aiming to identify what aspects ( overvaluations, subjectivities, blanks, omissions , either intentional or not) must have been decisive to the outcome of the cases. The research was conducted in a city of approximately thirty five thousand inhabitants, in the interior of the state of São Paulo, covering cases that happened in the period between the years of 1992 and 2003, using as source police investigation files and law suits filed at the Justice Hall. Due to the proposed objectives of the study, the quali-quantitative method was chosen to allow the necessary flexibility to study accurately the collected data from... (Complete abstract, click electronic address below)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / O presente trabalho consiste em um estudo crítico do romance Sem tecto, entre ruínas, de Augusto Abelaira. Inicialmente é feita a análise sobre as possíveis consequências de uma apreensão descontínua e material do tempo, seus efeitos nas relações entre o protagonista e seu mundo, que se apresentam sob a forma de tédio e paralisia. Para a crítica proposta foram retomados conceitos descontinuidade e homogeneidade apresentados pelo filósofo Henri Bergson, além da noção de desligamento e desejo demonstrados pela sociologia de Zigmunt Bauman. O próximo alvo contemplado na pesquisa é a presença da memória e da lembrança indicados sob o ponto de vista contínuo do tempo, também analisados à luz da filosofia de Bergson, além do pensamento de Gilles Deleuze. A partir desse caminho investigativo é possível pensar a condição do protagonista como um confronto de si, uma experiência do tempo que traz uma revelação mediante a condição de ser tarde demais / This work provides a critical analysis on the novel Sem tecto, entre ruínas by Augusto Abelaira. In the first instance this study begans with the analysis of the possible consequences aroused by a material apprehension of time as well as its impact on relations between the protagonist and the world in which he lives, wich are presented by the feelings of boredom and paralysis. For the proposed work were taken up concepts of discontinuance and homogeneity created by the philosopher Henri Bergson, as well as the notion of detachment and desire demonstrated by the sociology of Zigmunt Bauman. The next target contemplated in the research is the presence of memory and recollection indicated under the point of view of continuous time, also examined by the philosophy of Bergson, in addition to the thought of Gilles Deleuze. Based on this investigative path is possible to consider the condition of the protagonist as a confront with itself, an experience of time that brings up a revelation upon the condition of being too late