Diss.--Mayence, 1992. / Bibliogr. p. 367-384.

Since earliest times death has been an important and always actual theme in the arts. The point of departure of this thesis is to examine the portrayal of the ”discourse of and about death” in the poems of three women poets, namely Elisabeth Eybers, Olga Kirsch and Eveleen Castelyn. Various aspects of death thematics are considered and, from a formal perspective, the presence and absence of traditional forms concerning death, such as the ”obituary poem”, the ”elegy”, the ”dirge” and the ”threnody” are investigated. The research plan and the development of the study are dealt with in chapter one. The problem formulation and theoretical approaches for this study are given special attention. In chapter two the death theme in literature throughout the centuries, and specifically in poetry, is relevant. Death thematics occurring in English, Dutch, Afrikaans, Chinese, American, Russian, German, French and Spanish literatures are examined. Philosophical and Christian viewpoints concerning death are also investigated. The portrayal of death in the poetry of Elisabeth Eybers is the topic in chapter three. Her oeuvre is devided into four periods. The collections from Belydenis in die skemering up to Rymdwang are only summarily referred to, since this section has already been dealt with in my MA dissertation (Schutte, 1988). The following six volumes are discussed in detail concerning her religious views and the portrayal of death by way of various subthemes and stances. Chapter four is dedicated to the poetry of Olga Kirsch and in chapter five to that of Eveleen Castelyn. In chapter six a comparison is drawn between the three poets regarding their shared death thematics, similarities and differences in their mode of betrayal and their views on the afterlife. During her oeuvre Eybers adopts an agnostic view, Kirsch embraces the Jewish faith and Castelyn holds a Christian point of view throughout her oeuvre. At the end of the study a summary and findings are given and the conclusion, that the three poets increasingly become preoccupied with death, is reached. / Afrikaans and Theory of Literature / (D. Litt. et Phil. Afrikaans))

Cette thèse propose une étude sur l'histoire du culte élisabéthain et son évolution en Slovaquie médiévale entre le XIIIe et le XVIe siècle. Elle s'appuie sur un corpus de 61 représentations visuelles, croisé avec les textes hagiographiques, liturgiques et littéraires, et replacé dans son contexte historique et spatial.Le culte de sainte Élisabeth a été un des plus répandus à travers l'Europe du bas Moyen Âge. Porté par la nouvelle sainteté mendiante, l'exemple d'Élisabeth a trouvé un écho puissant dans son pays d'origine, la Hongrie, immédiatement après sa canonisation en 1235. Plusieurs facteurs contribuèrent à la diffusion de la vénération de cette figure féminine : les familles royales, à commencer par celle des Árpád jusqu'au roi Mathias Corvin ; les mendiants ; et, enfin, les colons allemands. Une première partie de la thèse délimite l'espace géographique du thème étudié et présente les sources iconographiques et hagiographiques élisabéthaines qui constituent la base à partir de laquelle se déploie les grandes caractéristiques du culte. Elle recense d'une part les documents d'ordre juridique et biographique sur sainte Élisabeth, puis place sa personne dans la pratique liturgique à partir des manuscrits conservés en Slovaquie. D'autre part, elle présente l'image de la sainte, qui apparait sur des supports variés, grâce à un corpus iconographique inédit.Dans la deuxième partie, Élisabeth est replacée dans les contextes historiques hongrois et slovaque pour définir les premières formes de l'établissement de son culte. L'étude de la topographie témoigne de l'abondance des lieux dédiés à la sainte dans les décennies suivant sa mort.La troisième partie expose les divers motifs et scènes iconographiques de sainte Élisabeth telles qu'elles ont été pratiquées en Slovaquie et les croisent avec les modèles d'autres pays d'Europe. Les images élisabéthaines, auxquelles les fidèles s'identifient aisément, sont soumises à l'analyse pour démontrer leur plasticité au sein de la société médiévale où différents groupes sociopolitiques peuvent se les approprier selon ses propres besoins spirituels. Cette analyse située à la croisée de deux disciplines : l'histoire et l'histoire de l'art, apporte un regard nouveau sur les variations du culte d'une sainte à travers un rassemblement inédit de ses représentations du XIIIe au XVIe siècle. / This thesis deals with the history of the Elizabethan cult and its evolution in Medieval Slovakia between the 13th and the 16th centuries. It is based on a corpus of 61 visual representations crosschecked against hagiographic, liturgical and literary texts and put in its historical and spatial context. The cult of Saint Elizabeth is one of the most widespread throughout Europe in the Late Middle Ages. Backed by the new begging holiness, the example of Elizabeth finds an echo in Hungary, her country of origin, immediately after her canonization in 1235, where many factors contribute to the spread of the reverence for this feminine figure: royal families, starting with that of the Árpáds and ending by King Matthias Corvinus; beggars; and finally German settlers. The first part of the thesis defines the geographical space of the topic under consideration and determines Elizabethan iconographic and hagiographic sources which constitute the base for the problem of cult. On the one hand, this part identifies legal and biographical documents on Saint Elizabeth and analyses liturgical practices in connection with this figure on the basis of the manuscripts conserved in Slovakia. On the other hand, it presents the image of the saint with the help of an original iconographic corpus. The second part focuses on Elizabeth in the Hungarian and Slovak historical contexts in order to define the earliest forms of the establishment of her cult. Informed by historical topography, it shows the abundance of places dedicated to the saint in the decades following her death. The third part sets out different motifs and iconographic scenes of Saint Elizabeth in Slovakia and discusses them in comparison with other models in Europe. The images of Saint Elizabeth, with which the faithful identify themselves easily, are analyzed to demonstrate their plasticity in the medieval society which appropriates them according to its own demands. This analysis, placed at the crossroads of two subjects: history and history of art, provides a new approach to cult variations of the saint through the original grouping of representations from the 13th till the 16th centuries.

