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Experiências de um lirismo agreste: o relato de identidades femininas, em As mulheres de Tijucopapo, de Marilene Felinto / Experiences of a backland lyricism: the report of female identities, in Women of Tijucopapo, by Marilene FelintoSilva, Maria Emília Martins da 24 October 2012 (has links)
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Previous issue date: 2012-10-24 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This thesis regards the reading of the novel The Women of Tijucopapo (2004), by
Marilene Felinto, with emphasis on the reading of the relationships between the
polyphonic othernesses and the protagonist -Risia- in three stages of the narrative
(the child, the adult, and the mythical) in a discursive tangle. During the analysis
process, the following primary hypotheses were elected: the non-place of the past
(real or mythical) takes the durative present via memory; the memories provides a
present constructive relationship placing the experience concerned with the
enunciative subject in its singularity; a fictional temporal game of othernesses, which
is articulated by the account of the pronominal triad I-SHE-THEY, emerges in the
narrative. This paper was founded through three chapters starting from Mikhail
Bakhtin s reflections and his concept of dialogism applied to the treatment of
polysemy of the first-person narrator s poetic dialogs; Henri Bergson s supports the
memorialist narrative in trancending history, as invented or fictional language
production; and Giorgio Agamben s arguments childhood and contemporaneity
themes, fundamental axis of transgressive enunciation in contemporary novels. The
achieved results highlight that: by language experience of memorialist narratives, on
the threshold of autobiographical, the discursive identities or dissonant subjects, and
the split female first-person narrator builds a temporal flow of the narrative
reconstruction among present, past and future. As the narrative unfolds, spacialities
receive new poetic tenses through epic narration and, thereby, marking the novel
genre on the origin of imagery recalled by the I and, set in dialogic relation by its
univocal female othernesses: SHE/ THEY / A presente dissertação visa à leitura do romance As mulheres de Tijucopapo
(2004), de Marilene Felinto, com ênfase na leitura das relações entre as alteridades
polifônicas e a protagonista Rísia em três etapas do relato a infantil, a adulta e a
mítica , em seu emaranhado discursivo. Conduzindo as análises, elegemos como
principais hipóteses de comprovação: o não lugar do passado (real ou mítico) ganha
o presente durativo pela via da memória; a memória estabelece uma relação
construtiva do presente, colocando a experiência em causa com o sujeito
enunciativo em sua singularidade; emerge na escritura um jogo temporal ficcional
de alteridades articuladas pelo relato da tríade pronominal eu-ela-elas.
Fundamentamos este trabalho dissertativo em três capítulos a partir das reflexões
de Mikhail Bakhtin e o conceito de dialogismo aplicado ao tratamento da polissemia
dos diálogos poéticos da narradora em primeira pessoa; Henri Bergson dá suporte
ao relato memorialista ao ultrapassar o histórico, enquanto produção de linguagem
ficcional ou inventada; Giorgio Agamben defende as temáticas da infância e da
contemporaneidade, eixos basilares da enunciação transgressora presente na forma
do romance contemporâneo. Os resultados alcançados ressaltam que, por meio da
experiência da linguagem em relato memorialista, no limiar do autobiográfico, as
identidades discursivas ou sujeitos dissonantes e desdobrados do eu feminino que
narra constroem um movimento temporal de reconstrução da narrativa entre
presente, passado e futuro. Na movência da escritura, espacialidades ganham
novos tempos poéticos pela via do narrar épico, marcando o gênero do romance na
origem da imagem relembrada pelo eu e colocada em dialogia por suas alteridades
femininas unívocas: ela/ elas
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Les services religieux féminins en Grèce de l’époque classique à l’époque impériale / Women’s religious functions from the classical era to the imperial periodDenis, Patricia 12 June 2009 (has links)
En Grèce ancienne, femmes et filles de citoyens, issues généralement des élites, accomplissaient de nombreux services religieux pour leurs communautés. Ces fonctions, observées du Vème av. J.C. au II/IIIème ap. J.C. en Grèce, Etolie, Thessalie, Epire, Macédoine, îles des Cyclades et de l’Egée et littoral Est d’Asie Mineure, se construisaient et évoluaient avec leur société. Elles permettaient aux femmes de se mouvoir dans la sphère publique, en corrélation avec leur position sociale, et contribuaient à valoriser leur parentés. Beaucoup de ces services s’inscrivaient dans une sphère féminine où le sexe déterminait les rites accomplis, établissant une certaine image de la femme que les pratiques initiatiques accomplies par leurs filles, via ces services, reconduisaient. Toutefois, tous les services religieux ne se définissaient pas par rapport à ce monde féminin, mais tous se lisaient dans un ensemble subtil où il n’est pas toujours aisé d’établir les prérogatives de chaque service par rapport aux autres. Dans cet ensemble, la prêtrise était la charge la plus prestigieuse mais les autres fonctions, désignées par des termes spécifiques exprimant l’aspect principal de la charge, n’étaient pas simplement des auxiliaires ou subalternes. Les services religieux féminins formaient un ensemble complexe, diversifié mais cependant homogène et présentant une profonde cohérence. / In ancient Greece, Thessaly, Aitolia, Epiros, Macedonia, Cyclads, Aegean’s Islands and the eastern coast of Asia Minor, citizen’s wives and daughters, stem from the élite, could carry out religious functions for their people. These functions, influenced by the evolution of the society and observed from the 5th BC to the 2nd/3rd AD, were an opportunity for women to act in the public field, according to their social status, and a way to increase the value of their relatives. Many of these offices were determined by the gender and included in a women’s world. They played a part to create a greek ideal of woman, and the initiatory rites performed by their daughters contributed to carry on this image. However, all the women’s religious functions were not in this women’s world but all formed a group in which they are closely related to each other. The priestess got the most prestigious office but the others functions, usually named by a specific term which indicate its most important sight, were not just only sub-offices. All these offices were part of a complex group with some diversity and fine distinctions and it’s not easy to understand each function and its prerogatives, but this group was still homogeneous and coherent.
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