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Historian David Bell recently suggested that scholars reconsider the impact of the Revolutionary and Napoleonic Wars (1793-1815) upon modern culture, naming them the first "total war" in modern history. My thesis explores the significance of the wars specifically in the British mourning culture of the period by studying the war literature of four women writers: Anna Letitia Barbauld, Amelia Opie, Jane Austen, and Felicia Hemans. This paper further asks how these authors contributed to the development of a national consciousness studied by Georg Lukács, Benedict Anderson, and others. I argue that women had a representative experience of non-combatants' struggle to mourn war deaths occurring in relatively foreign lands and circumstances. Women writers recorded and contributed to this representative experience that aided the development of a national consciousness in its strong sense of shared anxieties and grief for soldiers. Excluded physically and experientially, women would have had an especially difficult time attempting to mourn combatant deaths while struggling to imagine the places and manners in which those deaths occurred, especially when no physical bodies came home to "testify" of their loved ones' experiences. Women writers' literary portraits of imagined women mourning those whose bodies never came home provide interesting insights into the strategies employed during the grieving process and ultimately demonstrate their contribution to a collective British consciousness based on mourning. The questions I explore in the first section of this thesis circle around the idea of women as writers and mourners: What were writers saying about war, death, and mourning? What common themes begin to appear in the women's Romantic war literature? And, perhaps most importantly, how did such mourning literature affect the growing sense of nationality coming out of this period? In the second section, I consider more precisely how these literary contributions affected mourning culture when no bodies were present for burial and advanced the development of a national consciousness that recognized the wars' "nobodies." How did women's experiences of being left behind and marginalized in the war efforts prepare them to conceptualize destructive mass deaths abroad, and, conceptualizing them, to mourn them?

This thesis focuses on the use of geographic information systems (GIS) to examine mortuary practices in the Romano-Byzantine period Kellis 2 cemetery located in the Dakhleh Oasis, Egypt. The first research objective examines the relationship between age, sex and grave substructures of 701 burials in Kellis 2 cemetery. The aim of this research objective was to determine if the presence and style of grave substructures were influenced by sex or age. Although not statistically significant, GIS analysis revealed that most of the graves in the Kellis 2 cemetery have no associated substructures, but of those that did have associated substructures, adult male burials were more likely to have a substructure than adult females or juveniles. Moreover, males and females aged from 22 to 50 years were more likely to have an associated substructure than younger and older individuals. In the juvenile age categories, newborns and children aged 1 to 5 years were more likely to have an associated substructure than the other juvenile age categories. This may be related to the second research objective which focused on the spatial relationship between infant and adult burials in the Kellis 2 cemetery. The second objective was to determine if infants were more likely to be buried between two adults, perhaps representing family units. GIS and statistical analysis revealed that the infants in the Kellis 2 cemetery were more likely to be buried closer to each other or to adult females than to adult males. Of those 25 infants buried between two adults most of them were either buried between two adult females, or between an adult male and female. Only three infants were found buried between two males. Interestingly, many of the adult females buried in close proximity with an iv infant were of child-bearing age. GIS was a very useful tool for examining questions of mortuary practices, particularly in examining spatial relationships between variables recorded for the Kellis 2 cemetery.

