The diploma thesis "Periodical press in Prachatice region during interwar period" deals with Czech and German periodicals which were published in the above mentioned period in the territory of Prachatice County. The thesis focuses on the main newspapers of the region in connection with the sociohistorical events and political development in the border area. The goal of the thesis is dealing with the typology of periodical press in Prachatice region and exploring whether the events which had happened in the town of Prachatice and its surroundings had any influence on the local periodical press. The thesis makes use of formal, content and comparative analysis. The thesis presents a survey of the development of the Czech and German press during interwar period, further on it deals with the explanation of the situation in Prachatice on the background of historical and political events in the country. The main part of the thesis includes the characteristics of principal periodicals for the Czech and German population with the subsequent content analysis. The thesis originated on the basis of the available literature referring to the topic and on the basis of accessible sources deposited in the State District Archives in Prachatice.

Dans le cadre des études sur presse et littérature et sur les transferts culturels, cette recherche présente une étude comparative entre les feuilletons dramatiques français, d'Hector Berlioz et de Théophile Gautier, et les feuilletons de théâtre lyrique écrits par le dramaturge brésilien Martins Pena. Il a écrit la série « Semaine Lyrique », parue au Jornal do Commercio en 1846-1847. Sous une perspective diachronique qui prend en compte le processus de mondialisation médiatique de la presse périodique au XIXe siècle, cet examen se propose de retracer et d'observer les transferts de pratiques culturelles médiatiques de la presse française vers la brésilienne qui ont déterminé l’acclimatation des feuilletons dramatiques au Brésil. En privilégiant l'analyse de la méthode, de la construction du discours critique et du style des feuilletonistes français et de Martins Pena, nous avons centré notre étude sur les aspects littéraires ainsi que sur la répercussion de leur adaptation dans la presse brésilienne. Particulièrement, les formes et la manifestation de l'ironie (journalistique) dans l'écriture des feuilletonistes constituent le cerne des analyses. Notre hypothèse est que Martins Pena a adapté les aspects de l'écriture littéraire des critiques français en créant une poétique autonome et légitime. En plus d’être la première série de chroniques de contenu culturel de la presse quotidienne de Rio de Janeiro, la « Semaine Lyrique » se distingue aussi des feuilletons dramatiques brésiliens précédents grâce à l'écriture ironique et fictionnelle assimilée et recrée au fil de la série par Martins Pena. / In the perspective of researches about literature and press theory and about cultural transfers, this study presents a comparative analysis between Hector Berlioz’ and Théophile Gautier's theater serials and Brazilian dramatic writer Martins Pena’s serials about lyric theater wrote by the Brazilian dramatic writer Martins Pena. He wrote the series “Lyric Week” published in Jornal do Commercio in 1846-1847. In a diachronic perspective which consider the process of periodical press globalization in the 19th century, this investigation proposes to reconstruct and observe the transfers of media cultural practices from the French press to the Brazilian press which determined the acclimatization of the theater serials in Brazil. Emphasizing the method analysis, the construction of critical discourse and style of French theater serials and that of Martins Pena, we focused our study on the literary aspects as well as on the impact their adaptation had in the Brazilian press. Specifically, the form and manifestation of the (journalistic) irony in the writing of the columnists constitute the focus of the analysis. Our hypothesis is that Martins Pena adapted aspects of the French columnists’ literary writing, creating an autonomous and legitimate poetic. In addition to being the first cultural content chronicle series of the daily press of Rio de Janeiro, the “ Lyric Week” distinguishes itself from previous Brazilian theater serials through the ironic and fictional writing assimilated and recreated throughout the series by Martins Pena.

