Thesis (DPhil)--Stellenbosch University, 2005. / Three decades ago heritage tourism was virtually unknown as a tourism product and the only reference to the word ‘heritage’ was in the description of a legal process in a will by which a person received some or other form of inheritance. This formerly legal term has in recent times undergone a fundamental expansion and now includes almost any intergenerational exchange or relationship. A growing commercial heritage industry has now established itself by converting the past into products and experiences. One of the foremost vehicles in this process has been that of tourism. Tourism, in spite of its economic-generating capacity is not an homogenous industry and consequently does not necessarily feel compelled to subscribe to the standard principles governing sustainability. However, there is an increasing awareness in the formal tourism industry of the advantages of subscribing to these principles, if not for any other reasons than those related to good business practice. Tourists from around the world are increasingly demanding a more responsible tourism product that supports the conservation of the natural as well as the cultural environment. The conservation of cultural resources and the process of its conversion into tourism products can provide the impetus and the incentive necessary for reviving cultural identity. This in turn has the effect of creating a favourable developmental climate for new heritage tourism products which the market needs in its continuous search for innovation and diversification. The characteristics of South African tourism products are in line with global market trends for cultural heritage tourism and there is evidence of increased co-ordination of initiatives in this regard. South Africa has been singled out by the World Tourism Organisation in their Tourism 2020 Vision (WTO 1998) as one of six countries predicted to make great strides in the tourism industry during the period leading up to 2020. Whilst South Africa has tremendous advantages in the global tourism market, it also has some critical challenges. Foremost amongst these are a lack of capacity in some areas and its inability to consistently meet international standards in terms of product quality and service levels. In addition to these supply-related operational shortcomings, there is evidence that the state of the cultural heritage product does not entirely meet international standards. If South Africa is to conserve its cultural heritage (in the face of modern pressures, such as changing values occasioned by the rapid pace of urbanisation) the recognition of these important resources should be followed by strong national policies with appropriate structures to accommodate best practice in the sustainable management thereof.

Thesis (MA (History))--University of Stellenbosch, 2007. / A cultural landscape is a geographical area that includes the associations of cultural and natural resources of historic events, actions, person or groups of people. A cultural landscape gives one a sense of belonging. It explains relationships between man and land over time; it is part of a national heritage and part of every person’s life. The value of cultural landscapes is vested in the fact that they include a variety of diverse environments. The motive of selecting this subject for search is the prominent disregard of existing culture in certain cultural landscapes and creation of new artificial cultural landscapes with profit exclusively as its main goal. One of the aims of the study is to look at the threats of cultural landscapes. The concept cultural landscapes is extensively explained in context of its advantages and disadvantages. Sustainable tourism development is closely connected to sustainable development of heritage sites. Local government should therefore develop a cultural tourism policy in collaboration with private stakeholders and local residents as a matter of priority. The focus is on the balance between values of cultural heritage and potential economic opportunities for local communities. The procedure of the declaration of World Heritages sites is also dealt with. The purpose of the case studies is to use local examples in order to reflect the situation in the Western Cape with respect to cultural landscapes. Two cases of cultural landscapes were researched, namely the Karoo Heritage Landscape’s upgrading of the golf course in Oudtshoorn with a proposed new housing development, and a proposed development and extension at the Boschendal Farmers Estate in the Franschhoek district. Guidelines and examples for managing the models for conservation of cultural landscapes are given, which include natural and cultural resources as well as the concerns of the local communities. The need for a global strategy is strongly emphasized. UNESCO’S World Heritage List of Cultural Landscapes is attached as an appendix.

This study explores a number of issues relating to the nature and scope of intangible heritage and critically examines some of its salient components in South Africa. It affirms that intangible heritage is socially constructed. Aspects of intangible heritage that seem inherited in the present are social constructs and products of social progression. They present the historical development of the practicing communities. Furthermore, this study affirms that all heritage is intangible. This is expounded in the study by exploring the history of the concept of intangible heritage over the decades which provide its evolution both at international and national levels, and within heritage institutions. Heritage cannot be understood and defined in terms of traditions, indigenousness, pre-colonialism, North and South dichotomies or Western and non-Western dichotomies. This definition would racialise and regionalise heritage, and politics of indigeneity would surface. The separation of tangible, intangible and natural heritage is an artificial demarcation that is for heritage management discourse.

M. Tech. Architecture (Professional) / The Old Jewish Synagogue on Paul Kruger Street in the centre of Pretoria is the foundation for this thesis project. This heritage building facilitated some of the most pivotal events in apartheid history - the Treason Trial of former president Nelson Rolihlahla Mandela, and the Steve Biko Inquest. For decades restoration attempts have not been fruitful, due to the costs involved paired with impractical reuse functions for the building and the surrounding site. This thesis project aims to once again make the Old Synagogue accessible to the public, through suitable incorporation of the building, as well as its site, into the urban fabric. Therefore this document is structured chronologically - as information was acquired through the year, to reach a solution.

