Made available in DSpace on 2016-12-09T13:52:16Z (GMT). No. of bitstreams: 0 Previous issue date: 2010. Added 1 bitstream(s) on 2016-12-09T13:55:20Z : No. of bitstreams: 1 000871323.pdf: 395521 bytes, checksum: 483ed1cc0892c0fb633f6edbd9749811 (MD5) / Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq) / Emerging Leaders in the Americas Program (ELAP) / Este trabalho tem como objetivo demonstrar que o ponto central unificador dos contos Chaddeleys and Flemings e The Moons of Jupiter, do volume The Moons of Jupiter, de Alice Munro, é o uso das associações que ligam o retorno ao passado através da narrativa de uma protagonista adulta, que reconta alguns fatos ocorridos em sua infância e em sua vida familiar. Nesta trajetória, o que é revelado é o conflito feminino na busca por outros papeis além de esposa e mãe. As estratégias narrativas usadas pela autora canadense para obter este resultado estão fundamentadas no uso da memória por suas personagens. Para demonstrar como isso funciona no texto de Munro, os estudos freudianos são utilizados na análise, enfatizando o trabalho e a força do inconsciente manifesta no exercício de anamnese da protagonista-narradora. / This thesis aims to demonstrate that the unifying central point of the short stories Chaddeleys and Flemings and The Moons of Jupiter, from the volume The Moons of Jupiter, by Alice Munro, is the use of associations that link the return to the past through the narrative of the adult protagonist, who retells some facts occurred in childhood and those related to family life. In this trajectory, what is revealed is the women's conflict by seeking other roles than that of wife and mother. The narrative strategies used by the Canadian author to achieve this result are founded in the use of memory by her characters. To show how that works in Munro's text, Freudian studies are used in the analysis, emphasizing the work of the unconscious force manifested in the exercise of anamnesis of the protagonist-narrator.

The giant Kidd Creek Mine is an Archean Cu-Zn-Ag deposit in the Abitibi Greenstone belt, located in the Superior Province of Canada and is one of the largest known base metal massive sulfide mines in the world with a tonnage of 170.7 Mt (Past production, Resource and Reserve). The massive sulfides in Mine D comprise a number of ore lenses that are interpreted to be the downplunge continuation of the Central orebody from the upper mine. These are referred to as the West, Main, and South lenses. The massive sulfides overlie a silicified rhyolitic unit at the top of a mixed assemblage of rhyolite flows, volcaniclastic sediments and ultramafic flows. The sheared nature of the fragmental units in the hanging wall of the deposit, at depth, illustrates the greater deformation that has occurred than in the upper mine. Metal zonation and the distribution of Cu stringer mineralization suggest that the West and Main lenses may be part of a single massive sulfide body (Main orebody) that has been structurally dismembered. The South Lens is a detached body, separated by late faults. The large Cu stringer zone beneath the West and Main lenses has a thickness of up to 150 metres, and is much broader and structurally remobilized in Mine D partially due to a newly identified series of vertically trending offset faults, that extends along the entire length of the massive sulfide bodies. A number of features of the North, Central and South orebodies in the upper part of the mine (e.g., Se-rich halo around Cu-rich zones) have been recognized in Mine D and provide an important framework for correlating the deep orebodies with the upper levels of the mine. Drilling below the current mine levels indicates that the massive sulfide and Cu stringer zones continue below 10,200 feet (3109 m) and highlight the remarkable continuity of the deposit downplunge with no end in sight. Two main ore suites have been recognized in the upper part of the mine and in Mine D: a low-temperature, polymetallic assemblage of Zn, Ag, Pb, Cd, Sn, Sb, As, Hg, ±Tl, ±W, and a higher-temperature suite of Cu, Co, As, Bi, Se, In, ±Ni. More than 25 different ore minerals and ore-related gangue minerals are present, including Co-As-sulfides, Cu-Sn-sulfides, Ag-minerals, and selenides. The massive ores consist mainly of pyrite, pyrrhotite, sphalerite, magnetite and chalcopyrite, together with minor galena, tetrahedrite, arsenopyrite, and native silver with a quartz and siderite gangue. Despite the high Ag content of the ores, the majority of the massive sulfides are remarkably Au poor except for a local gold zone that has been recognized in the deep mine in association with high-temperature mineralization. The trace elements in the ores exhibit strong zonation and diverse mineralogy. Spectacular albite porphyroblasts, up to 1 cm in size occur in the most Cu-rich ores of Mine D which are coincident with the peak of regional metamorphism and likely represent higher metamorphic or hydrothermal temperatures. Overall the orebodies have remained remarkably similar downplunge. However, unlike the upper part of the mine, pyrrhotite is dominantly hexagonal, only tetrahedrite was observed as the dominant sulfosalt, and magnetite occurs as both blebby porphyroblasts and as abundant intergrowths with sphalerite-chalcopyrite ores and siderite. These characteristics suggest that the deep mine has been subjected to higher metamorphic temperatures, possibly related to depth of burial, and that the original hydrothermal fluids may of had a lower H2S/CO2 and/or higher temperatures.

