Thèse numérisée par la Division de la gestion de documents et des archives de l'Université de Montréal

This research provides an analytical reading of four contemporary novels, in a transcultural study of magical realism and dreams. Two of the novels, Ben Okri's The Famished Road and its sequel Songs of Enchantment, examine dreams through magical realism in postcolonial African literature. The third novel, Toni Morrison's Beloved, is used to depict the use of memory within an African-American magical realist novel. And the fourth narrative is Irvine Welsh's Marabou Stork Nightmares, which focuses on the use of hallucination within what can be seen as a magical realist mode. The analysis of these novels examines certain aspects of magical realism, including the use of the subconscious, focusing primarily on dream, memory and hallucination. In examining this topic, I aim to suggest that the use of the subconscious, within this literature, allows the writer to comment on a particular society. As can be seen in previous studies of magical realism, the writer is able to express his or her dissatisfaction with society by destabilising conventionally accepted truths. A writer can therefore convey a sense that the surface of a particular culture or society is a facade, disguising certain hidden truths, which require a more in depth examination, in order to more fully understand the workings behind that society. The subconscious works to reveal these hidden realities, and is therefore a mode of resistance in that it allows the writers an avenue through which to express their dissatisfaction with their particular society. This is achieved through the exploring and deconstruction of certain boundaries within the novels which, along with several other factors, essentially concords the magical realism inherent in these texts. It is additionally enhanced through the use of the device of the subconscious, which allows the writers to transgress borders, and further explore their particular cultures. Through the use of novels from various contemporary societies, I hope to establish the fact that the subconscious, and therefore magical realism, is a transcultural technique, in that it traverses a multitude of cultures, without being specific to any one in particular. While the use of dreams requires a culture specific interpretation, the use of the subconscious in this literature can be seen as a global technique of expressing dissatisfaction within these societies. / Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2005.

"In writing the organized report of the findings an effort will be made, first, to present a historical sketch of the Review with background information explaining some of its whys and wherefores; secondly to introduce its editors, their work and accomplishment; and thirdly, to call the attention of the reader to the scope, magnitude, and performance of the Southern Review itself. In the course of examination of the journal some exercises in patience were performed; i. e., a listing of all contributors, the number of the contributions that each made and the volumes in which these contributions appeared; and a chart showing the contents of each volume; i. e., the number of the different types of essays included, and the number of poems, short stories, and book reviews published. These, as of possible interest to someone other than this writer, will appear in Appendix I and Table I, respectively"--Introduction. / Typescript. / "August, 1952." / "Submitted to the Graduate Council of Florida State University in partial fulfillment of the requirements for the degree of Master of Arts." / Advisor: Robert G. Clapp, Professor Directing Paper. / Includes bibliographical references (leaves 47-49).

The focus of the present research work is the contemporary American short stories that bring up issues of compulsory norm and the conflict between marginalized characters and their environment. This research was based on those short stories that seemed to represent the idea of being "different" in the most complex and multilayered way, and its goal was to unfold new aspects of the conflict between "normal" and "abnormal"/"different". Variations of norm as well as diversity within the marginalized raise a number of questions about the reasons for their inability to coexist peacefully. The close reading and the analysis of the selected stories show that all the conflicts in them, in one way or another, repeat similar patterns and lead to the same root of the problem of misunderstanding, which is fear. To be more precise, all the cases of hate towards "different" characters can be explained by the hater's explicit or implicit fear of death in its various forms: inability to procreate one's own kind, cultural or personal self-identity loss, actual life threat in the form of a reminder of possible physical harm and death. Most often it would be the case where shame and fear of death overlap in a very complex way. In general, the cases of characters' otherness fall into three major groups. The nature of the alienation for each of these groups is described and analyzed in three separate chapters. Prejudice and stereotypes are playing a great role in formation of fears and insecurities which need to be dismantled in order to make peaceful coexistence possible. This work concludes with pointing out the crucial role of taking an approach of representation of various perspectives and diversification of voices in creative writing, academia and media in the context of multicultural society.

Call number: LD2668 .T4 1948 N6 / Master of Science

The thesis deals with one major issue of how the amaXhosa authors reflect change and transition in the lives of their characters in the period under consideration. This change pertains both to the socio-politico-economic life of the people concerned and the contents of the books and the style of the authors' writings. The study is ground-breaking in that it goes beyond common dissection of the structural elements of the books to a synthetic study of their themes, subject matter, character portrayal and setting. The primary aim is to give a holistic overview of the changing culture of the black people against the backdrop of subjugation and transformation. Chapter 1 contains all the formal preliminary information such as aim, method, context, relevance and topicality of study. Chapter 2 anchors the study in the newspaper age as a solid foundation for the amaXhosa literature. Chapter 3 is an overview of the beginnings of literary endeavours among the amaXhosa and how they reflect the impact of socio-economic pressures in the lives of the people. Chapter 4 further illustrates the impact of education and Christianisation on the blacks as well as growing political awareness among the authors. Chapter 5 focuses on culture-clash among the amaXhosa as a result of the alienating influence of both the church and the school. Chapter 6 highlights changes in society at the height of oppression under the previous political dispensation. Chapters 7 and 8 reflect the authors' thinking and how they depict changes in post-apartheid South Africa while Chapter 9 focuses on the role of Language Boards in restricting freedom of writing and expression during the apartheid years. Chapter 10 is a general conclusion that encapsulates the main points of the thesis. / African Languages / D. Litt, et Phil. (African Languages)

