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[pt] O presente projeto trata sobre as letras manuscritas em muros e espaços públicos, com foco no grafite e a pichação como formas de expressão que interagem com os transeuntes, dentro do território urbano. Desde o campo do design e da arte, abordar uma manifestação urbana considerada marginal como objeto de pesquisa, é uma forma de aprofundar nesta pratica como plataforma comunicativa acessível e vigente nas ruas da cidade, que não deixa de existir apesar dos avanços tecnológicos. Propomos então uma classificação dos diversos estilos de letras em grafites e pichações encontrados em áreas determinadas da cidade do Rio de Janeiro, assim como uma visão panorâmica sobre diversos pontos de vista como são o de quem executa (grafiteiros e pichadores), o de quem observa (transeuntes e passantes) e o de quem cuida do território (legislação e entes governamentais). Assim, destacamos o valor desta manifestação dentro da cultura popular, como parte da gráfica urbana brasileira, e a importância do seu registro como um aporte à história da comunicação escrita, no Brasil e na América Latina. Documentar as letras encontradas nos muros da cidade, de maneira efêmera e ao mesmo tempo persistente, é o caminho não só para fazer um levantamento de sua diversidade, mas também é uma forma de entender a maneira em que dialogam com a população, no momento atual em que grafites e pichações se encontram entre a luta pela conquista da rua, a defesa da livre expressão diante os órgãos públicos e a aceitação como parte do cenário de transformação e renovação de espaços públicos. / [en] This project deals with the handwritten letters in walls and public spaces, focusing on graffiti and pichação as forms of expression that interact with pedestrians within the urban territory. From the field of design and art, addressing an urban manifestation considered marginal as an object of investigation, is a way to deepen this practice as an accessible and effective communication platform in the streets of the city, which does not cease to exist in spite of the technological advances. Then, we propose the classification of styles letters in graffiti and pichação found on predetermined areas at Rio de Janeiro. As well, a panoramic view from different viewpoints, such as the one who executes (graffiti makers and pichadores), the one of who observes (passers-by and interns) and the one who takes care of the territory (legislation and government entities). Thus, we highlight the value of this as a manifestation within popular culture, also, as part of the Brazilian urban graphic, and the importance of its registration as a contribution to the history of written communication, in Brazil and in Latin America. Documenting the found letters on the city walls from an ephemeral and persistent way at the same time, created a path not only to uplifting its diversity, but also to understand how they dialogue with the population. In a present moment in which graffiti and pichação are between the fight for the conquest of the street, the defense of the free expression in front of the public organs and the acceptance like part of the scene of transformation and renovation of public spaces.

Modern piracy has escalated outside the coast of Somalia and in the Gulf of Aden. In order to bring suspected pirates and alleged armed robbers to justice, the European Union has entered into a regional prosecution model with Kenya. In this study I examine if the regional prosecution model between Kenya and the European Union may have any implications on international criminal law by specifically analyzing the Kenyan jurisdiction to try piracy suspects and the right to fair trial in Kenyan criminal proceedings of piracy suspects. By using a legal method, this study offers some clarity regarding Kenya’s jurisdictional basis to prosecute piracy suspects, as well as, to what extent they respect the right to a fair trial in its criminal proceedings of alleged pirates. In addition, the legal analysis demonstrates that international criminal law may be undermined and subjected to mistrust. Furthermore, the legal analysis also offers indications on a normative development of the Security Council in relation to its role in bringing perpetrators of international crimes to justice.

