The dissertation develops the concept of repurposing as a means for thinking with activists and the issues they confront. It moves alongside pirate television collective insu^tv as they draw on a variety of histories, traditions and technological resources for their practices. Repurposing functions on multiple levels and at multiple scales, from the recycling of materials and spaces to the harnessing and relaying of encounters and events within an ever-expanding field of social relations. When seen as a way of connecting activist groups and communities, the repurposing of media contributes to strengthening an often fragmented and conflicted activist field. Indeed, insu^tv’s use of information and technology brings to the fore the value of media activism for the creation of social assemblages in which the “media” literally mediates between individuals and among individuals and their environment, instituting and developing an ontogenetic relation (Simondon, 1989). Yet, rather than simply making sense of insu^tv’s practices, the concept of repurposing also provokes a discussion regarding the ethics of connection. For insu^tv, this connective ethics can be understood as a set of rules and principles that facilitate the evaluation of actions, communication, and thought according to an immanent mode of collective existence (Deleuze, 1988; Simondon, 1989). For the author, herself a member of insu^tv and an academic researcher, this immanent position helps challenge traditional models of knowing and envisioning social change and instead proposes alternatives that attend to the singularity and relation among new political movements, and to the political potential of research methods that focus on process and fold activism into academia. The methodology is inspired by the militant research methods of the Italian Autonomia movement (conricerca or inchiesta), as developed and performed by activists themselves. While attending to the complexity of social struggles, the concept of repurposing enables an approach to research and experimentation as modes of sociability, where these modes are themselves repurposed through an ethics of connection. This line informs the relation between ethics and subjectivation, as well as between ethics and micropolitics, facilitating the emergence of new modes of political action through the repurposing of the social field itself.

Where Outreach Meets Outrage: Racial Equity at the Canada Council for the Arts (1989-1999), examines the early formation of racial equity policies at The Canada Council for the Arts. In this research project, I am primarily interested in understanding the ways in which ‘culture’ is employed by the state, the Canada Council for the Arts and by black artists to articulate and communicate complex issues that pertain to notions of art, citizenship, solidarity, justice, multiculturalism, belonging and nationhood. The research places culture and cultural production centrally within claims and calls by racialized artists for the ethical redistribution of societal resources and participation in societal structures. I look at questions of how community is produced and struggled over in relation to claims for cultural resources. This thesis employs an interdisciplinary approach drawn from the disciplines of sociology, anthropology and critical cultural studies to allow the complex relationships between activities of the Canadian state, racial equity policy making at the Canada Council, and grass roots social activism to emerge. I argue that state practices of management are elastic and that racial equity policies at the Canada Council emerged out of a confluence of transformational activities simultaneously taking place at the state/institutional and grassroots levels. The significance of this research project is that it fuses contemporary cultural production and art within contemporary social justice paradigms that seek to understand the processes and practices within liberalism that produce oppressions and resistance through an exclusionary politics of representation. This dissertation study will have both applied and theoretical implications in the Canadian context both within and outside of the academy in the fields of the arts, cultural policy and education.

This thesis examines the phenomenon of feminicide in Ciudad Juarez, Mexico, and the representation of female victims in U.S. and Mexican mainstream media and performance activism. Specifically analyzing representations of maquiladora workers and feminicide victims in film, fashion and photography, this thesis explores the simultaneous fetishization and devaluation of border women in patriarchal society. By broadening the base of pressure for justice, via performance and internet activism, misogynist governments and policies can and will change.

