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Aeolian dust that gets deposited builds up loess sequences that cover 10% of the Earth's continents. Such sequences can be several metres thick with material deposited over thousands of years, and therefore act like archives of past climates. The glacial and interglacial cycles during the late Quaternary affects the loess deposition and the dust in the atmosphere, which has an impact on the global climate. Loess material is deposited during colder and drier periods. Paleosols have often been developed in the loess sequences, reflecting a warmer and wetter climate with decreased dust deposition. By sampling loess from different depths of the sequence and analysing different properties of the material, a reconstruction of past environment and climate can be done. Two commonly used methods are magnetic susceptibility analysis and grain size analysis and differences in the result can show differences in the climate and environment at the time the material was deposited. The late Quaternary climate was influenced by changes in the North Atlantic, and loess in the area is important to study to get a better understanding of the climate at the time it was deposited. In this project, loess material from a 10 metres thick sequence at the Romont site, Belgium has been analysed with grain size and magnetic susceptibility measurements to reconstruct past climate. The results show differences in the magnetic enhancement and the grain size as a gradual decrease in the magnetic enhancement, indicating a colder climate as confirmed by an increase in the U-ratio. This is followed by the abrupt onset of the warm Holocene period, matching the marine isotope record at the approximate same time period. The magnetic susceptibility data identifies the Rocourt tephra layer and also shows evidence of erosion of material between the Kincamp soil and the Nagelbeek Tongue Horizon. / Fint sandmaterial som transporteras med vinden kallas för stoft, när det sedan avsätts på marken bygger det upp så kallade för löss-sekvenser. En löss-sekvens kan vara flera meter tjock och uppbyggd under tusentals år, vilket innebär att materialet på olika djup reflekterar hur klimatet var då det avsattes. Klimatet under senkvartär tid reflekterar istider och mellanistider, vilket påverkar mängden stoft i atmosfären och avsättningen av materialet. Materialet har främst avsatts under kalla och torra perioder. Avsättningen minskade under varma och blöta perioder, vilket var optimalt för så kallade  paleosoler att bildas genom vittring. Genom att ta prover från olika djup i en löss-sekvens och analysera dem är det möjligt att tolka tidigare förändringar i klimatet. Två vanliga analysmetoder är att mäta materialets magnetiska mottaglighet och kornstorleken på materialet. Klimatet under senkvartär tid (130 - 12 tusen år sedan) påverkades av norra Atlanten. Det är därför av stor vikt att analysera prover från platser i närheten, för att bättre förstå hur klimatet varierat då materialet avsattes. I det här projektet har material från en 10 meter tjock löss-sekvens i Romont, Belgien analyserats. Resultatet visar variationer i kornstorlek och magnetisk mottaglighet. Ett vulkaniskt lager som kallas Rocourt identifierades, följt av en gradvis minskning av den magnetiska mottagligheten som visar på ett gradvis kallare klimat fram till början på den varma Holocen-perioden som vi befinner oss i nu. Resultatet visar också bevis för erosion mellan två enheter i sekvensen.