It seems unwise to compare Eileen Chang and Alice Munro, because at first glance the urban traits of Chang's Shanghai and Hong Kong romances are dissimilar to the rural idiosyncrasies of Munro's southwestern Ontario stories. However, both the female writers describe in their fiction the women characters' romantic fantasies and their interrelationships with reality. In Chang's Romances, in the westernized and commercialized cosmopolitan set, a new age is coming, and the traditional patriarchal familial and moral systems are disintegrating. The women try to escape from frustrating circumstances through the rescue of romantic love and marriage. In Munro's fiction, the women attempt to get ride of their banal small-town cultures in order to search for freedom of imagination and expression through the medium of art, although at ; the center of their quest for selfhood is always their love and hate relationship with men. The women are in the dilemma of "female financial reality" and romantic love; they express their desires and fears through immoral and abnormal love relationships and vicarious escapades in their imagination; their interpretation of life and love is in reference to art in general, but such interpretation is full of disguise. Only in their unbound daydreams and imagination can they express their desires freely. Alice Munro and Eileen Chang's fictional worlds bespeak a sense of femininity. / Arts, Faculty of / English, Department of / Graduate

Alice Munro, ganhadora do prêmio Nobel em 2013, é escritora exclusivamente de contos, e suas narrativas percorrem um imaginário de espaços desnaturalizados que questionam a ordem estabelecida sob um aparente equilíbrio. Esta tese analisa alguns contos das obras: Ódio, amizade, namoro, amor, casamento; Fugitiva; Felicidade demais; O amor de uma boa mulher e Vida querida, para estabelecer um diálogo entre as questões de leitura e o efeito estético produzido, seguindo a corrente de Wolfgang Iser. A busca de uma leitura da écriture féminine se faz necessária na construção de uma alteridade radical, o que permite repensar as questões de gênero e espaço. O texto, como fronteira e paisagem literária, nos permite pensar de que forma a leitura se transforma em espaço necessário para a compreensão do Outro. O percurso no imaginário de Alice Munro tem como ponto de partida o espaço, passando pelo lugar, delineando um corpo até chegar ao rosto, espaço último de alteridade. Desenvolvemos uma categoria denominada em nossa pesquisa como lítero-corpóreo, espaço fronteiriço entre uma materialidade corpórea, e a leitura que transforma as realidades vividas. As correntes literárias de espaço que utilizamos são diálogos entre literatura, geografia e filosofia: Luis Alberto Brandão, Doreen Massey e Gaston Bachelard são alguns dos teóricos que embasam a pesquisa. / Submitted by Ana Guimarães Pereira (agpereir@ucs.br) on 2017-09-01T12:19:41Z No. of bitstreams: 1 Tese Ana Júlia Poletto.pdf: 1865019 bytes, checksum: bbf5aab52f5237cca265b704fd64c677 (MD5) / Made available in DSpace on 2017-09-01T12:19:41Z (GMT). No. of bitstreams: 1 Tese Ana Júlia Poletto.pdf: 1865019 bytes, checksum: bbf5aab52f5237cca265b704fd64c677 (MD5) Previous issue date: 2017-09-01 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior, CAPES. / Alice Munro, lauréat du prix Nobel en 2013, est écrivain exclusivement de contes, et ses récits présentent un imaginaire d’espaces dénaturés qui remettent en question l'ordre établi dans un équilibre apparent. Cette thèse se propose d'analyser quelques contes des œuvres : Un peu, beaucoup, pas du tout ; Fugitives; Trop de bonheur; L'Amour d'une honnête femme ; et Rien que la viepour établir un dialogue entre les questions de lecture et l'effet esthétique produit, selon la théorie isérienne. La recherche d'une lecture de l'écriture féminine est nécessaire pour construire une altérité radicale, ce qui permet de repenser le genre et l'espace. Le texte, tel que la frontière et le paysage littéraire, nous permet de réfléchir sur la façon dont la lecture devient l'espace nécessaire à la compréhension de l’Autre. Le parcours dans l’imaginaire de Alice Munro a comme point de départ l’espace, a suivre le lieu, les corps jusqu’à arriver au visage, l’espace dernier de l’altérité. Nous avons développé une categorie que nous appelons ‘litero-corporel’, l’espace de frontière dans une matérialité corporel et la lecture pour transformer la réalité. Nous avons faire un dialogue entre la littérature, la géographie et la philosophie: Luis Alberto Brandão, Doreen Massey et Gaston Bachelard sont certains des penseurs que nous utilisons dans notre thèse.

