Nos últimos anos observa-se um intenso debate acerca da transição da TV analógica para a TV digital, acompanhada pela incorporação de inúmeras inovações, dentre as quais destacamos a interatividade, que abre uma nova modalidade para este meio de comunicação, a TV interativa. Os desafios de pesquisa e desenvolvimento em TV interativa são amplos e ainda não totalmente investigados. Em particular, a questão da consistência de interfaces com usuário se apresenta como um tópico relevante e pouco explorado na literatura. Esta dissertação investiga a questão da consistência da interface com o usuário para a TV interativa, considerando seus aspectos teóricos e de implementação. Para tanto investigamos na literatura de Interfaces Humano-Computador a questão da consistência e suas abordagens. Considerando que a consistência é uma característica relativa a um modelo, buscamos identificar modelos de interfaces de TV interativa que sejam exemplos de boas práticas a serem seguidas. A metodologia proposta e utilizada é composta por cinco etapas, a saber: modelagem do usuário, análise de tarefas, diretrizes gerais de interface, análise comparativa de plataformas e coordenação da interface. As três primeiras etapas geram recomendações enquanto que a etapa de análise comparativa gera referências. Utilizando estes dois subsídios a etapa de coordenação da interface objetiva elencar exemplos de interfaces que possam se tornar modelos, esta etapa também verifica a consistência interna do modelo proposto e elabora alternativas no caso das soluções encontradas não serem satisfatórias. No âmbito desta metodologia realizamos extensas avaliações experimentais, dentre as quais destacamos a proposta de quatro modelos de usuário (Torcedor Antenado, Mãe Ocupada, Meia Idade com Ajuda e Torcedor com Baixa Alfabetização), uma análise contextual de tarefas envolvendo dois dos quatro modelos de usuário propostos, bem como uma extensa análise comparativa entre sete plataformas de TV. Este trabalho resultou numa proposta integrada de interface que abrange três aspectos: um mapa de navegação, um conjunto mínimo de teclas para o controle remoto e um modelo de navegação. O mapa de navegação apresenta a taxonomia do sistema. O conjunto mínimo de teclas compreende os recursos mínimos que devem estar universalmente disponíveis ao usuário. O modelo de navegação apresenta uma forma consistente e extensível de navegação para ser utilizada em aplicativos de TV interativa. / In the past few years there has been an intense debate about the transition from analog to digital Television, with the acquisition of many innovations. Of particular interest to this study is the interactivity, which opens a new modality for this medium, the interactive TV. The challenges posed by research and development in interactive TV are ample and not fully investigated. In particular, the question of user interface consistency presents itself as a relevant topic, which is little explored in the literature. This work investigates the question of user interface consistency for interactive TV, taking into account it\'s theoretical and implementation implications. The question of consistency and its approaches was reviewed in the literature of Human-Computer Interfaces. Considering that consistency is a characteristic relative to a model, we tried to identify models of interactive TV interfaces, which are examples of best practices to be followed. The methodology proposed and utilized has five steps: user modeling, task analysis, interface guidelines, platform comparative analysis and interface coordination. The first three steps generate recommendations while the comparative analysis generates references. Using these two products the interface coordination tries to determine examples of interfaces, which can become models, this step also verifies the internal consistency of the proposed model and elaborates alternatives if the found solutions are not satisfactory. Using this methodology a large experimental evaluation was performed. Of special interest is the proposition of four user models, a contextual task analysis of two of the user models as well as an extensive comparative analysis between seven TV platforms. The result of this work is the proposition of an integrated interface, which focuses on three aspects: the navigation map, the minimum remote and a navigation model. The navigation map is the taxonomy of the system. The minimum remote is a group of keys that should be universally available to the user. The navigation model presents a consistent and extensible mechanism for navigation in interactive TV applications.