This thesis is the first full-length study of the English clergyman and historian William Cave (1637-1713). As one of a number of Restoration divines invested in exploring the lives and writings of the early Christians, Cave has nonetheless won only meagre interest from early-modernists in the past decade. Among his contemporaries and well into the nineteenth century Cave’s vernacular biographies of the Apostles and Church Fathers were widely read, but it was with the two volumes of his Scriptorum Ecclesiasticorum Historia Literaria (1688 and 1698), his life’s work, that he made his most important and lasting contribution to scholarship. The first aim of the thesis is therefore to build on a recent quickening of research into the innovative early-modern genre of historia literaria by exploring how, why, and with what help, in the context of late seventeenth-century European intellectual culture, Cave decided to write a work of literary history. To do so it makes extensive use of the handwritten drafts, annotations, notebooks, and letters that he left behind, giving a comprehensive account of his reading and scholarly practices from his student-days in 1650s Cambridge and then as a young clergyman in the 1660s to his final, unsuccessful attempts to publish a revised edition of his book at the end of his life. Cave’s motives, it finds, were multiple, complex, and sometimes conflicting: they developed in response to the immediate practical concerns of the post-Restoration Church of England even as they reflected some of the deeper-lying tensions of late humanist scholarship. The second reason for writing a thesis about Cave is that it makes it possible to reconsider an influential historiographical narrative about the origins of the ‘modern’ disciplinary category of literature. Since the 1970s the consensus among scholars has been that the nineteenth-century definition of literature as imaginative fictions in verse and prose – in other words literature as it is now taught in schools and universities – more or less completely replaced the early-modern notion of literature, literae, as learned books of all kinds. This view is challenged in the final section of this thesis, which traces the influence of Cave’s work on some of the canonical authors of the English literary tradition, including Johnson and Coleridge. Coleridge’s example, in particular, helps us to see why Cave and scholars like him were excluded lastingly from genealogies of English studies in the twentieth century, despite having given the discipline many of its characteristic concerns and aversions.

Classics and Modern Europe Language / M.A. Ancient Languages and Culture

Thesis submitted in partial fulfillment of the requirements for the Degree of Master of Technology in Fine Art, Durban University of Technology, 2011. / The crux of my thesis is the study of the relationship of script and image in the work of contemporary arts. I chose to focus on three selected artists, i.e. myself, Celeste van der Merwe, a local South African male artist named Willem Boshoff and an international female artist, Barbara Kruger. My intention was to write a readable self-study thesis that would be both informative and educational while simultaneously appealing to the heart of the reader. In order to realise this intention, I focussed on how the above-mentioned artists used script and image to address social issues prevalent in society today. I also made social statements through the medium of my art based on the familiar allegory, Little Red Riding Hood. My aim has been to address the breakdown of the family structure by focussing on the suffering of teenagers as a result of dysfunctional family structures and behaviours. I explored the powerful and provocative manner in which Barbara Kruger effectively wields the combination of script and image in her work. Boshoff on the other hand is a South African linguist who incorporates script in a variety of disciplines such as installations, visual poetry, concrete poetry, sculpture. In my own art I deconstructed and transformed materials and found that the process of breaking down and rebuilding reflected the breakdown and restoration in/of the lives of children. By consciously investigating my practice as a creative artist using script and image I have gained a better understanding of myself and I believe I am now able to improve my practise. Through this self-study research I have grown in self-discovery and self-actualization as an artist and have developed as a researcher. Finally, I concluded that the relationship between script and image is open-ended, not conclusive and differs in each work of art. / Durban University of Technology Research Management Office. / M

