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Acting Bodies. The Role of Gestures in German Drama, Film, and Performance.Schweiger, Sophie Johanna January 2021 (has links)
The dissertation undertakes an extensive investigation of the role of the gesture – from Lessing to emoji. Through close readings of bodily gestures as inscribed in text, documented on film, employed in performance, and shared throughout the cyberspace, the dissertation demonstrates how the human body has been imagined, conceptualized, and disciplined at various points since the second half of the 18th century.
Presenting a reading of the body through the lens of different media, the analyses bring forth moments of disidentification and friction between medium and body: be that in gestural disobedience to ordered stage instructions, in resistance to the demands of the filmic apparatus, or in the form of a non-white emoji. To extrapolate historical developments and also processes of quotation and transference across media, material from different periods and disciplines is assembled: from unpublished manuscripts of the early Enlightenment (G. E. Lessing) via filmic footage from the late Weimar period (G. W. Pabst), to post-dramatic theatre performances around 2000 (Chr. Schlingensief), all the way up to present-day exchanges on social media platforms.
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Autonomy, self-creation, and the woman artist figure in Woolf, Lessing, and AtwoodSharpe, Martha January 1992 (has links)
No description available.
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The Necessity and Function of the Dramaturg in TheatreSlabaugh, Melanie J. January 2017 (has links)
No description available.
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Herausforderungen für Sentiment Analysis bei literarischen TextenSchmidt, Thomas, Burghardt, Manuel, Wolff, Christian 29 May 2024 (has links)
In diesem Beitrag wird über die Ergebnisse eines laufenden Digital Humanities-Projekt zur Sentiment
Analysis in literarischen Texten berichtet und die Implikation von diesem diskutiert. In dem Projekt werden verschiedene Methoden der Sentiment Analysis auf Texte historischer Dramen des 18. Jahrhunderts
von G. E. Lessing implementiert und gegeneinander evaluiert. Zur Evaluation wurde ein von Menschen
bezüglich des Sentiments annotiertes Testkorpus erstellt. Basierend auf den ersten Erfahrungen des Projekts diskutieren wir über Probleme und Herausforderungen, die sich aus der Perspektive der Informatik
zur Sentiment Analysis historischer Dramen ergaben. Es wird deutlich, dass bestehende Standardlösungen der Sentiment Analysis für dieses spezifische Szenario nicht ohne Weiteres anwendbar sind. Vielmehr ist die Informatik gefordert, die bestehenden Methoden anzupassen, weiterzuentwickeln und sich
mit besonderen Eigenheiten der Textform historischer literarischer Texte auseinanderzusetzen.
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An Evaluation of Lexicon-based Sentiment Analysis Techniques for the Plays of Gotthold Ephraim LessingSchmidt, Thomas, Burghardt, Manuel 29 May 2024 (has links)
We present results from a project on sentiment analysis of drama texts, more concretely the plays of Gotthold Ephraim Lessing. We conducted an annotation study to create a gold standard for a systematic evaluation. The gold standard consists of 200 speeches of Lessing’s plays and was manually annotated with sentiment information by five annotators. We use the gold stand-ard data to evaluate the performance of different German sentiment lexicons and processing configurations like lemmatization, the extension of lexicons with historical linguistic variants, and stop words elimination, to explore the influence of these parameters and to find best prac-tices for our domain of application. The best performing configuration accomplishes an accu-racy of 70%. We discuss the problems and challenges for sentiment analysis in this area and describe our next steps toward further research
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"Gender and Genre" : A Feminist Exploration of the <em>Bildungsroman</em> in <em>A Portrait of the Artist As a Young Man</em> and <em>Martha Quest</em>Brändström, Camilla January 2009 (has links)
<p>The predominant focus on the male protagonist in the <em>Bildungsroman</em> genre has provoked feminist critics to offer a re-definition of the genre, claiming that the female protagonist's development differs in significant ways from the traditionally expected course of development (i.e. male). A feminist comparison between <em>A Portrait of the Artist As a Young Man</em> and <em>Martha Quest</em> found, unexpectedly, that the female protagonist follows the traditional <em>Bildungsroman</em> trajectory in several respects, whereas the male protagonist deviates from it. <em>A Portrait</em> emphasizes the themes of childhood, formal education and religion, while in <em>Martha Quest</em> the themes of family relations, informal education, sexuality and marriage are treated at length. <em>Martha Quest </em>as an example of a female <em>Bildungsroman</em> deals specifically with the issues of role models, gender roles and gender inequality, which neither the traditional <em>Bildungsroman</em> nor <em>A Portrait </em>does.</p><p> </p>
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Kant on reason in historySharkey, Robert John. January 1982 (has links)
The body of critical literature on Kant's philosophy of history and religion is examined and criticized for its failure to recognize the consistency of Kant's thought. In opposition to it, a new interpretation based on the critical ideas of freedom, morality and teleology is proposed. The transition from the Critiques to history and religion is justified in terms of the notion of "a priori end" and through the recognition of evil. Kant's ideas are viewed in the historical context of Leibniz, Lessing and Herder. / Kant conceives history as the process of self-creation whereby man overcomes the split within his being between the rational and sensible. Providence and freedom are complementary grounds of this process. Kant's views on biology and history rely on a revolutionary conception of time as a principle of internal development in life. The development of political wisdom and religious symbols add to rational thought an essentially historical dimension.
