Orientador: Etienne Ghislain Samain / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-23T07:17:22Z (GMT). No. of bitstreams: 1 Biscalquin_JulianaMariaNascimento_M.pdf: 19280910 bytes, checksum: 024454f2616a1f9cb1d93b17803f6b83 (MD5) Previous issue date: 2013 / Resumo: A Arte se redescobre, hoje, como substrato privilegiado das culturas humanas e como testemunha de suas diversas expressões e representações. Paralelamente, a Antropologia (visual, em especial) se dá conta de que as imagens não existem sem nosso imaginário e que, por sua vez, as sociedades não poderiam emergir sem as artes. É neste horizonte que, ao lado de autores como Hans Belting, Alfred Gell e, principalmente, Georges Didi- Huberman (exegeta privilegiado do pai da iconologia moderna, Aby Warburg), pretendemos participar de um questionamento mais amplo sobre o papel das Artes (e das imagens) em uma reconfiguração do discurso antropológico. É a partir deste pano de fundo, interativo e vivencial, que procuramos investigar as obras de Alex Flemming. Com ele, tratou-se de repensar as dimensões políticas das imagens e aprender a reconhecer o que elas dizem sobre nossa condição humana no mundo contemporâneo / Abstract: Art rediscovers itself, today, as a privileged substract of human cultures and as witness of their diverse expressions and representations. In parallel, Anthropology (especially Visual Anthropology) finds that images do not exist without our imaginary and, in its turn, societies could not emerge without the arts. It is through these horizons that, among other authors such as Hans Belting, Alfred Gell and, mainly, Georges Didi-Huberman (privileged exegete of the father of modern iconology, Aby Warburg); we intend to participate in a wider questioning about the role of the Arts (and images) in a reconfiguration of the anthropological speech. It is from this interactive and experience based starting point that we investigate the work of Alex Flemming. With him, we seek to rethink the political dimensions of images and learn to recognize what they say about our human condition in the contemporary world / Mestrado / Multimeios / Mestra em Multimeios

Enmarcar la novelística de Antonio Gil (1954) bajo el rótulo de novela histórica resulta insuficiente para explicar y comprender tanto la propuesta estética de sus novelas, como la instalación de su narrativa en el panorama literario chileno –y latinoamericano– de los años ochenta y noventa. Desde ese punto de partida, esta investigación propone, de un lado, la tesis de que las novelas de Antonio Gil son novelas mito-históricas y, de otro, la crisis entre historia y ficción como reposición del mito en las narrativas latinoamericanas desde una perspectiva autocrítica y estética, más que antropológica. La investigación se centra en las tres primeras novelas del autor: Hijo de mí, Cosa mentale y Mezquina memoria, leídas como una alegoría de la historia nacional. El aporte central de esta investigación dice relación con la formulación y discusión teórica del concepto mito-historia, proveniente de la filosofía de la historia, en su diálogo crítico con la ficción, la novela, la historia y las ficciones de archivo.

Currently, in the period of Poststructualism literature is widely approached as a cultural and social phenomenon and the aims of literary studies as the illuminating of social codes, ideology etc. embedded in literature. This study evaluates the contribution of specific critics working within the so-called "New paradigm". The concept "New paradigm" is used as an umbrella term covering a number of distinct developments, referring to literature as a system of literary "actions" rather than as a canon of books. In recent years several Afrikaans critics have embraced or adapted current theories in the domains of Deconstruction, Ideology Criticism, Literary, Sociology, Recepticm Aesthetics, Semiotics and Feminism. This study explores and evaluates the application of such theoretical paradigms to their work in the field of practical criticism. This study also explores the relationship between current theories of literature and their antecedents. The notion of current literary theory and practice not only as a broadening of scope and content of the notion of the "literary" but on the other hand as a liberation of theory and practice from an over-deterministic thrust (i.e. the approach of literature as no more than a set of social documents) is also evaluated in this study. A twofold aim of this study can thus be defined: a. to determine the extent to which the shift from the "old" to "new" theories was made necessary by the developing literary and social scene; b. to examine the links beween theory and practice in the work of specific, key figures in Afrikaans. Is it possible for theory and practice to be separated? Is there an important consistence in the relationship between the two in the work of the figures chosen?

