Submitted by admin tede (tede@pucgoias.edu.br) on 2017-05-12T14:26:28Z No. of bitstreams: 1 DAMIANA APARECIDA OLIVEIRA SANTOS.pdf: 3534662 bytes, checksum: 1c74a0eebee5214f718f2195cf69a373 (MD5) / Made available in DSpace on 2017-05-12T14:26:28Z (GMT). No. of bitstreams: 1 DAMIANA APARECIDA OLIVEIRA SANTOS.pdf: 3534662 bytes, checksum: 1c74a0eebee5214f718f2195cf69a373 (MD5) Previous issue date: 2017-02-14 / This work aims to understand and analyze how bullying generates violence and how it occurs in the pedagogical practices occurred in a Protestant religious school in the northern region of Goiás. It also aims to analyze and understand the influence of the discipline of Religious Education in the Bullying in the school environment. The theme arose through the preoccupation with children and adolescents, who suffer from the bullying phenomenon, which presents itself in various forms: physical, verbal, moral, psychological and virtual. From the work carried out in schools, both as coordinator or teacher and also as a psycho-pedagogue, it was possible to verify this problem, especially in the anamneses and in the meetings with the parents. In addition, this work seeks to understand how Religious Education can contribute to the fight against bullying, taking into account that the family and the school should share opinions when it comes to prevention issues. Religious education seeks to motivate the child and the adolescent to be attentive to the issues of violence, contemplating both aggressors and aggressors. The aim is to investigate and analyze the educator's profile regarding religious issues in the school environment and the work carried out by the educator. The work is based on theorists of the areas of Religion Sciences, Psychopedagogy, Art Therapy, Pedagogy and Psychology. The criterion adopted in this research is that of participatory observation. The research will be as follows: observation of classes in Religious Education; Development of artistic activity (free drawing) with the theme "Who is God me", in order to understand what is the student's perception of God. Two classes will be chosen to carry out the projective tests in order to find out if bullying occurs in the school. The projective tests are: "Bond with myself"; "Link with family"; "School Link"; Bond with Religion ". The first chapter will have as its theme: Bullying and religion: in a psycho-pedagogical perspective. Initially, religion and its conceptions will be presented. The second chapter will focus on: How Bullying breeds violence in schools. In this chapter, the characteristics of the school, teachers and students will be discussed. Finally, in the third chapter, a psychopedagogical approach will be made to report how bullying occurs in the pedagogical practices of schools, that is, how it happens. The observed data will be obtained in the field research, in the researched school. Emphasis will be given to tests with the diagnoses of the four children, named K, GT, J and S. In addition, bullying practices will be observed and how Religious Education has been worked on and has influenced the lives of students and In the fight against bullying. / O presente trabalho tem o objetivo compreender e analisar como o bullying gera violência e como ocorre nas práticas pedagógicas em uma escola particular de cunho religioso protestante, na região Norte de Goiás. Visa também analisar e compreender a influência da disciplina do Ensino Religioso no combate ao bullying no ambiente escolar. O tema surgiu através da preocupação com crianças e adolescentes, que sofrem com o fenômeno bullying, o qual apresenta-se de várias formas: físico, verbal, moral, psicológico e virtual. Do trabalho realizado em escolas, tanto como coordenadora ou professora e também na função de psicopedagoga, foi possível constatar tal problemática, bem especificadamente nas anamneses e nas reuniões com os pais. Além disso, este trabalho procura compreender de que forma o Ensino Religioso pode contribuir no combate ao bullying, levando em consideração que a família e a escola devem comungar com opiniões quando se refere às questões de prevenção do mesmo. O Ensino Religioso procura motivar a criança e o adolescente a estarem