The influence of the concurrent land-use changes that took place in East-Germany from the Thirties to Eighties on micrometeorological conditions is examined. These land-use changes lead to a slightly warmer and drier atmospheric boundary layer (ABL). Moreover, they may significantly modify the partitioning of incoming energy between sensible and latent heat as well as partitioning of cloud-microphysical processes between the warm and cold path of precipitation formation. The atmospheric response to concurrent land-use changes deviates from superposition ( of the responses to simple land-use changes) also in areas of nonsignificant changes. / Der Einfluss der akkumulierten Landnutzungsänderungen, die zwischen den 30-er und 80-er Jahren in Ostdeutschland stattfanden, auf das Mikroklima wird untersucht. Diese Landnutzungsänderungen führen zu einer geringfügig wärmeren und trockeneren atmosphärischen Grenzschicht. Die Aufteilung der einfallendenden Energie in Flüsse fühlbarer und latenter Wärme sowie der wolkenmikrophysikalischen Prozesse in den warmen und kalten Pfad der Niederschlagsbildung ändern sich signifikant. Die atmosphärische Response auf die akkumulierten Landnutzungsänderungen weicht auch in Gebieten ohne signifikante Änderungen von der Superposition der Auswirkungen einfacher Landnutzungsänderungen ab.

Thesis (Ph. D.)--University of California, San Diego, 1997. / Vita. Includes bibliographical references (leaves 348-363).

Thesis (doctoral) - Humboldt-Univ., Berlin, 2003.

Inaug.-Diss.--Berlin. / Vita. Bibliography: p. [9-22].

My project is an acknowledgement of the fact that the physical layout of our environments is not directly describing and shaping the way we live or our societies are shaped. Non-spatial structures are playing a bigger role in societal processes than spatial ones. My project is trying to give these invisible processes spatial expression. Non-functional structures that highlight the non-functionality of postsocialist space. The monotony and monumentality of socialist spaces is contrasted with a design that expresses the multiplicity (of possibilities, paths, choices, desires) that exists nowadays. Orthogonal space is sliced up, perforated and at points overlaid without replacing it in it’s totality. ‘Non-functional’ elements are formal expressions of the realm of virtual space which permeates our lives and cities as well. These elements function in a more ‘internet’ fashion (multi layered, multi directional, yet clustered, streamlined etc) and yet they perform in the real world. Yet in the same time they are expressing our high-tech society without being hightech. Simultaneously, the presence of these structures addresses the condition of impermanence and change that play a strong role in the psyche of East Germans today. The multiplicity which is expressed by the project contrasts the rigidity of socialist architecture and society - and creates a link to remembering the past.

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Even after 10 years, countries under transition are still on their way to becoming developed, internationally competitive countries. At this stage it is helpful for business cooperation to know whether managers in countries undergoing transition are behaving like socialists or Western managers, or somewhere in between. Many joint ventures and other alliances between Western companies and companies in countries in transition are seeking to establish new markets with new products or new technologies (i.e., new processes). They are risky because the returns are uncertain. Understanding the risk attitudes of managers in countries in transition can explain different investment behavior and provide vital information for installing the right incentives. This study compares the risk attitudes of Chinese, eastern, and western German managers. Chinese managers' risk attitudes seem to be more similar to the attitudes of western German managers than to those of their counterparts in eastern Germany. Some of the reasons and consequences are discussed in this article.

Seit Ende der sechziger Jahre wird mit unterschiedlicher Intensität auf die Innovationskrise und auf den Rückgang der Investitionstätigkeit deutscher Unternehmen hingewiesen. Zur Zeit wird dieses Thema vor allem im Zusammenhang mit der abnehmenden Wettbewerbsfähigkeit der deutschen Unternehmen im internationalen Vergleich wieder intensiv diskutiert. Mangelnde Innovationen und daraus resultierende Investitionslücken führen danach nicht nur zu einem verringerten Wirtschaftswachstum, sondern erschweren darüber hinaus auch den noch immer nicht vollständig bewältigten Strukturwandel. Dabei scheinen Innovationen und Investitionen auch für die neuen Bundesländer von besonderer Bedeutung zu sein, wenn sie ihren Anschluß an die internationale Wettbewerbssituation bewältigen wollen. Die vorliegende Untersuchung fragt auf der Basis des Risk-/Return- Paradoxon, ob sich das Innovationsverhalten in den neuen Bundesländern von dem in den alten Bundesländern unterscheidet.