Artefacts created from big game material proliferated during the period between 1870 and 1920 and, through their physical and metaphorical circulation as trophies, mementos, furnishings, garments, and personal accoutrements, became increasingly visible as they percolated from their predominantly elite genesis, into a multiplicity of public, domestic and civic spaces. This study seeks to discern the effect of their dissemination, showing how it impacted on the museum displays, domestic decor, fashionable dress and commodity culture of the era. It reflects the extensive representation of big game hunting, and its material effusions, in the text and images of the expanding periodical press, recognising the contribution of published sources to public reception of these artefacts and their developing role as commodities. My thesis aims to demonstrate that detailed examination of the varied and abundant artefacts which stemmed from big game hunting can offer valuable insights into the social and cultural history of the era and argues that this material's entanglement in Britain's imperial project is too significant to overlook. It contends that the transitions from nature to culture, which these objects illustrate, map the reach of the burgeoning Empire, and plot the dichotomies of late Victorian, and Edwardian, engagements with the natural world and subaltern nations. Scholarly work by John M. Mackenzie and Harriet Ritvo, in the mid 1980's, firmly established the relevance of the examination of material culture, within the contexts of animal studies and imperial history, as a fruitful field for academic research, arguing convincingly for further examination of its varied manifestations. However, a generation later, no comprehensive exploration of those elements appertaining to big game hunting has been attempted. Encouraged by the post-millennial 'material turn' in social history, identified by scholars including Bill Brown (2001), Erica Rappaport (2006) and Frank Trentmann (2009), my work draws on a wealth of contemporaneous factual sources including museum, exhibition and trade catalogues, fashion plates, unpublished correspondence, biographical material, museum records, archival sources and popular fiction, to explore the circulation and representation of big game material culture, during a long fin de siècle, and reveal its extensive influence. As a whole, this thesis seeks to offer a nuanced, detailed and holistic view of the visibility and affect of the material culture of big game hunting in the period.

