This dissertation constitutes an interdisciplinary approach to electronic narratives, which explores the impact of recent technological developments in the literary field. The work of theorists and scholars such as Henry Jenkins, Jean Baudrillard, Lev Manovich, Albert-Laszlo Barabasi, Erving Goffman, Sherry Turkle, George Landow, Marie-Laure Ryan and Espen Aarseth, among many others, are applied to the study of how key sociological and narratological concepts acquire new meanings when implemented in an electronic environment. More specifically, this research provides evidence of how emerging media culture challenges the traditional concepts of authorship, textuality, fictionality, sequential structure, and readership, with tendencies toward anonimity, pseudonymity, collaborative authorship, hypertextual narrative structures, and the reader's involvement in the creative process. Chapter One lays out the methodology used for the study of blog-fictions. This chapter proposes an interdisciplinary approach to blogging which combines the contributions made in several fields of study within digital humanities: computer-mediated communication theory, hypertext theory, Internet ethnography, social network theory, narratology of hypertext, research on blogging and Web 2.0, ludology and performance studies. The purpose of this chapter is to conceptualize the study of blog-fictions both as an expression of information society in its current state, and as a new fictional genre that challenges traditional narrative concepts. In Chapter Two ("Blogosphere: a network of social convergences"), the center of analysis concerns the study of the blogger as a social type who reproduces its social life on the Internet. This chapter studies the peculiar and new ways in which bloggers communicate with each other and create social networks through the production and distribution of texts, hyperlinks, and multimedia artifacts. Chapter Three presents a theory of the blog-text focussing on its structure and defining features. Finally, Chapter Four analyzes how the socio-aesthetic and narrative concepts studied in previous chapters are reflected in blog-novels written in Spanish by Argentinean author Hernan Casciari. This research contributes to literary studies in general by acknowledging that electronic fictions and blog-fictions constitute an emerging literary genre with its own identifiable features, and are molded by the culture of the information society.

This thesis considers how Wikipedia justifies, structures, and legitimizes its production of knowledge. To do so the thesis positions Wikipedia as a site of conflict over the epistemic values between its wiki and encyclopaedic traditions. Through the literature review, the wiki epistemology is argued to be composed of six values: self-identification, collaboration, co-construction, cooperation, trust in the community, and constructionism. While these values are explicit, encyclopaedism’s were not found to be equally defined. To fill this gap, the thesis conducts a genre analysis of encyclopaedism. It first identifies the genre through its communicative purposes to create a universal system of total knowledge and to use this system to educate the public. Second, an analysis of recurrent social contexts within Chambers’ Cyclopaedia (1728), Diderot & d’Alembert’s Encyclopédie (1751–72), the Encyclopaedia Britannica (1771–), and Wikipedia (2001–) finds that the communicative purposes are achieved through the use of five epistemic values: utility, systematic organization, authority, trust in experts, and consistency. Third, a comparison spanning 240 years between Wikipedia and the Britannica’s article headings finds that the value of systematic organization structures Wikipedia’s articles using seventeenth century categories of knowledge. Having established two sets of values that determine Wikipedia’s production of knowledge, the thesis sets the stage for future research to analyze how Wikipedia’s epistemology is articulated in its different production spaces. Ultimately, such research may not only describe the shifting values of Wikipedia’s epistemology but also explain how knowledge is transformed and produced in the network society.

This thesis considers how Wikipedia justifies, structures, and legitimizes its production of knowledge. To do so the thesis positions Wikipedia as a site of conflict over the epistemic values between its wiki and encyclopaedic traditions. Through the literature review, the wiki epistemology is argued to be composed of six values: self-identification, collaboration, co-construction, cooperation, trust in the community, and constructionism. While these values are explicit, encyclopaedism’s were not found to be equally defined. To fill this gap, the thesis conducts a genre analysis of encyclopaedism. It first identifies the genre through its communicative purposes to create a universal system of total knowledge and to use this system to educate the public. Second, an analysis of recurrent social contexts within Chambers’ Cyclopaedia (1728), Diderot & d’Alembert’s Encyclopédie (1751–72), the Encyclopaedia Britannica (1771–), and Wikipedia (2001–) finds that the communicative purposes are achieved through the use of five epistemic values: utility, systematic organization, authority, trust in experts, and consistency. Third, a comparison spanning 240 years between Wikipedia and the Britannica’s article headings finds that the value of systematic organization structures Wikipedia’s articles using seventeenth century categories of knowledge. Having established two sets of values that determine Wikipedia’s production of knowledge, the thesis sets the stage for future research to analyze how Wikipedia’s epistemology is articulated in its different production spaces. Ultimately, such research may not only describe the shifting values of Wikipedia’s epistemology but also explain how knowledge is transformed and produced in the network society.

