Orientador: Carlos Fernando Fiorini / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-15T18:20:01Z (GMT). No. of bitstreams: 1 Branco_HeloizadeCastello_D.pdf: 5961172 bytes, checksum: a6a2de42cf0e3d39e42207698d64d968 (MD5) Previous issue date: 2010 / Resumo: Este estudo objetivou apontar a presença de empatia dos cantores com o regente durante a execução musical, através da identificação de episódios de empatia em filmagens de ensaios corais. A empatia, nesta pesquisa, denomina o fenômeno em que o cantor, ao olhar com atenção o regente fazendo movimentos durante a execução musical, realiza de forma inconsciente os mesmos movimentos. Dividiu-se a revisão de literatura em duas partes. Na primeira, buscou-se compreender o processo de empatia entre duas pessoas: como acontece, porque acontece e que fatores o afetam. Na segunda, transferiu-se o foco da pesquisa para as condições características das atividades de regentes e cantores durante a execução musical, de forma a identificar fatores que propiciam a empatia dos cantores com o regente. A seção intermediária tratou da metodologia e dos procedimentos utilizados para o preparo da filmagem dos dois corais participantes. Os resultados da análise dos movimentos corporais e faciais dos cantores em relação aos movimentos do regente deram origem à seção seguinte. Como corolário desses resultados, o trabalho se encerra com as considerações possíveis a respeito da empatia observada dos cantores com o regente, fazendo uma síntese das informações colhidas sobre empatia e aplicando-as ao contexto da execução musical no ensaio coral. / Abstract: The objective of this study is to point out the existence of singer empathy for the conductor during musical performance, identifying episodes of empathy in video recordings of choir rehearsals. Empathy, for the purposes of this study, is a phenomenon in which the singer, while looking attentively at the movements of the conductor during musical execution, makes the same movements unconsciously. Literature research was divided into two parts. In the first, an attempt was made to understand the empathy process between two people: how it happens, why it happens, and which factors affect it. After that, the research focused on characteristic conditions in the activities of conductors and singers during musical execution, in order to identify factors that may promote empathy between singer and conductor. A further section detailed the methodology and the procedures used to prepare the video recordings of the two choirs that took part in the study. The results from the analysis of corporal and facial movements of the singers and the conductors originated the next section, the discussion. As a corollary of the results, this study concludes with possible considerations about the empathy observed between singers and conductor, presenting a synthesis of the information obtained about empathy, and applying this information to the context of musical performance in choir rehearsal. / Doutorado / Doutor em Música

A American Speech-Language-Hearing Association ASHA define a linguagem como um sistema complexo e dinâmico de símbolos convencionais, utilizados de várias maneiras durante a comunicação. Alterações nas regiões cerebrais responsáveis pela fala e linguagem, podem trazer como consequência a afasia, que é definida como a perda ou debilidade da função de linguagem causada por um prejuízo do cérebro. Indivíduos afásicos podem necessitar de recursos da Comunicação Suplementar e/ou Alternativa para complementar ou substituir a transmissão de uma mensagem, que não pode ser transmitida de maneira eficiente pela comunicação verbal. Segundo von Tetzchner e Jensen, a Comunicação Suplementar e/ou Alternativa envolve o uso de modos não verbais de comunicação, para suplementar ou substituir a linguagem oral, que pode estar ausente ou comprometida. Desta forma, o presente estudo teve o objetivo de descrever o uso da Comunicação Suplementar e/ou Alternativa em dois casos de afasia pós Acidente Vascular Encefálico. Para tanto, foi realizada intervenção fonoaudiológica com dois participantes afásicos, utilizando os recursos da Comunicação Suplementar e/ou Alternativa. A intervenção fonoaudiológica foi dividida em quatro etapas, que abrangeu desde a visualização e confecção das fichas para o álbum de comunicação até a utilização efetiva deste recurso. Em todas as etapas, foi utilizado o sistema pictográfico sistema pictográfico de comunicação, por se tratar de um sistema que possui maior iconicidade. Por meio da reaplicação de testes, foi possível constatar melhora nas capacidades de compreensão oral, escrita, leitura e denominação dos dois participantes. Com este estudo pôde-se concluir que a intervenção fonoaudiológica com o uso da Comunicação Suplementar e/ou Alternativa nos dois casos de afasia pós Acidente Vascular Encefálico, trouxe benefícios para a comunicação funcional dos participantes, sendo que estes recursos tiveram função facilitadora, tornando a comunicação mais eficiente e trazendo benefícios no processo de reabilitação, promovendo evolução das habilidades de leitura e nomeação. / The American Speech-Language-Hearing Association defines language as a complex and dynamic system of conventional symbols, used in various ways during the communication. Changes in brain regions responsible for speech and language, can bring the aphasia, which is defined as the as the loss or impairment of language function caused by brain disease. Aphasic individuals may require supplementary resources of communication and/or alternative to supplement or replace the transmission of a message, which cannot be transmitted through verbal communication. According to von Tetzchner and Jensen, the Augmentative and Alternative Communication implicate the use of alternative modes of nonverbal communication, to supplement or replace the oral language which may absent or impaired. Thus, this study aimed to describe the use of the Augmentative and Alternative Communication in two cases of aphasia after stroke. The speech therapy was divided in four stages that approached since the display of forms of communication for the album until the effective use this resource. In all stages, was used the pictographic system Picture Communication Symbols, because it is a system that has greater iconicity. By reapplication of tests, was possible to show improvement in oral ability, writing, reading and denomination the two participants. To this end, the speech therapy was performed with two aphasic participants, using the Augmentative and Alternative Communication. This study allows conclude that the speech therapy using the Augmentative and Alternative Communication in two case of aphasia after stroke, brought benefits to functional communication the participants, and these resources had a augmentative role making communication more efficient and brought benefits in the rehabilitation process, promoting development of skills in reading e naming.