Alice Munro, ganhadora do prêmio Nobel em 2013, é escritora exclusivamente de contos, e suas narrativas percorrem um imaginário de espaços desnaturalizados que questionam a ordem estabelecida sob um aparente equilíbrio. Esta tese analisa alguns contos das obras: Ódio, amizade, namoro, amor, casamento; Fugitiva; Felicidade demais; O amor de uma boa mulher e Vida querida, para estabelecer um diálogo entre as questões de leitura e o efeito estético produzido, seguindo a corrente de Wolfgang Iser. A busca de uma leitura da écriture féminine se faz necessária na construção de uma alteridade radical, o que permite repensar as questões de gênero e espaço. O texto, como fronteira e paisagem literária, nos permite pensar de que forma a leitura se transforma em espaço necessário para a compreensão do Outro. O percurso no imaginário de Alice Munro tem como ponto de partida o espaço, passando pelo lugar, delineando um corpo até chegar ao rosto, espaço último de alteridade. Desenvolvemos uma categoria denominada em nossa pesquisa como lítero-corpóreo, espaço fronteiriço entre uma materialidade corpórea, e a leitura que transforma as realidades vividas. As correntes literárias de espaço que utilizamos são diálogos entre literatura, geografia e filosofia: Luis Alberto Brandão, Doreen Massey e Gaston Bachelard são alguns dos teóricos que embasam a pesquisa. / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior, CAPES. / Alice Munro, lauréat du prix Nobel en 2013, est écrivain exclusivement de contes, et ses récits présentent un imaginaire d’espaces dénaturés qui remettent en question l'ordre établi dans un équilibre apparent. Cette thèse se propose d'analyser quelques contes des œuvres : Un peu, beaucoup, pas du tout ; Fugitives; Trop de bonheur; L'Amour d'une honnête femme ; et Rien que la viepour établir un dialogue entre les questions de lecture et l'effet esthétique produit, selon la théorie isérienne. La recherche d'une lecture de l'écriture féminine est nécessaire pour construire une altérité radicale, ce qui permet de repenser le genre et l'espace. Le texte, tel que la frontière et le paysage littéraire, nous permet de réfléchir sur la façon dont la lecture devient l'espace nécessaire à la compréhension de l’Autre. Le parcours dans l’imaginaire de Alice Munro a comme point de départ l’espace, a suivre le lieu, les corps jusqu’à arriver au visage, l’espace dernier de l’altérité. Nous avons développé une categorie que nous appelons ‘litero-corporel’, l’espace de frontière dans une matérialité corporel et la lecture pour transformer la réalité. Nous avons faire un dialogue entre la littérature, la géographie et la philosophie: Luis Alberto Brandão, Doreen Massey et Gaston Bachelard sont certains des penseurs que nous utilisons dans notre thèse.

