Juan Gil de Zamora est l’un des plus importants encyclopédistes hispaniques de langue latine. Actif à la fin du XIIIe siècle, il est lié à la cour d’Alphonse X et de Sanche IV et remplit des charges élevées dans son ordre franciscain, après des études parisiennes. Ce travail propose une editio princeps traduite et commentée de ses seize sermons mariaux répertoriés à ce jour. Elle est précédée d’une étude introductive fournissant données biographiques, réflexion sur son système encyclopédique, étude de sa part mariale et diverses découvertes homilétiques / Juan Gil of Zamora is one of the major hispanolatin encylopedist. Active at the end of the XIIIth century, he was linked with Alphonse the Xth’s and Sancho the IVth’s courts. Before playing an important part in his Franciscan Order he studied in Paris. This work provides with a translated and commented editio princeps of the sixteen marian sermons that could be listed. It goes with an introduction dealing with afresh biographical datas, thoughts on Gil’s encyclopedic system, marian production and homiletic discoveries

The second half of the thirteenth century is a rather obscure period in Spanish history. Only one fairly detailed Christian chronicle exists for the reign of each of the three kings that ruled during that time. Since these works were not composed until the middle of the following century, especially the earliest years which the author describes, the 1250's and 1260's, are full of anachronisms. The few other accounts that treat of the period are quite brief and of not much help. Alfonso el Sabio had until 1275 most extensive foriegn interests, and his plans have left many traces in the archives of other countries, especially of some of the city-states of Northern Italy. From these foreign accounts many obscure points in Alfonso's reign can be clarified, since it is precisely on the international plane where the Castilian chronicle of his reign fails. Taking Antonio Ballesteros y Beretta's work on the itinerary of Alfonso el Sabio as point of departure, the present essay tries to point out some of the shortcomings of Castilian fourteenth-century historiography. / Arts, Faculty of / Central Eastern Northern European Studies, Department of / Graduate

My dissertation analyzes the role of Ovid’s Heroides in Alfonso X’s General Estoria, a massive historical compilation in six volumes that the “Learned King” commissioned in 1272. The way in which eleven of these fictional epistles were incorporated by the Alfonsine translators sheds light on how ancient texts were perceived by medieval scholars. According to the study, King Alfonso relies on Ovid as an accurate historical source and uses the epistles of the heroines as historical documents while preserving their literary dimension. The thesis is divided into six sections. Chapter one introduces the topic of translation in relation to history and literature and argues for the use of a culturesemiotic perspective in the study of medieval translations. Chapter two looks into the General Estoria in order to frame the generic register/s to which the Heroides and Ovid belonged in Alfonso’s historic discourse. Some of these issues include literature and its historical value, and how the ancient past (in this case the times of characters in the Heroides) was used in order to investigate and interpret the concerns of the present, and form decisions about the future. Chapter three speculates on the bearing that the habitus or socio-cultural conditioning of a potential translator like Archbishop Jiménez de Rada could have had in the Alfonsine approach to translation. Chapter four analyzes the uses of and references to Ovid as a writer and his works throughout Europe in order to recreate the position both him and his works held in the socio-cultural milieu of thirteenth-century literature, history, epistolography, and rhetoric. Chapter five focuses on how the Latin text was initially adapted and segmented according to translation patterns and norms. This observational analysis of the Heroides in the GE approaches the text from the perspective of the discipline of Descriptive Translation Studies (DTS). My research does not seek to propose or refute any theories but, rather, to make a contribution to DTS in the form of an observational analysis.

La tesis analiza la forma en la que son presentados los monjes, las órdenes y la cultura monástica en las Cantigas de Santa María (mediados del siglo XIII) de Alfonso X, el Sabio. Se estudian no sólo la aparición de los monjes, como personajes de las cantigas narrativas, y sus diversas actividades (liturgia, plegaria, trabajo manual, lectura, estudio, etc.), sino también las diferentes fuentes que posiblemente hayan estado en la base de la gran empresa de confección de las Cantigas, en el scriptorium alfonsi. Por un lado, clérigos, frailes y monasterios estrechamente ligados a la persona misma del rey Alfonso X y a su corte (Juan Gil de Zamora, Bernardo de Brihuega, Rodrigo de Cerrato, monasterio de Las Huelgas de Burgos, etc.). Por otro, un enorme acervo de obras marianas de procedencia monacal: colecciones de milagros en latín y romance; compendios de himnos, secuencias y otros cantos litúrgicos; y obras doctrinales que contienen la marialogía monástica de los siglos anteriores. Todo ello puesto al servicio de la creación de un cancionero mariano con un específico ideal cristiano, monárquico y laico.