atentos para as questões da violência, contemplando tanto os agressores quanto os agredidos. Busca-se assim investigar e analisar o perfil do educador frente às questões religiosas no ambiente escolar e o trabalho realizado pelo mesmo. A pesquisa está fundamentada em teóricos das áreas da Ciências da Religião, da Psicopedagogia, da Arteterapia, Pedagogia e Psicologia. O critério adotado neste estudo é o de observação participativa e obedecerá a seguinte estrutura: observação das aulas de Ensino Religioso; desenvolvimento de atividade artística (desenho livre) com o tema “Quem é Deus mim”, com o objetivo de entender qual é a percepção que o aluno tem de Deus. Duas turmas serão escolhidas para realizar os testes projetivos no intuito de descobrir se ocorre ou se praticam bullying na escola. Os testes projetivos serão: “Vínculo comigo mesmo”; “Vinculo com a família”; “Vínculo escolar”; Vínculo com a religião”. O primeiro capítulo terá como tema: Bullying e religião: num olhar da psicopedagógico. Inicialmente, será apresentada a religião e suas concepções. O segundo capítulo terá como mote: Como o Bullying gera violência nas escolas. Neste, serão abordadas as características da escola, dos professores e dos alunos. Por fim, no terceiro capítulo, será feita uma abordagem psicopedagógica para relatar como o bullying ocorre nas práticas pedagógicas das escolas, ou seja, como acontece. Os dados observados serão obtidos na pesquisa de campo, na escola pesquisada. Darse- á ênfase aos testes com o diagnóstico de quatro crianças, nomeadas por (K, GT, J e S). Ademais, serão observadas as práticas do bullying e como o Ensino Religioso tem sido trabalhado e se tem influenciado na vida dos alunos e nas famílias no combate ao bullying.

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-08-24T12:53:35Z No. of bitstreams: 1 Camila Parducci Arruda.pdf: 1424524 bytes, checksum: a6c5ccf063f5a352f8ee4c104eeb5aea (MD5) / Made available in DSpace on 2017-08-24T12:53:35Z (GMT). No. of bitstreams: 1 Camila Parducci Arruda.pdf: 1424524 bytes, checksum: a6c5ccf063f5a352f8ee4c104eeb5aea (MD5) Previous issue date: 2017-08-18 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / In the world’s population, about 20% of women and 5% to 10% of men report having been sexually abused in childhood (WHO, 2014). This research approached the theme from the theory and practice of Analytical Psychology, and aimed at conducting a clinical study of a five year old girl with a complaint of sexual abuse. The psychodynamics and emotional state of the child are described based on an interpretive and symbolic analysis of her graphic and verbal expressions. The qualitative method used was that of the case study. The analysis is based upon impressions gained and data gathered during six psychodiagnostic sessions that included anamnesis with the mother of the child, application of HTP, CAT-A, drawing of the Person in the Rain, spontaneous graphic productions, observations of play and the child’s behavior. The case study identified signs of complex trauma (VAN DER KOLK, 2005), with characteristics that frequently occur in cases of child sexual abuse, such as dissociative defenses, sadness, lowered self-esteem, insecurity, graphic expressions of imprisonment and contents that clearly held sexual connotations. It was found that the therapeutic setting offers a protective and all-encompassing place for the expression of anguish and pain in cases of victimization and/or complaint of sexual abuse, as well as for the symbolic disclosure of the trauma and its consequences. The study concludes that early psychological intervention is fundamental to minimize severe prognosis when child sexual abuse is suspected and to assist the child in his/her development / Na população mundial, cerca de 20% das mulheres e de 5 a 10% dos homens relatam ter sofrido abuso sexual na infância (OMS, 2014). O presente trabalho aborda o tema a partir da teoria e prática da Psicologia Analítica, e seu objetivo foi realizar um estudo clínico de uma menina de cinco anos com queixa de abuso sexual. Descreveu-se a psicodinâmica e o estado emocional da criança e realizou-se uma análise interpretativa e simbólica de suas expressões gráficas e