Christianity is the largest religion worldwide and the Bible remains the most read book in the world. Thus, the Bible has had a great influence on the worldwide views of women, and continues to influence these views in modern society. With this in mind, one can through studying the views on women and the female characters in the Bible and obtain a grander understanding of society today and its views on women.  This study incorporates a quantitative analysis of gender proportions in the Pauline letters, as well as a qualitative analysis of Pauls’ statements on women and the problematics of translation in regard to his letters. The readers are also presented with previous research focusing on similar matters, as to entice their interest, and enable them to form their own opinions. The result, in its essence, presents that women are grossly underrepresented in the Pauline letters, in both numbers and space. The study also points to the probability that Paul’s androcentric opinions may have been strengthened by the continuous translations and countless copies of the texts. Lastly, the study presents a discussion on what can and is desirable to do to ensure that women are correctly represented in historical texts relating to early Christianity

Missionary aspects of the Visitation of Virgin Mary to Elisabeth (Luke 1:36-45). This work deals with the pericope "Visitation of Elizabeth" in the Gospel of Luke as the precursor of Jesus' missionary journey through the earth into the Kingdom of God. First the exegetical issues of individual verses are described followed by commentaries and interpretative notes of several exegetes using various translations of the Sacred Scripture. Next subject is the journey, as described in Luke's gospel, as well as the missionary view of the journey of the Virgin Mary to visit his relative Elizabeth, as well as the life journey of every man which leads to the Kingdom of God, which is a theme of Jesus Christ's preaching on his way to Jerusalem (Gospel of Luke). The work attempts to capture the necessary features of missionaries that can be identified in the pericope of the Virgin Mary on the road to Elizabeth. Elizabeth herself, as the person to whom the Virgin Mary was sent as a missionary is also an important topic in this work. Elisabeth shows the task and mission of the missionary himself, not only to bring and show Christ to others, but also to enable him to whom he is sent to confess his faith and show his piety. Keywords Virgin Mary, Elisabeth, mission, journey, Jesus Christ, visitation, missionary

Bedford College, established in 1849, was the first institute of higher education for women in England, and with it came the beginning of the women's higher education movement. While Bedford is often dismissed or ignored by modern scholars for not being equal to the women's colleges associated with Cambridge and Oxford, it was crucial in the development of these later colleges and was a bellwether of the women's higher education movement. By examining personal letters and official college documents and carefully assessing later-written histories of Bedford and the other women's colleges, this thesis will explain why and how the College was successfully founded two decades before any other college for women in England. It will also include a thorough discussion of the events that occurred before and during Bedford's establishment, its enigmatic founder Elisabeth Jesser Reid and the role of the women's higher education movement in Bedford's development. This thesis will also show how the successful foundations of Girton and Newnham Colleges at Cambridge University and Lady Margaret Hall and Somerville College at Oxford were made possible by the monumental strides made by Bedford College's influence on the creation of the women's higher education movement.

No description available.

The purpose of this essay has been to make a feminist study of the Church of Sweden lectionary 2002. I have been interested in two specific subject areas. The first is whether the biblical text have helped to highlight women´s experience, and if that is the case, in which way? The second area has been to investigate whether the texts have an oppressive or liberating tendency. In my study I have used Rosemary Radford Ruethers definition of experience which includes experience of the divine, experience of oneself and experience of the world, although they can be understood separately, they interact with each other. As for the second subject area I have used Elisabeth Shüssler Fiorenzas definitions of oppression and liberation. Oppression is defined based on the underlying or direct meaning that hinders or denies liberation. Liberation implies resistance and change by examining contradictions between the religious-cultural politics of “femininity” and the radical democratic politics of meaning and dignity. My study takes its approach from feminist theology and to it I connect two fields of method. One is feminist theological practices and the other is qualitative textual analysis. The analysis has been made from two biblical texts, one of the New Testament and one of the Old Testament. Both texts describe the biblical woman’s experiences in multiple ways which includes Radford Ruethers definition of experience. The text of the New Testament included a larger part of experience of oneself while the text from the Old Testament included as lager part of experience of “the world”. Both texts are liberating for women since they both meet Shüssler Fiorenzas definition of liberation. But the story of Rahab also has an oppressive tendency. Both women in each story contribute to their own liberation and in the story of Rahab also her family´s liberation. Another likeness in the texts is that both women have an experience of fear.

No description available.

This thesis explores the societal implications of Gustav III’s national costume in the context of Swedish court society during the late eighteenth century. With the aims of uncovering King Gustav III’s view of the National Costume and its role in Swedish court society, as well as how we can understand the National Costume’s meaning for the aristocracy in late eighteenth-century Sweden, this thesis presents a post-structural textual analysis of Gustav III’s (1806) REFLEXIONER, angående en ny nationel klädedrägt (Reflections concerning a new national costume) in order to uncover King Gustav III’s perception of and ideology behind the national costume. This is then juxtaposed with a similar analysis of a chapter from Hedvig Elisabeth Charlotta’s (1902) journal, representing an aristocratic counter-perspective. This thesis presents a previously unexplored sociological perspective in studying Gustav III’s National Costume. Departing from Norbert Elias’ work around the court society, arguments are made for the interpretation of the National Costume as an instrument in court ceremonial, at the king’s disposal, holding the potential to create a distance in power between the Swedish court nobility and the monarchy. Furthermore, it is argued that the National Costume represents an oppressive force to the Swedish court nobility as a social class.