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Ancient Cypriot Glass: Production, Reception, and the Collections at the Claremont CollegesCarothers, Milena R 01 January 2019 (has links)
This thesis examines the collection of Cypriot glass stored in the basement at Scripps and its context throughout history. The first chapter focuses on the collection itself and includes a brief summary of the founding of the Mudd family’s Cyprus Mines Corporation, which led to the collection of the glass. The repatriation of the collection is also detailed. The second chapter examines the history of Cyprus, and how valuable resources such as copper led to trade on the island. A history of glass is given: how it was made, what it was made out of, and how it was used and appreciated at different times in history. The third chapter addresses the history of the glass trade and production on Cyprus. Island-specific shapes and production are explored. This chapter also looks at how glass was valued and used by different levels of society as glass production evolved and led to a saturated market. The fourth chapter focuses on five pieces selected from the Scripps and Mudd collections. These case studies include conservation condition reports. Physical description, condition, use, and similar examples in other collections are detailed. The final chapter addresses glass conservation. It contains an analysis of previous conservation interventions, descriptions of different types of weathering and degradation, and tips for stabilizing, storing, shipping, handling, and displaying the collection.
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The College of the Pacific Seal in pebble mosaicStanley, Elaine Brink 01 January 1950 (has links) (PDF)
Abstract not provided. The following is the introduction.
It has been agreed that a work of art is to augment the usual written thesis and be considered the greater part of the thesis in meeting the requirements for the degree of Master of Arts. This paper is submitted as an auxiliary factor--not as the thesis itself. It is understood that the basis of judgment shall rest upon the acceptability of the art work, in this case the College of the Pacific Seal in Pebble Mosaic as seen and as described in this paper. This paper provides a record of the work and additional interesting information pertinent to the subject.
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After the big wind stops I see gentle wavesLee, Eunji (Jubee) 01 January 2018 (has links)
This thesis covers my reflections on the inspirations and the motivations behind selected works including my candidacy exhibition; Resonance and my thesis exhibition; after the big wind stops I see gentle waves. It contains my life throughout my MFA studies and the development of my art practice. Through its story-within-a-story method of narration and my describing streams of my thoughts, I am attempting to explain the processes of my development and the discoveries I have made, the little things in my daily life, and the big turning points that inspired me. My work and this document have been strongly determined by my poetic imagination and the emotional events and experiences I have had.
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Enact in DisappearanceDeMer, Stephanie 01 January 2018 (has links)
Enact in Disappearance excavates the unseen through the medium of photography in order to chart a new strategy for knowing and communing with a complicated world.
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LifetimeKuchenbecker, Emily E 01 January 2019 (has links)
Time is my bully. Time marks the start of something, as well as the end. We are all carrying out the inexorable passing of time as it relates to our impending mortalities.
I do not fear death.
The awareness of my body’s impermanence employs me to feel that much more connected to the vessel containing that of which I am.
But what am I? Am I my body- or is it much deeper?
Through the work executed during my graduate research, I have attempted to quantify my existence through the archiving my time and body. This document ushers you through my perception, my relationship to nature, and how it manifests through discovering answers to what I believe it means to be human.
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Graphic Content Warning; Personal and Political TraumasWardell, Emily K 01 January 2019 (has links)
The written portion of this thesis work is meant to address and further investigate the visual work created using mediums of print and found video. This artistic research has been interested in examining varying associations with truth, recollection, and evidence. This includes the recollection of public histories and news-media narratives as well as my own history and trauma. Through this work my aim was to create a deconstruction and revolt against how associations are formed, and how to understand imagery as information. This thesis first discusses my relationship to appropriated imagery, then connects and examines it through the addition of poetic elements and events from my own lived experience.
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