Thesis (M. Tech.) -- Central University of Technology, Free State

Thesis (MPA (School of Public Management and Planning))--University of Stellenbosch, 2009. / ENGLISH ABSTRACT: The birth of democracy in South Africa launched a paradigm shift in the public sector aligning it with the new political ideology. To meet this objective, state organs had to be radically transformed to embrace this new political ideology so as to extend and enhance service delivery to all South Africans. The democratisation of state organs led to the transformation of public institutions both statutory and non-statutory. The urgency to transform strategic state institutions whose mandate was to provide basic and primary needs like health, housing and social services, led to the neglect of other like sport, culture, and the natural environment. The transformation of some of the latter institutions was attended to only after a couple of years after the democratisation. This led to flaws in these legislative development processes which resulted in the creation of different institutions by various laws. This was the root cause of fragmentation. The provisions of these Acts are in some areas ambiguous and contradictory. The consequences are duplications and overlaps in the implementation processes. Heritage institutions have different regulatory frameworks and management systems – regulations, policies, guidelines and procedures. Furthermore, complex internal management systems expedite fragmentation of this sector. This institutional fragmentation has enormous impact on heritage conservation and management. There is limited cooperation and collaboration between heritage institutions. This study will outline how theories, strategies and instruments from the new public management approach, can be utilised to address these challenges. / AFRIKAANSE OPSOMMING: Met die totstandkoming van ‘n demokratiese Suid-Afrika het in paradigma verskuiwing in die openbare sektor gevolg wat dit in lyn gebring het met die nuwe politieke ideologie. Om hierdie doelwit te bereik staats instelling moes radikaal getransformeer word om hierdie nuwe politieke ideologie te ondersteun en diens lewering na alle Suid-Afrikaners uit te brei. Die demokratisering van staatsinstellings het tot die transformasie van beide statutere en -nie statutere instellings gelei. Die noodsaak om strategiese staatsinstellings wie se mandaat dit was om basiese en primere dienste soos gesondheid, behuising en maatskaplike dienste te verskaf en transformeer, het tot die verwaarlosing van sport, kultuur en omgewingsake gelei. Dit het ‘n paar jaar geduur na demokratisering voordat die transformasie van hierdie instellings aandag gekry het. Die gevolg was ‘n gebrekkige wetgewende ontwikkelingsproses wat tot die totstandkoming van verskillende instellings in terme van verskeie wette gelei het. Hierdie is die bron van fragmentasie. Die voorskrifte van hierdie wetgewing is in sekere areas dubbelsinnig en teenstrydig. Die gevolg is duplikasie en oorvleuling in die implementeringsprosesse. Erfenis oorvleueling instellings het verskillende regulatoriese raamwerke en bestuurstelsels- regulasies, beleide, riglyne en prosedures. Verder vererger die komplekse interne bestuurstelsels fragmentasie in die sektor. Die institusionele fragmentasie het groot impak op erfenisbewaring en-bestuur. Daar is beperkte samewerking tussen erfenis instellings. Hierdie studies sal aandui hoe teoriee, strategie en instrumente van die nuwe benadering tot openbare bestuur aangewend kan word om hierdie uitdagings die hoof te bied.

Thesis (MTech (Tourism and Hospitality Management))--Cape Peninsula University of Technology, 2017. / The study site is the Bo-Kaap area in Cape Town. Negative and positive changes within interrelated physical, social and economic spheres have resulted from gentrification, an urban development phenomenon. These changes need to be managed responsibly. This study problem sought to establish whether the traditional inhabitants of the Bo-Kaap are being replaced by a ‘new generation’ of inhabitants because of gentrification, and how negative and positive changes in the Bo-Kaap could be minimised and maximised respectively, through gentrification, by adopting a sustainable cultural tourism approach. A historical background of the Bo-Kaap reveals the history, culture and religion of this area, and highlights the special customs and traditions within the Bo-Kaap as potential areas of sustainable cultural tourism development to mitigate gentrification. A comprehensive literature review on gentrification and tourism as separate and interrelated development processes is presented. The literature review investigates gentrification and its effects as a phenomenon; the relative forms of gentrification across an international, national and local setting, refined to the Bo-Kaap; tourism and the nature of the industry and its development; and finally, tourism gentrification as an interconnected system.

