Ce travail de thèse s'intéresse à la résolution d'équations de Monge-Ampère complexes et à ses applications sur certains types de variétés non compactes. Ce mémoire décrit plus précisément deux situations distinctes dans lesquelles on résout des équations de Monge-Ampère, avant de tirer les conséquences de ces résolutions. Dans une première partie, on travaille sur le complémentaire d'un diviseur à croisements normaux dans une variété kählérienne compacte. On fixe sur le complémentaire du diviseur une classe de métriques kählériennes à singularités cusp le long du diviseur. Pour construire des géodésiques entre métriques de cette classe, on résout une équation de Monge-Ampère homogène, sur le produit de notre ouvert de Zariski par une surface de Riemann à bord. On applique cette construction à un résultat d'unicité de métriques à courbure scalaire constante dans la classe considérée ; on résout encore pour cela une équation de Monge-Ampère avec second membre sur le complémentaire du diviseur. On exhibe enfin des obstructions topologiques à l'existence de métriques à courbure scalaire constante au sein des classes de métriques kählériennes singulières envisagées. La seconde partie du mémoire traite d'une construction analytique d'instantons gravitationnels ALF, ou variétés complètes de dimension 4, hyperkählériennes, à croissance cubique du volume. On donne la construction d'instantons diédraux ; on considère plus exactement des résolutions de singularités kleiniennes diédrales. Le traitement d'une équation de Monge-Ampère, donné pour des variétés kählériennes ALF assez générales, nous permet sur nos exemples de corriger un prototype simple pour obtenir la métrique hyperkählérienne recherchée.

The phase behavior of CO2 + polymer systems is of interest in polymer synthesis, flue and natural gas processing, polymer foam and nanoparticle processing, and drug delivery. Theoretical and experimental evidence suggests that CO2 is able to interact with electron donating functional groups in polymers to form weak Lewis acid – base or EDA (Electron Donor Acceptor) complexes. These complexes can have a significant effect on the phase behavior of associated CO2 + polymer systems. In spite of this, however, the phase equilibria of only a few associated CO2 + polymer systems have been measured. Some success in modeling the phase behavior of polymer solutions has been achieved by various versions of the Statistical Association Fluid Theory (SAFT), as well as by several Lattice Models. However, many of these models incorporate two to four adjustable parameters that often depend on temperature (T), pressure (P), and/or molecular weight (MW). As a result, a large amount of experimental data is required to apply these models. The goal of the present work was therefore to develop a new thermodynamic model for associating systems that would include no more than two temperature-independent adjustable parameters. The new model presented in this work is based on the Guggenheim-Huggins-Miller lattice and includes complex formation in the development of the partition function. The EOS obtained from the resulting partition function includes two mixture parameters – the enthalpy of association or complex formation and a reference value of the equilibrium constant for complex formation . Most importantly, can be obtained from in situ Attenuated Total Reflection Fourier Transform Infrared (ATR – FTIR) measurements. This work therefore demonstrates the use of ATR – FTIR spectra to obtain molecular level information regarding the interaction of CO2 and electron donating functional groups in polymers. Unlike other studies, this work uses the bending vibration of CO2 to estimate the enthalpies of association ( ) of CO2 + polymer systems. Values of were directly incorporated in the new model and were found to lie between -7 and -12 kJ/mol for the systems investigated in this work. They increased (i.e. became more negative) in the order: CO2 + PS-co-PMMA < CO2 + PMMA <CO2 + PBMA < CO2 + PSF < CO2 + PVAc < CO2 + EVA40 < CO2 + PEG. Values of the second parameter in the new EOS ( ) were obtained by fitting solubility data at one temperature. Both and were found to be temperature independent. The application of the new EOS was demonstrated by calculating the solubility (sorption) of CO2 in polymers, the extent of swelling of polymers due to CO2, and the solubility of polymers in CO2 (cloud points). Both sorption and cloud point behavior in CO2 + polymer systems could be calculated using a single value of for each binary system. Ionic Liquids (ILs) can also incorporate electron donating functional groups in their structure. Evidence for the interaction of such ILs with CO2 can be found in the large values of the enthalpies of absorption of CO2 in these ILs. The ALF EOS was therefore extended to CO2 + IL systems using the enthalpy of absorption as a measure of association ( ) in these systems. was again treated as an adjustable parameter in the calculation of the CO2 solubility in ILs. A single value of was sufficient to predict swelling in these systems within experimental error.