Submitted by Maike Costa (maiksebas@gmail.com) on 2016-06-09T13:46:22Z No. of bitstreams: 1 arquivo total.pdf: 8005009 bytes, checksum: c71d999457b0e4b1b79e1e7d490403e2 (MD5) / Made available in DSpace on 2016-06-09T13:46:22Z (GMT). No. of bitstreams: 1 arquivo total.pdf: 8005009 bytes, checksum: c71d999457b0e4b1b79e1e7d490403e2 (MD5) Previous issue date: 2015-12-09 / This work consists of scrolling through the pages of newspapers and literary criticism from 1890 to 1960 to discuss the history of Brazilian literature that was formed through the selection of forgotten authors and works as it happened to the writer Pereira da Silva, the object of this work . Thus, we focused on the historical and literary revival of the author Antonio Joaquim Pereira da Silva (1876-1944), born in the city of Araruna (PB), he was the author of seven books of poetry, affiliated to the symbolist aesthetics and the first writer from Paraiba to occupy a seat in the Brazilian Academy of Letters in 1934. Pereira da Silva was also a journalist and a literary critic who joined Rio periodical press in the late nineteenth century and the first decades of the twentieth century, a period when newspapers were the primary means of written circulation and dissemination of literature in Brazil and the Brazilian press was living a moment of transformation in the Brazilian historical and cultural setting. Although in life and after his death, his name has been taken up by literary critics until the mid-1960s, taking part of the list of symbolist authors, his name is deleted by the history of literature we know today. For this reason, our purpose, therefore, is to resume this historical-literary author, his career in newspapers and his literary criticism from the late nineteenth century to the first half of the twentieth century as well as pointing out the probable causes of his subsequent erasure. For this research, we used a variety of sources such as newspapers, academies of letters, literary criticism and the education system under the theoretical framework of Bourdieu (1996, 2009), Roger Chartier (1998; 1999; 2002; 2007), Foucault (1999; 2001), Michel Certeau (1998), De Luca (2005), Barbosa (2007), Barbosa (2010), among others, refering to cultural practices related to literary media and reading but also to the systems of power and their implications for the composition and maintenance of the literary canon. / Cette recherche a le but de faire défiler les pages de journaux et de la critique littéraire dans la période 1890-1960 afin de discuter en même temps une histoire de la littérature brésilienne, qui a été formé par la sélection des auteurs et des oeuvres, au détriment d'oubli des auteus, comme a eu lieu à l'écrivain Pereira da Silva, notre objet d'étude. Ainsi, nous nous centrons sur la renaissance historique et littéraire de l'auteur Antonio Joaquim Pereira da Silva (1876-1944), qui est né à Araruna (PB), auteur de sept livres de poésie, affilié à l'esthétique symboliste et c‘est le premier paraibano à occuper une fauteuil à l'Académie brésilienne des Lettres en 1934. Pereira da Silva était aussi un journaliste et critique littéraire qui occupait l'espace à Rio à la presse Carioca périodique à la fin du XIXe siècle et les premières décennies du XXe siècle, à cette une époque lá les journaux étaient les principaux moyens de circulation de l'écriture et de diffusion de la littérature au Brésil, de vivre un moment de transformation dans la scène historique et culturel brésilien. Bien que dans la vie et après sa mort, son nom a été repris par les critiques littéraires jusqu'au milieu des années 1960, appartenant à la liste des auteurs symbolistes, leur nom est supprimé par l'histoire de la littérature dont nous connaissons aujourd'hui. Pour cette raison, notre but est donc de reprendre cet auteur historico-littéraire, avec sa carrière dans les journaux et la critique littéraire de la fin du XIXe siècle à la première moitié du XXe siècle, mais aussi souligner les causes probables de son effacement subsequente Pour cette recherche, nous avons utilisé une variété de sources, comme les journaux, les académies de lettres, de la critique littéraire et le système d'éducation dans le cadre théorique de Bourdieu (1996, 2009), Roger Chartier (1998; 1999; 2002; 2007), Foucault (1999; 2001), Michel de Certeau (1998), de Luca (2005), Barbosa (2007), Barbosa (2010), entre autres, en ce qui concerne les pratiques culturelles liées aux médias littéraires, la lecture mais aussi sur les systèmes de pouvoir et de ses implications pour la composition et l'entretien du canon littéraire. / Este trabalho consiste na discussão sobre a presença e apagamento do poeta Antônio Joaquim Pereira da Silva (1876-1944), nascido na cidade de Araruna (PB), autor de sete livros de poesia, tendo sido primeiro paraibano a ocupar uma cadeira na Academia Brasileira de Letras em 1934. O autor também foi um jornalista e crítico literário que ocupou espaço na imprensa periódica carioca entre o final do século XIX e as primeiras décadas do século XX, num período de transformações no cenário histórico-cultural brasileiro, em que os jornais ainda eram o principal meio de circulação do escrito e de divulgação dos trabalhos literários no Brasil. Seu nome, também, foi retomado literariamente por críticos literários até meados dos anos de 1960, configurando a lista de autores simbolistas. Apesar disso, seu nome se encontra apagado pela história da literatura da qual temos conhecimento hoje. Nosso propósito, portanto, é dar visibilidade a este autor e também aos eventos culturais aos quais seu nome pertenceu, apresentando sua trajetória nos jornais e na crítica literária do final do século XIX até a primeira metade do século XX, como também apontar as prováveis causas de seu posterior apagamento. Para a realização desta pesquisa, recorremos a diversos gêneros e documentos reproduzidos por instâncias responsáveis pela legitimação, consagração e manutenção do nome do autor, tais como os encontrados nos jornais, nas academias de letras, na crítica literária e no sistema de ensino, sob o aporte teórico de Bourdieu (1996; 2009), Roger Chartier (1998; 1999; 2002; 2007), Foucault (1999; 2001), Michel de Certeau (1998), De Luca (2005), Barbosa (2007), Barbosa (2010), entre outros, no que se refere às práticas culturais ligadas aos suportes literários, à leitura, como também sobre os sistemas de poder e suas implicações na composição e manutenção do cânone literário.

In its first chapter, the thesis deals with the analysis of the changes in the Czech daily and regional newspapers and magazines' owners. The second and the third chapter analyse both verbally and graphically changes in sold number of copies and reading of these periodicals in the years 1989 - 2008. Conclusions of the analyses are presented separately for selected segments of periodicals: daily newspapers, regional newspapers, women's magazines, social magazines, exclusive magazines, magazines about computers and IT, news-journalistic magazines and economic weeklies. The last chapter justifies the reached output of the analyses.

No description available.

