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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 11 to 19 of 19 (0.045 seconds)Spelling suggestions: "subject:"heinrich föll"" "subject:"heinrich höll""
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Weiterdenken / Heinrich-Böll-Stiftung Sachsen: Einmischungen02 August 2023 (has links)
No description available.
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Weiterdenken / Heinrich-Böll-Stiftung Sachsen: Einmischungen02 August 2023 (has links)
No description available.
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Einmischungen ... / Weiterdenken Heinrich-Böll-Stiftung Sachsen02 August 2023 (has links)
No description available.
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| 14 |
Einmischungen ... / Weiterdenken Heinrich-Böll-Stiftung Sachsen02 August 2023 (has links)
No description available.
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Weiterdenken / Heinrich-Böll-Stiftung Sachsen: Einmischungen26 July 2023 (has links)
No description available.
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Kohleatlas Sachsen: Daten und Fakten über einen verhängnisvollen Rohstoff24 July 2023 (has links)
No description available.
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Einmischungen ... / Weiterdenken Heinrich-Böll-Stiftung Sachsen26 July 2023 (has links)
Erscheinen eingestellt
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Intertextualitet, satir och Heimat i Heinrich Bölls Wanderer, kommst du nach Spa …Eng, Tord January 2016 (has links)
This thesis deals with the short story “Wanderer, kommst du nach Spa ...” (1950) by the German author Heinrich Böll (1917-1985). The well-established interpretation of this famous short story is that it deals with the dismal fact that the Nazis ended the development of Western culture, which cumulatively had been on its way since Greek antiquity. In this paper another reading is proposed, namely that the short story sheds light on the influence of the Romantic era in Germany and that a certain interpretation and use of Romanticism provided some of the seeds to the obscure ideas of the Nazi era. Research on Böll´s early writings is presented. The notion of cultural memory is introduced. The intertextual connections between Bölls text and other texts are being uncovered. Most fruitful proves the connection between “Wanderer” and the poem “Der Spaziergang” (1795) by Friedrich Schiller (1759-1805) to be. “Wanderer” can be read as a satirical version of Schillers poem. Reasons for Böll to choose Schiller’s elegy as a target are discussed at length. A parable in the story, ”wie ein Gesicht eines Schlafenden” / like a face of a sleeping person, unfolds an undertext to the short story, a Catholic text. Jesus, the Holy Communion, prayers and the eternal cross are present. Wanderer can be read as a requiem over the young soldier. Further, the inability of the wounded soldier to connect to his surroundings is interpreted as a parallell to Germany at the end of the war; the Nazis had stolen the Heimat from the people and it was no longer possible to interpret the world as something you belonged to. While Heinrich Böll on the surface of the text tries to recapture the German language from its nazi-poisend condition, the protagonist within the text regains his identity by means of his own handwriting - a part of his language.
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Perceptions of Evil: A Comparison of Moral Perspectives in Nazi Propaganda and Anti-Nazi LiteratureInksetter, Hamish January 2015 (has links)
This thesis examines how the concept of evil was understood by opposing German perspectives during the era of National Socialist rule (1933-1945). The rise of Nazism in Germany marked a period of massive political upheaval wherein the National Socialist government encouraged the masses to view the world in terms of a great struggle between forces of good and evil. This was the central theme of their propaganda, which zealously encouraged racialist beliefs in the popular consciousness, and was based on assumptions of German superiority and Jewish evil. Despite Hitler's apparent success in creating an obedient nation, a significant number of Germans opposed his rule, amongst whom a small group of writers expressed their discontent through creative fiction. Through a comparison of the worldviews communicated through political propaganda and anti-Nazi literature, it is revealed that the crux of the divide between their opposing perspectives hinged on the meaning of evil.
Since evil is a concept with many meanings, this thesis approaches the subject thematically. The comparison begins by focusing on the perception of evil as an all-corrupting force that had taken hold of Germany, followed by an exploration of how power and brutality were understood, ending with a comparison of views on how the struggle between good and evil took place on both a social and individual level.
In addition to demonstrating the subjectivity of moral perspective during a
tumultuous period of the recent past, this research reveals how the struggle against Nazism existed as a conflict of ideas. Moreover, the comparison of cultural sources (including Nazi art, visual propaganda, written texts such as Mein Kampf, and anti-Nazi creative fiction) demonstrates the value of art as a tool for conducting historical enquiry. Since the legacy of the Third Reich continues to directly influence modern perceptions of evil, exploring how evil was understood according to contemporary Germans – from both pro and anti-Nazi perspectives – is of particular historical interest.
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