The dissertation develops the concept of repurposing as a means for thinking with activists and the issues they confront. It moves alongside pirate television collective insu^tv as they draw on a variety of histories, traditions and technological resources for their practices. Repurposing functions on multiple levels and at multiple scales, from the recycling of materials and spaces to the harnessing and relaying of encounters and events within an ever-expanding field of social relations. When seen as a way of connecting activist groups and communities, the repurposing of media contributes to strengthening an often fragmented and conflicted activist field. Indeed, insu^tv’s use of information and technology brings to the fore the value of media activism for the creation of social assemblages in which the “media” literally mediates between individuals and among individuals and their environment, instituting and developing an ontogenetic relation (Simondon, 1989). Yet, rather than simply making sense of insu^tv’s practices, the concept of repurposing also provokes a discussion regarding the ethics of connection. For insu^tv, this connective ethics can be understood as a set of rules and principles that facilitate the evaluation of actions, communication, and thought according to an immanent mode of collective existence (Deleuze, 1988; Simondon, 1989). For the author, herself a member of insu^tv and an academic researcher, this immanent position helps challenge traditional models of knowing and envisioning social change and instead proposes alternatives that attend to the singularity and relation among new political movements, and to the political potential of research methods that focus on process and fold activism into academia. The methodology is inspired by the militant research methods of the Italian Autonomia movement (conricerca or inchiesta), as developed and performed by activists themselves. While attending to the complexity of social struggles, the concept of repurposing enables an approach to research and experimentation as modes of sociability, where these modes are themselves repurposed through an ethics of connection. This line informs the relation between ethics and subjectivation, as well as between ethics and micropolitics, facilitating the emergence of new modes of political action through the repurposing of the social field itself.

Where Outreach Meets Outrage: Racial Equity at the Canada Council for the Arts (1989-1999), examines the early formation of racial equity policies at The Canada Council for the Arts. In this research project, I am primarily interested in understanding the ways in which ‘culture’ is employed by the state, the Canada Council for the Arts and by black artists to articulate and communicate complex issues that pertain to notions of art, citizenship, solidarity, justice, multiculturalism, belonging and nationhood. The research places culture and cultural production centrally within claims and calls by racialized artists for the ethical redistribution of societal resources and participation in societal structures. I look at questions of how community is produced and struggled over in relation to claims for cultural resources. This thesis employs an interdisciplinary approach drawn from the disciplines of sociology, anthropology and critical cultural studies to allow the complex relationships between activities of the Canadian state, racial equity policy making at the Canada Council, and grass roots social activism to emerge. I argue that state practices of management are elastic and that racial equity policies at the Canada Council emerged out of a confluence of transformational activities simultaneously taking place at the state/institutional and grassroots levels. The significance of this research project is that it fuses contemporary cultural production and art within contemporary social justice paradigms that seek to understand the processes and practices within liberalism that produce oppressions and resistance through an exclusionary politics of representation. This dissertation study will have both applied and theoretical implications in the Canadian context both within and outside of the academy in the fields of the arts, cultural policy and education.

Drawing from oral histories which I gathered while living in Bolivia, this thesis tracks the start, growth, and development of the political movement led by women from the Bolivian mines from 1961 to 1987. This movement helped create a new political culture that recognized the importance of women’s participation in politics and human rights. Today, this culture lives on. Bolivia has not experienced a coup since 1980, and the nation’s human rights record has improved dramatically since the 1980s as well. Prior to the mid-1980s, Bolivia was often under the control of oppressive military regimes that resorted to many different types of coercion in attempts to silence resistance in the mining centers, the national government’s main source of conflict. This uneven power struggle between working class activists and the national government motivated many women to challenge gender roles and involve themselves in politics. After establishing their political organization called the Housewives’ Committee, women activists organized and acted collectively to challenge political oppression and mitigate the effects of extreme poverty. They frequently employed compelling tactics, most commonly hunger strikes, to win attention for their issues. They also involved themselves in many other diverse projects and demonstrations depending on their communities’ need. Women’s political development resulted in a number of personal transformations among those who participated: it awakened a political consciousness and also enabled women to recognize the importance of their paid and unpaid work in the mining economy. These changes eventually altered women’s understanding of how women’s oppression fit into the broader struggle of working class activism by convincing them of the deep connection between women’s liberation and the liberation of their community. These transformations led to the acceptance of women as political activists and leaders, which continues in the present. This work also tracks the United States’ impact on the relationship between the mining centers and the state. This analysis serves to remind us that as United States citizens we must be very critical of our nation’s impact; because of our ability to enormously affect small land-locked countries like Bolivia, we must also hold ourselves accountable to understanding our historical impact so that we can make informed decisions in the present.