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With its perennial interest in the seemingly ordinary lives of small-town people, Alice Munro’s fiction displays a deceptively simple surface reality that on closer scrutiny reveals intricate levels of unexpected complexity about the fundamentals of human experience: love, choice, mortality, faith and the force of language. This study takes as its main purpose the exploration of Munro’s stories in terms of the intricacy of emotions in the face of commonplace events of life and their emerging possibilities. I argue that the ontological levels of fiction and reality remain in the realm of the real; these levels exist and merge as the possibilities of each other. Munro’s realism is explored in terms of its connection to possibilities that arise out of a particular type of fatality. The phenomenon of possibility permeates Munro’s stories. An investigation of this phenomenon shows a curious paradox between possibility and necessity. In order to discuss the complexity of this paradox I introduce the temporal/spatial concept of possibility-space and notions of the fatal. I describe the space that materializes in the phenomenal field between text and reader, and where the constitution of possibility becomes visible. This is typically seen in the rupture that is the event, where the event in itself offers a moment of release and epistemic certainty to the characters. I argue that through this release and certainty the characters obtain a radical, audacious sense of freedom and intensity of life. The stories examined have been grouped in a conceptual order that brings into view the central qualities of Munro’s fiction such as lightness, newness and sameness. These qualities are related to the act of recognition; they are elaborated through readings of a large number of stories from all the collections, including three stories published recently in The New Yorker. The dissertation concludes by highlighting these qualities in the tour de force “Post and Beam.” I argue finally that Alice Munro’s fiction recognizes life as possibility in a moment when it shows itself in its own remarkable sameness.

1. The biography of Crawford Munro (1904-76) describes his early life in Toowoomba and Sydney, and his maturation as an engineer, working for Sydney Water, Sydney Technical College and in the production of Cruiser tanks in World War II. He was a large confident man with a big voice and an optimistic, humorous personality. As the Foundation Professor of Civil Engineering at the University of New South Wales Munro was liberal, fostered humanist studies and developed the School of Engineering with a unique emphasis on water engineering. He recruited excellent staff for research and postgraduate education who led the nation across all phases of hydrology and hydraulics. Munro developed a remarkable, rational solution for flood mitigation at Launceston, and actively promoted research, partly through the Australian Water Research Foundation and the Institution of Engineers, Australia. He was much involved with predicting flood runoff, developing benefit/cost relations for irrigation schemes, which led him into public controversy, and other hydrological projects. Munro’s attempts to raise social consciousness about water problems, his multi-disciplinary approach to the evaluation of water resources and his campaigns for the collection of stream and rainfall data helped provide a better basis for proper planning. In his later years he undertook the first Australian environmental impact study. The concluding chapter outlines a vision for the current management of Australia’s water. Munro posed necessary questions about measuring the supply of water and bringing the demand of water into synchrony with its supply, while providing water security in terms of its availability and quality. He raised the debate about the balance between sustaining environmental flows, utilizing water for agriculture and secondary industry, and maintaining the health of communities. Munro hoped equitable decision making would emerge from public engagement on these issues. 2. Twentieth century science biography in Australia is the province of a group of elite male scientists, whose interests cover wide disciplinary fields; it is focused on popular imagination: health, food and adventure (Antarctica) accounting for fifteen of the seventeen scientists. Empathy for the subject is a significant feature of the nineteen biographers, of whom five are scientists. This small genre is often supported by institutions in small print runs. A key role of biography is to place through science history a more epistemologically plausible version of events. Public discourses of science treated in the essay include conflict about the attribution of scientific discovery, the vocation of the scientist as a contributor to a wider social polity, the light biography sheds on sources of creativity and the evolution of the research and culture of institutions. The biographer attempts to generate a personal portrait of the scientist which conveys authority about the significance and origins of his or her scientific discoveries and their impact in the wider social context. Daniel Söderqvist’s affirmation of the existential approach which ‘emphasizes the freedom and responsibility of the human individual’ resonates with the candidate as expressing characteristics of the lives of many Australian scientists in their passion for intellectual discovery, their motivation to self-empowerment, and their readiness top step outside their social conditioning. This essay extends Söderqvist’s paradigm to the context of Australian science biography and indicates some constraints on its depiction which arise in the practice of writing science biography. Some epistemological issues are raised in the texts, especially when dealing with oral history and family mythology, and thematic, thematic within a chronological framework or chronological structures of the text are compared. The level of detail and context influence the sustainability of the reader’s interest. Case studies of the biographies written by the candidate (Ian Clunies Ross, Samuel Wadham, Allan Callaghan, Victor Trikojus, Raymond Hoffenberg and Crawford Munro) illustrate issues which arise in the writing of science biography. The dominant question is the relationship of the biographer to the subject, and this determines the voice the reader hears. The motivation of the biographer may arise in varying degrees of empathy felt for the subject. The high affinity the candidate had for Clunies Ross and Hoffenberg causes him to offer a defence against the charge of hagiography, and the selectivity and subjectivity of the biographer is evident in the arrangement and presentation of factual material. The motivation of the biographer is additionally directed to the communication of the subject’s research outputs to the wider Australian community, and in the case of Callaghan, Wadham and Clunies Ross there was a specific programmatic function of advancing the status of agricultural science. It is argued that the description of the public life of the subject needs to be complemented from the private life if the biographer is ‘to view the world through the eyes of the subject’.

