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1	Ett minne av ett minnesmonument : En tematisk argumentationsanalys om debatten kring uppförandet av ett minnesmonument vid Utøyakaia Jonsson, Olle January 2023 (has links) This thesis examines the debate regarding the establishment of a memorial to the victims of a national trauma; the terrorist attacks in Norway July 22, 2011. This thesis reflects on how different interest groups are treated regarding the memorial’s design according to the groups’ own opinions and arguments.The method chosen is a qualitative text analysis where a selection of material is used to formulate answers and opinions from the interest groups regarding the memorials purpose. Constructed argumentation are identified based on the perspectives regarding the issues. The national memorial at Utøyakaia stands to remember the deceased and wounded, but also to give reflection upon terrorism and consequences of political extremism. This purpose is debated regarding on how this retelling of history should be presented at its authentic location.The interest groups are identified through the work since everyone’s involvement is not clear to all. Different forms of power and knowledge play a key role in these negotiations, where arguments and opinions are mixed through a private and professional character. Appearance and location are the two biggest issues. Since these are most lacking in the agreements between the interest groups. The memorial should be beautiful and have associations to the island. This definition opens up to multiple ideas regarding its design which leaves no suggestion to feel justified.Utøya today is a name that brings association to the date and the place of the massacre. Utøya is an identity that has forever changed the island, AUF and the locals living in the area. It is both an authentic historical location and a memorial grove, a tourist attraction and a place where everyday life goes on through the trauma. This is a two years’ master’s thesis in Museum and Cultural Heritage Studies. Dark tourism Memorialization National memorial Norway Politics and culture Terrorism Historiska minnesmärken Konstpolitik Monument Mörk turism Norge Terrorattentaten i Norge 2011 Humanities and the Arts Humaniora och konst
2	Eldsjälar, svartfötter och byråkrater : En undersökning av konflikten kring Tensta Konsthall Englund, Karin January 2005 (has links) <p>The purpose of this essay was to overview the conflicts regarding the exhibition space (Kunsthalle) Tensta Konsthall during 2003 and 2004, in order to gain an understanding of the following: why the conflict started, if anyone exceeded their authority, how the case has been reviewed in the press, what kind of value judgements lay behind the actions and why this case has received so much attention. By studying mainly press material and political documents it has been made clear that Tensta Konsthall’s location in an ill reputed suburb of Stockholm has been the cause for its exposure to different demands and expectations compared to other similar exhibition spaces. Further the essay deals with questions raised by the conflict in the intersection of culture and politics.</p> Art history Tensta Konsthall Gregor Wroblewski Lars O Ericsson art criticism art politics suburb public funding Konstvetenskap Tensta Konsthall Gregor Wroblewski Lars O Ericsson konstkritik konstpolitik förort offentlig finansiering Art Konstvetenskap
3	Eldsjälar, svartfötter och byråkrater : En undersökning av konflikten kring Tensta Konsthall Englund, Karin January 2005 (has links) The purpose of this essay was to overview the conflicts regarding the exhibition space (Kunsthalle) Tensta Konsthall during 2003 and 2004, in order to gain an understanding of the following: why the conflict started, if anyone exceeded their authority, how the case has been reviewed in the press, what kind of value judgements lay behind the actions and why this case has received so much attention. By studying mainly press material and political documents it has been made clear that Tensta Konsthall’s location in an ill reputed suburb of Stockholm has been the cause for its exposure to different demands and expectations compared to other similar exhibition spaces. Further the essay deals with questions raised by the conflict in the intersection of culture and politics. Art history Tensta Konsthall Gregor Wroblewski Lars O Ericsson art criticism art politics suburb public funding Konstvetenskap Tensta Konsthall Gregor Wroblewski Lars O Ericsson konstkritik konstpolitik förort offentlig finansiering Art Konstvetenskap