This thesis investigates three different so-called “past tense forms” in Tulu, a Dravidian language spoken in the south-western Indian states of Karnataka and Kerala. Through fieldwork material collected by the author, this thesis provides a comprehensive analysis of the usage and functions of the three forms in Tulu. It expands upon previous research, which has acknowledged the forms’ existence but not described their functions or provided examples of their usage. Previous research has also often referred to the forms with contradictory names; for example, one form has been called both “immediate past” by one source (Bhat, 1998:166) and “distant past” by another (Krishnamurti, 2003:334), with little explanation of the choice of these labels. In this thesis, they are called Past1, Past2 and Past3 as they all refer to events that have already happened, but the study shows that the distinction between them is one of aspect and validity of results and not of remoteness in tense. The investigation also shows that the three forms have differentiating and contrasting functions and can, in most cases, not be replaced by the others. Past1 is favoured to express perfectivity, event-focused actions, and consecutiveness. Past2 is used for continuous statives, states resulting from past events and events that have happened at least once, as well as introducing a new topic in a narrative. Past3 refers to both punctual or completed events and states that can hold for some time with other events happening in between, and it is commonly used to mark a situation or result not holding anymore. When events in the past are within the same scope, or an event is elaborated upon, the Past3 is also used, as well as when referring to events completed or started before a time reference in the past. The description of these forms' functions will fill a knowledge gap in the description of Tulu, providing a comprehensive understanding of the tense and aspect system in the language. Furthermore, the analysis and data can advance future Tulu and general typological studies about tense and aspect systems. Tulu has several unique features compared to other Dravidian languages. The so-called past tense forms have been claimed as one of them (Subrahmanyam, 1971; Krishnamurti, 2003). By describing them and including a brief comparison with other Dravidian languages, this thesis contributes to understanding the Dravidian language family. It provides material for the study of language change and the family's genealogy. In addition, the data released with the thesis includes sentences from Tulu and basic vocabulary lists from various Dravidian languages that can likewise be used in historical research of the family.

History, both collective and personal, often provides a stimulus for Southern poets and is useful in bridging the gap between the writers' personal memories and associations and those of the reading audience. The critical introduction to this collection explores connections between personal and shared history in the works of Natasha Trethewey, Betty Adcock, and Kathryn Stripling Byer. These poets convey their own connections to the past through reacting to historical photographs, relaying their own experiences during natural disasters, and setting private incidents within their larger historical contexts. These poets also suggest that time is concentric and malleable, and that history is essentially changed through its retelling. Poems offer a chance to rewrite one's own history. In the final section, I show that historical connections are treated similarly in my own work and that, through making associations with history, my poems also attempt to rewrite the past.

The aim of this study was to analyze the translation of verb constructions with participles from French into Swedish of three news articles from the French magazine Le Point (2021). The articles were published in a special issue dedicated to climate change. The analysis focused on the translation of present and past participle phrases and the strategies involved in the translation process. Gerunds were excluded from the study as well as participles functioning as an adjective in order to limit the study. The present study was based on Eriksson’s model and his definitions of transpositions (Eriksson 1997), which are translation shifts taking place during the translation process. The results showed that most present and past participle phrases were being replaced by relative clauses or by main clauses in Swedish. Many participle phrases were also replaced by other types of phrases or clauses.               Some transpositions were considered as being necessary. They seemed to have been imposed on the text by the inherent grammar structures of the target language, while other translation shifts appeared to be optional. In the latter case, they seemed to have been chosen rather for stylistic reasons, and/or motivated by the personal choice of the translator when several options were available.

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No description available.