<p>Computer architecture and assembly language programming microprocessor execution are basic courses taught in every computer science department. Generally, however, students have&nbsp / difficulties in mastering many of the concepts in the courses, particularly students whose first language is not English. In addition to their difficulties in understanding the purpose of given&nbsp / instructions, students struggle to mentally visualize the data movement, control and processing operations. To address this problem, this research proposed a graphical visualization approach&nbsp / and investigated the visual illustrations of such concepts and instruction execution by implementing a graphical visualization simulator as a teaching aid. The graphical simulator developed during the course of this research was applied in a computer architecture course at Kabul University, Afghanistan. Results obtained from student evaluation of the simulator show significant&nbsp / levels of success using the visual simulation teaching aid. The results showed that improved learning was achieved, suggesting that this approach could be useful in other computer science departments in Afghanistan, and elsewhere where similar challenges are experienced.</p>

Mit dem Aufkommen natürlicher Benutzerschnittstellen zum Erreichen einer möglichst intuitiven Interaktion mit Computern wird auch über die Bedeutung der Gestaltungsaspekte LOOK und FEEL der darzustellenden Benutzeroberflächen neu verhandelt. Dies bedeutet für den Entwurf und die Entwicklung neuer Anwendungen, die bisherigen Vorgehensmodelle, Werkzeuge und Interaktionen zu überdenken und hinsichtlich der neuen Herausforderungen zu überprüfen. Als Leitmotiv der vorliegenden Arbeit dient der Ansatz: Ähnliches wird durch Ähnliches entwickelt, der sich am Beispielfall der Multi-Touch-Technologie konkret mit dem Forschungsraum der natürlichen Benutzerschnittstellen auseinandersetzt. Anhand der drei aufeinander aufbauenden Aspekte Modell, Werkzeug und Interaktion wird die besondere Stellung des FEELs betont und diskutiert. Die Arbeit konzentriert sich dabei besonders auf die Phase des Prototypings, in der neue Ideen entworfen und später (weiter-) entwickelt werden. Die Arbeit nähert sich dabei dem Thema schrittweise an, vom Abstrakten hin zum Konkreten. Hierzu wird zunächst ein neu entwickeltes Vorgehensmodell vorgestellt, um auf die Besonderheiten des FEELs im Entwicklungsprozess natürlicher Benutzerschnittstellen eingehen zu können. Das Modell verbindet Ansätze agiler und klassischer Modelle, wobei die Iteration und die Entwicklung von Prototypen eine besondere Stellung einnehmen. Ausgehend vom neu vorgestellten Modell werden zwei Einsatzbereiche abgeleitet, die entsprechend des Leitmotivs der Arbeit mit zu konzipierenden Multi-Touch-Werkzeugen besetzt werden. Dabei wird besonderer Wert darauf gelegt, den Entwickler in die Rolle des Nutzers zu versetzen, indem die beiden Aktivitäten Umsetzung und Evaluation am selben Gerät stattfinden und fließend ineinander übergehen. Während das für den Entwurf erstellte Konzept TIQUID die Nachbildung von Verhalten und Abhängigkeiten mittels gestengesteuerter Animation ermöglicht, stellt das Konzept LIQUID dem Entwickler eine visuelle Programmiersprache zur Umsetzung des FEELs zur Verfügung. Die Bewertungen der beiden Werkzeuge erfolgte durch drei unabhängige Anwendungstests, welche die Einordnung im Entwicklungsprozess, den Vergleich mit alternativen Werkzeugen sowie die bevorzugte Interaktionsart untersuchten. Die Resultate der Evaluationen zeigen, dass die vorab gesteckten Zielstellungen einer einfachen Verwendung, der schnellen und umgehenden Darstellung des FEELs sowie die gute Bedienbarkeit mittels der Multi-Touch-Eingabe erfüllt und übertroffen werden konnten. Den Abschluss der Arbeit bildet die konkrete Auseinandersetzung mit der Multi-Touch-Interaktion, die für Entwickler und Nutzer die Schnittstelle zum FEEL der Anwendung ist. Die bisher auf die mittels Berührung beschränkte Interaktion mit dem Multi-Touch-Gerät wird im letzten Abschnitt der Arbeit mit Hilfe eines neuartigen Ansatzes um einen räumlichen Aspekt erweitert. Aus dieser Position heraus ergeben sich weitere Sichtweisen, die einen neuen Aspekt zum Verständnis von nutzerorientierten Aktivitäten beitragen. Diese, anhand einer technischen Umsetzung erprobte Vision neuer Interaktionskonzepte dient als Ansporn und Ausgangspunkt zur zukünftigen Erweiterung des zuvor entwickelten Vorgehensmodells und der konzipierten Werkzeuge. Der mit dieser Arbeit erreichte Stand bietet einen gesicherten Ausgangspunkt für die weitere Untersuchung des Fachgebietes natürlicher Benutzerschnittstellen. Neben zahlreichen Ansätzen, die zur vertiefenden Erforschung motivieren, bietet die Arbeit mit den sehr konkreten Umsetzungen TIQUID und LIQUID sowie der Erweiterung des Interaktionsraumes Schnittstellen an, um die erzielten Forschungsergebnisse in die Praxis zu übertragen. Eine fortführende Untersuchung des Forschungsraumes mit Hilfe alternativer Ansätze ist dabei ebenso denkbar wie der Einsatz einer zu Multi-Touch alternativen Eingabetechnologie.