This thesis deals with the history of periodicals in the region Rokycany during the years 1945- 1956. It shows the evolution of journalism and it maps regional periodicals. There is also described the social climate with emphasizes on the social, political and cultural transformations of region Rokycany, which should illustrate the situation and bring deeper understanding of the context. The first part deals with the geographical and historical context of that region at the time of the First and Second Republic, the Protectorate and the post-war development until the mid-50s. The second chapter deals with a recap of periodicals until 1945, there are briefly described preserved periodicals. The main part maps the periodicals in region Rokycany during the years 1945-1956. At first the chapter focuses on an early post- war period, 1945-1948, when the social and political sphere began to awaken back to life again, and so did the journalism. During this period, many periodicals were dissolved, but on the other hand a lot of old periodicals were re-established and some new were founded. There are also reflected communist efforts to control the media, particularly through the regulatory moves. This chapter also pays attention to the period 1948-1956, when it focuses on how the political events of 1948 and...

Este trabalho tem como horizonte a análise da produção do escritor goês Júlio Gonçalves, composta por matérias não ficcionais, tais como biografias, estudos historiográficos e crônicas, bem como por crônicas, contos e poesia. O corpus do trabalho advém, sobretudo, da revista Illustração Goana (1864-1866), que o escritor dirigia e editava. O presente estudo tem dois objetivos: tratar da imprensa literária da qual a referida publicação fez parte e analisar a produção em prosa de Júlio Gonçalves. Tendo sido o primeiro escritor goês a escrever e publicar contos, foi um dos grandes promotores das letras em Goa, podendo ser tomado como um paradigma da produção literário daquele momento. / This thesis has as its main aim the analyses of the oeuvre of the Goan writer Júlio Gonçalves, composed of non-fiction works such as biographies, historiographical studies and chronicles, as well as short stories and poetry. The corpus of the work comes, mainly, from the journal Illustração Goana (1864-1866) that Gonçalves both directed and edited. The present study has two main objectives: to deal with the literary press of which this publication was part, and to analyze the prose production of Júlio Gonçalves. Having been the first author to write and publish short stories, he was one of the great mentors of literature in Goa, and could be considered as a paradigm of the literary production of Goan literature of the time.

Historicamente, para Brasil e Portugal, o inicio do século XX é considerado como um momento muito representativo para ambos os países, não só devido às particularidades internas de cada um, mas também ao que concerne as relações entre os mesmos especialmente no âmbito cultural. Apesar de parecer incongruente, principalmente nesse primeiro vintênio, observamos tanto uma crescente oposição à presença lusitana (sobretudo na cidade do Rio de Janeiro) quanto o fomento exaustivo de acordos e projetos visando o estreitamento dos laços luso-brasileiros através da imprensa. Nesse sentido, pretendemos nesse trabalho elaborar um pequeno panorama dessas relações através de alguns periódicos portugueses que circulavam no Brasil (como a Brasil-Portugal, Atlântida, Orpheu, A Rajada e Nação Portuguesa, por exemplo) e que tinham também como um dos objetivos principais o de atender igualmente o público brasileiro para dirimir o grande desconhecimento mútuo existente entre as nações apontados por esses mesmos periódicos. Assim sendo, primeiramente procedemos à compilação e catalogação de artigos sobre a temática lusobrasileira nas revistas escolhidas para integrar o nosso corpus para, em um segundo momento, analisarmos mais detalhadamente alguns dos artigos mais significativos. Por fim, ao conseguirmos identificar algumas causas e justificativas apresentadas por essa imprensa portuguesa em ratificar constantemente tal amizade luso-brasileira, percebida como inconveniente por grande parte da intelectualidade local, procuramos refletir, sobretudo à luz dos estudos realizados por Said e Bourdieu, por exemplo a pertinência dessa postura imperialista articulada por essa elite lusitana e qual a importância da manutenção dessa hegemonia na (ex) colônia para Portugal. / Historically, in Brazil and Portugal, the beginning of the twentieth century is considered as a very significant moment for both countries, a situation that is explained not only if we observe each internal peculiarity of those nations, but also what concerns the relations between them, especially in the cultural sphere. Although it may seem incongruous, especially in the first twenty years, we observed both a growing opposition to the Lusitanian presence (especially in the city of Rio de Janeiro), and a big promotion of \"agreements\" and \"projects\" that aimed getting Portugal and Brazil closer to one another through the press. Therefore, we intend to show in this work a short overview of these relationships through the analysis of some Portuguese magazines that circulated in Brazil (such as Brasil-Portugal, Atlântida, Orpheu, A Rajada and Nação Portuguesa, for example), and that aimed also to help the Brazilian public reduce the \"mutual ignorance\" between the nations mentioned by these publications. To that end, we first proceeded with the compilation and cataloging of articles about the Luso- Brazilian theme, which were extracted from the chosen magazines, to integrate our corpus and, in a second step, we analyzed more thoroughly the articles that we considered to be the most significant ones. Finally, when we identified some causes and justifications presented by the Portuguese press to ratify that constantly \"Luso-Brazilian friendship\", which was seen as inconvenient by the majority of the local intelligentsia, we reflected especially in light of studies made by Said and Bourdieu, for example the relevance of this \"imperialist attitude\" articulated by this Lusitanian elite and the importance to Portugal of maintaining this hegemony in their (old) colony.

