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302 f. / Submitted by Suelen Reis (suziy.ellen@gmail.com) on 2013-04-29T16:58:13Z No. of bitstreams: 1 Dissertacao Augusto Oliveira.pdf: 4193762 bytes, checksum: 2d8608fca5be7e8ccc35d7d3cb5a2c5a (MD5) / Approved for entry into archive by Maria Auxiliadora Lopes(silopes@ufba.br) on 2013-06-10T20:54:14Z (GMT) No. of bitstreams: 1 Dissertacao Augusto Oliveira.pdf: 4193762 bytes, checksum: 2d8608fca5be7e8ccc35d7d3cb5a2c5a (MD5) / Made available in DSpace on 2013-06-10T20:54:14Z (GMT). No. of bitstreams: 1 Dissertacao Augusto Oliveira.pdf: 4193762 bytes, checksum: 2d8608fca5be7e8ccc35d7d3cb5a2c5a (MD5) Previous issue date: 2002 / O presente trabalho intitulado: “Ser Pataxó: educação e identidade cultural”, consiste numa análise referente a que pessoa Pataxó Hãhãhãi emerge das práticas educacionais ocorridas na Aldeia Nova Vida, em Camamu- Bahia. Divide-se em quatro capítulos, onde abordamos a trajetória histórica do povo Pataxó Hãhãhãi; o processo de discussão sobre os modelos de educação para o indígena, comunitária indígena, e escolar indígena, tanto no âmbito teórico, como na prática vivenciada na Aldeia - nosso universo de trabalho. Busca-se demonstrar que perfil de pessoa Pataxó Hãhãhãi emerge como fruto destes processos educacionais a partir das expressões dos próprios índios - priorizando aqueles que vivenciam as três práticas educacionais. / Salvador

Cette thèse étudie la condition féminine indienne et les prémices des différentes mutations opérées par la présence française en Inde, à la lumière du journal d’Ananda Ranga Pillai, Dubâsh pour le compte de la Compagnie française des Indes Orientales entre 1736 et 1761. Grâce à ses chroniques quotidiennes en cette époque décisive de la colonisation, observateur et acteur à la fois, le diariste témoigne d’un intérêt constant pour la gent féminine, loin des considérations romanesques. Il rend possible l’étude de la place et du rôle des femmes indiennes en politique sous le prisme de la guerre, la mise en évidence de leur implication dans la sphère socio-économique et les répercussions dans leur vie privée, apportant un éclairage interne plus global sur la société coloniale dans cette première moitié du XVIIIe siècle. / This thesis reviews the status of Indian women and the start of various changes under French rule in India, in light of the diary of Ananda Ranga Pillai, Dubâsh for the French East India Company, between 1736 and 1761. Through his daily chronicles in this decisive period of colonization, being both an observer and an actor, the diarist displays his constant concern for women, far from the romantic considerations. The study of the place and the role of the Indian women is made possible in the fields of politics through the lens of war, highlighting their involvement in the socio-economic sphere and its impact in their private life, by shedding a more internal light on global colonial society during this first half of the 18th century.

(in English): Śaratcandra Caṭṭopādhyāẏ is one of the most beloved Bengali authors, but has so far received only a very limited academic attention. The thesis briefly introduces the author's life and subsequently analyses his work using the terms and methods of contemporary narratology. Its primary goal is to contest traditional critical views of Śaratcandra as an overly emotional author for bored housewives. Śaratcandra intriguingly uses various literary devices (especially his narrators and focalisation) to enhance intimacy between the reader and the characters which finally leads to the reader's greater emotional involvement in the presented events. His usage of types of characters also innovatively combines ancient Indian types, real-life observations and western literary forms. The author juxtaposes characters in order to introduce a critique of social, religious and gender inequality, and to add an emotional argument to Īśvarcandra Vidyāsāgar's intellectual and legal endeavour. It is also possible to interpret Śaratcandra's work and the author himself - in contrast to Rabīndranāth Ṭhākur and Baṅkimcandra Caṭṭopādhyāẏ - as one of the most important modern descendants of the Mahābhārata tradition of Indian literature.

The aim of this diploma thesis is to analyse the conception of marriage in the works of two Indian female authors, namely Chitra Banerjee Divakaruni's novels Sister of My Heart and its sequel The Vine of Desire and Arundhati Roy's The God of Small Things. The thesis consists of two parts. The objective of the theoretical part is to portray the position of marriage within Indian society and to introduce two female authors and their novels where the theme of Indian marriage plays a significant role. The practical part of the work focuses on a thorough analysis of three chosen female characters. Their roles within the marriage and the influence of marriage on their lives will be further discussed. The result of this part will be an overall comparison of how the chosen authors approach the theme of traditional Indian marriage in their works. . KEY WORDS Indian society, arranged marriage, marriage of one's own will, Indian vs. American marriage, social roles related to marriage, transgressions of marital laws, divorces