Thesis (MPhil (Afrikaans and Dutch))--University of Stellenbosch, 2010. / ENGLISH ABSTRACT: In this study the balance between relational and expressive messages on the image formation and projection of a document is studied. To study the effect of these messages, a case study was done on one of the donation letters of Stellenbosch University (SU). The purpose of the research was firstly to established what the image formation and projection of the SU was. The quality of the SU’s image and communication had to be determined. Secondly, the degree of attachment between die SU and respondents was measured to see if it had any influence on the way that they perceived the SU. The IFP-model (Image Formation and Projection model) served as a theoretical basis for the study – the model postulates that various document design aspects and concepts such as image, identitity and culture influence each other. The model was then used to a) identify problematic areas in the documentation b) form the basis of the questionnaire and c) explain the connection between the image formation and projection, and the style aspects in die document. The third goal of the research was to operationalize the relational and expressive messages by manipulating specific style aspects. The researcher had determined that the two messages were imbalanced in the original donation letter, to the extent that the reader did not have any real ‘presence’ in the document. The researcher then proceeded to design a second version of the donation letter, but with the relational and expressive messages brought into balance. Alumni of the SU were chosen as respondents for the study. The Stellenbosch Foundation distributed the questionnaires, along with the two versions of the letter. The researcher had decided upon e-mail as a distribution channel to discount any geographical bias. Two variables were used: Race (coloured and white persons) and age. Younger than 35 years of age, and 35 years of age or older than 35 were chosen as arbitrary cutoff points for respondents. The results were processed statistically so that trends and data could be displayed clearly. Results showed that alumni do have a positive image of the SU, as well as its communication. Alumni also feel reasonably connected to the SU. A strong preference was however shown for the redesigned donation letter, wherein the two messages are balanced out. This means that the SU’s image is projected in a more positive way in a document where the reader has a bigger presence. / AFRIKAANSE OPSOMMING: In hierdie studie is daar ondersoek watter invloed ‘n wanbalans tussen die relasionele en ekspressiewe boodskappe in ‘n dokument op die beeldvorming en projeksie van daardie dokument het. Vir hierdie ondersoek is een van die Universiteit Stellenbosch (US) se donasiebriewe as gevallestudie gebruik. Die doel van die navorsing was eerstens om te bepaal hoe die beeldvorming enprojeksie van die US daar uitsien. Daar moes dus vasgestel word hoe gunstig die beeld van die US is en wat die opvatting oor die US se kommunikasie is. Tweedens is gepoog om die graad verbondenheid en verhouding tussen die US en die respondente te meet, om te sien of dit ‘n invloed het op hoe hulle die US sien. Die IFP-model (Image Formation and Projection) dien as ‘n teoretiese basis vir die studie – die model postuleer dat verskeie dokumentontwerp-aspekte en konsepte soos beeld, identiteit en kultuur, ‘n wedersydse invloed op mekaar het. Die model is dus gebruik om a) probleemareas in die dokument te identifiseer, b) die basis van die vraelys te vorm, en c) die verband tussen die beeldvorming en projeksie van die US, en die stilistiese aspekte te verduidelik. Die derde doel van die navorsing was om die relasionele en ekspressiewe boodskappe te operasionaliseer in verskeie stylaspekte, sodat dit gemanipuleer kan word. Die navorser het bepaal dat daar ‘n wanbalans bestaan tussen die twee boodskappe in die oorspronklike donasiebrief, en dat hierdie wanbalans veroorsaak dat die leser nie werklik ‘n ‘teenwoordigheid’ in die dokument het nie. Om die effek van hierdie wanbalans te toets, is ‘n tweede weergawe van die brief ontwerp, waarin die twee boodskappe in balans gebring word. Alumni van die US is as teikengroep gekies vir die studie. Die Stellenbosch Stigting het vraelyste, tesame met die twee weergawes van die donasiebrief aan hulle gestuur. Die navorser het besluit op e-pos as ‘n distribusiemetode om enige geografiese bevooroordeeldheid te voorkom. Die twee veranderlikes was ras (bruin en wit persone) en ouderdom. Jonger as 35, en 35 of ouer as 35 is gekies as arbitrêre afsnypunt vir respondente. Die resultate is statisties verwerk om duidelike tendense en data te bekom. Resultate het getoon dat die alumni wel ‘n positiewe beeld van die US het, asook sy kommunikasie. Alumni voel ook nog redelik verbonde aan die US. ‘n Voorkeur is egter getoon vir die herontwerpte brief, d.w.s. waar die balans tussen die boodskappe eweredig is. Dit dui aan dat die US se beeld beter uitgedra sal word (of op ‘n positiewer wyse) as die leser ingetrek word deur die teks.