This thesis investigates the presentation of AmaXhosa traditional dancing and music on the stages of the National Arts Festival (NAF), Main Programme, of South Africa in 2009. Four productions featuring AmaXhosa traditional dancing and music, as well as a fine art exhibition, are analysed to determine how the AmaXhosa culture is being portrayed, what is considered authentic and how these productions may affect the memory of the AmaXhosa nation. In an attempt to understand the position of these productions within the NAF the South African cultural context as well as the NAF is examined. The post-apartheid, post-rainbow nation, South African cultural context is discussed and how the NAF could contribute towards creating a more unified South African identity. Incorporated and inscribed memory categories are related to how one could determine authenticity in traditional indigenous productions. A cautionary note on incorporated memory is linked to efficacy, while a loss of incorporated memory within the AmaXhosa society may result in ritual acts being orientated towards entertainment. If the private culture is consistently displayed in the public realm then it is inevitable that the ways in which the AmaXhosa recollect their history will be altered. The contribution of the transitional spaces of theatres and proscenium arch stages to the choreography and incorporated memory of the performers relates to the collective recollection of the AmaXhosa. Bearing this in mind, this thesis suggests that the NAF is playing a dual role in the evolution of the AmaXhosa. It is both positively contributing to the economic upliftment of a sector of the population and exposing people to this rich and multilayered culture. However, it is also impacting the efficacy of the private culture and fracturing the traditional knowledge of the AmaXhosa by assisting in the inscription of their performance forms. / This thesis consists of three parts (1 pdf document and two video mp4 files)

MA (Anthropolgy) / Centre for African Studies / Commemorative structures like walls of remembrance, statues and monuments are representatives of social narratives and they usually represent the current political order. They also represent heroes deemed important by the current political regime. These structures, together with the corresponding narrative, can either be of local, regional or national importance. Nghunghunyani was a Gaza Nguni king who reigned in southern Mozambique in 19th century. His statue in the town of Giyani is a case in point. Nghunghunyani fought wars and entered into negotiations with the Portuguese in southern Mozambique in order to keep the land of his forefathers. However, the erection of his statue sparked controversy and has been met with resentment and rejection among the people of the region where it has been placed. This study aimed to elucidate the reasons behind the resentment and the rejection of the statue. This was done by examining the history of the homeland of Gazankulu and of the clans of the region in order to understand the ethnic enclaves of the Tsonga and the Shangaan, and the political undercurrents involved in the erection of a statue which is undeniably of national significance, but problematic locally and regionally. As heroes are imbedded in collective memory and collective narratives, the theory of collective memory following on Maurice Halbwachs was used. The discussion on ethnicity was directed by the ethnicity theories of Webber and Geertz. The interview was employed as the tool for collecting data, which elucidated that Nghunghunyani is not part of their founding heroes and that their praise poems do not include this historical figure. It appears that in as much as Nghunghunyani is a regional hero, his representation in Giyani is clouding the real history of the region and the debates are clouding the hero that King Nghunghunyani was. The study unveiled that Nghunghunyani is a nationally celebrated hero who cannot be contextualised positively in the local context amongst Tsonga speaking tribes and chiefdoms due to the nature of the hostile historical relationship between the ancestors of these groups and the Gaza Nguni.

This research explored, described and explained the nature and the extent of heritage crime as it manifested in the Gauteng Province of South Africa for the period 2006-2010. Gauteng was selected since it is deemed to be the hub of the legal trade. An operational definition of heritage objects was drafted for this study as ‘objects of artistic, cultural, historic or archaeological value regardless of age, housed in or curated by museums or galleries within Gauteng, and which are both tangible and moveable.’ Heritage crime for the purpose of this study was the illegal removal of any heritage object from a museum or gallery. The annual crime statistics released by the South African Police Services (SAPS) contain no reference to heritage crime of any sort. Therefore this research attempted to quantify the incidents of thefts experienced by museums and galleries in Gauteng for the period 2006-2010. Using a mixed method approach, data were gathered by qualitative and quantitative surveys. A total of 28 qualitative interviews were conducted. These data were integrated with the quantitative data which permitted the achievement of the strategic aims set out for this research. The following aims were achieved: • The roles and responsibilities of the custodians of the national estate were clarified; • International conventions designed to assist in combating crime perpetrated against cultural property were discussed; • The national legislation which guides the management, preservation and protection of heritage objects as well as the trade therein within South Africa was examined; • Policing agencies at the forefront of combating heritage crime were interviewed and international best practices were identified and compared with that which the SAPS are doing to address crime of this nature. These police agencies are situated in Italy, the United Kingdom, the USA and Germany; • The dynamics of the reported incidents of loss/theft were examined. Several anomalies were identified. Among these are the identification of the typologies of items being targeted and the possible identification of the type of thief perpetrating these crimes. • Through analysis of incidents it was also possible to highlight that the majority of thefts occur during the time when museums and galleries are open and that the items stolen are usually on open display (not affixed to the surface and not behind a barrier of any sort). Through the analysis of the data for legal trade and the theft incidents it was possible to design a Framework depicting the interface between the legal and illegal markets for trade in heritage objects. The research also provides law enforcement with minimum guidelines to ensure that crimes of this nature are addressed more effectively. / D.Litt. et Phil. / Department of Criminology (Police Science)