The digital revolution has changed how we interact and organize ourselves, how wars are fought and how peace is restored. The nature of conflicts has changed, and so should the theories with which we try to understand conflicts. Communication is power, and understanding power relations in the information era is fundamental to address peacebuilding. In this paper I investigate which communication plays in power relations and how this can be applied to classical peace theory. I do this by discussing the elements of Galtung’s classical conflict cycle in light of the network theory. I define power in the networks as communicative power which it is exercised within, between and behind the different networks. The widely distributed internet access and possibilities to influence others has not only skewed the power relations within the political sphere, but also created effective ways to damage democratic principles and structures through communication. In my discussion, I argue that communication as discursive power can be seen as the source of conflict, because the one dominating the discourse dominates the network. Based on Galtung’s framework, I show how communicative violence can be structural, cultural and direct. Communication can be used violently to harm infrastructure, mislead and create mistrust, and marginalize actors. Because communication plays a pivotal role in everyday life, I further argue that it can also be seen as a basic human need. To create a sustainable peace, we have to think about peacebuilding across the different networks of society, ensuring access and aiming for a more constructive discourse.

Abstract This master thesis examines the development of the Islamic discourse on Internet, by a research of the two Islamic expressions ummah and Islamic state. As a platform for the research is a discussion about 9/11 used, in which Giovanna Borradori interviews Jürgen Habermas and Jacques Derrida about terrorism in the modern time. The research has been made in two steps, the first research is made in December 2005 and the second in February 2015. In the first research is the examined words study in BBS’s and blogs, and in the second case is same expressions examined in Twitter. As analyse method is Hans- - George Gadamers displacement of perspective used, to understand the movements in the discourse and the development of Islamic use of Internet. Manuel Castells thoughts about the network society and his work about the power of communication are used as a theorem to understand the Internet and its development in the last decades. The conclusion of this work is pointing at a progression in the use of Internet as a tool for communication in the Islamic community, and a displacement of perspective from western society as the primary enemy, through an internal religious movement to a more diversified conflict among different Islamic groups. Keywords: Internet, E-jihadism,, network society, Islamic, ummah, Islamic state, Twitter, blogs, BBS’s, mediated history, modern history

This research examines how social networking fosters the mobility of young people in a rural Spain. Generally, rural areas have been overlooked in the discourse on Globalization and Network Society, which is the foundation of the concept of “linked city”. Although many scholars have highlighted the direct link between the increase in the modes of communication of people and the increase of any kind of interaction, face-to-face included, it is necessary to stress that most of these studies are conducted in urban context where a certain grade of efficient transport exists. This study provides an approach to the impact of mediated communication on the lives of people in villages. Based on the concept of Digital Natives this study addresses the Social Network use of young people in a determined rural area in Spain and its correlation with the aim of mobility of the respondents. The results bring to light a certain degree of correlation between the increase of interaction via the Internet and the wish of mobility. Besides, this study uncovers a transportation shortage among locations in this rural area that forces young people to reduce the face-to-face interactions around specific nodes (e.g. High School or a near big city). Finally this study stresses the need for improvement of the transportation networks in terms of cost, flexibility, functionality and reach among rural population in order to avoid a cultural, economic and social backwardness in comparison to urban environments.

Facebook’s status as the world’s largest social networking platform is well documented. However, studies focusing on Facebook are largely limited to how individuals and businesses use the platform and not on how Facebook expands globally and affects markets and competition in foreign countries. Although international communication scholars have scrutinized the international expansion of major media corporations like Time Warner, Disney and News Corp., analysis on Facebook remains scarce. This thesis seeks to fill in the gap in scholarly research by conducting a meso-level (i.e. organizational level) analysis of Facebook’s expansion into developing countries through the theoretical lens of networks. The network perspective was chosen because it has previously facilitated the most comprehensive analysis of the globalizing strategies of media corporations. This paper simultaneously serves as a test of the applicability of theories of networked globalization and the Network Society to the global expansion of ICTs, and in particular, social-networking websites.

Authors: Edina Hrustic & Maria Iverbo Title: Facebook – a virtual meetingplace and a gossipcave Level: BA Thesis in Journalism Location: Linnaeus University Language: Swedish Number of pages: 72 Abstract The aim of our study was to examine the meaning of the social media Facebook for young people who are in the age of 16 to 25 years. We wanted to gain an understanding in the youths´ thoughts and beliefs of how Facebook exists and plays a role in their lives. As a result from this research, we discussed how social media might affect the future of journalism. We formed our thesis based on research of the digital network society, social networks, the youth culture, and how the target group; the young people use and experience social media. We made a questionnaire for 36 high school students, and three of these participated in a focusgroup-discussion. We combined and analyzed the response from the questionnaire and the focus group in our final result, and discussed patterns and relations between the youngsters´ answers. Our result shows that Facebook mostly is regarded to be a virtual meetingplace, where these young people can interact and communicate with each other. They mostly communicate with their friends from the real-life, and youths´ use Facebook as a tool when they want to find out what people in their surrounding do. The questionnaire result also shows that Facebook can be seen as an information channel, where the young people can get gossip and offer each other invitations to common events. From this study, we can point out that the social network is practically of great importance in young peoples’ lives. The questionnaire of Facebook and how young people´s habits are affected implies that it is important to use the social network discussion while analysing the convergence between so called; "old" and "new media". Young people steer and direct the use of media, and that is the reason why the understanding about their thoughts of social media is significantly important. One could practically say that youngsters can affect the future of journalism, and the design and development of media. Key words: young people, Facebook, social media, virtual communication, the convergence of media, digital network society, journalism

