Thesis (M.A.)--University of Waterloo, 1991. / Includes bibliographical references (leaves 185-198).

Syftet med detta examensarbete är att fördjupa förståelsen för musikproduktion och synthprogrammering genom att återskapa två Dua Lipa-låtar och sedan applicera denna kunskap för att omvandla Harry Styles "Watermelon sugar" i Dua Lipa-stil.

Made available in DSpace on 2015-04-14T13:54:54Z (GMT). No. of bitstreams: 1 405241.pdf: 1606141 bytes, checksum: 60612c821b20c79f367335f7a4162cb6 (MD5) Previous issue date: 2008-08-29 / Escolhemos como objeto de nosso estudo, nesta tese de doutoramento, a rela??o entre o sacerdotium e o regnum no Defensor da Paz, com o prop?sito espec?fico de conhecermos o lugar do sacerdote na civitas marsiliana. Veremos que esse tema leva-nos a melhor compreens?o da teoria pol?tica do paduano. Quest?es como "O que ? o sacerd?cio crist?o?", "Em que consiste, verdadeiramente, a civitas crist??" e "Qual a rela??o entre ambos?" implicam a descoberta do fato de que, na vida presente, s? h? um poder, o do Estado. Quando o espiritual se torna uma fonte a mais de poder, na comunidade pol?tica, gera-se o facciosismo ou a guerra civil. Veremos tamb?m que as limita??es da sua teoria a respeito da rela??o entre o sacerdote e a cidade n?o colocam ? sombra a riqueza de seu pensamento pol?tico, no sentido de que este nos impulsiona a pensar diferentemente a comunidade pol?tica. Utilizamos como fonte principal o Defensor da Paz. Em segundo plano, para esclarecer algumas d?vidas, recorremos ao Defensor Menor. Dentre os estudos sobre Mars?lio, selecionamos aqueles que mais diretamente est?o relacionados com o objeto de nossa investiga??o. Ao fazermos este trabalho, acreditamos que ele possa ser mais uma modesta contribui??o ao estudo do pensamento pol?tico de Mars?lio de P?dua, no Brasil.

Submitted by Rodrigo Martins Cruz (rodrigo.cruz@ufvjm.edu.br) on 2015-01-23T16:14:44Z No. of bitstreams: 5 patricia.pdf: 1377961 bytes, checksum: 55ce7c1439d8b1123461e7f1f40d7a17 (MD5) license_url: 52 bytes, checksum: 3d480ae6c91e310daba2020f8787d6f9 (MD5) license_text: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) license.txt: 2109 bytes, checksum: aa477231e840f304454a16eb85a9235f (MD5) / Approved for entry into archive by Rodrigo Martins Cruz (rodrigo.cruz@ufvjm.edu.br) on 2015-02-10T10:38:49Z (GMT) No. of bitstreams: 5 patricia.pdf: 1377961 bytes, checksum: 55ce7c1439d8b1123461e7f1f40d7a17 (MD5) license_url: 52 bytes, checksum: 3d480ae6c91e310daba2020f8787d6f9 (MD5) license_text: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) license.txt: 2109 bytes, checksum: aa477231e840f304454a16eb85a9235f (MD5) / Made available in DSpace on 2015-02-10T10:38:49Z (GMT). No. of bitstreams: 5 patricia.pdf: 1377961 bytes, checksum: 55ce7c1439d8b1123461e7f1f40d7a17 (MD5) license_url: 52 bytes, checksum: 3d480ae6c91e310daba2020f8787d6f9 (MD5) license_text: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) license.txt: 2109 bytes, checksum: aa477231e840f304454a16eb85a9235f (MD5) Previous issue date: 2013 / Os estudos sobre o desenvolvimento de defeitos de esmalte e a associa??o com as condi??es natais e p?s-natais ainda s?o escassos. Assim, este estudo teve como objetivo avaliar a preval?ncia de defeitos de esmalte em dentes dec?duos e verificar se prematuridade, peso ao nascimento e vari?veis sociodemogr?ficas podem estar associados a tais defeitos. Foi realizado um estudo transversal com 381 crian?as com idade entre 3 e 5 anos. Os dados foram coletados atrav?s de exame cl?nico e entrevistas com os pais durante Campanha Nacional de Vacina??o. O diagn?stico dos defeitos de esmalte foi realizado utilizando-se o Developmental Defects of Enamel Index (DDE Index). Atrav?s de entrevista foram coletadas informa??es sobre aspectos sociodemogr?ficos, gesta??o, peso ao nascimento, prematuridade da crian?a e amamenta??o. A an?lise dos dados foi realizada utilizando-se o programa SPSS for Windows 17.0 e incluiu a distribui??o de frequ?ncia, testes qui-quadrado e Exato de Fisher e regress?o de Poisson. A preval?ncia de defeito de esmalte foi de 29,9% e a opacidade demarcada foi o tipo de defeito mais frequente. Crian?as com peso muito baixo ao nascimento apresentam mais chance de