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Attempts to convince humanities scholars of digital approaches are met with resistance, often. The so-called Digitization Anxiety is the phenomenon that describes the fear of many traditional scientists of being replaced by digital processes. This hinders not only the progress of the scientific domains themselves – since a lot of digital potential is missing – but also makes the everyday work of researchers unnecessarily difficult. Over the past eight years, we have made various attempts to walk the tightrope between 'How can we help traditional humanities to exploit their digital potential?' and 'How can we make them understand that their expertise is not replaced by digital means, but complemented?' We will present our successful interdisciplinary collaborations: How they came about, how they developed, and the problems we encountered. In the first step, we will look at the theoretical basics, which paint a comprehensive picture of the digital humanities and introduces us to the topic of visualization. The field of visualization has shown a special ability: It manages to walk the tightrope and thus keeps digitization anxiety at bay, while not only making it easier for scholars to access their data, but also enabling entirely new research questions. After an introduction to our interdisciplinary collaborations with the Musical Instrument Museum of Leipzig University, as well as with the Bergen-Belsen Memorial, we will present a series of user scenarios that we have collected in the course of 13 publications. These show our cooperation partners solving different research tasks, which we classify using Brehmer and Munzner’s Task Classification. In this way, we show that we provide researchers with a wide range of opportunities: They can answer their traditional research questions – and in some cases verify long-standing hypotheses about the data for the first time – but also develop their own interest in previously impossible, new research questions and approaches. Finally, we conclude our insights on individual collaborative ideas with perspectives on our newest projects. These have risen from the growing interest of collaborators in the methods we deliver. For example, we get insights into the music of real virtuosos of the 20th century. The necessary music storage media can be heard for the first time through digital tools without risking damage to the old material. In addition, we can provide computer-aided analysis capabilities that help musicologists in their work. In the course of the visualization project at the Bergen-Belsen memorial, we will see that what was once a small diary project has grown into a multimodal and international project with institutions of culture and science from eight countries. This is dedicated not only to the question of preserving cultural objects from Nazi persecution contexts but also to modern ways of disseminating and processing knowledge around this context. Finally, we will compile our experience and accumulated knowledge in the form of problems and challenges at the border between computer science and traditional humanities. These will serve as preparation and assistance for future and current interested parties of such interdisciplinary collaborative projects

<p>In this thesis, I deal with the task of computationally processing stories with a focus on multidisciplinary ends, specifically in Digital Humanities and Cultural Analytics. In the process, I collect, clean, investigate, and predict from two datasets. The first is a dataset of 2,302 open-source literary works categorized by the time period they are set in. These works were all collected from Project Gutenberg. The classification of the time period in which the work is set was discovered by collecting and inspecting Library of Congress subject classifications, Wikipedia Categories, and literary factsheets from SparkNotes. The second is a dataset of 6,991 open-source literary works categorized by the hierarchical location the work is set in; these labels were constructed from Library of Congress subject classifications and SparkNotes factsheets. These datasets are the first of their kind and can help move forward an understanding of 1) the presentation of settings in stories and 2) the effect the settings have on our understanding of the stories.</p>

In historical cryptology, cleartext represents text written in a known language ina cipher (a hand-written manuscript aiming at hiding the content of a message).Cleartext can give us an historical interpretation and contextualisation of themanuscript and could help researchers in cryptanalysis, but to these days thereis still no research on how to automatically detect cleartext and identifying itslanguage. In this paper, we investigate to what extent we can automaticallydistinguish cleartext from ciphertext in transcribed historical ciphers and towhat extent we are able to identify its language. We took a rule-based approachand run 7 different models using historical language models on ciphertextsprovided by the DECRYPT-Project. Our results show that using unigrams andbigrams on a word-level combined with 3-grams, 4-grams and 5-grams on acharacter-level is the best approach to tackle cleartext detection.

This Master thesis is about building-related public art as future cultural heritage and its management, preservation, and digital accessibility from a value perspective. Furthermore, the aim is to develop proposals for a management model and public tools that could benefit the accessibility of public art and thus also its preservation. A management model that provides an overview of management objects of public art and that can be shared with the public to create understanding, participation, and interaction. The thesis includes a critical report on the planning of a GIS project. GIS is a geographic information system, it provides tools for creating, editing, and analyzing data.The purpose of the critical report is to highlight that GIS can be used in an easily way but also requires a critically reflexive approach. The approach in the GIS project is critical, interdisciplinary and the mapping is based on cultural presence as a method. The result shows that geographic Information Systems (GIS) is a useful tool and can be easily use with the free ArcGIS software. There is some of the areas that GIS users need to handle as risk analysis, legislation, interdisciplinary and intercultural perspective. It is important that the material created with GIS is shared with the public to create understanding, participation, and interaction. Thus, it is relevant to contextualize the content from a historical perspective and in relation to the present and the target group. Therefore, is important to keep in mind that norms and values change over time and that making the material available can mean reaching a global audience, an intercultural approach could be beneficial.

Abstract: This thesis takes the literary periodical the Montreal Review of Books (mRb) as a starting point to study the trends characterizing literary translation in Anglo-Québécois literature. Starting from a corpus comprising paratextual information on literary translations reviewed in the mRb and literary reviews from the periodical between 2000 and 2020, the author offers preliminary diachronic analyses of trends in source languages and publishers of literary translations, an overview of the most important figures of translation in Anglo-Québec, as well as the evolution of translation reception in the Anglo-Québécois literary system. The thesis is methodologically characterized by its use of digital humanistic approaches, both in terms of data gathering (web scraping, Python) and analysis (distant reading with the help of AntConc, network analysis assisted by Gephi, basic statistical analyses with Excel). -- Résumé: Ce mémoire prend comme point de départ le périodique littéraire la Montreal Review of Books (mRb) afin d'analyser les tendances qui caractérisent la traduction littéraire dans le système littéraire anglo-québécois. L'analyse part d'une base de données comprenant les informations paratextuelles des traductions littéraires recensées dans la mRb et les comptes rendus littéraires entre 2000 et 2020. À partir de ces données, l'autrice effectue une analyse diachronique préliminaire des langues de départ et des maisons d'édition des traductions littéraires, ainsi qu'un aperçu des grandes figures de la traduction en Anglo-Québec et de l'évolution de la réception de la traduction dans ce système. Le mémoire se démarque sur le plan méthodologique par l'utilisation des approches en humanités numériques pour la collecte (le moissonnage, Python) et l'analyse de données (la lecture à distance assistée par AntConc, l'analyse de réseau avec Gephi et les analyses quantitatives de base à l'aide d'Excel).

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The creation of a digital model of a physical artifact can be a viable method for preserving physical artifacts from deterioration. The purpose of this thesis is to explore how to make digital artifact creation more accessible to non-scanning experts in order to expand the field of historical preservation to all people. The goal of the thesis is to determine which method of digital artifact capture produces the highest fidelity digital artifact while balancing user accessibility, cost, and usability. This study analyzed this through the creation of an online survey that asked participants to compare models created utilizing various digital capture methods. The results of the survey suggest that photogrammetry is currently the best method of high-fidelity digital artifact creation that balances accessibility, cost, and usability. The results also suggest that photogrammetry is effective at creating digital models of small artifacts with characteristics that typically cause errors in data capture and three-dimensional model creation. These results support the potential for democratizing digital artifact creation to include the contributions of non-experts from all communities and backgrounds, potentially deepening historical knowledge.

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