1. The biography of Crawford Munro (1904-76) describes his early life in Toowoomba and Sydney, and his maturation as an engineer, working for Sydney Water, Sydney Technical College and in the production of Cruiser tanks in World War II. He was a large confident man with a big voice and an optimistic, humorous personality. As the Foundation Professor of Civil Engineering at the University of New South Wales Munro was liberal, fostered humanist studies and developed the School of Engineering with a unique emphasis on water engineering. He recruited excellent staff for research and postgraduate education who led the nation across all phases of hydrology and hydraulics. Munro developed a remarkable, rational solution for flood mitigation at Launceston, and actively promoted research, partly through the Australian Water Research Foundation and the Institution of Engineers, Australia. He was much involved with predicting flood runoff, developing benefit/cost relations for irrigation schemes, which led him into public controversy, and other hydrological projects. Munro’s attempts to raise social consciousness about water problems, his multi-disciplinary approach to the evaluation of water resources and his campaigns for the collection of stream and rainfall data helped provide a better basis for proper planning. In his later years he undertook the first Australian environmental impact study. The concluding chapter outlines a vision for the current management of Australia’s water. Munro posed necessary questions about measuring the supply of water and bringing the demand of water into synchrony with its supply, while providing water security in terms of its availability and quality. He raised the debate about the balance between sustaining environmental flows, utilizing water for agriculture and secondary industry, and maintaining the health of communities. Munro hoped equitable decision making would emerge from public engagement on these issues. 2. Twentieth century science biography in Australia is the province of a group of elite male scientists, whose interests cover wide disciplinary fields; it is focused on popular imagination: health, food and adventure (Antarctica) accounting for fifteen of the seventeen scientists. Empathy for the subject is a significant feature of the nineteen biographers, of whom five are scientists. This small genre is often supported by institutions in small print runs. A key role of biography is to place through science history a more epistemologically plausible version of events. Public discourses of science treated in the essay include conflict about the attribution of scientific discovery, the vocation of the scientist as a contributor to a wider social polity, the light biography sheds on sources of creativity and the evolution of the research and culture of institutions. The biographer attempts to generate a personal portrait of the scientist which conveys authority about the significance and origins of his or her scientific discoveries and their impact in the wider social context. Daniel Söderqvist’s affirmation of the existential approach which ‘emphasizes the freedom and responsibility of the human individual’ resonates with the candidate as expressing characteristics of the lives of many Australian scientists in their passion for intellectual discovery, their motivation to self-empowerment, and their readiness top step outside their social conditioning. This essay extends Söderqvist’s paradigm to the context of Australian science biography and indicates some constraints on its depiction which arise in the practice of writing science biography. Some epistemological issues are raised in the texts, especially when dealing with oral history and family mythology, and thematic, thematic within a chronological framework or chronological structures of the text are compared. The level of detail and context influence the sustainability of the reader’s interest. Case studies of the biographies written by the candidate (Ian Clunies Ross, Samuel Wadham, Allan Callaghan, Victor Trikojus, Raymond Hoffenberg and Crawford Munro) illustrate issues which arise in the writing of science biography. The dominant question is the relationship of the biographer to the subject, and this determines the voice the reader hears. The motivation of the biographer may arise in varying degrees of empathy felt for the subject. The high affinity the candidate had for Clunies Ross and Hoffenberg causes him to offer a defence against the charge of hagiography, and the selectivity and subjectivity of the biographer is evident in the arrangement and presentation of factual material. The motivation of the biographer is additionally directed to the communication of the subject’s research outputs to the wider Australian community, and in the case of Callaghan, Wadham and Clunies Ross there was a specific programmatic function of advancing the status of agricultural science. It is argued that the description of the public life of the subject needs to be complemented from the private life if the biographer is ‘to view the world through the eyes of the subject’.

