Global ETD Search

1	A Partner in Their Suffering: Gustav Klimt's Empowered Figure in <em>Hope II</em> Miller, Hannah Elizabeth 01 June 2017 (has links) Although much of Gustav Klimt's work is well recognized, his painting Hope II (1907-1908) has received little attention in academic studies. Rejected by his peers on its initial exhibition, this work was found offensive by even his staunchest supporters. Second wave feminists have also been critical of his painting, finding in it an objectification of women. This is likely due in part to the central subject of the piece involving pregnancy. Klimt was unafraid to paint images that shocked and diverged from traditional aesthetic styles. During a time of rapid social change and development of the feminist movement, Klimt offered fin-de-siècle Vienna an image that invited conversations about female sexuality, identity, and fertility. This paper constitutes a rereading of Klimt as empathetic to the female experience by way of a close analysis of Hope II. The artist's closeness to many women indicates his awareness of their plight. His portrayal of fertility in this painting offered a new perspective of womanhood in art with a depiction of woman as autonomous and empowered. Criticism from second-wave feminists often follows Klimt's work. However, his continued representation of the female body should be read as a glorification of the body rather than objectification of it. Gustav Klimt Pregnancy Feminism Female Bodies Vienna Modern Art Classics
2	Wanted : dead or alive. Women as bodies in Shakespeare's Pericles, King Lear and Macbeth El-Cherif, Lydia January 2008 (has links) Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal. Corps féminin Female bodies Fantômes Ghosts Shakespeare Pericles King Lear Macbeth
3	Intimate Geographies: Bodies, Underwear and Space in Hamilton, New Zealand Morrison, Carey-Ann January 2007 (has links) This thesis examines the ways in which a small group of young Pākehā women use underwear to construct a range of complex gendered subjectivities. I explore how these subjectivities are influenced by both material and discursive spaces. Three underwear shops in Hamilton, New Zealand - Bendon Lingerie Outlet, Bras N Things and Farmers, and various visual representations depicting contemporary notions of normative femininity, are under investigation Feminist poststructuralist theories and methodologies provide the framework for this research. One focus group and three semi-structured interviews were conducted with young women who purchase and wear underwear. Participant observations of shoppers in Bendon Lingerie Outlet, Hamilton and autobiographical journal entries of my experiences as a retailer and consumer of underwear continued throughout the research. Advertising and promotional material in underwear shops and a DVD of a Victoria's Secret lingerie show are also examined. Three points frame the analysis. First, I argue that underwear consumption spaces are discursively constructed as feminine. The socio-political structures governing these spaces construct particular types of bodies. These bodies are positioned as either 'in' place or 'out' of place. Second, underwear shops can be understood as feminised, young and thin embodied spaces. Bodies that fit this description are hence positioned as 'in' place. However, female bodies that are 'fat' and/or old and male bodies are marginalised within the space and thus positioned as 'out' of place. Third, I consider particular forms of normative femininity by examining the ways in which underwear disciplines and contains the body. Women's underwear moulds and shapes flesh to fit contemporary feminine norms. Examining the specific relationship between the body, underwear and space provides a means to re-theorise geography and makes new ground for understanding how clothed bodies are constituted in and through space. Female bodies Marginalisation Contemporary feminine norms Abjection Underwear Space Feminist poststructuralist geography
4	Wanted : dead or alive. Women as bodies in Shakespeare's Pericles, King Lear and Macbeth El-Cherif, Lydia January 2008 (has links) Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal Corps féminin Female bodies Fantômes Ghosts Shakespeare Pericles King Lear Macbeth
5	Double Bind Tying Breastfeeding Women to a Liminal Position : Discourses about Public Breastfeeding in the Swedish Media Debate 1980-2016 Sjödin, Jennie January 2018 (has links) This thesis investigates cultural associations and values connected to women in Swedish society, with regard to action space, autonomy and social position. This is done through a discourse analysis of the media debate about public breastfeeding between the years 1980-2016, especially putting focus on the female body, motherhood, and women's access to public space. Main theories are Sara Ahmed’s various works on feelings and public comfort, as well as theories about taboo, mainly Purity and Danger by Mary Douglas. In line with early feminist anthropology on women’s subordinated position, this study finds liminality between opposing binaries to be important for the discourse, placing