Orientador: Rosana do Carmo Novaes Pinto / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-23T12:39:40Z (GMT). No. of bitstreams: 1 Nandin_TainaraLemesConde_M.pdf: 1285795 bytes, checksum: 78fb692626d0f71e4702036b126e82c1 (MD5) Previous issue date: 2013 / Resumo: Este estudo, que tem como referencial teórico a Neurolinguística de orientação enunciativo-discursiva, tematiza a produção de sujeitos com afasias não-fluentes de grau severo, buscando refletir sobre suas possibilidades narrativas e sobre o papel dos recursos não-verbais para que consigam alcançar seu intuito discursivo ou "querer-dizer" (cf. Bakhtin, 1997). O acompanhamento longitudinal foi escolhido como metodologia de pesquisa e as análises são qualitativas. Além de discutir criticamente conceitos relacionados à noção de fluência e sobre o papel dos recursos alternativos de significação, o trabalho visa i) descrever as características dos enunciados de dois sujeitos não-fluentes - GS e TR - dentre os quais aqueles considerados "estereotipias"ou "automatismos". Esses recursos repetem-se na cadeia enunciativa - podendo ser lexicalizados ou não, mas sempre veiculam um "querer-dizer", preenchendo turnos conversacionais nas interações dialógicas e, ao mesmo tempo, dando "acabamentos" aos enunciados dos seus interlocutores; ii) refletir sobre as possibilidades de significação a partir do trabalho desenvolvido com recursos não-verbais (gestos, desenhos, expressões fisionômicas), tendo a narrativa como principal gênero discursivo (tanto autobiográficas quanto relatos de fatos) na qual emergem enunciados que dão visibilidade ao impacto da afasia na linguagem dos sujeitos - servindo, portanto, para a avaliação de linguagem - quanto para a sua reorganização; em outras palavras, para orientar a terapia de linguagem; iii) discutir o papel dos interlocutores - os parceiros da comunicação (cf. Bakhtin), dentre os quais o terapeuta e familiares, no processo de desenvolvimento dos recursos alternativos não-verbais de significação, tendo em vista minha formação e prática no campo da Fonoaudiologia / Abstract: This study, which has the discursive-enunciative Neurolinguistics as theoretical framework, discusses the speech production of individuals with severe nonfluent aphasia, aiming to reflect about their narrative possibilities and about the role of nonverbal resources which they explore in order to achieve their "speech will" (Bakhtin, 1997). Longitudinal follow-up was chosen as the research methodology and analyzes are of qualitative nature. Besides critically discussing concepts related to the notion of fluency and the role of alternative sources of signification, the work aims to i) describe the features of the utterances of two non- fluent subjects - GS and TR - among those the ones so-called stereotypes or automatisms. These features are repeated in the enunciative chains - being sometimes lexicalized, sometimes not, but they always convey a "speech will", filling shifts in conversational and dialogic interactions, having also the role of giving finalization to their interlocutors' utterances; ii) reflect about the possibilities of meaning from the work developed with nonverbal resources (gestures, drawings, physiognomic expressions), having the narrative as the main discourse genre (autobiographical as well as narrative of events) in which emerge utterances that give visibility to the impact of aphasia on the individual's language - which can be useful both for evaluation purposes and for its reorganization. In other words, to guide language therapy; iii) discuss the role of the interlocutors - communication partners (Bakhtin, 1997), among which the therapist and family members, in the development of alternative nonverbal processes, considering my academic background and practice in the field of speech therapy / Mestrado / Linguistica / Mestra em Linguística

