Habilitationsschrift--Gemeinsamer Ausschuss der vier philosophichen Fakultäten--Freiburg (Breisgau)--Albert-Ludwigs-Universität, 1989. / Contient le texte sumérien de l'hymne avec trad. allemande en regard. Bibliogr. p. 8-11. Index.

Diss.--Philosophische Fakultät--München--Ludwig Maximilians-Universität, 1988. / Bibliogr. p. 13-27. Index.

This thesis is based on the stories of the lived experience of two groups of women, the first was a group of women healers, and the second, a group of academic women.Woven through the his-story of women in medicine are two myths-those of Inanna and Isis.The insights that have come from this study will give future women a path to travel to reclaim their past.Both science and scientific medicine are critiqued, and more holistic alternatives as part of this process are offered. The thesis has been constructed with a series of stories to acknowledge the uniqueness of each individual's experience.These stories provide the threads that weave the thesis together and are congruent with both the process of the making of meaning in our lives, and with our journeys toward healing.The study is embedded in both a social and feminist framework and that of depth psychology/mythology. It is based on feminist research methods and cooperative inquiry methodology and uses narrative for the recounting of the experience. It is also a heuristic inquiry that offers constructive critique using reflexive learning and explores the richness of difference in philosophies of healing and the experience of transformation. / Doctor of Philosophy (PhD)

Made available in DSpace on 2017-07-21T14:49:43Z (GMT). No. of bitstreams: 1 Simone Dupla.pdf: 2971799 bytes, checksum: 7e1e207afce384b2447f024c95b4ed22 (MD5) Previous issue date: 2016-04-01 / Fundação Araucária de Apoio ao Desenvolvimento Científico e Tecnológico do Paraná / Inanna, the multifaceted goddess of Mesopotamian culture, was worshiped throughout the history of this society. Known as the goddess of love and war, their status in the Mesopotamian pantheon and its functionality has been re-reading object by many historians. The purpose of this study was to address the representations present in the worship of Inanna through symbols and attributes to it attributed unveiling its characteristics and relationship with the imagery of that society. To do this, we use as sources, in addition to recorded images for artifacts, myths and hymns dedicated to this deity. We realize that the ways of holiness expressed in the worship of Inanna allowed the articulation of this in many social segments and ensured their maintenance and survival. Thus, images and symbols that made up the religious universe of divinity were assignments and constructions that are perpetuated over time related to the reality of his first devotees and those who captivated over the millenniums. / Inanna, a deusa multifacetada da cultura mesopotâmica, foi cultuada durante toda a história dessa sociedade. Conhecida como deusa do amor e da guerra, seu estatuto no panteão mesopotâmico e sua funcionalidade tem sido objeto de releitura por parte de muitos historiadores. O objetivo desse trabalho foi abordar as representações presentes no culto a Inanna por meio dos símbolos e atributos a ela imputados desvelando suas características e relação com o imaginário daquela sociedade. Para tal, utilizamos como fontes, além das imagens registradas em artefatos, mitos e hinos dedicados a essa divindade. Percebemos que as formas de sacralidade expressas no culto a Inanna permitiu a articulação deste nos muitos segmentos sociais e garantiu a sua manutenção e sobrevivência. Assim, imagens e símbolos que compunham o universo religioso da divindade foram atribuições e construções que se perpetuaram ao longo do tempo relacionadas à realidade de seus primeiros devotos e aqueles que cativados ao longo dos milênios.

La présente étude offre un regard nouveau sur les systèmes de croyances religieux grecs et mésopotamiens. Adoptant une démarche comparative et contrastive, la déesse grecque Aphrodite est confrontée à la déesse mésopotamienne Inanna/Ištar. Étudiant de manière interne à chacun des deux panthéons les différents modes d’action des déesses, il s’agit de comprendre comment s’exprime la notion de « pouvoir » divin dans les sources grecques archaïques et les compositions paléo-babyloniennes du IIe millénaire av. J.-C. Parts d’honneur, parures, cortèges sont autant d’expressions des réseaux de pouvoir d’Inanna/Ištar et d’Aphrodite ; ils se transmettent, s’échangent et avec eux circulent les souverainetés spécifiques des déesses. L’enjeu principal de cette thèse est d’étudier les différentes expressions des "pouvoirs" divins dans un même complexe culturel, le monde grec ou la Mésopotamie, d’en saisir les dynamiques internes, puis de les soumettre à comparaison afin d’apporter de nouveaux éclairages sur les fonctionnements des panthéons grecs et suméro-akkadiens. / This thesis project puts forward a new glance on the ancient Greek and Mesopotamian systems of religious beliefs. Thanks to a contrastive approach, the Greek goddess Aphrodite is compared to the Mesopotamian goddess Inanna/Ištar. By studying in the two different pantheons the goddesses’ modes of action “from the inside”, the purpose of this study is to understand how the idea of divine “power” works in the Archaic Greek texts and Paleo-Babylonian compositions from the IInd millennium B. C. Shares of honor, finery, corteges are the expressions of Aphrodite’s and Inanna/Ištar’s networks of power. They can be transmitted or traded and they convey specific sovereignties of the goddesses. Thus, the aim of this thesis is to study different expressions of divine “powers” within two separate cultural structures (the Greek world and Mesopotamia), to catch their internal dynamics, and then to compare the results to shed a new light on the functioning of Greek and Sumero-Akkadian pantheons.