breastfeeding women in a position of taboo and inconvenience. In the discourses I studied, the two most important binaries are the nature-culture dichotomy, and the separation between private and public space. The discourses concerning public breastfeeding are also connected to notions of Swedish Exceptionalism and gender equality, mostly in contrast to beliefs about prudish influences from the U.S. In the thesis is discussed how the media debate about public breastfeeding seems to have intensified from the 1990s onwards, which correlates with increased neoliberalization of the Swedish welfare system, causing changes in women’s life circumstances. In the concluding chapter is brought forth how public breastfeeding is a focal point for several contradictory expectations on breastfeeding women, placing them in a double bind and making women responsible for everyone else’s comfort. It is also illuminated how the binary oppositions mainly contribute to disadvantaging categorizations of women, as well as how neoliberal reforms seem to have a damaging effect on gender equality in Sweden. Public Breastfeeding Gender Equality Swedishness Neoliberalization Taboo Female Bodies Binary Oppositions Inappropriate Women Prudishness. Other Humanities not elsewhere specified Övrig annan humaniora Social Anthropology Socialantropologi
6	Jag tänker på mig själv som en nakenakt : En studie av Marianne Lindberg De Geers skulptur Jag tänker på mig själv i relation till nakenakten som motivkategori / I am Thinking About Myself as a female nude : A study of Marianne Lindberg De Geer’s sculpture I am Thinking About Myself in relation to the female nude Carnvik, Sofia January 2019 (has links) The aim of this thesis is to describe and analyze the Swedish artist Marianne Lindberg De Geer’s public sculpture Jag tänker på mig själv in relation to the female nude as a traditional motif within the western art and aesthetic. The artwork in question depicts two naked upright standing women, one of whom is represented as emaciated and skinny and the other one as voluminous and fat. By using previous research on the subject of aberrant bodily representations as its main theoretical framework and with a methodological approach based on visual semiotics, this study has found that Jag tänker på mig själv is to be seen as a deviant representation of the female body in several ways. The way in which the female body is represented in Marianne Lindberg De Geer’s sculpture has shown to deviate not only from the traditional female nude but also from the visual norms that usually characterizes aberrant representations of the female-coded body. art history female nude semiotics female bodies deviant bodies Marianne Lindberg De Geer public sculpture framing the obscene body anorectic bodies emaciated bodies fat bodies gendering bildsemiotik offentlig skulptur chockbild nakenakt Marianne Lindberg De Geer representation Art History Konstvetenskap
7	Konstruerad utsatthet : En bildsemiotisk analys av Nathalie Djurbergs stop motion-filmer Greed och Cave / Constructed exposedness : A visual semiotic analysis of Nathalie Djurberg’s stop motion-films Greed and Cave Cserhalmi, Nora January 2019 (has links) This essay aims to analyse how the exposedness is constructed in the Swedish contemporary artist Nathalie Djurberg’s two stop motion-films Greed and Cave. Five stills from Greed and three stills from Cave will be examined from a feminist perspective with a theoretical viewpoint based on theories from both art history and film studies. The method applied is visual semiotics which focuses on how meaning is created within an artwork rather than what the meaning is. The stills from Djurberg’s films are analysed first on a denotative level and then on a connotative level. Furthermore, visual semiotics theorises that everything is made up of systems of signs which allows this essay to study how the women in Djurberg’s movies functions as signs. The essay demonstrated that the women in Djurberg’s films can be seen as passive objects under the power of the male gaze. However, the analysis also displayed that the woman in Cave can be perceived as someone who defies the patriarchal norms for how a woman should behave and look. Nonetheless, the exposedness of these women seems to be constructed firstly in their bodies and how they are represented, both in looks but also how they are posed to reinforce patriarchal conventions in the female representation, and secondly in their relation to male characters - or the implied male gaze from a spectator - in the films. The women in Djurberg’s films can thus be understood as signs for male sexual desires, as signs for the Woman posing as the Man’s opposite, as the objective for His gaze. Nathalie Djurberg exposedness male gaze visual semiotics denotative connotative sign female representation female bodies construction male sexual desire Woman Man. Nathalie Djurberg utsatthet male gaze manlig blick bildsemiotik denotation konnotation tecken kvinnlig representation kvinnliga kroppar konstruktion manlig sexuell lust Kvinna Man. Art History Konstvetenskap

1

Page generated in 0.0324 seconds