O ‘Parsley Massacre’ – o assassinato de haitianos que viviam na República Dominicana em 1937 – é o tema de The farming of bones (1998), escrito por Edwidge Danticat, que oferece ao leitor o testemunho ficcional de uma sobrevivente da violência do genocídio. De forma similar, em Solar storms (1995), Linda Hogan faz a descendente de um povo que foi massacrado a protagonista de uma busca pelo passado e pela história de seu povo. Ambos os romances empregam estratégias narrativas em busca da representação ficcional do trauma como experiência pessoal e coletiva, implicando o leitor na produção de sentido (CARUTH 1996; FREUD; 1920). É através do recordar e reviver o passado que os sujeitos traumatizados podem tentar compreender sua situação presente e reivindicar uma identidade para si mesmos (HALL, 2006). A revisão do passado, e precisamente de um passado silenciado, proporciona que as vozes de uma comunidade possam ser ouvidas e suas histórias trazidas à luz. Nesse estudo, eu busco investigar de que forma tais histórias são construídas, quais seus efeitos na superfície textual e suas implicações no empoderamento dos sujeitos. Além disso, investigo as conexões entre o corpo traumatizado e a mente, compreendendo o corpo como uma superfície histórica que recebe a inscrição da experiência humana (GROSZ, 1994). / The Parsley Massacre – the killing of Haitians living in the Dominican Republic in 1937 – is the theme of The farming of bones (1998), written by Edwidge Danticat, who offers the reader a fictional testimony of a survivor of the violence of genocide. Similarly, in Solar storms (1995), Linda Hogan makes the descendant of a massacred people the protagonist of a search for the past and her people’s history. Both novels employ narrative strategies for a fictional representation of trauma, as personal and collective experiences, implicating the reader in the production of meaning (CARUTH 1996; FREUD; 1920). It is by reliving and re-experiencing the past that traumatized subjects can make sense of their present condition and claim an identity for themselves (HALL, 2006). It is by revising the past, a historically silenced past, that the voices of a community can be heard and their stories brought out to light. In this study, I am also interested in how these stories are constructed, in what are their effects on the surface of the text and their implications in the empowering of subjects. Moreover, I investigate the connections between the traumatized body and the mind, understanding the body as an historical surface for the inscription of human experience (GROSZ, 1994).

O ‘Parsley Massacre’ – o assassinato de haitianos que viviam na República Dominicana em 1937 – é o tema de The farming of bones (1998), escrito por Edwidge Danticat, que oferece ao leitor o testemunho ficcional de uma sobrevivente da violência do genocídio. De forma similar, em Solar storms (1995), Linda Hogan faz a descendente de um povo que foi massacrado a protagonista de uma busca pelo passado e pela história de seu povo. Ambos os romances empregam estratégias narrativas em busca da representação ficcional do trauma como experiência pessoal e coletiva, implicando o leitor na produção de sentido (CARUTH 1996; FREUD; 1920). É através do recordar e reviver o passado que os sujeitos traumatizados podem tentar compreender sua situação presente e reivindicar uma identidade para si mesmos (HALL, 2006). A revisão do passado, e precisamente de um passado silenciado, proporciona que as vozes de uma comunidade possam ser ouvidas e suas histórias trazidas à luz. Nesse estudo, eu busco investigar de que forma tais histórias são construídas, quais seus efeitos na superfície textual e suas implicações no empoderamento dos sujeitos. Além disso, investigo as conexões entre o corpo traumatizado e a mente, compreendendo o corpo como uma superfície histórica que recebe a inscrição da experiência humana (GROSZ, 1994). / The Parsley Massacre – the killing of Haitians living in the Dominican Republic in 1937 – is the theme of The farming of bones (1998), written by Edwidge Danticat, who offers the reader a fictional testimony of a survivor of the violence of genocide. Similarly, in Solar storms (1995), Linda Hogan makes the descendant of a massacred people the protagonist of a search for the past and her people’s history. Both novels employ narrative strategies for a fictional representation of trauma, as personal and collective experiences, implicating the reader in the production of meaning (CARUTH 1996; FREUD; 1920). It is by reliving and re-experiencing the past that traumatized subjects can make sense of their present condition and claim an identity for themselves (HALL, 2006). It is by revising the past, a historically silenced past, that the voices of a community can be heard and their stories brought out to light. In this study, I am also interested in how these stories are constructed, in what are their effects on the surface of the text and their implications in the empowering of subjects. Moreover, I investigate the connections between the traumatized body and the mind, understanding the body as an historical surface for the inscription of human experience (GROSZ, 1994).