A major criticism of the environmental behavior literature is the nearly exclusive focus on the role of attitudes and individual-level characteristics. Despite this concentration on individual-level causes, variation in environmental behavior remains. As individual behavior becomes an increasingly significant source of pollution, a better understanding of the influences individual behavior is critical to addressing environmental degradation. This research re-directs the focus on individual-level influences on environmental behaviors by building models examining the varying dimensions of environmental behaviors as influenced by community characteristics. This is accomplished by testing a series of hypotheses under the auspices of two theoretical frameworks: the neoclassical economic theory and a social contextual model of environmental actions. Using individual-level data from the 1993 and 2000 General Social Survey and MSA data from the U.S. Census and the Environmental Protection Agency, I estimate two-level hierarchical models for three environmentally sensitive behaviors (environmentally sensitive food consumption, environmentally sensitive automobile use, and environmental activism). Multi-level analyses yield models revealing significant associations between MSA measures and individual environmental behaviors. Objective environmental conditions, region of MSA and MSA education level are significantly associated with environmentally sensitive food consumption behaviors, environmentally sensitive automobile use, and environmental activism behaviors, though their influence assumes diverse forms. Among the community measures, MSA education level is the primary social process that produces change in all environmental behaviors. In each of the models, MSA education level exhibits effects on all three behavioral measures and significant cross-level effects on automobile use behaviors. Living in a well educated MSA, particularly in the West or Northeast suggests higher environmental participation. Region of MSA is also a characteristic that must be considered when evaluating environmental behaviors, particularly for those living in the West and Northeast. Theoretical conclusions suggest that individual environmental behavior decision making is not simply a market exchange, but social forces are at work in the individual decision-making process.

The aim of this study was to investigate the contributions of racial identity and racial socialization beyond peer and parental influence, to the development of critical social analysis in African American youth. Young people perceive injustice and inequality in their world in varying ways. The recognition of societal inequalities, or the development of critical social analysis may be a contributing factor to activism for youth. Factors such as sense of agency, parental and peer influence and intellectual curiosity have previously been explored as contributors to activism for African American youth (Watts, 1999). Study results indicated support for the link between racial identity, racial socialization and a specific factor of critical social analysis. Implications of the findings as well as future directions are discussed.

This thesis explores We Two Together, the unique dual autobiography of the reformers Margaret and James Cousins. It places this rich text in the context of the first half of the twentieth century and demonstrates its value as a source for Irish, Indian, gender, and global history. It investigates how the Cousinses represent their efforts to create and maintain a companionate marriage over a lifetime, depict their work as activists for women’s suffrage, Indian nationalism, educational reform, and other causes, and recount the impact of cross-cultural encounters on their cosmopolitan lives. We Two Together provides insight into the lives of two extraordinary individuals as they witnessed and participated in several key social and political movements in Ireland and India. In bringing attention to this book, I hope that other historians will make use of it and that librarians will preserve the rare copies in their possession.

This thesis examines Jane Fonda’s antiwar activism during the Vietnam War, focusing on the period from late 1969 through 1973. Her early activism was characterized by frequent protests against the war, speeches at antiwar rallies and college campuses, and involvement with the organization Vietnam Veterans Against the War. In 1971 Fonda organized an antiwar troupe, FTA, which performed antiwar songs and sketches to active-duty servicemen in America and Southeast Asia. Fonda’s notorious trip to North Vietnam is examined in detail, as are her comments in 1973 regarding American POWs. Negative reaction to Fonda’s activism is examined, and the myth of “Hanoi Jane” is traced from its wartime origins through its postwar evolution. The John Kerry-Jane Fonda photograph incident of 2004 is reviewed, and treated as a symptom of decades-long anti-Hanoi Jane ideas, rather than an isolated incident. Fonda’s gender, the media’s treatment of her at various stages, and her own missteps all receive consideration in determining where Jane Fonda ends and the myth of Hanoi Jane begins.