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Bakgrund: Isolering innebär att en patient som är smittbärare eller har en smittsam sjukdom tas om hand på ett sådant sätt att andra skyddas från att bli smittade. I hälso- och sjukvårdslagen beskrivs målet för hälso- och sjukvården som vård på lika villkor för hela befolkningen och en god hälsa. Studier poängterar vikten av patienters livskvalitet och hur isolering kan innebära en risk för försämring av denna. Det finns en okunskap hos sjukvårdspersonalen när det gäller smittspridning vilket skapar en utsatthet för patienter som blivit smittade. Syfte: Syftet med litteraturöversikten är att belysa patientens upplevelse av isolering vid smittorisk.  Metod: En litteraturöversikt enligt Friberg (2012) utfördes. Tio artiklar användes i resultatet, vilka hittades i CINAHL Complete, PubMed, PsycINFO samt Nursing & Allied Health database. Resultat: Litteraturöversiktens resultat visade tre huvudteman vilka var negativa upplevelser av isolering, upplevelser av att vara smittsam och positiva upplevelser av isolering. Negativa upplevelser av isolering var mer framträdande än positiva. Patienterna upplevde negativa upplevelser som ensamhet, tristess och frustration. Upplevelsen av att vara isolerad kunde vara stigmatiserande och gav en oro och rädsla hos patienter. Isolering kan även upplevas positivt då rummet kan vara en plats för avslappning och utrymme till att få vara privat. Diskussion: Sister Callista Roys adaptionsmodell användes i resultatdiskussionen där patienternas förmåga att anpassa sig till isoleringen diskuterades. Författarna diskuterar personalens roll i denna adaption samt vad som ger upphov till att ensamhet upplevs positivt eller negativt. / Background: Isolation is the practice whereby a patient who carries an infection or a contagious disease is taken care of in such a manner that other individuals are protected from likewise becoming infected. The aim of healthcare law is to provide both equal care and good health for the entire population. Research that has focused on the importance of the patient's quality of life has also shown how isolation runs the risk of undermining or diminishing such quality of life. Moreover, patients who become infected are more vulnerable due to the lack of knowledge among some medical staff concerning how infections are spread. Aim: The aim of the literature review is to highlight how the contagious patient experiences isolation. Method: A literature review was carrid out in accordanse with Friberg (2012). Ten articles, accessed in th databases CINAHL Complete, PubMed, PsycINFO and Nursing and Allied Health, were identified for the results. Results: The literature review showed three main themes that were negative experiences of isolation, experiences of being contagious and positive experiences of isolation. Negative experiences of isolation were more prominent than positive. Patients experienced negative feelings like loneliness, sadness and frustration. The experience of being isolated could be stigmatizing and gave patients anxiety and fear. Isolation can also be perceived as positive when the room can be a place for relaxation and privacy. Discussion: Sister Callista Roys adaptation model was used in the discussion where patients' ability to adapt to the isolation was discussed. The authors discuss the role of the staff in this adaptation as well as what causes loneliness to be perceived as positive or negative.

Roy Harris is an American composer who has contributed and is still contributing to the field of modern music. This study is concerned with his choral music and the substantiation of the fact that his contributions in this field are outstanding and are expressive of a living Americanism. It is also the purpose of the study to examine and analyze the choral works of this notable Oklahoma composer and teacher in an effort to determine what Harris has to say musically and his method of expressing himself.

A obra de Roy Wagner trata de um problema candente para a antropologia: a relação com a diferença. A partir do regime de leitura desenvolvido por Jacques Derrida, pretendo seguir os movimentos do texto de Wagner com o objetivo de compreender sua proposta de antropologia e articulá-la ao universo epistemológico mais amplo da disciplina. O texto wagneriano será, assim, articulado ao texto-contexto da antropologia, considerado como um conjunto de linhas de força em tensão e distensão. Na análise da obra de Wagner será privilegiada a relação entre proposta teórica e análise empírica por ser este um aspecto central para a antropologia e também um ponto de ruptura frequente nos textos da disciplina. De modo a estabelecer a mediação entre esses dois níveis, relacionarei em um primeiro momento a ideia de diálogo, no plano de interação em campo, ao conceito de dialética, no plano teórico. Em seguida, acompanharei o movimento de desconstrução e reposição conceitual realizado pelo autor para os conceitos de grupo e cultura com o objetivo de pensar o estatuto da nomeação em seus textos e relacioná-lo à concepção da diferença como alteridade em antropologia. / The work of Roy Wagner deals with a core issue in anthropology, that of the relation to difference. Based on the regime of reading developed by Jacques Derrida, I intend to follow the moves of Wagners text with the purpose of understanding his proposal for anthropology and articulating it to the disciplines broader epistemological universe. Wagners text will thus be articulated to the text-context of anthropology, considered as a set of lines of strength in tension and distension. In the analysis of Wagners work, the relationship between theoretical stance and empirical analysis will be privileged because this is a central aspect to anthropology and frequently the point at which the disciplines texts break. In order to mediate between these two levels, I will first relate the idea of dialogue at the level of field interaction to the concept of dialectic at the theoretical level. I will then follow the movement of conceptual deconstruction and reestablishment carried out by the author for the concepts of group and culture with the purpose of considering the status of nomination in his texts and relating it to anthropologys conception of difference as alterity.