O ‘Parsley Massacre’ – o assassinato de haitianos que viviam na República Dominicana em 1937 – é o tema de The farming of bones (1998), escrito por Edwidge Danticat, que oferece ao leitor o testemunho ficcional de uma sobrevivente da violência do genocídio. De forma similar, em Solar storms (1995), Linda Hogan faz a descendente de um povo que foi massacrado a protagonista de uma busca pelo passado e pela história de seu povo. Ambos os romances empregam estratégias narrativas em busca da representação ficcional do trauma como experiência pessoal e coletiva, implicando o leitor na produção de sentido (CARUTH 1996; FREUD; 1920). É através do recordar e reviver o passado que os sujeitos traumatizados podem tentar compreender sua situação presente e reivindicar uma identidade para si mesmos (HALL, 2006). A revisão do passado, e precisamente de um passado silenciado, proporciona que as vozes de uma comunidade possam ser ouvidas e suas histórias trazidas à luz. Nesse estudo, eu busco investigar de que forma tais histórias são construídas, quais seus efeitos na superfície textual e suas implicações no empoderamento dos sujeitos. Além disso, investigo as conexões entre o corpo traumatizado e a mente, compreendendo o corpo como uma superfície histórica que recebe a inscrição da experiência humana (GROSZ, 1994). / The Parsley Massacre – the killing of Haitians living in the Dominican Republic in 1937 – is the theme of The farming of bones (1998), written by Edwidge Danticat, who offers the reader a fictional testimony of a survivor of the violence of genocide. Similarly, in Solar storms (1995), Linda Hogan makes the descendant of a massacred people the protagonist of a search for the past and her people’s history. Both novels employ narrative strategies for a fictional representation of trauma, as personal and collective experiences, implicating the reader in the production of meaning (CARUTH 1996; FREUD; 1920). It is by reliving and re-experiencing the past that traumatized subjects can make sense of their present condition and claim an identity for themselves (HALL, 2006). It is by revising the past, a historically silenced past, that the voices of a community can be heard and their stories brought out to light. In this study, I am also interested in how these stories are constructed, in what are their effects on the surface of the text and their implications in the empowering of subjects. Moreover, I investigate the connections between the traumatized body and the mind, understanding the body as an historical surface for the inscription of human experience (GROSZ, 1994).

Indiana University-Purdue University Indianapolis (IUPUI) / The fragmented bodies and lives of postcolonial Caribbean women examined in Caribbean literature beget struggle and psychological ruin. The characters portrayed in novels by postcolonial Caribbean writers Edwidge Danticat, Michelle Cliff, and Shani Mootoo are marginalized as “Other” by a Western patriarchal discourse that works to silence them because of their gender, color, class, and sexuality. Marginalization participates in the act of fragmentation of these characters because it challenges their sense of identity. Fragmentation means fractured; in terms of these fictive characters, fragmentation results from multiple traumas, each trauma causing another break in their wholeness. Postcolonial scholars have identified the causes and effects of fragmentation on the postcolonial subject, and they argue one’s need to heal because of it. Danticat, Cliff, and Mootoo prove that wholeness is not possible for the postcolonial Caribbean woman, so rather than ruminate on that truth, they examine the journey of the postcolonial Caribbean woman as a way of making meaning of the pieces of her life. This project contends that fragmentation – and the fracture it produces – does not bind these women to negative existences; in fact, the female subjects of Danticat, Cliff, and Mootoo locate power in their fragmentation. The texts studied include Danticat’s "Breath, Eyes, Memory" (1994) and "The Farming of Bones" (1999), Cliff’s "Abeng" (1984) and "No Telephone to Heaven" (1987), and Mootoo’s "Cereus Blooms at Night" (1996) and "He Drown She in the Sea" (2005).