Orientador: Néri de Barros Almeida / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-25T20:59:23Z (GMT). No. of bitstreams: 1 Guaragna_AlessandraWink_M.pdf: 880977 bytes, checksum: c8a202681de3c9d1aa4706a438c558fe (MD5) Previous issue date: 2014 / Resumo: A presente pesquisa visa abordar os termos `honra¿, `honor¿ e `fama¿ em Las Siete Partidas, com o objetivo de compreender sua função no quadro jurídico dado pela obra. Escritas sob a direção do monarca castelhano Alfonso X, o Sábio (1252 ¿ 1284), as Partidas, ao realizarem um tratado doutrinal sobre a justiça, incluindo grande referência à tradição legal romana, representaram um marco jurídico importante no período medieval hispânico. Além de serem recorrentes na literatura do período, os preceitos de `honra¿, `honor¿ e `fama¿ apresentaram-se atrelados a um teor jurídico e social. O estudo será procedido considerando a presença dos termos em questão nos quadros de resolução de delitos e crimes que se sucedem de modo particular na Sétima Partida. Buscou-se compreender, a partir das Partidas, como a sociedade castelhana do século XIII entendia juridicamente os termos `honra¿, `honor¿ e `fama¿ e de que maneira esses preceitos se refletiram em termos criminais e penais segundo o código selecionado. Para isso realizou-se uma apreciação geral do reinado de Alfonso X de Castela, observando seu papel ativo na tradução e produção de obras literárias, cientificas e jurídicas, dando ênfase especial à produção da Las Siete Partidas. Analisaram-se as principais características e formulações dos termos `honra¿, `honor¿ e `fama¿ tomando como fonte tanto documentos literários consagrados do reino no período como também fontes jurídicas ¿ legais castelhanas precedentes do código alfonsino. E por fim, avaliou-se o destaque conferido aos termos nos quesitos relacionados a delinquência e a afronta social, observando as diversas modalidades criminais e penais que invocaram a honra, o honor e a fama. Constatou-se que tais termos se apresentaram como referenciais sociais simbólicos que desempenhavam um papel importante nas praticas sociais cotidianas da sociedade castelhana do século XIII. Observou-se que os termos apresentaram uma forte invocação e importância na esfera criminal a partir da análise do código jurídico alfonsino / Abstract: This research aims to address the terms ' honour ', ' honor ' and ' fame ' in Las Siete Partidas , aiming to understand their function within the legal framework provided by the work . Written under the direction of the Castilian monarch Alfonso X the Wise (1252 - 1284) , Las Partidas , to conduct a doctrinal treatise on justice , including extensive reference to the Roman legal tradition , represented an important milestone in the legal hispanic medieval period . Besides being recurrent in the literature of the period , the precepts of ' honour ', ' honor ' and 'fame' presented themselves tied to a legal and social content . The study will be undertaken considering the presence of the terms in question in cases of resolution of offenses and crimes which happen in particular the Setima Partida . We sought to understand , from Las Partidas , as the thirteenth-century Castilian society legally understood the terms ' honour ', ' honor ' and ' fame' and how these principles are reflected in criminal and penal terms on the selected code . To this there was a general appreciation of the reign of Alfonso X of Castile , watching his active role in the translation and production of literary , scientific and legal works , with special emphasis on the production of Las Siete Partidas . We analyzed the main features and formulations of the terms ' honour ', ' honor ' and 'fame' taking as a source of both literary documents established in the kingdom in the period as well as legal sources - legal precedents of the Castilian alfonsino code. Finally , we assessed the importance attached to the terms in the questions related to delinquency and social outrage, noting the various criminal and criminal procedure that invoked the honour, honor and fame . It was found that such terms are presented as symbolic social references that played an important role in everyday social practices of the spanish society of the thirteenth century . It was observed that the terms had a strong invocation and importance in the criminal sphere from the analysis of the legal code alfonsino / Mestrado / Historia Cultural / Mestra em História

