No description available.

No description available.

The pathways to manhood for young adult African men in urban settings are based more on socio-economic demands than socio-cultural expectations of being a man. This study was a qualitative explorative research on the perceptions of HIV-prevention practitioners on the different pathways to manhood among young adult African men in urban settings in Gauteng, South Africa. From the findings it was clear that there are diverse socio-cultural and socio-economic pathways to manhood, including the media, older men, peers, religion and women. These pathways affirm, confirm, validate and value a man as a man and not a boy in urban settings such as cities and informal settlements in Gauteng. The research concluded that a great deal more could be done to ensure that men get involved in HIV-prevention programmes by ensuring dialogue on manhood and masculinities between men and men, and men and women. / Sociology / M.A. (Social Science)

The pathways to manhood for young adult African men in urban settings are based more on socio-economic demands than socio-cultural expectations of being a man. This study was a qualitative explorative research on the perceptions of HIV-prevention practitioners on the different pathways to manhood among young adult African men in urban settings in Gauteng, South Africa. From the findings it was clear that there are diverse socio-cultural and socio-economic pathways to manhood, including the media, older men, peers, religion and women. These pathways affirm, confirm, validate and value a man as a man and not a boy in urban settings such as cities and informal settlements in Gauteng. The research concluded that a great deal more could be done to ensure that men get involved in HIV-prevention programmes by ensuring dialogue on manhood and masculinities between men and men, and men and women. / Sociology / M. A. (Social Science)

Studies indicate that, except for anger, many men tend to avoid expressing their feelings, especially those feelings indicative of personal vulnerability and emotional dependency (Levant, Hall, Williams, & Hasan, 2009). Men are frequently portrayed as lacking the ability to recognise, own and find words with which to express their feeling experiences; this is captured by the term alexithymia (Levant, Hall, Williams, & Hasan, 2009). Defined by ‘restrictive emotionality’, alexithymia literally indicates ‘without words for emotions’. Roland Levant has contended that men who are strongly influenced by ideas of traditional masculinity tend to be alexithymic (Levant, Hall, Williams, & Hasan, 2009). The central aim of this study was to focus on and understand the emotional experiences of participants of all-male or gender-homogenous group psychotherapy of this study. The study used a qualitative approach to understand how men emotionally engage or do not engage and express their emotions. Men who had been in all-male group psychotherapy were purposively selected to participate in this study. In-depth interviews guided by a semi-structured questionnaire were conducted and analysed according to the thematic analytic method. This study explored and described the accounts of lived emotional engagements of male participants in an all-male psychotherapy group. The study sought to highlight the significance of an explicit masculine framework with male emotions within a framework of non-deficit assumptions. The non-deficit approach to men privileges the strengths and unique contributions that men make as partners and fathers (Dollahite & Hawkins, 1998). This study explored and described the accounts of lived emotional engagements of male participants in an all-male psychotherapy group. The study sought to highlight the significance of an explicit masculine framework with male emotions within a framework of non-deficit assumptions. The non-deficit approach to men privileges the strengths and unique contributions that men make as partners and fathers (Dollahite & Hawkins, 1998). This study aspired to demonstrate that a gender-conscious model in working with male emotions enhances men’s capacity for a quality and depth of emotional engagement that echoes the more optimistic research on the male capacity for self-reflection and openness to subjective transformation (Kiselica, 2003). / Psychology / Ph. D. (Psychology)

Cette thèse présente une étude de la représentation de la race et son rôle dans la formation des discours littéraires et identitaires au Québec. À partir de la phrase célèbre de Félix-Antoine Savard, « une race qui ne sait pas mourir », jusqu’au roman de l’écrivain haïtien Dany Laferrière, Je suis un écrivain japonais, en passant par L’appel de la race de Lionel Groulx, sans oublier les propos sanglants de Michèle Lalonde dans Speak White et ceux de Pierre Vallières dans Nègres blancs d’Amérique, la littérature canadienne-française et québécoise est hantée par la question de la race. C’est précisément à cause de la présence persistante, souvent angoissante, du concept que je me propose d’en analyser les modalités discursives et les significations dans des textes écrits à divers moments clés entre 1839 et 2008: le rapport de Lord Durham (1839); L’appel de la race (1922) de Lionel Groulx; Menaud, maître-draveur (1937) de Félix-Antoine Savard; Ashini (1960) d’Yves Thériault; Speak White (1974) de Michèle Lalonde; Nègres blancs d’Amérique (1972) de Pierre Vallières; Comment faire l’amour avec un Nègre sans se fatiguer (1985) et Je suis un écrivain japonais (2008) de Dany Laferrière; et Quatre mille marches (2004) de Ying Chen. Pour ce faire, cette thèse se situe dans un cadre théorique interdisciplinaire qui intègre la théorie critique de la race, le féminisme et la théorie queer.