Historicamente, para Brasil e Portugal, o inicio do século XX é considerado como um momento muito representativo para ambos os países, não só devido às particularidades internas de cada um, mas também ao que concerne as relações entre os mesmos especialmente no âmbito cultural. Apesar de parecer incongruente, principalmente nesse primeiro vintênio, observamos tanto uma crescente oposição à presença lusitana (sobretudo na cidade do Rio de Janeiro) quanto o fomento exaustivo de acordos e projetos visando o estreitamento dos laços luso-brasileiros através da imprensa. Nesse sentido, pretendemos nesse trabalho elaborar um pequeno panorama dessas relações através de alguns periódicos portugueses que circulavam no Brasil (como a Brasil-Portugal, Atlântida, Orpheu, A Rajada e Nação Portuguesa, por exemplo) e que tinham também como um dos objetivos principais o de atender igualmente o público brasileiro para dirimir o grande desconhecimento mútuo existente entre as nações apontados por esses mesmos periódicos. Assim sendo, primeiramente procedemos à compilação e catalogação de artigos sobre a temática lusobrasileira nas revistas escolhidas para integrar o nosso corpus para, em um segundo momento, analisarmos mais detalhadamente alguns dos artigos mais significativos. Por fim, ao conseguirmos identificar algumas causas e justificativas apresentadas por essa imprensa portuguesa em ratificar constantemente tal amizade luso-brasileira, percebida como inconveniente por grande parte da intelectualidade local, procuramos refletir, sobretudo à luz dos estudos realizados por Said e Bourdieu, por exemplo a pertinência dessa postura imperialista articulada por essa elite lusitana e qual a importância da manutenção dessa hegemonia na (ex) colônia para Portugal. / Historically, in Brazil and Portugal, the beginning of the twentieth century is considered as a very significant moment for both countries, a situation that is explained not only if we observe each internal peculiarity of those nations, but also what concerns the relations between them, especially in the cultural sphere. Although it may seem incongruous, especially in the first twenty years, we observed both a growing opposition to the Lusitanian presence (especially in the city of Rio de Janeiro), and a big promotion of \"agreements\" and \"projects\" that aimed getting Portugal and Brazil closer to one another through the press. Therefore, we intend to show in this work a short overview of these relationships through the analysis of some Portuguese magazines that circulated in Brazil (such as Brasil-Portugal, Atlântida, Orpheu, A Rajada and Nação Portuguesa, for example), and that aimed also to help the Brazilian public reduce the \"mutual ignorance\" between the nations mentioned by these publications. To that end, we first proceeded with the compilation and cataloging of articles about the Luso- Brazilian theme, which were extracted from the chosen magazines, to integrate our corpus and, in a second step, we analyzed more thoroughly the articles that we considered to be the most significant ones. Finally, when we identified some causes and justifications presented by the Portuguese press to ratify that constantly \"Luso-Brazilian friendship\", which was seen as inconvenient by the majority of the local intelligentsia, we reflected especially in light of studies made by Said and Bourdieu, for example the relevance of this \"imperialist attitude\" articulated by this Lusitanian elite and the importance to Portugal of maintaining this hegemony in their (old) colony.