Across medieval Europe, the pilgrimage route to Santiago de Compostela in Spain traced a lattice web of popular culture. From the lowest peasant to the greatest king and churchmen, the devout walked pathways that created an economy and contributed to a social and political climate of change. Central to this impulse of piety and wanderlust was the veneration of the Virgin Mary. She was, however, not the iconic Mother of the New Testament whose character, actions, and very name are nearly absent from that first-century compilation of texts. As characterized in the words of popular songs and tales, the mariales, she was a robust saint who performed acts of healing that exceeded those miracles of Jesus described in the Bible. Unafraid and authoritative, she confronted demons and provided judgement that reached beyond the understanding and mercy of medieval codes of law. Holding out the promise of protection from physical and spiritual harm, she attracted denizens of admirers who included poets, minstrels, and troubadours like Nigel of Canterbury, John of Garland, Gonzalo de Berceo, and Gautier de Coinci. They popularized her cult across Europe; pilgrims sang their songs and celebrated the new attributes of Mary. This dissertation uses the greatest collection of these songs, Las Cantigas de Santa Maria compiled in the thirteenth century under the direction of Alfonso X, King of Castile and Leon, to construct the history of a lay piety movement deeply rooted in medieval popular culture. Making the transition from institutionalized, doctrinal saint to popular heroine, Mary becomes a subversive conduit through which culture moved from Latin poetry to vernacular verse and from the monasteries of scholasticism to the popular pathway of Wycliffite reform.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / On May 31st, 1252, before the most important aristocrats of the kingdom, Alfonso X was crowned King of Castile and Leon in a public ceremony and detached from traditional sacralization rites of the medieval monarchies. The political trajectory of the Alfonsine reign was marked by periods of unrelenting conflicts and social tensions, the causes of these disruptions were directly linked to the production and attempt to establish a daring government program that sought above all to unify legislation and renew the right of the kingdom, something not effected. Faced with a political scenario of uprisings and the need to secure the support of his subjects for their demands for government, Alfonso X produced a range of legal rules - coercive and concessive - aimed at strengthening his royal authority, at the same time time in which it looked for legislative tools that made possible to rebalance its relation with the political society of the kingdom in an eternal game of powers. We have understood these aspects like something inherent to the noble negotiations that guided the relations between this monarch and the aristocracies secular and ecclesiastical of the period. When we take the characteristics presented above as the north of research and when analyzing a documentary corpus composed of chronicles and legal documents elaborated on and during the Alfonsine period, we had as objective in our research to examine the relations of negotiations developed by Alfonso X throughout his reign, looking for to understand the constant crises of monarchical authority, abyss of legitimacy and, consequently, the political and juridical actions established by him in the search for the realization of power. Thus, we could argue that political fragmentation did not mean the absence of legitimacy, authority, or power. On the contrary, decentralization only emphasized the mechanisms of negotiations, a fundamental aspect in the constitution and maintenance of seigniorial society in the Central Middle Ages. / No dia 31 de maio de 1252, diante dos aristocratas mais importantes do reino, Alfonso X foi coroado rei de Castela e Leão em uma cerimônia pública e desprendida de ritos de sacralização tradicionais das monarquias medievais. A trajetória política do reinado alfonsino foi marcada por períodos de incessantes conflitos e tensões sociais, as causas de referidas perturbações estavam diretamente ligadas à produção e tentativa de instauração de um audacioso programa de governo que buscava, sobretudo, a unificação legislativa e a renovação do direito do reino, algo não efetivado. Diante de um cenário político de sublevações e na necessidade de garantir o apoio dos seus súditos para as suas demandas