This dissertation traces the reception of Antonio Gramsci’s works over a series of critical moments in the development of the Latin American left, including the transitions to democracy in Argentina and Brazil, Latin American subaltern studies in the academic sphere, and the rhetoric of Pink Tide governments of the twenty-first century, with a focus on Bolivia. My central argument is that Gramsci has appealed to Latin American intellectuals as a theorist of the state—notwithstanding his more frequent characterization as primarily a theorist of civil society—and that the different appropriations and deployments of Gramscian concepts such as the war of position and the integral state have been oriented, in one way or another, toward a defense of constituted as opposed to constituent power, and more generally toward the closure of constituted political subjectivities. The project is intended at once as a study of the historico-political conditions of intellectual production in Latin America, and more specifically as a contribution to the scholarship on the long history of the centrality of the state in Latin American politics, as well as an examination, focused on a particular theoretical field, of modes of appropriation and resignification of political concepts in the construction and contestation of power.

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Orientador: Evelina Dagnino / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / O exemplar do AEL pertence a Coleção CPDS / Made available in DSpace on 2018-07-26T07:08:30Z (GMT). No. of bitstreams: 1 Burgos_Raul_D.pdf: 14522535 bytes, checksum: 82df6446dc48c611b490b52374f13c43 (MD5) Previous issue date: 1999 / Resumo: Não informado / Abstract: Not informed. / Doutorado / Doutor em Ciência Política

Orientador: Patrizia Piozzi / Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação / Made available in DSpace on 2018-08-03T22:02:28Z (GMT). No. of bitstreams: 1 Favaretto_JoaoBatista_M.pdf: 586852 bytes, checksum: b35c755986a6ea8179e3afaf272fc063 (MD5) Previous issue date: 2004 / Mestrado

Tese (livre docencia) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Acompanha memorial / O exemplar da FE pertence a Coleção Mauricio Tragtenberg (FE-MT) / Made available in DSpace on 2018-07-14T10:59:42Z (GMT). No. of bitstreams: 1 Debrun_MichelMaurice_LD.pdf: 6676543 bytes, checksum: 9a8f69a82cf902dc44310b2d83eec6d9 (MD5) Previous issue date: 1982 / Resumo: Não informado. / Abstract: Not informed. / Tese (livre docencia) - Univer

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OLIVEIRA, Daniele Kelly Lima de. Gramsci e os intelectuais orgânicos da classe trabalhadora: contribuição à educação na perspectiva da emancipação humana. 2013. 98f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Educação Brasileira, Fortaleza (CE), 2013. / Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2013-10-07T11:06:24Z No. of bitstreams: 1 2013-DIS-DKLOLIVEIRA.pdf: 870578 bytes, checksum: 1dd9f12607445378a45481929e58e530 (MD5) / Approved for entry into archive by Márcia Araújo(marcia_m_bezerra@yahoo.com.br) on 2013-10-07T12:11:24Z (GMT) No. of bitstreams: 1 2013-DIS-DKLOLIVEIRA.pdf: 870578 bytes, checksum: 1dd9f12607445378a45481929e58e530 (MD5) / Made available in DSpace on 2013-10-07T12:11:24Z (GMT). No. of bitstreams: 1 2013-DIS-DKLOLIVEIRA.pdf: 870578 bytes, checksum: 1dd9f12607445378a45481929e58e530 (MD5) Previous issue date: 2013 / O presente trabalho dissertativo consiste em um estudo, à luz da ontologia marxiana-lukacsiana, da proposta de Gramsci, pensador marxista do século XX, sobre a formação de intelectuais orgânicos da classe trabalhadora e sua contribuição à educação na perspectiva da emancipação humana – proposta antagônica à atual formação do educador num cenário de crise estrutural do capital, em que a formação das consciências entorpecidas vem se configurando cada vez mais como um mecanismo de controle da classe trabalhadora, num momento histórico em que esse sistema joga sobre a humanidade a possibilidade de sua própria destruição. Nesse sentido, recompomos a biografia e contexto histórico no qual Gramsci viveu, num esforço de melhor compreensão da elaboração de seu pensamento, especialmente um estudo sobre o processo de unificação italiana, a partir do qual, o filósofo italiano trata das categorias: hegemonia, bloco histórico e intelectuais orgânicos. Contamos ainda com uma exposição sobre a base marxista de Gramsci, que lhe permite pensar uma educação omnilateral na perspectiva da emancipação humana. Na elaboração deste trabalho, lançamos mão do pensamento de Marx e Engels (2007), no Manifesto Comunista, leitura considerada por Gramsci de fundamental importância para o despertar da consciência da classe trabalhadora; Marx (1999), As teses sobre Feuerbach, e O Capital – livro I (2011). Contamos ainda com a obra de Gramsci em seus Escritos Políticos (2004), os Cadernos do Cárcere (2011), mormente os cadernos 12 e 11 e as Cartas do Cárcere (2005), bem como os intérpretes marxistas do pensamento de Gramsci como Manacorda (1990), Del Roio (2006), Coutinho (1999), Nosella (2010), Semeraro (2006) e Schlesener (1992), dentre outros.