Gerald Dworkin's influential account of Personal Autonomy offers the following two conditions for autonomy: (i) Authenticity - the condition that one identify with one's beliefs, desires and values after a process of critical reflection, and (ii) Procedural Independence - the identification in (i) must not be "influenced in ways which make the process of identification in some way alien to the individual" (Dworkin 1989:61). I argue in this thesis that there are cases which fulfil both of Dworkin's conditions, yet are clearly not cases of autonomy. Specifically, I argue that we can best assess the adequacy of Dworkin's account of autonomy through literature, because it provides a unique medium for testing his account on the very terms he sets up for himself - ie. that autonomy apply to, and make sense of, persons leading lives of a certain quality. The examination of two novels - Kazuo Ishiguro's The Remains of the Day and Henry James's The Portrait of a Lady - shows that Dworkin's explanation of identification and critical reflection is inadequate for capturing their role in autonomy and that he does not pay enough attention to the role of external factors in preventing or supporting autonomy. As an alternative, I offer the following two conditions for autonomy: (i) critical reflection of a certain kind - radical reflection, and (ii) the ability to translate the results of (i) into action - competence. The novels demonstrate that both conditions are dependent upon considerations of the content of one's beliefs, desires, values etc. Certain of these will prevent or hinder the achievement of autonomy because of their content, so autonomy must be understood in relation to substantial considerations, rather than in purely formal terms, as Dworkin argues.

In this thesis we have attempted to demonstrate that Noucentisme, as defined and propugnated by Eugeni d'Ors in the Glosari 1906-1910 is a continuation of the first Catalan Modernism. This theory has in great part been influenced by research on this subject compiled by the late Eduard Valentf, in his book, KL primer modernising Catalan y_ sus fundamen- tos ideol6gicos. We have, therefore, greatly relied on his generational and theological definition of Catalan Modernism, which we elaborate upon and sum up in the first two chapters. Owing to the extensive nature of Houcentisme, as of any literary movement, we have restricted our research to the work of its originator and theoretician, Eugeni d'Ors. In our thesis we have tried to point out that d'Ors reacted against the "fin de siecle" literary movements, which were a degenerate form of the original Catalan Modernist grouping, represented by L'Avenc.that was dispersed aflter 1893. In order to demonstrate that d'Ors absorbed, reorganized, and modified Catalan literary modernism, we have proceeded by closely examining the greater part of his work and ideology between 1900 and 1910, as well as most posterior writings concerning this period of. his development. In Chapter IV ye have studied his so-called modernist writings produced between 1900 and 1905, and collected in La muerte de Isidre Nonell seguida de otras arbitrariedades,'. From these we have determined the basic "modernist" ideas forwarded by d'Ors during those years. Between Chapter V and Chapter VII we have delineated the aesthetic and political ideology which d'Ors considers to be the basis of Noucentisme, and which was primitively contained in La muerte de Isidre Nonell seguida de otras arbitrariedades. In Chapter Till we have examined the direct relations between d'Ors theories and the modernist writers. The explicit formal relation between Modernism and Noucentisme is briefly discussed in the conclusion. / Arts, Faculty of / French, Hispanic, and Italian Studies, Department of / Graduate

No description available.