Orientador: Eusebio Lobo da Silva / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-04T03:48:25Z (GMT). No. of bitstreams: 1 Dascal_Miriam_M.pdf: 239318 bytes, checksum: 296317159e40c8d524cd69c039dd7960 (MD5) Previous issue date: 2005 / Resumo: Nesta dissertação realizo uma reflexão sobre os conceitos teóricos e práticos que fundamentam o trabalho de Eutonia e apresento uma pesquisa que elaborei a partir destes conceitos. A Eutonia propõe um campo metodológico que envolve o autoconhecimento do próprio corpo e de sua atividade de movimento. Estabelece um campo investigatório no qual revelam-se conhecimentos, que denomino ¿o saber do corpo¿. Refletindo sobre este ¿saber¿, reconheço e o relaciono com os pressupostos estabelecidos pela teoria fenomenológica de Merleau-Ponty, onde a noção de corporeidade e a dimensão existencial se incluem. Seguindo, descrevo sobre os conceitos teórico-práticos da Eutonia e, estabeleço uma conexão entre o processo de aprendizagem com o campo de criação. Para tal, realizo um recorte aprofundando minha pesquisa nas ¿posições de controle¿, onde observo os campos de atuação destas posições em termos de ensino-aprendizagem, criação individual e coletiva, descritas como laboratório de Criação e de Direção. O final da dissertação é contemplado com um DVD que contem imagens de minha atuação como educadora e diretora no trabalho denominado ¿Performance Coletiva¿ realizado com meus alunos do curso de Pós-Graduação e Aperfeiçoamento ¿Dinâmicas Corporais como Expressões Terapêuticas ¿ das Faculdade Senac Ciências da Saúde no ano de 2004 / Abstract: In this dissertation I reflect about theoretical and practical concepts that are the basis of the work with Euthony and presents a research based on these concepts. Euthony proposes a methodology that involves the knowledge of one¿s body and its activity of movement; establishing a research field that I have named ¿ the knowledge of the body¿. Considering the ¿knowledge¿, I identify and relate it to the principles of the phenomenology theory of Merleau- Ponty, where the notion of body and existential dimension come together. Following, the theoretic-practical concepts of Eutonia are described and then I establish a connection between the learning process and the creation. In order to do so, I use in my research on ¿ control position¿ of Euthony, where I observ the possibilities of these positions in terms of teaching ¿ learning, individual and collective creation described as Laboratory of Creation and Direction. At the end of the dissertation I have enclosed a DVD that contains images from my activities as teacher and directeur with the work ¿Performance Coletiva¿ performed in 2004 by my pos graduate students from the course I coordinate at Faculdade Senac Ciências da Saúde / Mestrado / Artes / Mestre em Artes