The Mid-Neolithic site of Ajvide on the Baltic Island of Gotland comprises the burials of 89 individuals within 85 separate burial contexts (Österholm 2008). Some of these individuals were detected with absent skeletal elements, such as the cranium, which have been believed to be represented by the considerable number of dispersed human bone fragments discovered from the site (Burenhult 2002: 33, see also Lundén 2012). These occurrences were initially proposed to be caused by agricultural ploughing, which however has not been done on the fields of Ajvide with the modern machinery of the late 20th century (Burenhult 2002: 31). It was hence the intention of this study to investigate the alternative motives behind these phenomena, by reviewing the statistics between these skeletal materials. The correspondence was additionally analysed with some other selected variables on the available data from these burial contexts. Based on the attained results, it was concluded that the human skeletal remains from the disturbed burials were likely intentionally retrieved to be used in the different ritual activities of the PWC populations on Gotland. / Den mellanneolitiska Ajvidelokalen på Gotland omfattar 85 begravningar av totalt 89 individer (Österholm 2008, Burenhult 2002). Vissa av individerna påträffades utan specifika skelettelement, såsom kraniet. Dessa individer har använts som representanter för tolkningen av den markanta kvantiteten av spridda mänskliga benfragment, som hittats via arkeologiska utgrävningar på lokalen (Burenhult 2002: 33, se även Lundén 2012 och Wallin 2015). Till en början ansågs jordbruksplogningen vara ansvarig för detta fenomen, dock har inga plöjningar utförts med moderna maskiner, eller sedan 1900-talet (Burenhult 2002: 31). Därmed, var syftet med studie att undersöka alternativa tolkningar bakom dessa fenomen. Studien är på analyser av de två olika grupperna med skelettmaterial, som inkluderats i en statistisk modell. Dessutom utfördes en korrespondensanalys mellan andra särskilt utvalda variabler från varje gravkontext. Studien har konkluderat, att de mänskliga skelettresterna från de förstörda begravningarna, hämtades sannolikt avsiktligen för olika rituella aktiviteter som praktiserades av den mellanneolitiska befolkningen på Gotland.

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No / Examination of three frozen bodies, a 13-y-old girl and a girl and boy aged 4 to 5 y, separately entombed near the Andean summit of Volcan Llullaillaco, Argentina, sheds new light on human sacrifice as a central part of the Imperial Inca capacocha rite, described by chroniclers writing after the Spanish conquest. The high-resolution diachronic data presented here, obtained directly from scalp hair, implies escalating coca and alcohol ingestion in the lead-up to death. These data, combined with archaeological and radiological evidence, deepen our understanding of the circumstances and context of final placement on the mountain top. We argue that the individuals were treated differently according to their age, status, and ritual role. Finally, we relate our findings to questions of consent, coercion, and/or compliance, and the controversial issues of ideological justification and strategies of social control and political legitimation pursued by the expansionist Inca state before European contact.

Text in English / In a diachronic and multi-sited study that extended from 2004 through 2012/2013 I deconstructed the sociocultural dynamics of relocating farm graves from the farm Zevenfontein in northern peri-urban Johannesburg. The graves at the focus of the study were some seventy-six graves removed from a northern portion of the farm in 2004 for a huge development project that commenced construction in 2010, and other graves removed in the 1980s from portions of the farm developed for residential estates in the 1990s. The study explored the people who dwelt on the farm and created the graveyards, the religious processes entailed in relocating the mortal remains of ancestors, the mortuary processes of exhuming and reburying ancestors, the disputations between and negotiating processes of landowners and grave owners, and the demands and demonstrations by farm workers and dwellers seeking redress for past human and cultural rights infringements. Although the topic of farm graves is well-referenced in land claims and sense of place discourses and is not in itself a new topic, this study provides original and in-depth information and insight on the broader picture of ancestral graves and their relocation, including the structuring of a community and its leaders and followers, it suggests answers to the question as to whether ancestral graves/graveyards can successfully and functionally be relocated. Not only are religious aspects examined in the study, but also the sociopolitical and economic dimensions of relocating graves are fully scrutinised in the context of farm workers and dwellers’ political awareness of and astuteness to the social and economic potential of farm graves and their relocation. / Anthropology and Archaeology / M.A. (Anthropology)

This dissertation explores the traditional Ba Venda concept of the after-life vis-a-vis the Ba Venda Christian understanding of eternal life. In this dissertation a historical background of the traditional Ba Venda and how there were reached with the gospel of Jesus Christ will be given. A comparative study of the traditional Ba Venda and Christian Ba Venda beliefs and practices is given. It will be noted that the Ba Venda Christians of BeitBridge district revert to traditional beliefs and practices concerning the dead. These rituals carried out by the Ba Venda Christians show the syncretistic elements practiced. A central question therefore is "Are the Ba Venda Christians operating on the basis of Christian concept of death and hereafter?" It is argued in this dissertation that the Ba Venda Christian concept of death and after life is the blending of Ba Venda Christian and Ba Venda traditional beliefs and practices, particularly when it comes to death and burial practices. / Religious studies / M.A.(Religious)

