Made available in DSpace on 2014-07-29T15:22:29Z (GMT). No. of bitstreams: 1 dissertacao arnaldo a f junior 2010.pdf: 919977 bytes, checksum: 6e722542f78727f3ec1a8429633330f5 (MD5) Previous issue date: 2010-08-20 / The research on the interrelationship of the field of Critical Discourse Studies at the possibilities of construction of citizenship from the ideals Arendt of action and speech. To this end, we sought, from these theories, examine the processes of construction of citizenship from speeches about the accident with a capsule containing cesium-137 chloride in Goiania in 1987. Since the analysis focused on the speech conveyed by the print media in major newspapers printed at the time. The research was structured after a literature review about the historical events of the accident, for this part of the work on the methodological procedures that guided the research were provided by the Content Analysis - AC, which in turn is configured in methodology and technique appropriate to the analysis of communication because the content analysis is a research technique that aims to describe objectively, systematically and quantitatively the manifest content of communication. For studies of minority groups, the methodology CA was important because it allowed the deconstruction of the discourse units of analysis and their reconstruction in order to identify the assumptions of discursive emitting nucleus of media messages. In preparation of inferences about the data, they were analyzed theoretically, as units of analysis arising from Critical Discourse Studies, and the perspective of citizenship that emphasizes that this category exists when the individual is able to act without the intervention of others and yet is able to advertise themselves using the discourse, ensuring there for you and others like him from the same shared reality. The context in which this research took place is set in what is called in literature in Peripheral Societies, where the elements you have to build citizenship do not emphasize human factors listed at the beginning, which in turn produces social situations of subordination and building the subcidadão, ie people who are below what one would consider the minimum for the status of citizen was present. Therefore the conclusions drawn from this research go in that is by examining the ability of speech and access to means of production and reproduction discourse that we must seek the prospects for citizenship in the social context that was presented briefly, using the possible theoretical dialogue between the Critical Studies of Discourse Arendt and frames of action and speech, which, one hopes, can discern the consequences of media discourses to construct undercitizenship and naturalization of social injustices and inequalities. / A pesquisa desenvolveu-se na inter-relação do campo dos Estudos Críticos do Discurso com as possibilidades de construção da cidadania a partir dos ideais arendtianos de ação e discurso. Para tanto, buscou-se, a partir destas teorizações, examinar os processos da construção da cidadania a partir de discursos sobre o acidente com uma cápsula contendo Cloreto de Césio-137 em Goiânia em 1987. Sendo que as análises se concentraram nos discursos veiculados pela mídia impressa nos principais jornais impressos da época. A pesquisa foi estruturada, após revisão bibliográfica, acerca dos acontecimentos históricos do acidente. Para esta parte do trabalho os procedimentos metodológicos que nortearam a pesquisa foram fornecidos pela Análise de Conteúdo AC que, por sua vez, se configurou em metodologia e técnica adequada à análise de comunicações, visto que a análise de conteúdo é uma técnica de investigação que tem por finalidade a descrição objetiva, sistemática e quantitativa do conteúdo manifesto da comunicação. Para estudos de grupos minoritários, a metodologia AC foi importante no sentido de que possibilitou a desconstrução dos discursos em unidades de análises e a reconstrução destes de forma a identificar os pressupostos discursivos do pólo emissor das mensagens midiáticas. Na fase de elaboração de inferências sobre os dados obtidos, estes foram analisados teoricamente, a partir de unidades de análise advindas dos Estudos Críticos do Discurso, e dentro da perspectiva de Cidadania que ressalta que essa categoria existe quando o indivíduo é capaz de agir sem a intervenção de outrem e ainda, é capaz de anunciar-se utilizando do discurso, assegurando existência para si e para outros como ele a partir da mesma realidade compartilhada. O contexto em que a pesquisa se realizou configurou-se no que é denominado em literatura pertinente de Sociedades Periféricas, onde os elementos que se tem para a construção de cidadanias não privilegiam os fatores humanos elencados de início, o que por sua vez produz situações sociais de subalternização e construção do subcidadão. Isto é, pessoas que estão abaixo de que se consideraria o mínimo para que o status de cidadão esteja presente. Portanto, as conclusões advindas dessa pesquisa caminham no sentido de que é através da análise da capacidade de fala e de acesso aos meios de produção e reprodução discursiva que deve-se buscar as perspectivas de cidadania no contexto social que brevemente foi apresentado, utilizando-se do possível diálogo teórico entre os Estudos Críticos do Discurso e os referenciais arendtianos de ação e discurso esperando poder descortinar as conseqüências dos discursos midiáticos para a construção de subcidadanias e a naturalização de injustiças e desigualdades sociais.