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La présente étude offre un regard nouveau sur les systèmes de croyances religieux grecs et mésopotamiens. Adoptant une démarche comparative et contrastive, la déesse grecque Aphrodite est confrontée à la déesse mésopotamienne Inanna/Ištar. Étudiant de manière interne à chacun des deux panthéons les différents modes d'action des déesses, il s'agit de comprendre comment s'exprime la notion de " pouvoir " divin dans les sources grecques archaïques et les compositions paléo-babyloniennes du IIe millénaire av. J.-C. Parts d'honneur, parures, cortèges sont autant d'expressions des réseaux de pouvoir d'Inanna/Ištar et d'Aphrodite ; ils se transmettent, s'échangent et avec eux circulent les souverainetés spécifiques des déesses. L'enjeu principal de cette thèse est d'étudier les différentes expressions des "pouvoirs" divins dans un même complexe culturel, le monde grec ou la Mésopotamie, d'en saisir les dynamiques internes, puis de les soumettre à comparaison afin d'apporter de nouveaux éclairages sur les fonctionnements des panthéons grecs et suméro-akkadiens.

The purpose of this study is to illustrate the role of fertility goddesses in the lives and beliefs of the people of the Ancient Near East. Artefacts from the late Paleolithic period were crude female figures of pregnant women representing fertility. A mother goddess was specified as the giver and taker of life and vegetation. The polytheism of pre-exilic Israel that existed proves that not only Yahweh but also other gods existed. In the creation stories of the Ancient Near East, creation myths played a major role; in the Ugaritic myths the universe was ruled by powerful deities, and their presence could be felt in rain, vegetation and crops. Fertility cults were the force in their worship. Cultic sites associated with deities were often located in groves of trees, which made them sacred to the people. There was a close relationship between tree and tree figures, as well as gods and goddess images. / Biblical and Ancient Studies / M.A. (Biblical Archaeology)

In the historical tapestry of the development of the Goddess, from 10,000 - 330 BCE one golden thread shines through. Despite the vicissitudes of differing status, she remained essentially the same, namely divine. She was continuously sought in the many mysteries, mystic ideologies and through the manifestations that she inspired. In all the countries of the Ancient Near East, the mother goddess was the life giving creatrix and regenerator of the world and the essence of the generating force that seeds new life. While her name may have altered in the various areas, along with that of her consort/lover/child, the myths and rituals which formed a major force in forming the ancient cultures would become manifest in a consciousness and a spiritual awareness. / Old Testament and Ancient Near Eastern Studies / M.A. (Language and Culture)

<p>C. G. Jungs teori om individuationen, och huvuddelen av de beskrivningar som finns av den, t.ex. via myter och sagor, utgår från ett manligt perspektiv. Vissa har dock diskuterat den utifrån ett kvinnligt perspektiv, och pekar på att kvinnans och mannens processer skiljer sig åt. Inom denna uppsats har jag utforskat kvinnans individuationsprocess, genom att diskutera myterna om Sofia och Inanna, samt sagan om Tusenskinn, med hjälp av jungianska metoder och en modell av kvinnans individuationsprocess föreslagen av Pia Skogemann. Jag har utforskat huvuddragen i den kvinnliga individuationsprocessen, hur de exemplifieras i dessa berättelser, vilka arketyper som är viktiga(st) i denna process och tittat på likheter och skillnader mellan kvinnlig och manlig individuationsprocess. Huvuddragen i kvinnans individuationsprocess innehåller en igångsättande fas, då Personan ifrågasätts av Jaget, och det omedvetna börjar bryta fram. Därefter följer faser då jaget möter både det manliga i olika skepnader, både av positiv och negativ karaktär, d.v.s. olika Animusuttryck, och det kvinnliga, som kan motsvara arketyperna Personan, Jaget, den Stora Modern, Skuggan och även Självet. Den innefattar också ett tydligt nedstigande, där Jaget måste våga överlämna sig, eller dra sig tillbaka till mer primitiva stadier. Slutligen sker ett återvändande, där alla delar förenas, för att uppnå helhet och då Självet träder fram. Dessa faser återfinns i alla tre berättelser. Myten om Inanna har den mest fullständiga beskrivningen av individuationsprocessen. I kvinnans individuationsprocess verkar Animus ha en central betydelse, medan Skuggan verkar spela en mindre roll, jämfört med i den manliga individuationsprocessen. Det är också troligt att kvinnans Skugga har andra karaktäristiska är mannens, t.ex. skam, skuld, svartsjuka. Den verkar också hanteras annorlunda av kvinnan än av mannen, där det för kvinnan handlar om kärlek, integration och acceptans, istället för att ta strid och besegra den.</p>