Esta pesquisa teórico-prática realiza um estudo do pensamento e dos princípios de trabalho de dois importantes artistas e pesquisadores da voz ainda pouco conhecidos no universo das Artes Cênicas no Brasil: o alemão Alfred Wolfsohn e, seu discípulo, o ator Roy Hart. Wolfsohn desenvolveu, após uma experiência traumática de guerra, uma pesquisa aprofundada sobre a expressão humana através da voz. Já Hart aplicou, à sua maneira, os ensinamentos de Wolfsohn no campo teatral. Esta dissertação de mestrado efetiva ainda uma investigação prática à luz dos fundamentos propostos por esses artistas. Sua contribuição pode ser útil para que o ator vislumbre possibilidades de trabalho exploratório sobre si mesmo, partindo do alicerce corpo/voz enquanto unidade expressiva, além de colaborar com a formação integral do ator. / This research makes a theoretical and practical study of thinking and working principles of two important artists and researchers of the voice still little known in the world of Performing Arts in Brazil: the German Alfred Wolfsohn and his disciple, actor Roy Hart. Wolfsohn developed, after a traumatic experience in the war, a thorough research on the human expression through the voice. Hart applied, in its own way, the teachings of Wolfsohn in the theatrical field. This dissertation also realizes a practical research in the light of the grounds proposed by these artists. His contribution can be useful for the actor to have a glimpse of the possibilities of exploratory work on him/herself departing of the body/voice foundation as an expressive unity, as well as collaborating with the actor\'s whole formation.

Esta pesquisa teórico-prática realiza um estudo do pensamento e dos princípios de trabalho de dois importantes artistas e pesquisadores da voz ainda pouco conhecidos no universo das Artes Cênicas no Brasil: o alemão Alfred Wolfsohn e, seu discípulo, o ator Roy Hart. Wolfsohn desenvolveu, após uma experiência traumática de guerra, uma pesquisa aprofundada sobre a expressão humana através da voz. Já Hart aplicou, à sua maneira, os ensinamentos de Wolfsohn no campo teatral. Esta dissertação de mestrado efetiva ainda uma investigação prática à luz dos fundamentos propostos por esses artistas. Sua contribuição pode ser útil para que o ator vislumbre possibilidades de trabalho exploratório sobre si mesmo, partindo do alicerce corpo/voz enquanto unidade expressiva, além de colaborar com a formação integral do ator. / This research makes a theoretical and practical study of thinking and working principles of two important artists and researchers of the voice still little known in the world of Performing Arts in Brazil: the German Alfred Wolfsohn and his disciple, actor Roy Hart. Wolfsohn developed, after a traumatic experience in the war, a thorough research on the human expression through the voice. Hart applied, in its own way, the teachings of Wolfsohn in the theatrical field. This dissertation also realizes a practical research in the light of the grounds proposed by these artists. His contribution can be useful for the actor to have a glimpse of the possibilities of exploratory work on him/herself departing of the body/voice foundation as an expressive unity, as well as collaborating with the actor\'s whole formation.