From the point of view of literary qualities, Prophetic Traditions stand out among Arabic literature. This study aims at selecting some unique words the Prophet used, and search for their presence or absence in the Arabic Although several sources were used, the reliance for the choice of words is mainly on An-Nihayah fi gharib al-Athar of Ibn al-Athir; and for comparison, several published works. literature. The objective is to find out how the Prophetic words affected the literature. An analysis is attempted to arrive at the meaning of these words as used in Hadith literature, literatures preceding or following it, and compare to find whether they have been used at all, and, if used, in the same meaning or not, or whether they are used in a unique sense. Thus, this study brings to light differences between Prophetic literature, and literatures other than it. / Arabic & Islamic Studies / M.A. (Islamic Studies)

This research report explores the link between the novels of Ingrid Winterbach / Lettie Viljoen, a third culture and the neo-Victorian novel. The study is therefore situated within the cultural-philosophical framework of a third culture, which implies that the two cultures of science and literature do not function as separate disciplines, but as an organic unit. Researchers in the interdiscipline of literature and science identify the Age of Science (1879–1914) – including the Victorian era (1837–1901) – as a historical period where the existence of such a third culture was observed. This period was characterised by numerous scientific discoveries, and Darwin’s theory of evolution generated heated debates in Victorian society. Nineteenth-century literature (and specifically the Victorian novel) therefore reflects the spirit of an age where the interaction between science and literature was particularly evident. In our information-driven society, the focus is once again on scientific discovery and dissemination of knowledge, prompting social critics to typify the current period as “neo-” or “retro-Victorian”. The contemporary imagination still problematises Darwin’s theory of evolution, and fiction such as Winterbach’s therefore not only renegotiates the fixed modernistic boundaries between science and literature, but also revisits the nineteenth- century genres simptomatic of a similar third culture. Winterbach’s novels (1984–2006) display a distinctive predisposition towards natural history and Darwinistic principles and are therefore postmodern adaptations of nineteenth-century conventions. Darwinistic concepts such as growth, metamorphosis,transformation, evolution and the origin, naming and extinction of species are therefore accentuated. Winterbach’s fictionalisation of a nineteenth-century worldview can be linked to the work of her ancestors in the Afrikaans literary tradition, Eugène Marais and C. Louis Leipoldt (both amateur scientists). Her popularisation of scientific knowledge and revisitation of Victorian codes also link her to a neo-Victorian novelistic movement (a contemporary permutation of the Victorian tradition). Her oeuvre therefore also displays similarities to that of her British contemporary, A.S. Byatt, a prominent neo-Victorian novelist. An exploration of the natural world in this tradition, however, also implies an exploration of supernatural spheres, a trend which is equally evident in texts by congeners such as (George) Eliot, Marais, Leipoldt, Winterbach and Byatt. / Afrikaans / D.Litt. et Phil. (Afrikaans and Theory of Literature)

The study discusses selected Shona novels‟ depiction of the theme of protest in the post-independence era in Zimbabwe. The ideas that these novels generate on protest are examined in the context of socio-political and socio-cultural issues in post-independent Zimbabwe. The study is an investigation of the extent to which protest literature is indispensable in the struggle of African people to liberate themselves from imperialist servitude. Novels on socio-political protest show how the government has failed to deliver on most of its promises because of neocolonialism and corruption. Novels on socio-cultural protest show how cultural innovations in post-independence Zimbabwe brought problems .The study comes to the conclusion that for literature to be reliable and useful to society it is not enough to highlight weaknesses in criticizing, but it should go beyond that and offer constructive and corrective criticism. This shows that protest literature is a vital tool for social transformation in Zimbabwe. / African languages / M.A. (African languages)

This dissertation concentrates on those factors which form the doctrine of G-dly reward and punishment. In other words, the philosophical approach amongst Jewish thinkers from the Middle Ages to the above subject, which taken together give expression to the doctrine of reward and ptmishment, or at least to the possibility of determining such a doctrine. The definition of correct behaviour is not of interest for pwposes of this dissertation, nor is human judgement of behaviour, even according to a G-dly doctrine; only the A-lmighty's judgement and implementation thereof The following points are of note. Research into the specific approach of one individual philosopher is not the aim of this dissertation, but rather a collective crystallised viewpoint according to various different Jewish philosophers, in order to reach a harmonious formation of the desir~ goal. Hence the details are also important since they assist towards the goal. The views of the philsophers are of interest and not their source, viz. from whom these views were received or by whom the philosophers were influenced, as is usually the case in research. Nevertheless, this aspect is elaborated upon in the introduction to this dissertation, in the style of the customary academic research approach. An analytical comparison is made between the opinions of various authors, taking into account the finer points of their words, as well as between the differing opinions expressed by a single author in his various writings, and conclusions are drawn, the results of which are highly significant. Besides the fact that it is not within our power to adjudicate between the views of the great Jewish thinkers, this is even more true here, due to the metaphysical nature of the subject, which makes logical, rational-realistic judgement very difficult. Nevertheless, some criteria have been established for making such a decision. In summary, this dissertation is an attempt to research many diverse opinions in the treasury of Jewish thought from the Middle Ages, and to extract those opinions from which a complete system of the doctrine of reward and punishment can be built. / Religious Studies and Arabic / D.Litt et Phil. (Judaica)