Made available in DSpace on 2014-06-11T19:31:06Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-02-14Bitstream added on 2014-06-13T20:07:54Z : No. of bitstreams: 1 neres_gm_dr_mar.pdf: 750620 bytes, checksum: 815273bf3bef2aa32ce624da365b4868 (MD5) / Em virtude dos percalços trágicos de sua história pessoal, os Cadernos do cárcere representam a conformação definitiva ou o desenvolvimento final da elaboração política de Antonio Gramsci. Da mesma forma, é ali também que se encontra o desenvolvimento mais elevado de sua teoria do partido revolucionário. É somente nos escritos carcerários, através da proposição da forma política cristalizada no ‘moderno Príncipe’ que sua concepção organizativa atinge a conformação definitiva. Contudo, existe um aspecto problemático na teoria do partido presente nos Cadernos: lá não existe uma teoria sistemática, explícita, expressa formalmente; mas uma teoria tácita, que precisa ser extraída de suas indicações fragmentárias. Além do mais, esta teoria aparece inextrincavelmente fundida às novas categorias conceituais forjadas por Gramsci para investigar a especificidade do processo revolucionário no Ocidente. Por conseguinte, essa teoria só pode ser minimamente sistematizada se apreendida no contexto do arranjo teórico-conceitual desenvolvido por Gramsci em sua reflexão carcerária / Given the tragic mishaps of his personal history, the Prison Notebooks represent the final conformation, or the final development of the policy formulation of Antonio Gramsci. Likewise, is also there which is the highest development of his theory of the revolutionary party. It is only in his prison writings, by proposing the political form crystallized in the ‘modern Prince’ that his organizational conception reaches the final conformation. However, there is a problematic aspect in the theory of the party present in the Notebooks: there not exists a systematic theory, explicit, formally expressed; but a tacit theory, that needs to be extracted from its fragmentary indications. Moreover, this theory appears inextricably fused with the new conceptual categories forged by Gramsci to investigate the specificity of the revolutionary process in the West. Consequently, this theory can only be minimally systematized if seized in the context of the theoretical and conceptual arrangement developed by Gramsci in his prison thinking

No abstract available. / Thesis (M.A.)--University of Durban-Westville, 2003

This is a critical study of Hamish Henderson (1919-2002). It examines his work as a poet, translator, folklorist, and cultural and political commentator. Through close textual analysis, this project shows how Henderson’s various writings can be considered part of a life-long engagement with the complex relationship between politics and aesthetics. This includes the purpose of poetry and its relation to ‘the people’; the defining qualities of folk culture and its political potential; conceptions of nationalism and internationalism; and notions of Scottish history and ‘tradition’. Bemoaning a modern disconnect between the artist and society, Henderson explored the possible causes of this disjuncture and proposed various solutions. His views on these issues were tested in a series of public ‘flytings’, or opinion column debates, with the poet Hugh MacDiarmid between 1959 and 1968. Chapter One is an analysis of the form and content of these exchanges. In Chapter Two, Henderson’s poetic responses to the War, his collected Ballads of World War II (1947) and Elegies for the Dead in Cyrenaica (1948), are considered in light of his professed aim to create a poetry that ‘becomes people’. Chapter Three examines Henderson’s relationship with the life and works of the Italian Marxist Antonio Gramsci (1891-1937). Drawing from Henderson’s translation of Gramsci’s prison letters, this chapter examines how the Italian thinker both validated and undermined his approach to folk culture. Chapter Four considers Henderson’s perceived ‘turn’ away from art-poetry towards folk-song. With reference to his writings on various poets, his own poetry and song, and that of others that he admired, this chapter reflects on Henderson’s ideas about the distinctiveness of the Scottish literary tradition, and about the politics of authorship. Chapter Five interrogates Henderson’s various writings on folk culture according to his role as a ‘folk revivalist’ who seeks to reinstate folk-song as a popular mode of collective selfexpression, and as a ‘folklorist’ who documents the folk tradition. This project argues for a holistic examination of Henderson’s cultural politics, restoring his writings to their original contexts and providing an account of the constantly renegotiated relationship between art and society present throughout his work.