Orientador: Marcos Siqueira Cavalcante / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-07T17:47:31Z (GMT). No. of bitstreams: 1 Bittencourt_AlexisdaSilveira_M.pdf: 1695226 bytes, checksum: 92231c6957e04d697fa545b4571049d8 (MD5) Previous issue date: 2006 / Resumo: Este trabalho parte da tese de que o estilo interpretativo ao piano, em contexto instrumental Trio (piano, contra-baixo e seção rítmica), de Johnny Alf e João Donato, constitui uma espécie de elo norteador à interpretação da música popular brasileira a partir da segunda metade do século passado, com raízes no samba e forte influência jazzista. Tem, portanto, o objetivo de definir esse elo e demonstrar como esse pode ser uma valiosa referência ao guitarrista, servindo de fonte para este reavaliar sua prática interpretativa da música popular brasileira / Abstract: This research is based on the thesis, that the piano playing style, of Johnny Alf and João Donato, in the piano instrumental trio performance (with double-bass and drums and/or percussion), can be defined as a link, that could be perceived as a guide of how to play the Brazilian Popular Music from the second half of the last century to our days. This kind of music finds its roots in samba, however is strongly affected by the jazz influences. Our goal is to define the link among Alf and Donato, and demonstrate how it can provide valuable references to the guitarist, within the guitar trio situation, as a source for a reevaluation of his directions on playing the Brazilian Popular Music / Mestrado / Mestre em Música

This master thesis explores the image of Japan in the artistic creations during Japonism in Sweden. Japan and Sweden first started trading in 1868 and knowledge about Japan in Sweden were limited at best. With the emergence of the Western art movement known as Japonism, ranging from 1858 to 1914, fascination for the unknown country grew in Europe. As the art movement Japonism became the first era of interest of Japan in Sweden, the portrayal and subsequent image of the country that emerged during this time is of interest to examine, as to better understand how Japan was imagined by Sweden. Herein, this study aims to analyse the portrayal of Japan in artworks from Swedish artists during Japonism in order to examine what components and ideas composed the image of Japan conveyed during Japonism. A collection of visual artworks depicting Japanese elements, based on Japonism associated artists and creators, have been collected using digital archives and databases to assess what is depicted and how by the creators. Japanese elements, such as objects, clothes, people and landscapes were subsequently analysed using a visual analysis based on researcher Jules David Prown’s three-step method of analysing historical objects. Using the concept of the image, as defined by scholar Torsten Burgman, as the basis of the analysis the depictions of Japanese elements are examined and categorised into several larger and smaller components. The examination is conducted within a framework of ethnocentrism and orientalism to contextualise the image of Japan with the thought structures in 19th century Sweden, as the creators portrayed Japan from both a Swedish and Western Eurocentric colonial perspective. As the source material is artistic depictions, an additional aesthetic framework was applied to contextualise the image of Japan with its artistic medium. Four major image components were found in the material: Japan presented as a commodity; Japanese things as something feminine; Japan as something faraway and exotic, contrasting the West; and Japan as a reference or commentary on the ongoing Japonism movement. The image of Japan found in these depictions of Swedish Japonism was a Eurocentric and ethnocentric understanding of the country. Japan and Japanese things, were imagined as something exotic and beautiful, and usually conveyed as exotic commercial flair for Western women.