de governo, Alfonso X produziu uma gama de normas jurídicas – coercitivas e concessivas – que tinham por finalidade o fortalecimento da sua autoridade régia, ao mesmo tempo em que buscava ferramentas legislativas que possibilitassem equilibrar novamente a sua relação com a sociedade política do reino num eterno jogo de poderes. Temos entendido tais aspectos como algo inerente às negociações senhoriais que nortearam as relações entre este monarca e as aristocracias laicas e eclesiásticas do período. Ao tomarmos as características acima apresentadas como norte de investigação e ao analisarmos um corpus documental composto por crônicas e documentos jurídicos elaborados sobre e no período alfonsino, tivemos como objetivo em nossa pesquisa examinar as relações de negociações desenvolvidas por Alfonso X ao longo do seu reinado, procurando entender as constantes crises de autoridade monárquica, abalos de legitimidade e, consequentemente, as ações políticas e jurídicas instauradas por ele na busca pela efetivação do poder. Assim, pudemos defender o quanto a fragmentação política não significou a ausência da legitimidade, da autoridade e, tampouco, do poder. Ao contrário, a descentralização apenas salientou mais os mecanismos de negociações, aspecto fundamental na constituição e manutenção da sociedade senhorial na Idade Média Central. / São Cristóvão, SE

Made available in DSpace on 2014-06-11T19:26:51Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-03-07Bitstream added on 2014-06-13T19:55:15Z : No. of bitstreams: 1 favaro_gs_me_arafcl.pdf: 1659339 bytes, checksum: f9a1036d424ad6a96ecf1284b58a17f8 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) / Este estudo tem como objetivo principal fazer um vínculo entre o passado e o presente, comparando processos morfofonológicos desencadeados pela flexão verbal através das formas do pretérito perfeito do modo indicativo, ou seja, processos que alteram a forma dos morfemas e geram alomorfias em vários níveis no Português Arcaico (PA) dos séculos XII-XIII analisados a partir de teorias não lineares (cf. Fonologia Lexical, Fonologia métrica e Geometria de Traços). Para a realização desta pesquisa foram considerados como objeto as formas verbais do pretérito perfeito do modo indicativo, tanto dos verbos regulares quanto dos verbos irregulares. A metodologia foi baseada no mapeamento das formas verbais nas Cantigas de Santa Maria. Contamos também com glossários, vocabulários, dicionários, e especialmente o glossário de Mettmann (1972), como auxílio na categorização das formas verbais. Depois de coletados, os dados foram separados de acordo com o tipo de processo morfofonológico verificado. O corpus de base, para o PA, foi constituído pelas Cantigas de Santa Maria (CSM), elaboradas em galego-português e atribuídas a Dom Afonso X de Castela, o Sábio, com a colaboração de trovadores, músicos, desenhistas e miniaturistas que acolhia em sua corte. Correspondem a um monumento literário de mais elaborada importância, que ocupa um lugar privilegiado na literatura medieval galego-portuguesa. Ao final da análise dos processos morfofonológicos, nos resultados obtidos, verificamos a alta produtividade da harmonização vocálica e da neutralização e crase da vogal temática em um estágio inicial da língua que denominamos de período arcaico. Podemos comprovar que os processos morfofonológicos, sobretudo a harmonia vocálica, já ocorriam desde o estágio inicial do português com as mesmas características e produtividade dos dias de hoje, uma vez que, na passagem do latim... / This study aims to make a link between past and present, comparing morphophonological processes triggered by verbal inflection through the forms of the past tense of the indicative, that is, processes that alter the shape of morphemes and generate allomorphs at various levels in the Archaic Portuguese (AP) of XII-XIII centuries were investigated by Lexical Phonology (LP) and Autosegmental and Metrical Phonology. The past tense verb forms of the indicative mood both of regular and irregular verbs were considered as an object for this research. The methodology was based on the mapping of verb forms in the Cantigas de Santa Maria (CSM). We have also used glossaries, vocabularies, dictionaries, and especially the glossary of Mettmann (1972) as an aid in the categorization of verbal forms. Once collected, the data was separated according to the type of morphophonogical process checked. The corpus was formed by the Cantigas de