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La SFIO et le MRP, partis réformistes de la IVe République (1944-1958) : acculturations républicaines / The SFIO and the MRP, reformist parties of the IVth French Republic (1944-1958) : republican acculturationsClavel, Isabelle 23 November 2015 (has links)
Un cycle réformiste et républicain est initié après les expériences de la guerre et de la Résistance. Le programme coordonné dès 1944 par le Conseil national de la Résistance (CNR) apparaît ici comme une réponse à la carence de démocratie politique créée par le gouvernement de Vichy et l’occupation allemande. Le moment de la reconstruction ne pourra se contenter d’être un simple retour à la situation d’avant-guerre. Les nationalisations, la mise en place d’une sécurité sociale, la liberté syndicale sont les jalons de ce programme réformiste auquel le MRP et la SFIO adhèrent pleinement. A partir de 1944, ils deviennent deux composantes majeures du paysage politique français et sont les pivots de tous les gouvernements de la IVe République jusqu’en 1951. Malgré des cultures politiques très différentes, ils collaborent à la refondation des institutions républicaines et posent le cadre de ce qui sera l’État providence. Les difficultés du « compromis républicain » n’en sont pas moins réelles. Elles se lisent entre autre au sein des commissions parlementaires, possibles lieux de réformes. Majorité gouvernementale fragile et instabilité ministérielle chronique paralysent le pouvoir. Les guerres de décolonisation condamnent finalement le régime en 1958. Dans cet intervalle relativement long, la SFIO et le MRP ont poursuivi et réalisé un programme ambitieux de réformes. Ils se sont aussi affrontés sur le terrain de la laïcité et de l’école. In fine, leurs actions communes, leurs accords, leurs divergences profondes et leurs contradictions interrogent sur la manière dont la IVe république a participé à la transformation du modèle républicain. / The experience of war and Resistance has initiated a “reformist” and republican cycle. The National Council of Resistance (CNR) has coordinated in 1944 a program as an answer to the lack of political democracy, which resulted of the government of Vichy and the German occupation. Going back to the pre-war situation would not be enough to rebuild. The MRP and the SFIO plainly joined the “reformist” program, based on nationalizations, the creation of a welfare insurance and trade union freedom. From 1944 to 1951, they both became a major part of the French political landscape, backbone of all major governments of the IVth Republic. Setting aside their entirely different political cultures, they worked together for a renewal of the republican institutions, making the welfare state a future reality. Thus, it still has been difficult to set this « republican agreement » on track. The study of the parliamentary committee as a place of reformism easily acknowledge that statement. Moreover, weak government majority, added to a chronical instability of the ministries, seemed to paralyse the decision making process. Eventually, in 1958, the wars of decolonization put an end to it. During this period, ambitious reforms were conceived and applied, leaded by the MRP and the SFIO together. They nonetheless had to face each other about subjects of dissension, such as secularism and school. As a consequence, the question of how the IVth Republic of France changed its republican model can be asked, given the joint actions, contradictions, agreements and disagreements of those two parties.
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Portrait d’étudiants du collégial dans les cours de mise à niveau pour mathématiques : évaluation des connaissances minimales et exploration des difficultés d’apprentissageGrullon, Maria 08 1900 (has links)
No description available.
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THE BRONX COCKED BACK AND SMOKING MULTIFARIOUS PROSE PERFORMANCEAvila, Alex 01 June 2016 (has links)
The Bronx Cocked Back And Smoking is a collection of multifarious prose performances recounting the historical, personal, social, political and cultural constructs of a city birthed by violence. This body of work is accompanied by video, audio, photography, and theatre performance texts. St. Mary’s Housing project, in the Bronx, is the foundation where most of this literary work takes place. The modern day Griot (storyteller) is a Poet, guiding his audience through the social inequalities and disparities that plague St. Mary’s community. The Poet shares personal traumatic insights while simultaneously utilizing writing as a form of survival to the conditions of the Bronx. This multi-platform performance highlights the metaphorical and physical concerns with the cycle of violence. This question is answered through the Poet’s choice by selecting the pen over the gun.
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