Orientador: Fernando Teixeira da Silva / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-26T12:02:48Z (GMT). No. of bitstreams: 1 Fornazieri_LigiaLopes_M.pdf: 1035416 bytes, checksum: a70856a70d00a7cc885b27c9eedefdb6 (MD5) Previous issue date: 2014 / Resumo: Este estudo é dedicado à análise da criação e da legitimação da Justiça do Trabalho no Brasil, desde a sua previsão na Constituição de 1934 até a publicação da Consolidação das Leis do Trabalho (CLT), através das discussões ocorridas tanto no âmbito jurídico como político em torno do tema, tendo como ponto principal a discussão entre Oliveira Vianna, responsável pela elaboração do anteprojeto de organização da Justiça do Trabalho, Waldemar Ferreira, deputado encarregado de dar parecer à proposta. Além disso, recorreu-se a análise de processos trabalhistas que transcorriam em tribunais que passavam por mudanças e dificuldades. Com isso, foi possível que se estabelecesse um panorama da situação do Direito do Trabalho no Brasil e dos atores envolvidos na definição de tal tema / Abstract: This study is dedicated to analysis of the creation and legitimization of the Labor Court in Brazil, since its prediction in the 1934 Constitution until the publication of the Consolidation of Labor Laws (CLT), through discussions at both the legal and political context in the theme, the main point of the discussion Oliveira Vianna, responsible for drafting the bill for the organization of the Labor Court, Waldemar Ferreira, deputy in charge of advising the proposal. In addition, we resorted to the analysis of labor processes that were taking place in courts that passed through changes and difficulties. Thus, it was possible to establish that the present situation of the Labor Law in Brazil and the actors involved in defining such a theme / Mestrado / Historia Social / Mestra em História

Orientador: Maria Clementina Pereira Cunha / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-31T15:33:54Z (GMT). No. of bitstreams: 1 Reis_JoseRobertoFranco_D.pdf: 22773619 bytes, checksum: c5c8cd0e4f0609cd00efcca2b9e35c19 (MD5) Previous issue date: 2002 / Resumo: o objetivo deste trabalho é discutir o projeto de poder de Vargas, no período de 1937 a 1945 conhecido como Estado Novo, pela ótica dos seus efeitos, vale dizer, dos homens e mulheres que o recepcionaram. Para tanto, investigou-se a profusa correspondência enviada a Vargas por estes homens e mulheres comuns durante o próprio desenrolar dos acontecimentos, tendo em vista a intenção de observar como eles se apropriaram das mensagens e rituais de afirmação do regime e estabeleceram com este um processo de comunicação política, particularmente com a figura de Vargas. Assim, diante de um quadro de limitação de qualquer forma não controlada de representação pública durante o Estado Novo e das estratégias do regime de estabelecer um processo de aproximação com a população, visando a obtenção de consentimentos, adesões e controles politicos desta, tais cartas estão sendo vistas aqui como uma peculiar e possível forma de participação no período. Nossa proposta supõe que ao "manusearem" o projeto de organização e controle da sociedade elaborada pelo poder varguista, ao contrário de uma postura resignada e passiva, trabalhadores e populares interpretaram-na segundo um código cultural próprio, buscando alcançar seus propósitos de obtenção de vantagens, direitos e realização de justiça, gerando a situação paradoxal de simultaneamente ratificarem e confrontarem os rituais de dominação do regime. Nesse sentido, noções como justiça social, família como matriz de organização moral da sociedade, valorização do trabalho e do trabalhador como fonte de engrandecimento da nação, portanto direito e dever de todos, nacionalismo, patemalismo, e sobretudo a ideologia da outorga getulista e a mística criada em tomo da figura do presidente (o mito Vargas), reaparecerão com novas tonalidades e sentidos políticos diversos / Abstract: This work addresses Vargas' power project, trom 1937 to 1945, known as "Estado Novo" (The New State), in the scope of its effects, that is, the men and women who underwent the process. To do so, the bountiful correspondence which was sent to Vargas by these common men and women during the unfolding ofthe events was examined, focussing on how these people dealt with the regime's messages and affirmation procedures and how a communication policy process between them and the regime was established, particularly with Vargas himself Thus, within a limited tramework, which in any case was not controlled by civil society during the Estado Novo and the regime's strategies to establish cJoser links with the public, targeted at obtaining consent, adhesion and political control, these letters are viewed here as a peculiar and plausib!e way of participating in that períod. This proposal presupposes that when the people "handled" the project drawn up by the Varguista regime to organize and control society, instead of taking a resigned and passive stance, the workers and people interpreted it according to their own cultural values, seeking to achieve their goals of obtaining advantages, rights and the carrying out of justice, creating a paradoxical state of affairs which simultaneously ratified and contested the regime's dominating procedures. Thereforc, notions such as social justice, the family as a base for the Oíganization of society's values, highlighting work and workers as a source of making the nation greater, thereby making this everyone's duty, nationalism, patemalism, and above all the ideology of lhe Getulista era and the mystique created around the president (lhe Vargas myth), re-appear under a new light and different political contexts / Doutorado / Doutor em História