<p>Computer architecture and assembly language programming microprocessor execution are basic courses taught in every computer science department. Generally, however, students have&nbsp / difficulties in mastering many of the concepts in the courses, particularly students whose first language is not English. In addition to their difficulties in understanding the purpose of given&nbsp / instructions, students struggle to mentally visualize the data movement, control and processing operations. To address this problem, this research proposed a graphical visualization approach&nbsp / and investigated the visual illustrations of such concepts and instruction execution by implementing a graphical visualization simulator as a teaching aid. The graphical simulator developed during the course of this research was applied in a computer architecture course at Kabul University, Afghanistan. Results obtained from student evaluation of the simulator show significant&nbsp / levels of success using the visual simulation teaching aid. The results showed that improved learning was achieved, suggesting that this approach could be useful in other computer science departments in Afghanistan, and elsewhere where similar challenges are experienced.</p>

Submitted by Johnny Rodrigues (johnnyrodrigues@ufcg.edu.br) on 2018-06-10T18:11:13Z No. of bitstreams: 1 DANIEL LEITE COSTA - DISSERTAÇÃO PPGDsign 2017..pdf: 8286965 bytes, checksum: 3d5d2c433df754acf30ecf88a2748f57 (MD5) / Made available in DSpace on 2018-06-10T18:11:13Z (GMT). No. of bitstreams: 1 DANIEL LEITE COSTA - DISSERTAÇÃO PPGDsign 2017..pdf: 8286965 bytes, checksum: 3d5d2c433df754acf30ecf88a2748f57 (MD5) Previous issue date: 2017-06-30 / O propósito da presente pesquisa foi conceber e parametrizar uma abordagem de avaliação semântica de aspectos visuais e de design de interfaces humano-computador de jogos digitais, incorporando-a à abordagem metodológica multimétodos concebida por Queiroz (2001). A proposição da instância da referida abordagem a jogos digitais justifica-se a partir das particularidades contextuais desta categoria de aplicações de software, em relação a outras categorias, principalmente no que concerne à motivação de uso, sendo necessários processos de avaliação da usabilidade que considerem suas especificidades. A pesquisa também se justifica por expandir o escopo da abordagem original, considerando, além dos aspectos sintáticos, os aspectos de significado e de compreensão. A abordagem foi validada a partir de um estudo de caso, envolvendo o jogo digital Hearthstone: Heroes of Warcraft, no qual se investigou o impacto da inclusão da componente semântica ao processo de avaliação. Assim sendo, foram realizados dois experimentos, com 30 usuários cada. No primeiro grupo, considerou-se unicamente a componente sintática de avaliação, composta por: (i) avaliação heurística, (ii) mensuração do desempenho de uso e (iii) satisfação subjetiva do usuário. No segundo grupo, a componente semântica de avaliação foi incorporada à abordagem multimetodológica. O método de pesquisa foi misto, visando à coleta de dados de natureza qualitativa e quantitativa, sob uma premissa teóricopragmática. O confronto dos resultados obtidos a partir dos quatro diferentes enfoques considerados permitiu inferir impactos e contribuições positivas da integração da componente semântica à abordagem original, o que possibilita tornar mais abrangente e robusto o processo de avaliação da usabilidade da interface considerada / The purpose of this research was double fold: (i) conceiving and parameterizing a semantic approach for evaluating visual and design aspects of human-computer interfaces of digital games; (ii) integrating it into the multi-method approach conceived by Queiroz (2001). Such a research effort can be justified by the contextual particularities of this software application category with regard to other ones, mainly in what concerns use motivation and, the consequent need for a specific usability evaluation approach. The research is also justified by expanding the scope of the original approach, considering, in addition to the syntactic aspects, the aspects of meaning and understanding. The approach was validated from a case study, involving the digital game Hearthstone: Heroes of Warcraft, in which the impact of the inclusion of the semantic component on the evaluation process was investigated. Thus, two experiments were performed, with 30 users each. In the first group, only the syntactic component of evaluation was considered, consisting of: (i) heuristic evaluation, (ii) measurement of performance of use and (iii) subjective satisfaction of the user. In the second group, the semantic component of evaluation was incorporated into the multi-method approach. The research method was mixed, aiming at the collection of data of a qualitative and quantitative nature, under a theoretical-pragmatic premise. The comparison of the results obtained by the considered evaluation strategies revealed positive impacts and contributions of and including semantic aspects to the original approach. This makes it possible to enrich the usability evaluation process of a game interface, by producing complementary and more robust results.