The master'sthesiscalledThematicpreferencesoftheCzechprintedmedia seenontheexampleofthecaseofPussyRiotdeals withthe mediaphenomenon Pussy Riot, whichprovokedheightenedinterestofboththegeneralpublicand Russianand Western mediaatthebeginningof2012.The membersoftheartistic activistmovementPussyRiotperformedtheso-called"punkprayer"intheCathedral of Christthe Saviourin Moscow. Thisact, whichhadpoliticalandreligious overtones, wassubsequentlycriminalized. Thethesisoffersaninsightintothe backgroundofthecasefromtheperspectivesofhistory,inspirationandgoalsofthe movement.Italsoseekstopointouttheimportantaspectsoftheirperformanceand eventsthattookplaceafterthecase.ThethesisshowshowthePussyRiotissuehas beenaddressedbythemediaaroundtheworld,takingintoaccounttheworkofthe journalistandtheinfluencesthatmayshapehisorherwork.Italsotakesintoaccount theinfluenceoffeminism,itsdevelopmentinthemedia,anditsconnectionwiththe activismofPussyRiot.ThemainaimofthisworkistofindouthowCzechmedia haveconstructedmeaningsrelatedtoPussyRiotfromthebeginningofthecasetothe present.Todothis,aqualitativeanalysisofthreeCzechdailynewspapers Mladá frontaDNES,Hospodářskénoviny,PrávoandthreeCzechweeklyRespekt,Reflex andTýdenwasused.

Diploma thesis is dedicated to the analysis of threats and risks related with document management in a real enterprise -- big telco company. For document management company utilizes a complex solution called application DMS which is implemented on IBM FileNet P8 platform. In my work I will concentrate on risks linked with operation of DMS application. Along with the description of DMS application and document management I will mention problems perceived from the external supplier's point of view. These problems will be the basis for identification of the risks for the company emerging from the operation of DMS application. Subsequently I will evaluate risks and propose solutions to handle or avoid these risks. I will put proposed solutions into the sequence, in which they should be implemented while considering nature of the risk and financial demands of the proposed solution. Contributions of my work are list of identified risks and list of solutions which both can be used for assigning priorities of the change requests carried out in 2013 and possibly during discussions about budget increase for the DMS application operation.