verbais. O método qualitativo utilizado foi o do estudo de caso. A análise realizada foi elaborada a partir de seis sessões de psicodiagnóstico, compostas por anamnese com a mãe da criança, aplicação de HTP, CAT-A, desenho da Pessoa na Chuva, produções gráficas espontâneas, observações do jogo lúdico e do comportamento da criança. O estudo de caso identificou indícios de trauma complexo (VAN DER KOLK, 2005), com características que se apresentam com frequência em casos de abuso sexual infantil, tais como defesas dissociativas, tristeza, autoestima rebaixada, insegurança, expressões gráficas de aprisionamento e com marcante significado sexual. Pôde-se perceber que o setting terapêutico oferece um espaço continente para expressão de angústias e dores em casos de vitimização e/ou queixa de abuso sexual, assim como para o desvelamento simbólico do trauma e de suas consequências. Conclui-se que a intervenção psicológica precoce é fundamental para minimizar prognósticos graves nos casos de suspeita de abuso sexual infantil e auxiliar a criança em seu desenvolvimento

The master's dissertation work is focused on the psychological diagnostics method - the test of an enchanted family drawing of the young children. The theoretical part of the diploma work generally describes the age of young children, children's family background, the ways of family functioning, development drawing of the young children and the method - the test of an enchanted family drawing. The practical part analyses the collection of 57 children's drawings to describe the most frequent symbols of the enchanted family drawing.

This thesis examines the development of communication skills of children with developmental dysphasia, with the use of augmentative and alternative communication. The work is made up of theoretical and practical part. The research focuses on the influence of elements augmentative communication intervention in children with developmental dysphasia in preschool facilities. The research part is formed by empirical research based on a case study of a boy with developmental dysphasia, case reports describing the progress of special education intervention in preschool institutions, research part is completed by the conclusions of the investigation and recommendations for practice. The aim is to show the positive influence the course of education of children with developmental dysphasia support structured learning and noticeable advances in communication development of children with the support of the graphic expression.

The work deals with the characterization of the education of children with mental retardation in the Czech Republic. Defines mental retardation, presents its individual rate and further characterizes individuals with moderate mental retardation. Describes a special art education and art education and gives a brief characterization. The work defines the concepts of art therapy and aftefiletics, describes their methods, techniques and aims. The main topic is to create a special art lessons in order to compensate for the degree of mental disability in the target group of children. The work presents topics, their names, objectives, organization, forms of work, equipment needed, assignment and describes the course. All subjects were applied in practice and are listed in the individual case reports.

This thesis deals with the options found in children's drawings symptoms that might help in uncovering school failure. The thesis consists of a theoretical and research part. The theoretical part is based on knowledge of the literature and the praxis. The first chapter describes the causes and symptoms of school failure. The second chapter deals with drawings and by drawing tests. There is described the methods and techniques used in my research in the third chapter. The research section contains the survey whose main objective was to confirm certain features of the drawing containing the failed student. The results of the survey were achieved through drawings, "Questionnaire of self - conception pupils' school success" by Z. Matějček and M. Vágnerová, analysis of average marks and interviews with teachers. The aim is to characterize the symptoms of failed student in the drawing.