Santa Maria (CSM), written in Galician-Portuguese and attributed to Don Alfonso X of Castile, the Wise, in collaboration with the troubadours, musicians, designers and miniaturists who lived in his court. The CSM correspond to the most elaborate literary monument, which occupies a privileged place in the medieval Galician-Portuguese literature. After the analysis of the morphophonological processes, in the results obtained, we verified the high productivity of vowel harmony and vowel neutralization and at an early stage of the language that corresponds to the archaic period. We could prove that the morphophonological processes, especially vowel harmony, have occurred since the initial stage of the Portuguese with the same characteristics and productivity of today, since in the passage from Latin to Portuguese, the verb conjugations were already well defined. In addition to the morphophonological processes, we also mapped the irregular verbs that we called... (Complete abstract click electronic access below)

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La thèse « Ovide dans la General estoria d’Alphonse X » a pour objectif l’étude de la réception du poète latin dans l’histoire universelle conçue au sein de l’atelier dirigé par Alphonse X pendant le dernier quart du XIIIe siècle (ca. 1270-1284). Ladite œuvre prétendait relater l’histoire de l’homme depuis la Genèse jusqu’au règne du roi Alphonse lui-même. La source fondamentale de la General estoria est la Bible. S’ajoutent à la matière biblique diverses notices païennes ou « gentilles » (étrangères au peuple hébreu). Dans les deux premières parties de la General estoria, les sources fondamentales pour les récits gentils sont les Métamorphoses et les Héroïdes d’Ovide. Cet usage est complété par un emploi fragmentaire des Fastes, des Remèdes à l’amour, de l'Art d’aimer et des Pontiques. Nous avons porté notre attention aussi bien sur la méthode de traduction de l’œuvre d’Ovide que sur les techniques de compilation de la General estoria. Ainsi, cette thèse est structurée de la façon suivante : 1) une introduction où nous décrivons les règles qui caractérisent la lecture d’Ovide au Moyen Âge (ch. 1) ; 2) une étude des éléments contextuels du texte latin en trois sections : une étude des accessus, des gloses et des commentaires qui accompagnaient le texte latin dans l’étape médiévale (ch. 2) ; une analyse des œuvres mythographiques qui s’insèrent dans la compilation (ch. 3) ; enfin, la description des caractéristiques qui définissent l’utilisation des œuvres d’Ovide moins employées: les Fastes, l'Art d’aimer, les Pontiques et les Remèdes à l’amour (ch. 4). Finalement, dans le deuxième bloc de la thèse (ch. 5), nous avons fait une analyse exhaustive et détaillée des fragments empruntés aux œuvres d’Ovide dans la General estoria. / The aim of the dissertation “Ovid in Alfonso X’s General estoria” is to study the translation of the Latin poet in the universal history conceived within the workshop directed by Alfonso X during the last quarter of the 13th century (ca. 1270-1284). The aforementioned work intended to recount the history of man from Genesis up to the reign of King Alfonso himself. The main source of the General estoria is the Bible. Various pagan or “Gentile” (non-Jewish) notes are added to the biblical material. In the first two parts of the General estoria, the basic sources for the Gentile stories are Ovid’s Metamorphoses and Heroides. This usage is complimented by fragments of the Fasti, the Remedia Amori, the Ars Amatoria and the Epistulae ex Ponto. The study is also centred on the translation method of Ovid’s work as well as on the compilation techniques of the General estoria. Thus, the present dissertation is structured as follows: 1) an Introduction where the rules that characterize the reading of Ovid in the Middle Ages are described (ch. 1); 2) a study of the contextual elements of the Latin text in three sections: a study of the accessus, the glosses and commentaries that accompanied the Latin text in the medieval stage (ch. 2); an analysis of the mythographic works inserted in the compilation (ch. 3); finally; the description of the characteristics which define the employing of Ovid’s less used works: the Fasti, the Remedia Amori, the Ars Amatoria and the Epistulae ex Ponto (ch. 4). In the end, the second part of the dissertation (ch. 5) develops an exhaustive and detailed analysis of the fragments taken from Ovid’s works in the General estoria.