4	De fransöske handtwerkarne vid Stockholms slott 1693–1713 : Yrkesroller, organisation, arbetsprocesser / French Sculptors and Painters at the Royal Palace in Stockholm 1693–1713 : Roles, contexts and practices Hinners, Linda January 2012 (has links) The thesis deals with French sculptors and painters active around 1700 at the Royal Palace in Stockholm. They were summoned from Paris by the architect Nicodemus Tessin the younger (1654–1728). This study analyses the Frenchmen’s professional roles, how Tessin organised their work and the working methods applied in the decoration of the Gallery of Charles XI and the adjoining parade rooms. It also involves questions concerning the artist’s roles and the status of artistic professions at the early modern period. The artisans were a group of some fifteen sculptors, painters, founders and a goldsmith. Several of them were accompanied by family members, some of whom were active in the workshop. In France these sculptors and painters had worked in the Bâtiments du Roi and particularly at the Gobelins. Although they were not part of the artistic elite at the Académie Royale de Peinture et de Sculpture they had vital knowledge in classical pattern/design, le bon goût and drawing. The artisans were also members of the guild system and were thus permitted to accept private commissions. My aim has been to clarify the artisans’ background in Paris and the recruitment undertaken by the diplomat Daniel Cronström (1655–1719). With regard to their activities in Sweden, it has been important to clarify their conditions in the building organisation at the Royal Palace, including social contexts such as their family situation and the possibility to practise their Catholic faith. Equally important is the professional relationship between the Frenchmen and Tessin, who was appointed Superintendent in 1697. Through detailed archival studies, the working practices and the creative process are analysed, especially the collaboration between Tessin and the painter Jacques Foucquet and the sculptors René Chauveau (1663–1722) and Jacques Foucquet (1639–1731). artisan artist’s role bon goût creative work guilds interior decoration manufacture migration ornament René Chauveau sculpture state art patronage stucco superintendence Tessin the Younger bon goût hantverkare inredningskonst konstnärsroll kreativa arbetsprocesser migration ornament René Chauveau skrå stuck statlig konstpolitik Tessin d.y. överintendentsämbete
5	Konstruktioner av det nationella : En utställningsanalys av Finsk bild på Liljevalchs konsthall 1977–1978 / Constructions of the national : An analysis of the art exhibition Finsk bild (Finnish picture), Liljevalchs art gallery 1977-1978 Immonen, Paulina January 2021 (has links) By examining the art exhibition Finsk bild (Finnish picture) that was held at Liljevalchs art gallery in Stockholm 1977-78, the aim of the essay is to investigate and highlight the discrepancy between the intention of the exhibition and how it was perceived by the critics. In the aftermath of the exhibition there were discussions about why the critics were so harsh, and also the way the critics described the art and artists in terms of the national has been questioned in recent years. The method that is being used is Mieke Bals semiotic exhibition analysis model, where the art exhibition is analyzed through the narratives that are constructed in the discourse of the practice of the exhibition. The results show that the framing of the exhibition was done according to a model of a national culture exchange, within far going traditions in the Nordic countries. Therefore, the art exhibited was received as “classic Finnish art”, but the art itself was of modern international character. The framing of the exhibition placed the art in the category of artefacts, which were starting to be an outdated way of perceiving art in the 1970´s. / Uppsatsen undersöker och synliggör konflikten mellan intentionen och mottagandet av konstutställningen Finsk bild som visades på Liljevalchs 1977–1978. Mottagandet av den här utställningen har uppmärksammats i efterhand, men någon djupare vetenskaplig analys har inte gjorts. Metoden som använts till undersökningen är en utställningsanalys enligt Mieke Bals semiotiska modell, där utställningspraktiken undersöks genom diskurser som var förhärskande på det finska och svenska konstfältet. Resultatet visar att en representationsutställning som Finsk bild, var diskursivt inramad i nationella termer av finskhet, vilket därmed ställde förväntningar på konsten som visades. Konsten som visades var dock inte ”nationell finsk konst” i klassisk mening, utan konst som till sitt uttryck följde en allmän konstutveckling i spåren av västerländsk modernitet. Traditionell politisk praktik av konstutbyte hade satt ramarna för utställningen, men konstbegreppet och konsttolkningen hade delvis ersatts av nya. Konst som bärare av det nationella, förutsätter att konstverk ses som artefakter snarare än konstverk. cultural cold war cultural diplomacy Finland Sweden Scandinavia Mieke Bal 1970's art exhibition analysis Liljevalchs discourse analysis Finnish artists taidenäyttely suomalainen taide 1970-luku Suomen taiteilijaseura taidekritiikki Mieke Bal Liljevalchsin taidehalli edustusnäyttely Maaretta Jaukkuri kulttuurivaihto taidepolitiikka utställningsanalys Mieke Bal Skandinavien Finland Sverige konstkritik nationell konsttolkning 1970-tal Liljevalchs konsthall representationsutställning kulturell diplomati konstpolitik kulturekonomi diskursanalys konstbegrepp konsttolkning konstutbyte Humanities and the Arts Humaniora och konst

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