Le dessin représente le moyen d'expression privilégié pour un enfant, notamment lorsqu'il est amené à s'exprimer devant à un groupe d'adultes et, de surcroît, lorsqu'il porte en lui plusieurs cultures, comme les enfants de migrants. La recherche qui fait l'objet de cette thèse s'appuie sur une revue de la littérature concernant l'approche psychologique du dessin d'enfant et l'approche transculturelle de l'enfant de migrants. Elle a une perspective complémentariste afin d'enrichir leur pluralité théorique, méthodologique et clinique. Notre recherche se centre sur le matériel créé par les enfants, les dessins produits au sein des consultations transculturelles du Professeur Marie Rose Moro, dispositif de psychothérapie familiale et groupale, des Hôpitaux Cochin (Maison de Solenn - Paris) et Avicenne (Bobigny). La population de notre recherche est constituée de soixante-trois dessins produits par cinq enfants durant les séances transculturelles. Nous avons analysé les productions graphiques et narratives des enfants en lien avec les interactions au sein du groupe. Le processus de co-construction, qui est au coeur du dispositif transculturel, émerge des interactions entre le signe et la parole, entre l'ici et l'ailleurs, entre le monde des enfants et le monde des adultes. Les résultats de nos analyses mettent en évidence l'aspect dialogique du dessin. La production graphique soutient le processus d'élaboration psychique et culturelle de l'enfant, véritable objet médiateur entre les langues, les langages, les cultures et les interactions. Le dessin tient donc une place centrale, non seulement signe de la créativité des enfants mais aussi d'une production narrative et transculturelle partagée et partageable. Notre discussion s'axe sur trois dimensions complémentaires. Premièrement, nous théorisons une lecture transculturelle du dessin d'enfant de migrants ainsi qu'une méthode originale d'analyse qui se structure sur un double axe : les contenus et les valences du dessin. Deuxièmement, nous affinons la compréhension des mécanismes de construction identitaire et de métissage spécifiques aux enfants de migrants à partir de leurs dessins, desquels nous dégageons plusieurs propositions conceptuelles : les mécanismes de clivage dans le dessin, l'objet culturel transitionnel dessiné, la narrativité transculturelle (le voyage symbolisé et l'histoire dessinée), la créativité figurée et l'affiliation culturelle précoce. Troisièmement, nous enrichissons le cadre thérapeutique élaboré en clinique transculturelle en définissant la place du cothérapeute auxiliaire dans une perspective complémentariste à la fois psychanalytique et anthropologique. En effet, l'analyse des mouvements transféro/contre-transférentiels autour du dessin met en évidence l'intérêt pour l'enfant de bénéficier d'une relation privilégiée au sein du groupe afin d'accompagner ses productions graphiques. Notre recherche témoigne des bénéfices tirés par le clinicien - dans la perspective de la rencontre de l'autre - de l'élaboration de la culture (Devereux), de l'altérité (Moro) et de l'enfant en soi, et ce afin de pouvoir accueillir les productions des enfants ''d'ici et de là-bas'' et de les accompagner dans l'élaboration d'un ''chez soi'' créatif et métissé. / Drawing is the preferred means of expression for children in particular when they are asked to express themselves in front of a group of adults, and moreover when it comes to children having multicultural backgrounds such as immigrant children. This thesis's research is based on a review of the available literature regarding the psychological approach of child's drawing as well as the transcultural approach of immigrant children. This complementary perspective aims to enrich their theoretical, methodological and clinical plurality. The research is focused on the material created by the children, the drawings imagined and produced during the transcultural consultations of Professor M.R. Moro, groupal psychotherapy for family, at Cochin Hospital (Maison de Solenn, Paris) and Avicenne Hospital (Bobigny). The research sample consists of sixty-three drawings produced by five children during the transcultural sessions. These drawings along with the narrative productions of the children have been analyzed in relation to the interactions within the group. The process of co-construction, which is at the heart of the transcultural approach, emerges from the interactions between sign and word, between cultures from here and from there, as well as between the children's world and the adult's one. The results of the analysis highlight the dialogical aspect of drawing. The graphical production supports the process of psychic and cultural elaboration of the child, therefore considered as the essential aspect of mediation between the speakings, the languages, the cultures and the interactions. Drawing thus holds a significant