En s’éloignant de l’idée des frontières qui marque une compréhension de la construction des États-nations en tant qu’entités souveraines et homogènes, cette thèse adopte une approche différente en considérant les portes et les murs comme deux métaphores centrales de transgression et de transformation qui amplifient l’expérience des réfugiés et permettent une vision transnationale et trans-mnémonique de divers souvenirs dans deux romans: « Exit West » de Mohsin Hamid et « Go, Went, Gone » de Jenny Erpenbeck. Dans mon premier chapitre, j’explore comment les souvenirs des Allemands sont dialogiquement liés aux souvenirs des réfugiés à travers les paradigmes de l’espace et du temps, ainsi que du passé et du présent, en examinant l’impact durable du mur de Berlin dans « Go, Went, Gone ». Mon deuxième chapitre étudie la métaphore des portes dans « Exit West » qui défient les frontières et la revendication de souveraineté des États-nations. L’objectif de mon chapitre est de comprendre comment ces portes facilitent la mobilité sans contraintes à travers l’espace et le temps, en nous encourageant à réévaluer l’universalité de la migration. Je me réfère principalement au concept de mémoire multidirectionnelle de Rothberg, en relation avec l’étude de Brand sur les mémoires collectives et interconnectées de la traite transatlantique des esclaves qui mobilise les portes comme dispositifs mnémoniques. J’utilise également la notion du « living in the Wake » en relation avec « Afterlife of slavery » de Sharpe pour comprendre comment les souvenirs des réfugiés et des citoyens des États-nations sont dialogiques à travers différentes géographies et temporalités. De plus, je m’appuie sur le concept de « de-borderization » d’Achille Mbembe en lien avec les perspectives de Gloria Anzaldúa sur les frontières pour une meilleure compréhension de l’expérience des réfugiés. / Moving away from borders that signal an understanding of the construction of nation-states as sovereign and homogenous entities, this thesis takes a different approach by considering doors and walls as two central metaphors of transgression and transformation that dramatize the refugee experience and enable a transnational and trans-mnemonic reading of various memories in two novels: Mohsin Hamid’s Exit West (2017) and Jenny Erpenbeck’s Go, Went, Gone (2015). The first chapter of the thesis addresses how memories of Germans are dialogically connected to the memories of refugees across the paradigms of space and time, past and present, through an exploration of the enduring impact of the Berlin Wall in Go, Went, Gone. The second chapter studies the metaphor of doors in Exit West that move beyond borders and challenge the nation-states’ claim to sovereignty to understand how they allow free movement across space and time and rethink the universality of migration. The thesis builds on Michael Rothberg’s concept of multidirectional memory in relation to Dionne Brand’s study of collective and interconnected memories of the slave trade that mobilizes doors as mnemonic devices, and Jenny Sharpe’s notion of “living in the wake” in connection to the afterlife of slavery to understand how memories of refugees and natives of nation-states are dialogical across different geographies and temporalities. Additionally, I rely on Achille Mbembe’s notion of “de-borderization” and relate it to Gloria Anzaldúa’s views on borders to better understand literary representations of the refugee experience.

This paper explores the role of images in facilitating debates on the responsibility of convicted war criminals. Previous research on the mediation of war crime trials in Serbia has mainly focused on political and media discourses or everyday practices as verbal or textual modes of communication, showing the dominant nationalism and widespread denial, with convicted war criminals appearing as heroes and celebrities. This article argues that the normalization of convicts was partially realized through the avoidance of atrocity images and the prevalence of iconic images of convicts, who are described as persons “freed by the court.” The paper explores two instances when iconic images of convicts served as catalysts in debates on their criminal responsibility, pointing out that images might limit the scope of the debate, and condition the type of questions posed. Archival atrocity images, on the other hand, might provide much-needed context and evidence about crimes. Considering the powerful role of images, the article urges a more systematic analysis of images in the transitional justice field, as some of the images turn into symbolic presentations of the past for future generations.

This diploma thesis deals with an analysis of Old Czech poem Tristram and Izalda. The source of the analysed text is the Strahov manuscript dated to 1449, in edition by Zdeňka Tichá. The thesis includes a brief description of the history and origin of the analysed piece in both European and especially Czech literary context. The main focus of this text is the linguistic analysis of selected language phenomena. That comprises of phonological and morphological evolution of most grammar categories of nouns, adjectives and verbs in Czech language. With nouns and adjectives, the thesis focuses on the declination paradigm, specifically on the system of grammatical cases and the animacy of the masculine gender. With verbs, the attention is given to the analysis of the tenses, with emphasis on the simple past tenses. First and foremost, the thesis focuses on the analysis of the aorist and imperfect tense with emphasis on verbal aspect affiliation, from which these tenses are often created. A part of the work is dedicated to the preterite, the compound past tense. Where individual verbal forms are analysed, the main focus is given to the nt- and s- participles, their suffix system and also the connection to the category of verbal aspect. Many distinct examples from the analysed text are provided throughout the thesis, as well as detailed statistic data on the occurrence frequency of selected phenomena