This dissertation identifies the diluting effects that network society has had on the avant-garde subcultures, by first building a framework through which to understand the social structure and spatial production of the historical avant-garde, and then comparing this with contemporary avant-garde movements. The avant-garde is a cultural tradition that originated in modern 18th century Europe and North America, that critically responds to hegemonic power structures and mainstream cultural assumptions. I use the term “avant-garde subcultures” because my research focuses on the entire social group of the avant-garde. Most scholarship on the avant-garde has overlooked the importance that social relations, in particular supportive actors, and collaborative spaces have served in the creativity of the avant-garde. During the past twenty years, as society has shifted into a dependence on networked interactive technologies, the boundaries which protect these avant-garde spaces and social relations were diluted. As a result, avant-garde subcultures have entered a phase of recursively repeating themselves and culturally stagnating. I begin by reviewing the historical avant-garde and subcultures, building an overarching theory that explains that avant-garde is a type of subculture. Using past scholarship that maps the conceptual lineage from early bohemians to 1970s punk rock, I synthesize a set of traits which all avant-garde subcultures exhibit, and which can be used to build their genealogy. I then extend this genealogy to contemporary art practitioners, to prove that the avant-garde tradition continues to this day. Next, I develop a philosophical understanding of the importance of space for hegemonic power structures, based largely on the work of Henri Lefebvre. I explain how avant-garde subcultures produce spaces of representation in the cafes, bars and night clubs they inhabit, which challenge hegemony by being different from normal values and aesthetics. I reference first-hand accounts of these spaces of representation, to show how they enable the collaboration and creative thinking that is most often associated with the avant-garde. The avant-garde protect these spaces through a set of cultural boundaries: fashion, slang, esoteric knowledge, accumulation, and physical space. Manuel Castell's concept of network society depicts how hegemonic power structures have become pervasive, and thus can overcome the boundaries of avant-garde subcultures. As a result, avant-garde subcultures have increasingly become retrogressive and fluid. Some avant-garde practitioners, such as tactical media, have evolved methods for addressing these problems. While these are effective in continuing the avant-garde tradition of introducing difference, there are no adequate methods for producing new spaces of representation. I examine Eyebeam, an arts and technology center, which has since 1997 provided a space for many contemporary practitioners. While unique in its circumstances, Eyebeam has adopted several processes which have enabled it to overcome the diluting effects of network society, thereby providing a potential model for building future spaces of representation.

Studiens syfte är att undersöka internetanvändares medvetenhet och åsikter om filterbubblor på sökmotorn Google. Undersökningens frågeställning är: Vad har internetanvändare för tankar och förhållningssätt till filterbubblor som skapas på Google? Studien är avgränsad till studenter vid Uppsala Universitet. Det är en population som kan förmodas vara storkonsumenter av information via sökmotorer. En stor majoritet av respondenterna menade också att Google var ett viktigt hjälpmedel i studier och vardag. För genomförandet av undersökningen användes en kvalitativ metod med fokusgrupper. 17 respondenter i fyra grupper fick diskutera medvetenhet, åsikter och uppfattningar om filterbubblor och informationsinhämtning som sker via Google. Som teoretisk vägledning användes sex olika samhällsvetenskapliga teorier mot vilka det empiriska materialet prövades. Resultatet från undersökningen visar att en majoritet av respondenterna inte var medvetna om den filtrering av informationen som sker på Google och därmed skapar filterbubblor. När respondenterna vid intervjuerna blev informerade om filterbubblor och dess effekter framkom olika uppfattningar och åsikter. Många respondenter uttryckte oro för effekterna av avskärmningen från information och utbyte med andra användare som bubblorna medför. Andra respondenter ansåg att så länge det inte medförde några negativa effekter i användandet av söktjänsten var det inget problem. Avskärmningen som filterbubblor skapar kan begränsa internetanvändares exponering för ”ny” information. Detta kan innebära en risk att människors tillgång till fri och icke styrd information manipuleras av kommersiella intressen. Detta lyfts fram i studiens analys med en teoretisk anknytning till Habermas inflytelserika arbeten om den publika sfären. Ett problem i det sammanhanget, som lyfts fram i forskning, är att filterbubblor kan komma att motsäga fundamentala demokratiska informationsprinciper. Resultatet visar därmed att filterbubblor fungerar som en slags grindvakt för internetanvändarens tillgång till information på Google. Med andra ord har en förändring skett där de “nya” nätbaserade grindvakterna saknar den mänskliga faktor som traditionella mediers grindvakter hade och som styrdes av transparanta värderingar. Respondenterna menade slutligen att Google bör vara mer transparant om problematiken med filterbubblor för att stärka sitt förtroende bland användarna.