desenvolver defeitos de esmalte [RP (IC95%) = 2,7 (1,66-4,61)]. A prematuridade e as vari?veis sociodemogr?ficas n?o foram fatores associados aos defeitos de esmalte. Crian?as com peso muito baixo ao nascimento apresentaram maior preval?ncia de defeitos de esmalte nos dentes dec?duos. / Disserta??o (Mestrado) ? Programa de P?s-Gradua??o em Odontologia, Universidade Federal dos Vales do Jequitinhonha e Mucuri, 2011. / ABSTRACT Studies regarding the development of enamel defects and association with natal and postnatal conditions are scarce. Thus, the aim of this study was to evaluate the prevalence of enamel defects in primary teeth and determine whether prematurity, birth weight and sociodemographic variables may be associated with such defects. This was a cross-sectional study with 381 children aged between 3 and 5 years. Data were collected through clinical examination and interviews with parents during the National Immunization Day. The diagnosis of enamel defects was performed using the Development Defects of Enamel Index (DDE Index). During interviews, information were collected on sociodemographic aspects, pregnancy, birth weight, child prematurity and breastfeeding. Statistical analysis was performed using the SPSS software for Windows 17.0 and involved descriptive analysis, the Fisher?s test, qui-square test and Poisson regression. The prevalence of enamel defects was 29.9% and demarcated opacity was the most frequent type of defect. Children with low birth weight presented greater prevalence of enamel defects [PR (CI 95%) = 2,7 (1.66-4.61)]. Prematurity and the sociodemographic variables were not factors associated with enamel defects. In this study, children with very low birth weight had higher prevalence of enamel defects in deciduous teeth.

This doctoral thesis is on the subject of Islamic and Shia liturgy or prayer. it covers its history, philosophy and doctrinal content / This dissertation explores the historical, doctrinal, and philosophical aspects pertaining to Twelver Shīʿī liturgy. In doing so, it brings to light the broad historical contours which established its textual development and proliferation from the period of the Imāms until that of Shaykh ʿAbbās al-Qummī. This historical development entailed the production of the liturgical genre as a textual tradition that developed from the 2nd/8th century. It is believed that portions of this early textual tradition went on to form the basis of later liturgical collections such as al-Kulaynī’s Kitāb al-duʿāʾ, Ibn Qūlawayh’s Kāmil al-ziyārāt and al-Ṭūsī’s Miṣbāḥ al-mutahajjid. This is also indicative of a profound interest in liturgical material by both the scholars who compiled this material and the faithful who performed it, which is evidenced by the repeated copying and transmission of such texts in various parts of the Muslim world. These liturgical texts (duʿāʾ and ziyāra) are also replete with philosophical and theological motifs which underly their function as a means of developing Shīʿī piety and a religious identity that focuses upon complete submission to the Imāms of the People of the House (ahl al-bayt). Considering the above, the texts, when recited and enacted, may be described as a form of performative theology in the Twelver Shīʿī tradition. It is this performative theology which aided in the development and fortification of Twelver Shīʿī identity, especially in light of their minority and often beleaguered social-political position at various times in history. Through an in-depth investigation into the culture and practice of the rigorous and systematic transmission of liturgical texts, this dissertation provides, for the first time, clear evidence of a method for preserving the liturgical compositions that were attributed to the Imāms. With a selection of words and phrases drawn from these texts, a sensitive analysis is made of their theological and cosmological underpinnings. It is hoped that such an analysis will pave the way for further consideration of this, until now, somewhat neglected field of Islamic Studies. / Dissertation / Doctor of Philosophy (PhD) / This dissertation explores the historical, doctrinal, and philosophical aspects pertaining to Twelver Shīʿī liturgy. In doing