As pessoas com deficiência compreendem uma parcela da população as quais as formas de planejamento dos espaços urbanos causam impacto direto em sua qualidade de vida, sendo a incapacidade visual a mais abrangente entre as deficiências, acometendo mais de 35 milhões de pessoas no Brasil. Nas últimas décadas, as normas e leis brasileiras de promoção da acessibilidade buscam criar condições para que as pessoas com deficiências possam ter uma vida social e econômica mais ativa, por meio do uso dos preceitos do design universal nos projetos de acessibilidade para espaços públicos e meios de transporte. No entanto, definir regulamentos e normas tem se mostrado insuficiente, pois a simples padronização de recursos físicos, como pisos táteis, não garantem a autonomia para o deslocamento das pessoas com deficiência visual. Paralelo às adequações dos espaços públicos para a acessibilidade, algumas tecnologias eletrônicas têm sido desenvolvidas de forma efetiva para o design universal, dentre elas as atuais formas de audiodescrição de programas de TV, cinemas e teatros, assim como o desenvolvimento de tecnologias de voz sintetizada para quepessoas com deficiência visual possam fazer uso dos portáteis smartphones. Neste estudo, foram realizadas pesquisas bibliográficas e experimentos em ambientes controlados e ambientes públicos, utilizando-se de técnicas de pesquisa qualitativa para o levantamento, registro e análise de informações, por meio da observação de voluntários com deficiência visual, enquanto utilizavam um modelo primordial de equipamento com voz digital para orientá-los em três ambientes públicos na cidade de São Paulo, compreendendo uma movimentada estação de metrô, uma calçada a céu aberto e uma instituição pública de cultura. Os experimentos demonstraram que os voluntários com deficiência visual podem utilizar um formato adequado de audiodescrição para a orientação e mobilidade, contanto que sejam consideradas peculiaridades que relacionem a velocidade de marcha de pessoas com deficiência visual com os processos cognitivos pertinentes à audição e à percepção ambiental. Por consequência, esta pesquisa oferece princípios para o design de audionavegação, por meio de readequações na audiodescrição para abranger os conceitos de orientação e mobilidade, de modo a possibilitar sua aplicação em projetos de interfaces eletrônicas portáteis com voz sintetizada para orientar pessoas com deficiência visual, buscando assim um incrementando na autonomia dessas pessoas para seu wayfinding em ambientes públicos e transportes de massa. / The people with disabilities comprise a portion of the population whose forms of planning in urban spaces have a direct impact on their quality of life, with visual impairment being the most comprehensive among disabilities, affecting more than35 million individuals in Brazil. In the last decades, the Brazilian norms and laws to promote accessibility seek to create conditions for people with disabilities to have a more active social and economic life, through the use of universal design precepts in the projects of accessibility for public spaces and mass transports. However, setting regulations and norms has proved insufficient, since the simple standardization of physical resources, such as tactile floors, do not guarantee autonomy for the displacement of visually impaired people. Parallel to the adaptations of public spaces for accessibility, some electronic technologies have been effectively developed for the universal design, amongst them the present forms of audiodescription of TV programs, cinemas and theaters, as well as the development of synthesized voice technologies so that people with visual disabilities can make use of portable smartphones. In this study, in addition to relevant bibliographical research, practical experiments were carried out in controlled and public environments, applying qualitative research techniques for the collection, recording and analysis of information through the observation of volunteers with visual impairment, using a primordial model of equipment with digital voice technology to guide them in three public spaces in the city of São Paulo, comprising a busy subway station, a sidewalk and a public cultural institution. The experiments have shown that visually impaired volunteers can use an appropriate format of audiodescription for orientation and mobility, as long as they are considered peculiarities that relate the visually impaired people walking speed to cognitive processes relevant to hearing and for environmental perception. As a result, this research offers principles for the audionavigation design, through adjustments in audiodescription to include the orientation and mobility concepts, enabling its application in projects of portable electronic interfaces with synthesized voice to guide visually impaired people, seeking an increase in wayfinding autonomy for these people when in public environments and mass transports.