Orientadores: Aline Vieira de Carvalho, Jansle Vieira Rocha / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-27T17:44:32Z (GMT). No. of bitstreams: 1 Gaissler_RubiaPereira_D.pdf: 5274430 bytes, checksum: d24c8d8f3ef14a2501b1e01a9e473735 (MD5) Previous issue date: 2015 / Resumo: Esta tese de doutorado teve como objetivo analisar a cobertura midiática do pesticida DDT desde a sua primeira aparição na mídia, em 1944, até 2014. O objetivo estabelecido foi de identificar as principais narrativas usadas para falar sobre o DDT e as mudanças observadas no discurso referente ao mesmo durante todo o período de tempo acima mencionado. Isto foi atingido observando uma porção selecionada da mídia de dois países que têm um histórico relevante no que diz respeito ao DDT: os Estados Unidos e o Brasil. O primeiro foi escolhido por se tratar de um usuário intenso e um forte defensor da utilização do DDT entre as décadas de 1940 e 1960, e também por ter sido o vórtice de um debate que levou à proibição global do DDT, na década de 1970; o segundo foi incluído na análise para oferecer um contraponto ao primeiro, justificado por uma diferença muito distinta em aspectos culturais, geográficos, econômicos e demográficos. Foram analisadas as revistas Estadunidenses TIME, The New Yorker e Popular Science, e as revistas brasileiras Veja e Superinteressante. O estudo identificou uma virada discursiva única na cobertura da mídia, em 1967, quando DDT deixou de ser visto majoritariamente como benéfico e passou a ser principalmente visto como prejudicial. A análise quantitativa das 711 unidades midiáticas que fizeram parte do conjunto de dados mostrou oscilações na intensidade da cobertura ao longo dos 70 anos estudados, com destaque para um pico entre 1969 e 1971, sendo que tais variações foram interpretadas trazendo o contexto histórico-cultural de cada período abordado e considerando a trajetória do movimento ambientalista, do jornalismo científico e da própria ciência. Adicionalmente, a tese foi estruturada objetivando desmistificar o papel da bióloga norte-americana Rachel Carson na proibição de DDT, investigando sua influência na trajetória do discurso relacionado ao DDT tanto na época em que lançou a obra Primavera Silenciosa, em 1962, quanto observando de que maneiras o retrato da sua figura enquanto símbolo evoluiu nas décadas seguintes até chegar às representações oferecidas no presente / Abstract: This doctoral thesis aimed to analyze the media coverage of the pesticide DDT since its first appearance in the media, in 1944, until 2014. The established objective was to identify the main narratives used to talk about DDT and the observed discourse changes related to it throughout the period of time aforementioned. This was achieved by looking into selected media from two countries that have a relevant history concerning DDT: The United States and Brazil. The first was chosen because it was a heavy user and a strong advocate for DDT use from the 1940s to the 1960s, and also because it was the vortex of a debate that led to the DDT world ban in the 1970s; the second was included in the analysis to offer a counterpoint to the first, justified by a very distinct difference in cultural, geographic, economic and demographic aspects. The United States¿ magazines TIME, The New Yorker, and Popular Science were analyzed, and also the Brazilian magazines Veja and Superinteressante. The research identified a single discourse flip in the media coverage, in 1967, when DDT stopped being majorly seen as beneficial and started being predominantly faced as harmful. The quantitative analysis of the 711 media units that composed the data set showed oscillations in the coverage intensity during the 70 years studied, with a highlight to a peak between 1969 and 1971; such variations were interpreted bringing the historical and cultural context of each period and considering the trajectory of the environmental movement, the scientific journalism and of science itself. Additionally, the thesis was structured aiming to demystify the role of the North American biologist Rachel Carson in the DDT ban, investigating her influence in the DDT discourse trajectory not only when the Silent Spring was published, in 1962, but also observing in which ways her portraying as a symbol evolved in the following decades until reaching today¿s representations / Doutorado / Aspectos Biológicos de Sustentabilidade e Conservação / Doutora em Ambiente e Sociedade

Bakgrund: Under de senaste årtiondena har det växt fram en trend, både nationellt och internationellt, där hållbarhet har hamnat i fokus. Sedan 2017 har vi i Sverige lag på att vissa företag ska upprätta en hållbarhetsrapport men det är enbart 0,1 procent av alla svenska företag som omfattas av lagen. Även om ett bolag inte har ett lagstadgat krav på sig att upprätta en hållbarhetsrapport finns det trots detta företag som frivilligt delar med sig av icke-finansiell information. Denna benägenhet hos företag att frivilligt synliggöra hållbarhetsinformation leder till ett intresse av att närmare studera vilken frivillig hållbarhetsinformation som företag anser är väsentlig att dela med sig av när det inte finns några lagstadgade regler för detta. Syfte: Syftet med denna studie är att kritiskt analysera hållbarhetsinformation som ges ut frivilligt av företag för att jämföra innehållet och utformningen av informationen samt att ge en förståelse för vad som kan förklara eller påverka informationen. Metod: I studien tillämpas en kvalitativ innehållsanalys med komparativ design för att göra en jämförande studie av tio svenska företags hållbarhetsinformation. Vid granskningen har vi utgått från olika teman för att identifiera hur innehållet och utformningen av hållbarhetsinformationen ser ut och vilka likheter och skillnader som finns. Slutsats: Jämförandet av företagens frivilliga hållbarhetsinformation har visat att det finns stora variationer gällande både innehållet och utformningen. Bland annat finns variationer kring vilket format som används, antalet sidor och hur ingående hållbarhetsarbetet beskrivs. Förklaringar till dessa variationer ges utifrån företagens branschtillhörighet, standardiserade ramverk, Corporate Social Responsibility (CSR) och företagsekonomiska teorier. / Background: During the last decade a trend has developed, both nationally and internationally, where sustainability has become highly relevant. Since 2017 thereis a law in Sweden that stipulates that some companies are required to create a sustainability report, but only 0,1 percent of all Swedish companies are covered by the law. Even though a company does not have a legal requirement to create a sustainability report, there are still companies that voluntarily share non-financial information. This tendency for companies to voluntarily share sustainability information leads to an interest to study what kind of voluntary sustainability information companies considers to be essential to share when there are no lega lrequirements. Purpose: The purpose of this study is to critically analyze sustianability information that is being shared voluntarily by companies to compare the content and design of the information and to provide an understanding for what can explain or influence the information. Method: In this study a qualitative analysis of content was applied together with acomparative design to carry out a comparative study of sustainability information at ten Swedish companies. The analysis was based on different themes to identify the content and design of the sustainability information and to determine if there are any similarities or differences. Conclusion: After comparing the sustainability information shared by ten companies it is clear that there are large variations regarding both the content and design. For example there are variations in what format that is being used to present the information, the number of pages and how detailed the work with sustainability is described. These variations can be explained by the companies industry affiliation, standardized frameworks, Corporate Social Responsibility(CSR) and theories of business economics.