Orientador: Vera Maria Chalmers / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-07-19T18:59:07Z (GMT). No. of bitstreams: 1 Vilas-Boas_Herculano_M.pdf: 27081251 bytes, checksum: 7b96887673c59205f5f8bd99f2df68fa (MD5) Previous issue date: 1994 / Resumo: Não informado / Abstract: Not informed. / Mestrado / Mestre em Teoria Literaria

Submitted by Fernanda Rodrigues de Lima (fernanda.rlima@ufpe.br) on 2018-09-28T20:30:57Z No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) DISSERTAÇÃO Rômulo Santos de Almeida.pdf: 1399774 bytes, checksum: a5523a422f1120208d1e407e3348cfa6 (MD5) / Approved for entry into archive by Alice Araujo (alice.caraujo@ufpe.br) on 2018-11-20T23:24:44Z (GMT) No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) DISSERTAÇÃO Rômulo Santos de Almeida.pdf: 1399774 bytes, checksum: a5523a422f1120208d1e407e3348cfa6 (MD5) / Made available in DSpace on 2018-11-20T23:24:44Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) DISSERTAÇÃO Rômulo Santos de Almeida.pdf: 1399774 bytes, checksum: a5523a422f1120208d1e407e3348cfa6 (MD5) Previous issue date: 2017-05-12 / CNPq / O objeto de estudo desta dissertação diz respeito ao exame de determinados aspectos acerca dos sentidos de “nacional” e de “regional” presentes na ideia de “brasilidade”, situados na primeira fase do Movimento Modernista (1922-1930). Para tanto, utiliza-se como objeto empírico as seguintes obras: o Manifesto Pau-Brasil e o Manifesto Antropófago, escritos por Oswald de Andrade; e o Manifesto Regionalista, escrito por Gilberto Freyre. A partir destes Manifestos, buscou-se compreender a construção dos sentidos de nacional e de regional, observando possíveis aproximações e distanciamentos entre eles bem como suas contradições internas. Além desse objetivo mais amplo, analisou-se de maneira mais específica a heterogeneidade estético-política constituinte do “nacional” e do “regional”, avaliando-se noções a eles atribuídas e possíveis processos de interpenetração de ambos. Com a intenção de apreender melhor essas questões, recorreu-se à noção de “dialética do localismo e do cosmopolitismo”, dispositivo desenvolvido pela crítica literária de Antonio Candido. Por meio deste dispositivo, tentou-se analisar os Manifestos e os contextos sócio-históricos em que foram produzidos, visando apreender os sentidos do "nacional" e do "regional". Considerou-se, finalmente, uma possível dimensão “fundacional” contida nos Manifestos de Oswald de Andrade e Gilberto Freyre: o “Matriarcado de Pindorama” e o “Mito das três raças”. / This dissertation focuses on the analysis of certain aspects of the meanings of "national" and "regional" in the development of the idea of "Brazilianness" (brasilidade), during the first phase of the Modernist Movement (1922-1930). For this purpose, the following literary works are analysed: the Pau-Brasil Manifesto and the Anthropophagic Manifesto, written by Oswald de Andrade, and the Regionalist Manifesto, written by Gilberto Freyre. Based on these Manifestos, we tried to understand the construction of the national and regional meanings, looking at potential similarities and differences between them as well as their own internal contradictions. In addition to this broader objective, the aesthetic-political heterogeneity of the "national" and the "regional" meanings was analyzed in a more specific way, evaluating the notions attributed to these two notions and possible processes of interpenetration of both. In order to better understand these issues, the notion of "dialectics of localism and cosmopolitanism", a concept developed by Antonio Candido's literary criticism, was used. Through this concept, the Manifestos and the socio-historical contexts in which they were produced were analyzed, aiming at apprehending the meanings of the "national" and the "regional". Finally, a possible "foundational" dimension present in the Manifestos of Oswald de Andrade and Gilberto Freyre: the "Matriarchy of Pindorama" and the "Myth of the three races" was considered.