Cette thèse présente une étude de la représentation de la race et son rôle dans la formation des discours littéraires et identitaires au Québec. À partir de la phrase célèbre de Félix-Antoine Savard, « une race qui ne sait pas mourir », jusqu’au roman de l’écrivain haïtien Dany Laferrière, Je suis un écrivain japonais, en passant par L’appel de la race de Lionel Groulx, sans oublier les propos sanglants de Michèle Lalonde dans Speak White et ceux de Pierre Vallières dans Nègres blancs d’Amérique, la littérature canadienne-française et québécoise est hantée par la question de la race. C’est précisément à cause de la présence persistante, souvent angoissante, du concept que je me propose d’en analyser les modalités discursives et les significations dans des textes écrits à divers moments clés entre 1839 et 2008: le rapport de Lord Durham (1839); L’appel de la race (1922) de Lionel Groulx; Menaud, maître-draveur (1937) de Félix-Antoine Savard; Ashini (1960) d’Yves Thériault; Speak White (1974) de Michèle Lalonde; Nègres blancs d’Amérique (1972) de Pierre Vallières; Comment faire l’amour avec un Nègre sans se fatiguer (1985) et Je suis un écrivain japonais (2008) de Dany Laferrière; et Quatre mille marches (2004) de Ying Chen. Pour ce faire, cette thèse se situe dans un cadre théorique interdisciplinaire qui intègre la théorie critique de la race, le féminisme et la théorie queer.

Mon travail de recherche se propose de combler des lacunes concernant l’iconogaphie des femmes sud-américaines. Etant donné l’absence d’écoles d’art ainsi que d’ateliers d’impression en Grande Colombie jusqu’à la première moitié du XIXe siècle, les images en général sont rares. Quand on en trouve, il s’agit des portraits de quelques femmes extraordinaires comme des saintes ou des épouses des hauts fonctionnaires, donc des représentantes d’une minorité aisée et créole. Les artistes locaux ont surtout peint les grands hommes et notamment les héros des jeunes Républiques. En revanche, sur la vie quotidienne de la plupart des femmes, qu’elles soient Indiennes, Métisses, Noires ou même Créoles, nous n’avons que très peu de témoignages. La Grande Colombie comme la Nouvelle Grenade, par ailleurs, souffrait d’un manque d’attrait. Cette région n’a jamais représentée dans l’imaginaire des voyageurs européens, les richesses légendaires des vice-royautés du Pérou ou de la Nouvelle Espagne (Mexique). C’est seulement à l’orée du XIXe siècle que cette zone équatoriale commence à faire parler d’elle et ce changement significatif est dû au grand voyage scientifique de Humboldt et Bonpland. Grâce à la médiatisation de ces explorateurs, un nombre important de voyageurs français décide de suivre leurs pas. Parmi eux, un petit nombre écrit et publie des récits illustrés. Leurs gravures et lithographies apportent donc les documents nécessaires pour combler en partie le vide pictural féminin. Ces images n’ont jusque là pas suscitées d’études historiques approfondies d’autant qu’elles ont longtemps été considérées comme des simples ornements accompagnant le texte. Cette thèse propose de démontrer, au contraire, le rôle primordial de cette iconographie, sa puissance symbolique et sa contribution au discours qui caractérise alors la littérature de voyage. Qu’elles soient guidées par des observations concrètes ou par la pure imagination, ces descriptions picturales et littéraires permettent de dégager les principaux stéréotypes élaborés sur les femmes grande-colombiennes et ce malgré leur riche multiplicité. / The aim of this thesis is to fill in certain gaps in the iconographic treatment of South American women. Due to the lack of art schools and printing workshops in Gran Colombia through the first half of the nineteenth century, images in general are rare. The existing works are portraits of such extraordinary women as saints or wives of important officials, thus representatives of a wealthy Creole minority. Local artists tended to choose as subjects prominent men, notably the heroes of the young Republics. By contrast, the daily lives of most women, whether Indian, Métis, Black or even Creole, were rarely featured. In addition, like New Granada, Gran Colombia suffered from a relative lack of attractiveness. In the imagination of European travelers this region never represented the legendary wealth of Viceroyalties like Peru or New Spain (Mexico). It was only at the dawn of the nineteenth century that this equatorial zone attracted significant interest due in large part to the great scientific exploration of Humboldt and Bonpland. Thanks to their many publications, a large number of French travelers decided to follow their footsteps. Among them, a small group wrote and published illustrated volumes. Their engravings and lithographs provide the material needed to restore at least partially the lack of female images. To this point such iconography has not generated in-depth historical study, since it has long been considered merely ornamental and secondary to the text. This thesis proposes to demonstrate the contrary by focusing upon the sizeable role of this iconography, its symbolic power and its contribution to the discourse then characteristic of travel literature. Based upon specific observations or drawn purely from imagination, these pictorial and literary descriptions enable the identification of the principal stereotypes developed to characterize Gran Colombian women, despite the fact of their rich cultural multiplicity. / La presente tesis busca llenar algunos vacíos existentes en los estudios sobre la representación iconográfica de las mujeres suramericanas. Debido a la ausencia de escuelas de Bellas Artes y talleres de impresión en la Gran Colombia hasta mediados del siglo XIX, la producción general de imágenes era escasa. Los artistas locales apostaban por retratar a hombres influyentes, particularmente los héroes de la naciente República, y las pocas obras sobre mujeres que se realizaban correspondían a santas o esposas de los altos funcionarios, representantes de la opulenta minoría criolla. Son entonces pocos los testimonios iconográficos que se conservan de la vida cotidiana de la mayoría de las mujeres de origen amerindio, mestizo, negro e incluso criollo. La Gran Colombia sufría además de la misma falta de atracción que aisló durante siglos a la Nueva Granada: en el imaginario de los viajeros europeos, la región no se comparaba con la legendaria riqueza de los virreinatos de Perú y Nueva España. Sólo hasta principios del siglo XIX, la América equinoccial se convirtió en un centro de interés tras las expediciones científicas de Humboldt y Bonpland. Gracias a sus múltiples publicaciones, varios viajeros franceses decidieron seguir sus pasos, publicando, además, sus relatos de viaje ilustrados con grabados y litografías. Unos trabajos que proveen el material necesario para suplir, al menos parcialmente, la ausencia de imágenes femeninas en la Gran Colombia. Hasta la fecha, esta iconografía no ha generado estudios históricos específicos pues ha sido considerada siempre ornamental y secundaria frente al texto de los relatos. El objetivo de este estudio es entonces demostrar lo contrario, revelando su papel protagónico, su poder simbólico y su influencia en el discurso literario característico de los relatos de viajeros. Por tanto, ya sean inspiradas por la imaginación o guiadas por la observación empírica, las descripciones pictóricas y literarias de estos relatos permiten la identificación de los principales estereotipos elaborados sobre las mujeres grancolombianas a pesar de su heterogeneidad cultural.