A pesquisa explora a intersecção entre o design de informação e os estudos acerca do fenômeno urbano, considerando o avanço recente das tecnologias voltadas à representação e as possibilidades que trazem à comunicação visual. É proposta uma introdução ao tema da cidade, abordada tanto de uma perspectiva macro, que busca embasamento nas ciências, quanto do ponto de vista da experiência urbana de seus usuários. Em seguida, são investigadas as possibilidades do design de informação nesse contexto, por meio de uma revisão bibliográfica da teoria relacionada ao tema e da análise de projetos e iniciativas que buscam aproximar, por meio do design e do uso de ambientes virtuais, conjuntos de dados e informações da cognição humana. Com relação às tecnologias, são investigadas ferramentas de representação da informação urbana, envolvendo visualização de dados, interação humano-computador e navegação por ambientes tridimensionais. Em um paralelo com a arquitetura, são observadas formas como a informação tem sido espacializada em ambientes físicos e virtuais. Por fim, o trabalho propõe investigações práticas, de modo a explorar particularidades de algumas das ferramentas disponíveis, e pondera sobre a atuação do designer na representação da informação urbana à luz das questões estudadas. / This research explores the intersection between information design and studies on urban phenomena, considering the recent developments in technologies of representation and possibilities that they bring to visual comunication. An introduction to the theme of the city is proposed, viewed both from a macro perspective, that seeks grounding in science, and from the perspective of the user experience. Then, are investigated the possibilities of information design in this context, trough a literature review of the theme and analysis of information design projects that seek to approach urban issues and human cognition. With regard to digital technologies, the representation of urban information evolving automatized data visualization, human-computer interaction and navigation in 3D environments are investigated. In a parallel with architecture, ways in which information has been spatialized in physical and virtual environments are observed. Lastly, the research proposes a practical investigation, to explore particularities of some available tools and to consider the role of designers on representation of urban information, taking into account the studied issues.

La visualisation interactive est un outil essentiel pour l'exploration, la compréhension et l'analyse de données. L'exploration interactive efficace de jeux de données grands ou complexes présente cependant deux difficultés fondamentales. La première est visuelle et concerne les limitations de la perception et cognition humaine, ainsi que celles des écrans. La seconde est computationnelle et concerne les limitations de capacité mémoire ou de traitement des machines standards. Dans cette thèse, nous nous intéressons aux techniques de passage à l'échelle relativement à ces deux difficultés, pour plusieurs contextes d'application.Pour le passage à l'échelle visuelle, nous présentons une approche versatile de mise en évidence de sous-ensembles d'éléments par déformation spatiale appliquée aux vues multiples et une représentation abstraite et multi-/échelle de coordonnées parallèles. Sur les vues multiples, la déformation spatiale vise à remédier à la diminution de l'efficacité de la surbrillance lorsque les éléments graphiques sont de taille réduite. Sur les coordonnées parallèles, l'abstraction multi-échelle consiste à simplifier la représentation tout en permettant d'accéder interactivement au détail des données, en les pré-agrégeant à plusieurs niveaux de détail.Pour le passage à l'échelle computationnelle, nous étudions des approches de pré-calcul et de calcul à la volée sur des infrastructures distribuées permettant l'exploration de jeux de données de plus d'un milliard d'éléments en temps interactif. Nous présentons un système pour l'exploration de données multi-dimensionnelles dont les interactions et l'abstraction respectent un budget en nombre d'éléments graphiques qui, en retour, fournit une borne théorique sur les latences d'interactions dues au transfert réseau entre client et serveur. Avec le même objectif, nous comparons des stratégies de réduction de données géométrique pour la reconstruction de cartes de densité d'ensembles de points. / Interactive visualization is helpful for exploring, understanding, and analyzing data. However, increasingly large and complex data challenges the efficiency of visualization systems, both visually and computationally. The visual challenge stems from human perceptual and cognitive limitations as well as screen space limitations while the computational challenge stems from the processing and memory limitations of standard computers.In this thesis, we present techniques addressing the two scalability issues for several interactive visualization applications.To address visual scalability requirements, we present a versatile spatial-distortion approach for linked emphasis on multiple views and an abstract and multi-scale representation based on parallel coordinates. Spatial distortion aims at alleviating the weakened emphasis effect of highlighting when applied to small-sized visual elements. Multiscale abstraction simplifies the representation while providing detail on demand by pre-aggregating data at several levels of detail.To address computational scalability requirements and scale data processing to billions of items in interactive times, we use pre-computation and real-time computation on a remote distributed infrastructure. We present a system for multi-/dimensional data exploration in which the interactions and abstract representation comply with a visual item budget and in return provides a guarantee on network-related interaction latencies. With the same goal, we compared several geometric reduction strategies for the reconstruction of density maps of large-scale point sets.

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