A dissertação tem como objetivo geral identificar o papel da Assembleia Legislativa do Estado de São Paulo (ALESP) na produção de políticas públicas de cultura para seus representados no período de 2001 a 2016. Os objetivos específicos foram: 1) analisar a conduta legislativa sobre o tema cultura; 2) transferir ao estudo quais são as ações e os pensamentos sobre cultura; 3) identificar como o termo cultura, aparece nas iniciativas parlamentares relacionadas à política pública e 4) analisar a contribuição de cada legislatura no desenvolvimento da cultura no Estado de São Paulo. A abordagem foi desenvolvida fundamentada na discussão do conceito de cultura a partir dos autores dos Estudos Culturais (WILLIAMS, 1969; 1989; 2007; THOMPSON, 1998; BAPTISTA, 2009; HALL, 2003; CEVASCO, 2003). Foram selecionadas um total de 341 iniciativas legislativas, das quais foram destacadas para a análise 231 que possuíam relação com a cultura e 40 que especificamente fomentam políticas públicas de cultura, tal como abordado neste estudo. Foram entregues 93 questionários para os gabinetes/mandatos dos deputados para serem respondidos sobre o tema, sendo que 29 foram respondidos e subsidiaram a análise. A metodologia utilizada foi a Análise de Conteúdo (BARDIN, 2009) com enfoque na interpretação dos dados. A hipótese sugerida foi que a ALESP, por meio de seus legisladores, faz políticas públicas de cultura para o Estado de São Paulo, porém, a partir da análise dos resultados, essa hipótese não foi confirmada. Como resultados podem-se destacar a consideração que existe uma deficiência na representatividade da população do estado de São Paulo na ALESP e que a cultura não é prioridade para os deputados paulistas / This dissertation has as objective identifying the role of São Paulo state Legislative House (ALESP) in the production of public policies of culture to those it represents from 2001 to 2016. The specific objectives are 1) to analyze the legislative behavior concerning the theme \"culture\"; 2) to include in the study what are the actions and thoughts on culture; 3) to identify how the term \"culture\" appears in parliamentary initiatives related to public policies and 4) to analyze the contribution of each legislature in the light of culture development in the state of São Paulo. The approach has been developed based on the discussion of the concept of culture, from authors of Cultural Studies (WILLIAMS, 1969; 1989; 2007; THOMPSON, 1998; BAPTISTA, 2009; HALL, 2003; CEVASCO, 2003). A total of 341 parliamentary initiatives have been selected, with 231 related to culture highlighted for analysis and 40 specifically fostering public policies of culture, such as approached in this study. 93 surveys have been delivered to cabinets/mandates of representatives to be answered on the theme, and 29 were answered and subsidized the analysis. The methodology used is Analysis of Content (BARDIN, 2009), with focus on data interpretation. The hypothesis suggested was that ALESP, through it legislators, makes public policies of culture for the State of São Paulo but, from the analysis of results, this has not been confirmed. Among the results one may highlight that there is a lack of representativeness in the population of the state of São Paulo at ALESP and that culture is not a priority for deputies who represent it

The case study analyses the art education content of selected teachers through the school year in context of actual curriculum. The lesson plans are going to be compared with the actual realizations of students, with respect to the expected (art) competencies of themselves. How do the teachers deal with the curriculum and content in art education? The thesis explores that question per interviews with the teachers, document analyses and gathered reflections. It examines the way of dealing with pedagogical content, its transformation into concrete tasks, teacher's reflection and appreciation of the student works. Inspirational resources of the particular teachers are going to be also covered in this study. The contemporary researches of Art education with emphasis on the pedagogical content are going to be the theoretical basis of processing the case study. KEYWORDS Art education, case study, curriculum, lesson planning, pedagogical content, specific subject area, teaching and learning