Text in English / Given the high rates of male homicides, victimisation and the perpetration of violence by men in South Africa, the prevention of interpersonal violence among males constitutes a major public health priority. The lack of effective strategies to address the onset and effects of exposure to violence foregrounds the need for innovative strategies to address this problem in South Africa. Within this context, this doctoral study’s primary research objective was to evaluate the processes and steps used to plan, design and develop a community-based violence prevention intervention that mobilised spiritual capacity and religious assets to promote positive forms of masculinity, and peace and safety. This doctoral research was part of a broader study entitled, ‘Spiritual Capacity and Religious Assets for Transforming Community Health by Mobilising Males for Peace and Safety’ (SCRATCHMAPS), which aimed to identify and mobilise spiritual capacity and religious assets, in particular communities in South Africa and the USA, in order to address interpersonal violence. This study was framed by a critical public health lens, and was guided by a Community-based Participatory Research (CBPR) orientation and community engagement strategy throughout every step of the development of the intervention and the initial evaluation of the manual development process. The overall research design was a participatory process evaluation. Methods used for this process evaluation included community asset mapping, surveys, focus group discussions, research-based workshops, diary reflections, a photo-documentary, meeting minutes, process notes and participatory observations. The analysis of the multiple sets of data was conducted appropriately, relevant to the particular data collection methods pursued and the demands of both qualitative and quantitative methods of analysis. Findings from this study confirm the utility and efficacy of using a critical public health framework enacted through CBPR for developing an intervention that addresses the complexity of violence. The results further demonstrated that a strength or asset-based, gender-sensitive approach, with men working alongside women, is conducive to promoting positive forms of masculinity to create safety and peace. / Psychology / Ph. D. (Psychology)

In many South African communities, socially constructed masculinity norms that promote unequal gender relations and high risk sexual behaviour are key contributing factors to HIV transmission. Following a qualitative approach, using in-depth interviews, this study engaged graduates of the Tavern Intervention Programme (TIP) in Gauteng to explore and describe their perceptions of traditional and modern masculinities, as well as their experience of the TIP. The findings indicated that, while there are differences between traditional and modern men, several masculinity practices, such as unequal gender relations, inconsistent use of condoms, infrequent accessing of HIV testing opportunities and entitlement to multiple partners endure as potential barriers to HIV prevention. Additionally, peer groups reinforce and reward HIV risk behaviour among modern men. Participants did, however, report changes in perceptions and behaviour regarding gender relations and HIV prevention as a result of their participation in the TIP. This study concluded that the role the TIP played in providing these men with an environment where alternative masculinity behaviour could be explored and supported was of particular value in terms of changes in their perceptions of masculinities, gender relations and HIV prevention. / Sociology / M. A. (Social Behaviour Studies in HIV/AIDS)