In 1985, the East German playwright Heiner Müller (1929-95) spoke of the importance of a ‘democratic’ theatre: for Müller, the theatre was to be a space in which audience members are free to produce their own interpretations of the material presented on stage. In turn, the audience is encouraged to question the composition of its material reality but is not presented with a solution. Müller explicitly related this practice to his own production of his three texts Der Lohndrücker (1956-57), Der Horatier (1968), and Wolokolamsker Chaussee IV: Kentauren (1986) together at the Deutsches Theater in 1988-91. As this thesis demonstrates, Müller foregrounds instigating audience participation and the means of creating ‘democratic’ theatre from the very beginning of his career. In studying the composition of Müller’s texts, the historical contexts in which they were written, and their premières we gain new perspectives on the ways in which the possibility for political theatre is anchored in Müller’s texts and just how this political theatre aims to engage its contemporary, implied audiences; indeed, this thesis argues that the politics of Müller’s theatre can be best defined as ‘democratic’. In the introduction, I establish how Müller understands the term ‘democratic’ and how his understanding differs from interpretations of democracy contemporary to him; in doing so, I borrow critical vocabulary from the contemporary French philosopher Jacques Rancière. The introduction also elaborates a methodology for studying both implied and real audiences. While each of the prevalent semiological, phenomenological, or materialist theories of audience response has its strengths, in order to pay sufficient attention to the multiple influences upon and aspects of audience interaction, we must take a more holistic approach to audience research. I therefore articulate a new materialist phenomenological approach to audiences, drawing on Martin Heidegger’s phenomenology. In the following chapters, I study Der Lohndrücker, Der Horatier, and Kentauren in their historical contexts and consider how they were both composed with their contemporary audiences in mind and staged in their premières. This approach sheds new light on each text in question: not only do all three texts demonstrate a concern for a lack of democracy in material reality, but each also contains strategies for engaging audience involvement in a piece of ‘democratic’ theatre. My final chapter analyses Müller’s own staging techniques in Der Lohndrücker in 1988, arguing that they enhance the production’s democratic political potential and contribute to our understanding of Müller’s political theatre. While the productions discussed in Chapters 2 and 3 have largely been overlooked by theatre scholarship to date, they provide important insights into the politics of Müller’s texts and the possible limits of writing political theatre texts. This thesis draws on a wide range of both published and unpublished materials, including rehearsal notes, stage manuscripts, audience letters, newspaper reviews, theatre programmes, records of reactions to Müller’s works within the GDR’s statecraft, and Müller’s own notes for writing his texts. Through this wealth of material we not only gain an insight into the ways in which Müller’s texts were written for his audiences but we also recognise the parameters for his audiences’ responses. In offering a fresh perspective on Müller’s works, this thesis demonstrates both a compelling model for audience research and that a synthesis of textual/performance analysis, historical contextualisation, and audience research provides us with a very adept tool for analysing the making of political theatre and the politics of making theatre.

Thesis advisor: Devin O. Pendas / This dissertation examines the relationship between Black America and East Germany from 1949 to 1989, exploring the ways in which two unlikely partners used international solidarity to achieve goals of domestic importance. Despite the growing number of works addressing the black experience in and with Imperial Germany, Nazi Germany, West Germany, and contemporary Germany, few studies have devoted attention to the black experience in and with East Germany. In this work, the outline of this transatlantic relationship is defined, detailing who was involved in the friendship, why they were involved, and what they hoped to gain from this alliance. This dissertation argues that the GDR's ruling party utilized the relationship as a means of authenticating claims of East German anti-racism, a component of the Party's efforts to acquire legitimacy and diplomatic recognition from the international community in the wake of World War II, the Holocaust, and the division of Germany. African American radical leftists saw in East Germany a means of support and solidarity in the struggle for rights at home, as well as a society that was allegedly racism-free, upon which they could model their own attempts to eradicate racism in the US. Utilizing a transnational framework and analyzing government documents, newspapers, correspondence, photographs, and autobiographies, this work probes the ways in which two groups, pushed to the margins, sought to navigate the geopolitics of an ideologically-charged world. / Thesis (PhD) — Boston College, 2014. / Submitted to: Boston College. Graduate School of Arts and Sciences. / Discipline: History.