This thesis comprises an exploratory study of the dynamic of communication symbols during growth and transcendence cycles of the unique individual. It moreover explores how the quintessence of the individual, the quantum self, transforms itself through the use of intrapsychic communication. The exploration focuses on the confluence of a subjective, inner experiential reality and reality as a social construct. This inner, subjective and experiential reality of the individual relates to the correspondence between the transcendence of consciousness and the creation of meaning derived from the Jungian constructs of archetypal images, symbols and myths. The eclectic nature of the study necessitates a multidisciplinary approach, and consequently, theories and constructs in Depth and Transpersonal Psychology, the New Physics (Quantum Physics), Complexity and Chaos Theories, Mysticism, and Philosophy are explored and integrated with contemporary communication notions of the self, symbols and consciousness. Integration and inclusiveness consequently form the bedrock of this study. Archetypal communication symbols are considered as the derivatives of a subjective, inner reality. The exploration and comprehension of an inner reality are considered to be of prime significance to the transcendence of the self: the individual as a unique multifarious being. An archetypal and mythical semiotic textual analysis of ‘The Alchemist’ by Paolo Coehlo, and an individual case analysis of dream symbols and a self-report based on the interpretation of a dream theme by using active imagination indicate that a transcendental spirituality, and consequently an inner, subjective transcendental reality are imminent in the individual. An intrinsic need for equanimity and unity is reflected in the images, symbols and myths of the Self as archetype of meaning nested in the collective unconscious. Ensuing from the exploration in this study, an experiential and ‘lived’ theory and model of the dynamic process of intrapsychic communication are described and depicted. Moreover, the employment of archetypal images, symbols and myths of the Self during intrapsychic communication are described and contrasted with a complex adaptive system. The relationship between the self, consciousness, and intrapsychic communication is hence depicted and described in terms of an experiential theory of intrapsychic communication as a complex adaptive system iterating between balance and harmony, and chaos. Intrapsychic communication, which represents all the levels of communication within the Self with its corresponding levels of consciousness, facilitates both awareness and integration of the inner subjective reality, and the external socio-cultural reality of the ego which is at the core of the Self. It is asserted that the transcendence of consciousness cannot be experienced as a distinct experience. Rather, intrapsychic communication facilitates a sense and experience of the Self by an individual through the use of archetypal images, symbols and myths as represented in dream experiences of an individual and the text of a modern narrative. The inclusion of the archetypal spiritual dimension of the Self and the indication of an intrinsic need for wholeness, unity and transcendence in intrapsychic communication, alludes to a shared innate and universal heritage which cuts across all cultural and racial boundaries. Since the study is of an exploratory nature suggestions for further study and research are also made. / Dr. H.L. Venter

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No description available.

This study focuses on exploring barriers to intercultural communication among managers atIKEA Japan. It investigates what challenges MNC subsidiary managers experience whilecommunicating and interacting with people from different cultures.For this study, semi-structured interviews were conducted, and the respondents were ofSwedish and Japanese nationality holding management positions at IKEA Japan.The research concluded that the respondents experienced the barriers differently, some feltstressed over uncertainty while others felt excited. A common theme across all the barriers waslanguage difficulties. Language differences were the most prominent stumbling block.Nonverbal communication was of greater importance to the respondent that does not speakJapanese well and is often used as a tool to aid verbal communication.The respondents did not see stereotyping and ethnocentrism as a clear hindrance to interculturalcommunication. However, from their responses, it is evident that there are some issues. TheJapanese tend to bunch all Westerners together and assume they are unable to speak Japaneseand understand Japanese customs. The Japanese have a strong sense of pride in their cultureand a strong preference for speaking Japanese. The Swedish managers may even lose therespect of Japanese co-workers if they do not speak Japanese perfectly.

76 Abstract The thesis deals with the relationship between verbal and nonverbal communication in the speeches of Czech as a foreign language teachers, with an emphasis on nonverbal means, especially gestures and facial expressions. The analysis focuses on the verbal and nonverbal means by which teachers fulfill selected communication/pedagogical intentions and implement activities such as interpreting the material, practicing, instructing students or providing feedback, and the relationship between different types of means in different communication situations. The basic material of the analysis are video recordings of the teachers' speech in the teaching of Czech as a foreign language for adults obtained during the internships of students in the field of Teaching Czech as a Foreign Language. The results of the analysis confirmed that the teachers use deictic, illustrative and also symbolic gestures in selected recordings. Key words: Czech as a foreign language, nonverbal communication, verbal communication

76 Abstract The thesis deals with the relationship between verbal and nonverbal communication in the speeches of Czech as a foreign language teachers, with an emphasis on nonverbal means, especially gestures and facial expressions. The analysis focuses on the verbal and nonverbal means by which teachers fulfill selected communication/pedagogical intentions and implement activities such as interpreting the material, practicing, instructing students or providing feedback, and the relationship between different types of means in different communication situations. The basic material of the analysis are video recordings of the teachers' speech in the teaching of Czech as a foreign language for adults obtained during the internships of students in the field of Teaching Czech as a Foreign Language. The results of the analysis confirmed that the teachers use deictic, illustrative and also symbolic gestures in selected recordings. Key words: Czech as a foreign language, nonverbal communication, verbal communication