The purpose of this thesis is to examine the artistry of the Swedish artist Gerda Wallander (1860–1926). Wallander’s artistry has until recently been overlooked in Swedish art history, it is therefore uncharted territory. Provincialism is used as the overall theoretical framework in this study. By applying provincialism as the overall theoretical framework, the study distinguishes between international, national, and personal characteristics in Wallander’s aesthetics. In order to rediscover her artistry, the following study analyzes her biography, exhibitions, works of art, as well as the media coverage of Wallander’s artistry. The applied method is based on network analysis inspired by Pierre Bourdieu, biographical method, picture analysis inspired by Jan-Gunnar Sjölin, and close reading. The study demonstrates that Wallander’s artistic career is divided in two different periods, 1883–1895 and 1909–1919. Wallander’s aesthetics is characterized as moderate progressive in both of these periods, as the study suggests that this artistic sensibility enables her to gain recognition as a professional artist within the Swedish art scene. In addition, Wallander specializes in cityscape-painting depicting Stockholm during the early 20th century in her second artistic period. This illustrates the provincial aspects of Wallander’s artistry, as she implements both international and national artistic influences into her art. Furthermore, this study suggests that Gerda Wallander’s way of depicting pre-modern Stockholm is her way of dealing with the new urban experience, which is an effect of the rapid transformation of the Swedish capital in the beginning of the 20th century. The study exposes the lack of knowledge of this field, namely the depiction of Stockholm in early Swedish 20th century art within the Swedish art history discipline.

Primauté absolue du droit de l’UE ou suprématie des dispositions constitutionnelles ? Consacrée à l’analyse des conflits nés ou à naître entre normes constitutionnelle et celles du droit de l’UE, cette étude doctorale s’est focalisée sur l’analyse du lien entre les termes primauté et recours pour relever que dans ce genre de litiges contentieux un syllogisme juridique inédit est appliqué. Il s’agit de celui qui préserve cumulativement le critère hiérarchique caractérisant les ordres juridiques internes des États membres, à son sommet le principe de suprématie des dispositions constitutionnelles sur toutes les autres et l’application effective de la primauté matérielle du droit de l’Union ; les évolutions récentes du droit interne de l’UE convergent toutes dans ce sens : dans le cadre d’un litige contentieux, la primauté n’est plus une problématique de légalité constitutionnelle, le conflit est contourné. En la matière, les débats sur l’autorité et la force du droit international classique sur le droit constitutionnel ne se pose plus. Il a été séparé entre la force et l’effet des traités du droit international de l’Union. Pourtant sur le plan des principes, même au sein d’un État fédéral, le contenu définitionnel et surtout le maniement du texte constitutionnel n’ont pas été revisités ; la Constitution est le fondement sans être le contenu de validité de la primauté du droit de l’Union, le texte suprême opère en tant que technique de renvoi, il cadre deux types de champs en fonction du critère de l’objet du litige contentieux. Suprématie et primauté sont deux principes de nature juridique différente qui ne s’affrontent pas. La prévalence de la primauté matérielle du droit de l’Union n’affecte nullement la suprématie au sommet de la hiérarchie pyramidale des normes de chacun des États adhérents. / Absolute primacy of Community law or supremacy of constitutional provisions ? Devoted to the analysis of the conflicts born or to be born between EU law and constitutional standards, this doctoral study focused on analysis of the link between the terms of primacy or preemption rule and jurisdictional actions to raise that in this kind of litigation disputes a unreported legal syllogism is applied. It's one that cumulatively preserves the hierarchical criterion characterizing the domestic legal systems of the Member States, at its peak the principle of supremacy of the Constitution over all others and the effective application of the material primacy of Union law ; recent developments in internal law of the Union converge in this sense : in a dispute litigation, primacy is no longer a problem of constitutional legality, the conflict is circumvent. Concerning this matter, the debate on the authority and the force of traditional international law on constitutional law no longer arises. It has been separated between the force and the effect of the treaties of international law of the Union. Yet in terms of principles, even within a federal State, the definitional content and especially the handling of the constitutional text have not been revisited ; the Constitution is the legal basis without being the content validity of the primacy of Union law, the supreme text operates as a reference technique, it fits two types of fields based on the criterion of the contentious issue. Supremacy and rule are two different legal nature principles which do not compete. The prevalence of the material primacy of Union law sets no supremacy at the top of the pyramidal hierarchy of standards of each of the acceding States.