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Theatermoral moralische Argumentation und dramatische Kommunikation in der Tragödie der AufklärungRanke, Wolfgang January 2006 (has links)
Zugl.: Göttingen, Univ., Habil.-Schr., 2006
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"Gender and Genre" : A Feminist Exploration of the Bildungsroman in A Portrait of the Artist As a Young Man and Martha QuestBrändström, Camilla January 2009 (has links)
The predominant focus on the male protagonist in the Bildungsroman genre has provoked feminist critics to offer a re-definition of the genre, claiming that the female protagonist's development differs in significant ways from the traditionally expected course of development (i.e. male). A feminist comparison between A Portrait of the Artist As a Young Man and Martha Quest found, unexpectedly, that the female protagonist follows the traditional Bildungsroman trajectory in several respects, whereas the male protagonist deviates from it. A Portrait emphasizes the themes of childhood, formal education and religion, while in Martha Quest the themes of family relations, informal education, sexuality and marriage are treated at length. Martha Quest as an example of a female Bildungsroman deals specifically with the issues of role models, gender roles and gender inequality, which neither the traditional Bildungsroman nor A Portrait does.
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Subjetividade e objetividade no debate entre socratismo e cristianismo em Kierkegaard : uma analise a partir do Post-ScriptumPaula, Marcio Gimenes de 12 March 2002 (has links)
Orientador: Oswaldo Giacoia Junior / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-31T15:21:56Z (GMT). No. of bitstreams: 1
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Previous issue date: 2002 / Resumo: Em que consiste o pensamento objetivo? Qual é a base do pensamento subjetivo? Há uma cisão irrecuperável entre essas duas formas de pensar? Poderiam ambas ajudar-se mutuamente? A objetividade não foi, ao longo dos anos, confundida com objetivismo? Subjetividade não foi confundida com subjetivismo, arbitrariedade ou mera vontade individual? Pensando nessas questões- e no conflito entre subjetividade e objetividade desenvolvo nessa dissertação um estudo de tal temática baseando-me na obra de Kierkegaard (1813-1855). Para a realização de tal tarefa, analiso especialmente o Post-Scriptum, relacionando-o com algumas outras obras suas e pseudônimos do pensador dinamarquês. A relação entre subjetividade e objetividade em Kierkegaard se esclarece
através da sua concepção das figuras de Sócrates e Cristo. O pensador grego e Cristo- a suma imagem do mistério- são tomados como exemplos de subjetividade, a despeito de suas diferenças. Nessa pesquisa, três outros autores são de importância capital para Kierkegaard: Hegel, Lessing e Feuerbach. Hegel não figura apenas como oponente de Kierkegaard. Tal oposição kierkegaardiana foi tratada como uma estratégia no contexto geral de suas obras. O pensador dinamarquês também não defende uma subjetividade que pode ser confundida com qualquer espécie de subjetivismo, desprezando a objetividade. A leitura kierkegaardiana da figura de Lessing é bastante relacionada ao fato desse pensador ter trabalhado exaustivamente o confronto entre fé e razão. O Post-Scriptum de
Kierkegaard será muito influenciado por uma carta de Lessing intitulada Sobre a demonstração em espírito e força. Feuerbach representa, no pensamento kierkegaardiano, uma espécie de adversário declarado e aliado involuntário. Este estudo mostra como Kierkegaard concorda com muitas das teses materialistas de Feuerbach acerca do cristianismo e afirma que este tem uma compreensão verdadeira do cristianismo, coisa que nem os pastores da cristandade luterana da Dinamarca, nem os filósofos sistemáticos conhecem. O Post-Scriptum também é fortemente influenciado por algumas das teses da Essência do Cristianismo de Feuerbach. Com essas delimitações e especificidade- a dissertação se propõe a estudar o debate entre subjetividade e objetividade no pensamento de Kierkegaard, contribuindo para um debate importantíssimo da história do pensamento filosófico ocidental / Abstract: What does objective thinking consist or? What is the foundation of subjective thinking? Is there a irreconcilable schism between these two ways of thinking? Could they complement each other? Wasn't objectivity for many years confused with objectivism? Wasn't subjectivity merely confused with arbitrary decisions or individual willingness; that is, the so-called subjectivism?
Based on the work of Kierkegaard's (1813-1855) this dissertation explores the subjectivity/objectivity conflict. In order to achieve this goal, Kierkegaard's Post-Scriptum is analyzed in connection with other works of the Danish thinker. The subjectivity/objectivity relationship becomes clear in Kierkegaard's work through his analysis of Socrates and Christ, whereby, in spite of their differences, the Greek thinker and Christ are shown as examples of subjectivity. In this piece of research three other authors are of crucial importance for Kierkegaard: Regel, Lessing and Feuerbach. Regel is not only Kierkegaard's opponent. Such kierkegaardian position should be better analyzed and seen as a strategic stance in general context of his work. The Danish thinker does not support a kind of subjectivity which could be confused with any kind of subjectivism either. He does not despise objectivity. Kierkegaard's position with respect to Lessing is strongly related to the fact that the German thinker thoroughly explores the confTontation between faith and reason. Kierkegaard's Post-Scriptum will be greatly influenced by a letter of Lessing's entitled: Demonstration spirit and strength.
Feuerbach is, in kierkegaardian's thinking, at the same time a kind of declared adversary and involuntary allied. This piece of research shows how the kierkegaardian position agrees with many of Feuerbach's materialistic theses conceming Christianity and also agreewith his true analysis of the Christianity. Kierkegaard considerers these theses better than the position of the Danish Luther ministers and the sistematic philosophers. The Post-Scriptum is also strongly influenced by some of Feuerbach's theses on the Essence of Christianity. This dissertation studies- within carefully described constraints and levels of specificity- the debate between subjectivity and objectivity in Kierkegaard's thinking. It is hoped that this work will be a small contribution to the crucial debate in the history of westem philosophical thinking / Mestrado / Mestre em Filosofia
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