Thesis (PhD)--Stellenbosch University, 2000. / ENGLISH ABSTRACT: The purpose of this study is to explore Marcus Tullius Cicero's awareness and interpretation of contemporary political events as reflected in his private correspondence during the last years of both the Roman republic and his own life. Cicero's correspondence gives a detailed view of current political events in Rome and constitutes, with Caesar's own narrative, our major contemporary evidence for the circumstances of the civil war of 49 BC. The dissertation takes as Leitmotiv Cicero's own judgement of the state as 'sacrificial victim' to the ambitions of individual politicians, with as metaphor his examination of a 'dying' body politic in the manner of a haruspex inspecting the entrails of a sacrificial animal. It poses the question whether Cicero understood the message of political decline signalled by the 'entrails' of the 'carcass' of the res publica, and whether this ability in its turn enabled him to anticipate future political development in Rome. In what follows, the theoretical input of Cicero's predecessors, their perceptions of constitutional development, and of Roman politics in particular, as well as Cicero's own perception of their political theories will be considered in order to determine the extent of Cicero's awareness of a larger pattern of political events, and how consistent he was in his analyses of such patterns, that is, to what extent Cicero may be considered seriously as a political analyst. / AFRIKAANSE OPSOMMING: Die oogmerk van die verhandeling is om vas te stel of Marcus Tullius Cicero met reg daaop kan aanspraak maak dat hy eietydse politieke gebeure sinvol kon interpreteer as die manifestering van 'n nuwe politieke stroming wat die voorkoms van die toekomstige Romeinse politieke toneel sou bepaal. Cicero se waarneming en begrip van eietydse politieke gebeure in die laaste paar jaar van die Romeinse Republiek en sy eie lewe word tekenend weerspieël in sy persoonlike briefwisseling uit die tydperk 51 tot 43 v.C. As historiese dokument bied hierdie korrespondensie, as primêre bronmateriaal, naas die behoue kontemporêre beriggewing van Julius Caesar, die enigste ander kontemporêre getuienis vir die uitbreek en nadraai van die burgeroorlog van 49 v.C. Die sentrale tema van die verhandeling is Cicero se persepsie van die Romeinse staat as die 'slagoffer' van magsugtige politieke rolspelers. Cicero se rol as waarnemer en politieke analis word uitgebeeld deur die metafoor van 'n haruspex (profeet) wat die 'ingewande' van die 'karkas' van die gestorwe Romeinse Republiek ondersoek. Die kernvraag wat gestel word is, of Cicero inderdaad daartoe in staat was om die boodskap van politieke verandering raak te lees, die implikasies daarvan te begryp en daarvolgens 'n beredeneerde toekomsprojeksie van die Romeinse politieke toneel te maak. Om te bepaal of Cicero meriete verdien as 'n politieke analis, word die volgende kriteria as toetsstene gebruik: die teoretiese insette van Cicero se voorgangers en sy beheersing van sodanige politieke teoretisering, die mate waarin hy konsekwent en objektief kon oordeel, en die mate waarin hy teorie en die praktiese werklikheid van die Romeinse politieke situasie kon integreer.

Traditionally Latin prose letters have been classified in one of two ways: often they are seen as historical documents to be mined for political, historical and social information; otherwise they are viewed as literature, to be read with a consideration of the role of rhetoric and persuasion. These letters are only rarely approached as letters, and classical scholars have only just begun to discover the benefits of applying epistolary theory to these texts. My thesis examines epistolary exchange within the context of Roman power relations, offering a new interpretation of the correspondences between the most powerful political figure in a given period and one from among the senatorial class. Cicero, Pliny the Younger, Fronto and Symmachus each conducted an epistolary exchange with a powerful figure with whom he hoped to gain influence, and despite the significant differences between them in terms of political and social circumstances, each uses his letters in similar ways to that end. I approach these texts, never before treated together in a comparative study, with a consideration of epistolarity, ‘the use of the letter’s formal properties to create meaning’, a concept developed by J. G. Altman (1982). These properties are identified and examined by means of detailed stylistic analysis of the Latin text. The act of writing a letter is an act of self-definition; the sender constructs a self defined necessarily in relation to a particular addressee. Thus the letter also affords a sender the opportunity to define the You, to whom he addresses himself. In the context of power relations in Roman politics, the letter then becomes a flexible tool of self-fashioning, by which a senator may attempt to influence the emperor.