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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.

The Apple Speaks: Reclaiming “Self” While Bridging Worlds in Confessional Mennonite Poetry

Rossiter, Rebecca J. 28 September 2007 (has links)
No description available.

The Dupe

Rogers, Andrea 2016 (has links)
This dissertation consists of original poetry written between 2012 and 2016 during my time in the PhD program at Georgia State University. It is accompanied by a brief introduction which discusses a variety of techniques that make a poem or song “successful,” as well as an explanation of how I have applied these techniques in my own writing.

Bio-mythographies : a study of textual reflexivity in Jean-Jacques Rousseau, Paul de Man, Louis Althusser and Jacques Derrida

Windle, Elaine C. 2001 (has links)
Re-reading Rousseau, using cognate works by de Man, Althusser and Derrida, this thesis hopes to destabilise the convention of reading 'confessional' texts in terms of authorial intention. Chapter One undermines critical responses to Rousseau's work, tracing a tradition of reading which rejects his oeuvre, not due to a rigorous reading of his texts, but through an ad hominem attack. We establish de Man, Althusser and Derrida as writers who lie outside this tradition. Chapter Two examines the intellectual debate surrounding the revelation of Paul de Man's wartime journalism, concentrating on this journalism's power to contaminate his oeuvre. We unsettle the terms of this debate, revealing its reliance upon a cryptobiographical reading of the author irito the text. We account for the problematic nature of de Man's deconstructive stance differently when we read de Man's texts as a conscious type or copy of Rousseau's texts. Chapter Three studies the anti-Althusserian polemic which attacked"his 'theoretical' Marxism with reference to insanity and murder. Again, a reading which might have located a resistance to theory within theory itself instead favours a reductive, biographical reading. We trace a reading of Rousseau in Althusser's work in order to destabilise this debate. Chapter Four looks at the concepts of scandal and slander and their current usage in both legal and literary contexts. Our aim here is to unite our authors in the shared aim of re-synonimising the two terms so as to reveal biography as necessarily fictional. Rousseau's Confessions is re-read as an instance where the concepts of slander and scandal are equated. Chapter Five upsets a traditional theory of the archive when it reads Althusser's autobiography as a deliberate copy of Rousseau's Confessions. Finally, Chapter Six unites all our writers in a discussion of the necessarily fictive nature of a re-iterable autobiography.

From Screen to Paper to the Gallery Walls: Comic and Confessional Drawing in the Digital Age

Schubauer, Allison 1 January 2015 (has links)
In the last half-century, a number of artists have chosen to abandon notions of good taste, skill, and aesthetics in the field of drawing in order to investigate and critique our social and cultural landscape. Two very different approaches have been taken to accomplish this – the use of humor, borrowing from the format of comics; and confessional art, in which the artist ostensibly lays themselves bare in order to act as a mirror for the viewer. In my senior thesis project, I explored these two forms of drawing in relation to my own life and identified institutional (within the Claremont Colleges) and larger cultural threads within my work.

Femininity confessed : the transformation of feminine experience from postwar women's magazines to the modern talk show

Michailidou, Martha 2000 (has links)
No description available.


Rogers, Donna 1 January 2008 (has links)
This thesis examines Elizabeth Bishop's seemingly understated and yet nuanced poetry with a specific focus on loss, love, and language through domesticity to create a poetic home. In this sense, home offers security for a displaced orphan and lesbian, moving from filial to amorous love, as well as the literary home for a poet who struggled for critical recognition. Further, juxtaposing the familiar with the strange, Bishop situates her speaker in a construction of artificial and natural boundaries that break down across her topography and represent loss through the multiple female figures that permeate her poems to convey the uncertainty one experiences with homelessness. In order to establish home, Bishop sets her female relationships on a continuum as mother, aunt, grandmother, and lovers are equitably represented with similar tropes. In essence, what draws these women together remains their collective and familiar duty as potential caretaker, which is contrasted by their unusual absence in the respective poems that figure them. Contrary to the opinion most scholars hold, Bishop's reticence was a calculated device that progressed her speaker(s) toward moments of self discovery. In an attempt to uncover her voice, her place in the literary movements, and her very identity, critics narrowly define Bishop's vision by fracturing her identity and positing reductive readings of her work. By choosing multiple dichotomies that begin with a marginalized speaker and the centered women on her continuum, the paradox of Bishop's poetry eludes some readers as they try to queer her or simply reduce her to impersonal and reticent, while a holistic approach is needed to uncover the genesis of Bishop's poetic progression. To be sure, Bishop's women conflate into the collective image of loss, absence, and abandonment on Bishop's homosocial continuum as a way to achieve catharsis. Bishop's concern with unconditional love, coupled with the continual threat of abandonment she contends with coursing through her work, gives credence to the homosocial continuum that is driven by loss and love with the perpetual need to create a language to house Bishop from the painful memories of rejection. Bishop situates her speaker(s) in the margins, since it is at the center when the pain of loss is brought into light, to allow her fluid selves release from the prison loss creates. By reading her work through the lenses of orphan, lesbian, and female poet, the progression of her homosocial continuum, as I envision it, is revealed. It is through this continuum that Bishop comes to terms with loss and abandonment, while creating a speaking subject that grows with each poem. Without her continuum of powerful female relationships, Bishop's progression as a poet would be far less revealing. Indeed, defining herself through negation, Bishop's sense of homelessness is uncovered in juxtaposition to her centered female subjects, and I delve into these contestations of space/place as well as her figurations of home/ homelessness to discern Bishop's poetic craft as she channeled the painful details of her past, thus creating her "one art." M.A. Department of English Arts and Humanities English MA

Thank You for Visiting: Collected Poems with a Critical Introduction

Werner, Eric 2013 (has links)
No description available.

Python Crown Girl

Hurter, Jade 13 May 2016 (has links)
No description available.

Educação feminina numa instituição total confessional católica: Colégio Nossa Senhora do Patrocínio.

Maria Iza Gerth da Cunha 2 February 2000 (has links)
Cette recherche en visage la reconstitution des origenes de l'Ecole Notre Dame du Patronage à Itu (SP), fondée et dirigée par les Soeurs Saint-Joseph de Chambéry, premier institut complet confessionel catholique de jeune fille de Saint-Paul. L'étude comprend aussi une partie sur Mère Marie Théodore Voiron et ses méthodes éducatives, qui projettent l'école dans un important cadre de l'éducation brésilienne. Esta pesquisa busca a reconstituição dos fatos que deram origem ao Colégio Nossa Senhora do Patrocínio em Itu (SP), fundado e dirigido pelas Irmãs de São José de Chambéry, primeira instituição total confessional católica feminina de São Paulo. O estudo compreende também uma abordagem sobre Madre Maria Theodora Voiron e suas práticas educativas, que coloca o Colégio em lugar de destaque no cenário educacional brasileiro.

Church of Bone

Gilreath, Valerie Dawn 5 March 2017 (has links)
Church of Bone is a manuscript of original poetry exploring themes of family, class, religion, and voice.

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