A dissertação tem como objetivo geral identificar o papel da Assembleia Legislativa do Estado de São Paulo (ALESP) na produção de políticas públicas de cultura para seus representados no período de 2001 a 2016. Os objetivos específicos foram: 1) analisar a conduta legislativa sobre o tema cultura; 2) transferir ao estudo quais são as ações e os pensamentos sobre cultura; 3) identificar como o termo cultura, aparece nas iniciativas parlamentares relacionadas à política pública e 4) analisar a contribuição de cada legislatura no desenvolvimento da cultura no Estado de São Paulo. A abordagem foi desenvolvida fundamentada na discussão do conceito de cultura a partir dos autores dos Estudos Culturais (WILLIAMS, 1969; 1989; 2007; THOMPSON, 1998; BAPTISTA, 2009; HALL, 2003; CEVASCO, 2003). Foram selecionadas um total de 341 iniciativas legislativas, das quais foram destacadas para a análise 231 que possuíam relação com a cultura e 40 que especificamente fomentam políticas públicas de cultura, tal como abordado neste estudo. Foram entregues 93 questionários para os gabinetes/mandatos dos deputados para serem respondidos sobre o tema, sendo que 29 foram respondidos e subsidiaram a análise. A metodologia utilizada foi a Análise de Conteúdo (BARDIN, 2009) com enfoque na interpretação dos dados. A hipótese sugerida foi que a ALESP, por meio de seus legisladores, faz políticas públicas de cultura para o Estado de São Paulo, porém, a partir da análise dos resultados, essa hipótese não foi confirmada. Como resultados podem-se destacar a consideração que existe uma deficiência na representatividade da população do estado de São Paulo na ALESP e que a cultura não é prioridade para os deputados paulistas / This dissertation has as objective identifying the role of São Paulo state Legislative House (ALESP) in the production of public policies of culture to those it represents from 2001 to 2016. The specific objectives are 1) to analyze the legislative behavior concerning the theme \"culture\"; 2) to include in the study what are the actions and thoughts on culture; 3) to identify how the term \"culture\" appears in parliamentary initiatives related to public policies and 4) to analyze the contribution of each legislature in the light of culture development in the state of São Paulo. The approach has been developed based on the discussion of the concept of culture, from authors of Cultural Studies (WILLIAMS, 1969; 1989; 2007; THOMPSON, 1998; BAPTISTA, 2009; HALL, 2003; CEVASCO, 2003). A total of 341 parliamentary initiatives have been selected, with 231 related to culture highlighted for analysis and 40 specifically fostering public policies of culture, such as approached in this study. 93 surveys have been delivered to cabinets/mandates of representatives to be answered on the theme, and 29 were answered and subsidized the analysis. The methodology used is Analysis of Content (BARDIN, 2009), with focus on data interpretation. The hypothesis suggested was that ALESP, through it legislators, makes public policies of culture for the State of São Paulo but, from the analysis of results, this has not been confirmed. Among the results one may highlight that there is a lack of representativeness in the population of the state of São Paulo at ALESP and that culture is not a priority for deputies who represent it

This diploma thesis focuses on the analysis of caricatures with a theme of the Eastern block in French satirical weekly magazine Le Canard enchaîné in 1945-1970. By the Eastern block, we understand the Soviet Union and its associated socialistic countries. The thesis is anchored in the theoretical part by historical context of the history of the eastern countries, as well as by the development of analysed weekly magazine on the background of the history of France, by the formulation of the concepts of caricature and satire, including important authors, and the research methods themselves. Triangulation, in this case the combination of quantitative content analysis and semiotic analysis, aims to analyse individual caricatures with the theme of the East and its individual countries. The analysed periods are divided into two sections, due to the availability of materials, namely 1945-1948 and 1968-1970.

Different music performances of the same piece may significantly differ from each other. Not only the composer and the score defines the listener’s music experience, but the music performance itself is an integral part of this experience. Four parameter classes can be used to describe a performance objectively: tempo and timing, loudness (dynamics), timbre, and pitch. Each of the individual parameters or their combination can generate a unique characteristic performance. The extraction of such objective parameters is one of the difficulties in the field of Music Performance Analysis and Music Information Retrieval. The submitted work summarizes knowledge and methods from both of the fields. The system is applied to extract data from 31 string quartet performances of 2. movement Lento of String Quartet no. 12 F major (1893) by czech romantic composer Antonín Dvořák (1841–1904).