so, it brings to light the broad historical contours which established its textual development and proliferation from the period of the Imāms until that of Shaykh ʿAbbās al-Qummī. This historical development entailed the production of the liturgical genre as a textual tradition that developed from the 2nd/8th century. It is believed that portions of this early textual tradition went on to form the basis of later liturgical collections such as al-Kulaynī’s Kitāb al-duʿāʾ, Ibn Qūlawayh’s Kāmil al-ziyārāt and al-Ṭūsī’s Miṣbāḥ al-mutahajjid. This is also indicative of a profound interest in liturgical material by both the scholars who compiled this material and the faithful who performed it, which is evidenced by the repeated copying and transmission of such texts in various parts of the Muslim world. These liturgical texts (duʿāʾ and ziyāra) are also replete with philosophical and theological motifs which underly their function as a means of developing Shīʿī piety and a religious identity that focuses upon complete submission to the Imāms of the People of the House (ahl al-bayt). Considering the above, the texts, when recited and enacted, may be described as a form of performative theology in the Twelver Shīʿī tradition. It is this performative theology which aided in the development and fortification of Twelver Shīʿī identity, especially in light of their minority and often beleaguered social-political position at various times in history. Through an in-depth investigation into the culture and practice of the rigorous and systematic transmission of liturgical texts, this dissertation provides, for the first time, clear evidence of a method for preserving the liturgical compositions that were attributed to the Imāms. With a selection of words and phrases drawn from these texts, a sensitive analysis is made of their theological and cosmological underpinnings. It is hoped that such an analysis will pave the way for further consideration of this, until now, somewhat neglected field of Islamic Studies.

?rea de concentra??o: Odontopediatria. / Submitted by Nivaldo Melo (nivaldo.melo@ufvjm.edu.br) on 2015-11-16T16:57:42Z No. of bitstreams: 2 ana_clara_sa_pinto.pdf: 998607 bytes, checksum: b17518e3d148cf4bd704371c7260c785 (MD5) license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) / Approved for entry into archive by Rodrigo Martins Cruz (rodrigo.cruz@ufvjm.edu.br) on 2015-11-16T17:02:03Z (GMT) No. of bitstreams: 2 ana_clara_sa_pinto.pdf: 998607 bytes, checksum: b17518e3d148cf4bd704371c7260c785 (MD5) license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) / Made available in DSpace on 2015-11-16T17:02:03Z (GMT). No. of bitstreams: 2 ana_clara_sa_pinto.pdf: 998607 bytes, checksum: b17518e3d148cf4bd704371c7260c785 (MD5) license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) Previous issue date: 2015 / Funda??o de Amparo ? Pesquisa do estado de Minas Gerais (FAPEMIG) / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior (CAPES) / O Tratamento Restaurador Atraum?tico (ART) ? uma t?cnica minimamente invasiva na qual remove-se somente o tecido cariado necrosado, utilizando-se instrumentos manuais. O Cimento de Ion?mero de Vidro (CIV) ? o material eleito para selar as cavidades na t?cnica do ART devido ?s suas propriedades f?sicas, qu?micas e biol?gicas favor?veis. O objetivo do presente estudo foi comparar a performance cl?nica do Cimento de Ion?mero de Vidro (CIV) de alta viscosidade (Ketac Molar Easymix?3M? ESPE, Seefeld, Germany) com um CIV convencional de baixa viscosidade (Vidrion R?SS White, Rio de Janeiro, RJ, Brasil) acrescido de nanocristais de celulose (NC)- (CIVNC) em cavidades classe I de molares dec?duos usando a t?cnica do Tratamento Restaurador Atraum?tico (ART). Sessenta crian?as de 4 a 7 anos de idade, residentes na cidade de Diamantina- Minas Gerais, que apresentaram no m?nimo dois molares dec?duos com les?es de c?rie classe I em dentina foram inclu?das. Um ensaio cl?nico randomizado duplo cego foi realizado no qual os dois materiais (Ketac Molar e CIVNC) foram aleatoriamente inseridos nas cavidades, ap?s sorteios do dente a ser restaurado e do material a ser utilizado. A performance cl?nica das restaura??es foi avaliada ap?s 3 meses