place: it is the sign of children's creativity, but also of the narrative and transcultural production experienced and shared. Our discussion is focused on three complementary dimensions. Firstly, we theorize a transcultural reading of the drawings of immigrant children as well as an innovative two-axis analysis method: the contents and the valences of a drawing. Then, we refine the comprehension of the mechanisms of identity-building and interbreeding specific to immigrant children thanks to their drawings. Based on these, several abstract propositions are highlighted: the mechanisms of splitting in the drawing, the transitional cultural object drawn, the transcultural narrativity (the symbolized journey and the history drawn), the figurative creativity and the precocious cultural affiliation. Finally, we enhance the transcultural therapeutic setting by defining the place of the auxiliary co-therapist in a complementary perspective, both psychoanalytic and anthropologic. In fact, the analysis of the dynamics of transfer/countertransference around the drawing enlightens the interest for the child to benefit from a privileged relationship within the group in order to accompany its graphic productions. This research aims to highlight the benefits and advantages taken by the clinician -in the perspective of other one' meeting -in the elaboration of the culture (Devereux), of the otherness (Moro) and of the child in itself, and after all to welcome the productions of the children « from here and there » and to accompany them in the elaboration of a « own world » creative and crossbreed. / Il disegno rappresenta il mezzo espressivo privilegiato per un bambino, soprattutto quando è tenuto a esprimersi in un gruppo d'adulti e, ancor più, quando viene da altrove e porta in sé differenti culture. La ricerca che è al centro di questa tesi di dottorato in psicologia, poggia le sue basi sulla letteratura esistente riguardo sia l'approccio psicologico del disegno infantile sia l'approccio transculturale dei bambini delle famiglie migranti. L'obbiettivo del nostro lavoro è di associare questi due approcci in una prospettiva complementarista per arricchirne la pluralità metodologica, clinica e teorica. La nostra ricerca si fonda sul materiale creato dai bambini, in particolar modo i disegni prodotti durante le consultazioni transculturali della Professoressa Marie Rose Moro, dispositivo di psicoterapia familiale e gruppale, degli ospedali Cochin (Casa degli Adolescenti -Maison de Solenn- di Parigi) et Avicenne (Bobigny - Parigi). La popolazione della ricerca è costituita da sessantatré disegni prodotti da cinque bambini durante gli incontri transculturali. Abbiamo analizzato le produzioni grafiche e narrative dei bambini in relazione alle interazioni gruppali. Il processo di co-costruzione, strumento principe del dispositivo transculturale, emerge dalle interazioni tra segno e parola, tra qui e altrove, tra mondo infantile e mondo adulto. I risultati delle nostre analisi evidenziano l'aspetto dialogico del disegno, che è, in effetti, fondamentale al processo d'elaborazione psichica e culturale del bambino poiché funge da oggetto mediatore tra le lingue, i linguaggi, le culture e le interazioni. Il disegno assume quindi un ruolo centrale; non solo è segno della creatività dei bambini ma anche della produzione narrativa e transculturale condivisa e condivisibile. La nostra discussione concerne tre dimensioni complementari. Innanzitutto, teorizziamo una lettura transculturale del disegno del bambino di famiglia migrante e un metodo originale d'analisi che prende la forma di una tabella a doppia entrata: le valenze del disegno da un lato, e i contenuti dall'altro. In secondo luogo, affiniamo la comprensione dei meccanismi propri alla costruzione identitaria e al métissage specifici dei bambini di migranti partendo dai loro disegni per declinare diverse proposte concettuali: i meccanismi di scissione visibili nei disegni, l'oggetto culturale transizionale disegnato, la narratività culturale (il viaggio simbolizzato e la storia disegnata), la creatività figurata e l'affiliazione culturale precoce. Per finire, arricchiamo il setting transculturale definendo il ruolo del coterapeuta ausiliario in una prospettiva complementarista tanto psicoanalitica che antropologica. Effettivamente, l'analisi dei movimenti transferenziali e contro-transferenziali rispetto al disegno evidenzia la necessità per il bambino di poter beneficiare di una relazione privilegiata che accompagni le produzioni grafiche nel gruppo terapeutico. La nostra ricerca mostra i benefici, utili ad ogni terapeuta nell'incontro con l'altro, sollevati dall'elaborazione della cultura (Devereux), dell'alterità (Moro) così come del bambino in sé, per poter accogliere le produzioni dei bambini "di qui e di laggiù" e per accompagnarli nell'elaborazione d'un ''sé'' meticcio e creativo.