1. The biography of Crawford Munro (1904-76) describes his early life in Toowoomba and Sydney, and his maturation as an engineer, working for Sydney Water, Sydney Technical College and in the production of Cruiser tanks in World War II. He was a large confident man with a big voice and an optimistic, humorous personality. As the Foundation Professor of Civil Engineering at the University of New South Wales Munro was liberal, fostered humanist studies and developed the School of Engineering with a unique emphasis on water engineering. He recruited excellent staff for research and postgraduate education who led the nation across all phases of hydrology and hydraulics. Munro developed a remarkable, rational solution for flood mitigation at Launceston, and actively promoted research, partly through the Australian Water Research Foundation and the Institution of Engineers, Australia. He was much involved with predicting flood runoff, developing benefit/cost relations for irrigation schemes, which led him into public controversy, and other hydrological projects. Munro’s attempts to raise social consciousness about water problems, his multi-disciplinary approach to the evaluation of water resources and his campaigns for the collection of stream and rainfall data helped provide a better basis for proper planning. In his later years he undertook the first Australian environmental impact study. The concluding chapter outlines a vision for the current management of Australia’s water. Munro posed necessary questions about measuring the supply of water and bringing the demand of water into synchrony with its supply, while providing water security in terms of its availability and quality. He raised the debate about the balance between sustaining environmental flows, utilizing water for agriculture and secondary industry, and maintaining the health of communities. Munro hoped equitable decision making would emerge from public engagement on these issues. 2. Twentieth century science biography in Australia is the province of a group of elite male scientists, whose interests cover wide disciplinary fields; it is focused on popular imagination: health, food and adventure (Antarctica) accounting for fifteen of the seventeen scientists. Empathy for the subject is a significant feature of the nineteen biographers, of whom five are scientists. This small genre is often supported by institutions in small print runs. A key role of biography is to place through science history a more epistemologically plausible version of events. Public discourses of science treated in the essay include conflict about the attribution of scientific discovery, the vocation of the scientist as a contributor to a wider social polity, the light biography sheds on sources of creativity and the evolution of the research and culture of institutions. The biographer attempts to generate a personal portrait of the scientist which conveys authority about the significance and origins of his or her scientific discoveries and their impact in the wider social context. Daniel Söderqvist’s affirmation of the existential approach which ‘emphasizes the freedom and responsibility of the human individual’ resonates with the candidate as expressing characteristics of the lives of many Australian scientists in their passion for intellectual discovery, their motivation to self-empowerment, and their readiness top step outside their social conditioning. This essay extends Söderqvist’s paradigm to the context of Australian science biography and indicates some constraints on its depiction which arise in the practice of writing science biography. Some epistemological issues are raised in the texts, especially when dealing with oral history and family mythology, and thematic, thematic within a chronological framework or chronological structures of the text are compared. The level of detail and context influence the sustainability of the reader’s interest. Case studies of the biographies written by the candidate (Ian Clunies Ross, Samuel Wadham, Allan Callaghan, Victor Trikojus, Raymond Hoffenberg and Crawford Munro) illustrate issues which arise in the writing of science biography. The dominant question is the relationship of the biographer to the subject, and this determines the voice the reader hears. The motivation of the biographer may arise in varying degrees of empathy felt for the subject. The high affinity the candidate had for Clunies Ross and Hoffenberg causes him to offer a defence against the charge of hagiography, and the selectivity and subjectivity of the biographer is evident in the arrangement and presentation of factual material. The motivation of the biographer is additionally directed to the communication of the subject’s research outputs to the wider Australian community, and in the case of Callaghan, Wadham and Clunies Ross there was a specific programmatic function of advancing the status of agricultural science. It is argued that the description of the public life of the subject needs to be complemented from the private life if the biographer is ‘to view the world through the eyes of the subject’.