This study examines the illustrations that appear at the Office of the Dead in English Books of Hours, and seeks to understand how text and image work together in this thriving culture of commemoration to say something about how the English understood and thought about death in the fourteenth and fifteenth centuries. The Office of the Dead would have been one of the most familiar liturgical rituals in the medieval period, and was recited almost without ceasing at family funerals, gild commemorations, yearly minds, and chantry chapel services. The Placebo and Dirige were texts that many people knew through this constant exposure, and would have been more widely known than other 'death' texts such as the Ars Moriendi. The images that are found in these books reflect wider trends in the piety and devotional practice of the time. The first half of the study discusses the images that appear in these horae, and the relationship between the text and image is explored. The funeral or vigil scene, as the most commonly occurring, is discussed with reference to contemporary funeral practices, and ways of reading a Book of Hours. Other iconographic themes that appear in the Office of the Dead, such as the Roman de Renart, the Pety Job, the Legend of the Three Living and the Three Dead, the story of Lazarus, and the life of Job, are also discussed. The second part of the thesis investigates the musical elaborations of the Office of the Dead as found in English prayer books. The Office of the Dead had a close relationship with music, which is demonstrated through an examination of the popularity of musical funerals and obits, as well as in the occurrence of musical notation for the Office in a book often used by the musically illiterate. The development of the Office of the Dead in conjunction with the development of the Books of Hours is also considered, and places the traditions and ideas that were part of the funeral process in medieval England in a larger historical context.

This thesis studies Tang sancai, a multi-coloured lead-glaze ceramic decorated ware which emerged in the Tang dynasty (AD 618 - AD 907), attaining mass production in the middle of the Tang era and declining towards its end. It examines the functions of sancai in its different aspects, namely as burial objects, as containers for ritual offerings and as architectural material. I argue that Tang sancai ware as burial objects were employed exclusively by the Tang imperial and elite families. The approach to my argument is made, in a first stage, through the observation of the physical locations of tombs that contained Tang sancai wares to demonstrate that these tombs belonged to the Tang imperial and elite family members. In a further step, I bring up two Tang decrees which laid down regulations for burials, to indicate that there was a strict hierarchical system for the allocation and utilization of burial land. These two Tang texts enable us to establish that the tombs located around the area of the imperial tombs belonged to the Tang officials and elite, and therefore not to ordinary people. In addition, the study I undertake of the structure of the tombs, with layout and organization mirroring palatial environments, reinforces my argument to that end. Lastly, I look at the cost of production of Tang sancai showing that it was higher than that of unglazed ceramics and that, consequently, sancai wares were, from an economical point of view, inaccessible to the common people. This thesis also reflects on the agency of Tang sancai, considering its aesthetic qualities and its suitability in the functions for which it served, as a force in engaging the viewers. The lasting debate on whether Tang sancai utensil-shaped wares were used for everyday eating and drinking is dealt with in this thesis by carefully examining the locations of the shards that were excavated at the sites of imperial palaces. My research enables to point out that this data is not sufficient to ascertain that this type of Tang sancai was used as daily wares. On the contrary, on the grounds that these locations were the places where ritual performances took place, I argue that sancai utensil wares were used as presentation containers for ritual performances. In the absence of records in Tang texts which could have informed about the relationship between Tang sancai and religious practice, I borrow an evidence from Japan, in the form of the hand-brush writing on a couple of Nara sancai dishes, which were copies of Tang sancai made in Japan during the time of Tang, mentioning that these vessels were specifically for use for ritual ceremonies. Furthermore, on the basis of analyses made on lead-glazed ware, some scholars assert that such ware is poisonous and could not have been used to contain food or drink, as much as no evidence exists to show that ancient Chinese had used lead-glazed wares for that purpose. This leads to the clarification that Tang sancai utensil-shaped wares were not produced for everyday use, their purpose having actually been to serve as vessels for offerings in rituals. I further observe that this connection between sancai and ritual-themed objects, initiated by the Tang, has in fact pervaded through the succeeding dynasties affirming its role in religious ceremonials. Finally, this thesis also looks at Tang sancai as an architectural material to show that it was skillfully used in decorating buildings, not only as tiles and tile-ends, but also as large-sized roof ornaments. The research reveals, in the process, the possible dates when sancai architectural material started to be used popularly during the Tang era.