usando o crit?rio de Frencken. Considerou-se insucesso de uma restaura??o quando a mesma apresentava defeito marginal ?0,5 mm, desgaste gradual >0,5 mm, quando a restaura??o foi perdida ou substitu?da por outra e a extra??o do dente. A an?lise de sobrevida das restaura??es foi feita usando o teste Qui-quadrado com tend?ncia linear. Adotou-se o valor de p<0,05 como significativamente estat?stico. A taxa de sobrevida das restaura??es para o Ketac Molar foi de 96,7% e para o CIVNC 94,7%. Uma diferen?a estatisticamente significativa (p=0,034) foi observada entre os dois cimentos em rela??o ? presen?a de defeitos marginais menores que 0,5 mm encontrados em 18,3% dos dentes tratados com CIVNC e em 6,5% das restaura??es realizadas com Ketac Molar. A performance cl?nica de ambos os cimentos de ion?mero de vidro foi satisfat?ria ap?s tr?s meses. A maior diferen?a entre os dois materiais foi observada em defeitos marginais menores que 0,5 mm. / Disserta??o (Mestrado) ? Programa de P?s-Gradua??o em Odontologia, Universidade Federal dos Vales do Jequitinhonha e Mucuri, 2015. / ABSTRACT Atraumatic Restorative Treatment (ART) is a minimally invasive technique that involves only the removal of necrotic dentin, using manual instruments. The glass ionomer cement (GIC) is the material chosen to seal the cavities at the ART approach due to their physical, chemical and biological favorable properties. The aim of this study was to compare the clinical performance of a high viscosity glass ionomer cement (GIC) (Ketac Molar Easymix/3M? ESPE, Seefeld, Germany) with a conventional low viscosity GIC (Vidrion R?SS White River de Janeiro, RJ, Brazil) added cellulose nanocrystals (NC)- (GICCN) in class I cavities of primary molars using the Atraumatic Restorative Treatment (ART) technique. Sixty children aged 4-7 years, residents in the city of Diamantina-Minas Gerais, who had at least two primary molars with carious lesions class I in dentin were included. A randomized double-blind clinical trial was conducted and the two materials (Ketac Molar and GICCN) were randomly inserted into the cavities, after raffles of the tooth to be restored and the material to be used. The clinical performance of the restorations was evaluated after 3 months using the criteria of Frencken. It was considered failure of a restoration when it presented a marginal defect ?0.5 mm, gradual wear >0.5 mm, when the restoration was lost or replaced by another treatment and the tooth extraction. Restorations survival analysis were made using the Chi-square test with linear trend. The value of p<0.05 was adopted as statistically significant. The survival rate of restorations for Ketac Molar was 96.7% and 94.7% for the GICCN. A statistically significant difference (p=0.034) was observed between the two cements in relation to the presence of marginal defects lower than 0.5 mm found in 18.3% of the treated teeth with the modified cement (GICCN) and in 6.5% of the restorations with Ketac Molar. The clinical performance of both glass ionomer cements was satisfactory after three months. Increased difference between the two materials was observed on marginal defects lower than 0.5 mm.

Min tanke med detta arbete var att hitta nya sätt att både skriva och producera låtar på, genom att använda mig av referenslåtar som inspirationskälla. Jag fokuserade på tre olika beståndsdelar från referenslåtarna, som sedan implementerades i tre nyskapade demolåtar. I låt 1 fokuserade jag på basen roll. I låt 2 fokuserade jag på solosångens relation till körsång och i låt 3 fokuserade jag på elpianot Fender Rhodes. När jag analyserade referenslåtarna så tog jag med mig vissa principer från respektive referenslåt och implementerade i mina egna låtar. Detta resulterade i att jag bland annat upptäckte nya spelsätt, sound och produktionstekniker att inspireras av till mina tre nyskrivna demolåtar. Att jobba med referenslåtar upplevde jag var ett bra startskott för att komma igång med låtskrivarprocessen. Samtidigt kunde jag stundtals känna mig begränsad och låst till referenslåtarna. Trots detta så var det en väldigt lärorik metod som hjälpte mig at vidga mina vyer och möjliggjorde för mig att skapa tre demolåtar som jag kanske inte annars hade skrivit.