Krūties vėžys jau daugelį metų yra dažniausia moterų onkologinė liga bei opiausia ir aktualiausia jų sveikatos problema. Problemos aktualumą lemia vis didėjantys susirgimo mastai bei nepaliaujamas sergamumo krūties vėžiu augimas. Atlikus darbą bus išsiaiškinta su kokiais adaptacijos poreikiais susiduria sergančios moterys 1- 4 parą po operacijos (ankstyvuoju pooperaciniu laikotarpiu) ir išvykusios į namus (vėlyvuoju pooperaciniu laikotarpiu). Išsiaiškinus adaptacijos poreikius, būtų galima greičiau bei efektyviau padėti pacientėms susidoroti su iškilusiomis adaptacijos problemomis. Darbo tikslas - įvertinti ir palyginti moterų, sergančių krūties vėžiu, adaptacijos poreikius ankstyvuoju ir vėlyvuoju pooperaciniu laikotarpiu. Šiam tikslui pasiekti buvo naudojami 3 uždaviniai: 1. Palyginti moterų, sergančių krūties vėžiu fizinės adaptacijos poreikius ankstyvuoju bei vėlyvuoju pooperaciniu laikotarpiu remiantis C. Roy adaptacijos modeliu. 2. Palyginti moterų, sergančių krūties vėžiu vaidmens poreikius ankstyvuoju bei vėlyvuoju pooperaciniu laikotarpiu remiantis C. Roy adaptacijos modeliu. 3. Palyginti moterų, sergančių krūties vėžiu tarpusavio ryšio poreikius ankstyvuoju bei vėlyvuoju pooperaciniu laikotarpiu remiantis C. Roy adaptacijos modeliu. 4. Palyginti moterų, sergančių krūties vėžiu asmens tapatumo poreikius ankstyvuoju bei vėlyvuoju pooperaciniu laikotarpiu remiantis C. Roy adaptacijos modeliu. Tyrimo objektas - 25 – 55 metų amžiaus pacientės, sergančios I – II... [toliau žr. visą tekstą] / A breast cancer is the most common malignant disease of women and the most serious and relevant problem of their health. The actuality of this problem depends on the extent of this disease and continuous growth of the incidence of breast cancer. Following the work will clarify what are the adaptation needs for women after 1 – 4 day from surgery (early postoperative period), and during the period of backing home (the late postoperative period). Clarifying the adaptation needs leads the faster and more efficient way to help patients cope with adaptation problems. The objective of the work is to assess and compare the adaptation needs in the early and late postoperative period of the women with breast cancer. To accomplish the object of work was used three tasks: 1. Compare physiological adaptation needs in the early and late postoperative period based on C. Roy adaptation model for women with breast cancer. 2. Compare the self-concept function of early and late postoperative period based on C. Roy adaptation model for women with breast cancer. 3. Compare the needs of interrelation in the early and late postoperative period based on C. Roy adaptation model for women with breast cancer. 4. Compare personal interdependence needs in early and late postoperative period based on C. Roy adaptation model for women with breast cancer. The object of investigation - 25 - 55 year-old patients, suffering from I - II-stage breast cancer, which has been operated and treated at the LSMU KK... [to full text]

Thesis (M.A.)--University of North Carolina Wilmington, 2008. / Title from PDF title page (viewed September 28, 2008) Includes bibliographical references (p. 53-54)

A obra de Roy Wagner trata de um problema candente para a antropologia: a relação com a diferença. A partir do regime de leitura desenvolvido por Jacques Derrida, pretendo seguir os movimentos do texto de Wagner com o objetivo de compreender sua proposta de antropologia e articulá-la ao universo epistemológico mais amplo da disciplina. O texto wagneriano será, assim, articulado ao texto-contexto da antropologia, considerado como um conjunto de linhas de força em tensão e distensão. Na análise da obra de Wagner será privilegiada a relação entre proposta teórica e análise empírica por ser este um aspecto central para a antropologia e também um ponto de ruptura frequente nos textos da disciplina. De modo a estabelecer a mediação entre esses dois níveis, relacionarei em um primeiro momento a ideia de diálogo, no plano de interação em campo, ao conceito de dialética, no plano teórico. Em seguida, acompanharei o movimento de desconstrução e reposição conceitual realizado pelo autor para os conceitos de grupo e cultura com o objetivo de pensar o estatuto da nomeação em seus textos e relacioná-lo à concepção da diferença como alteridade em antropologia. / The work of Roy Wagner deals with a core issue in anthropology, that of the relation to difference. Based on the regime of reading developed by Jacques Derrida, I intend to follow the moves of Wagners text with the purpose of understanding his proposal for anthropology and articulating it to the disciplines broader epistemological universe. Wagners text will thus be articulated to the text-context of anthropology, considered as a set of lines of strength in tension and distension. In the analysis of Wagners work, the relationship between theoretical stance and empirical analysis will be privileged because this is a central aspect to anthropology and frequently the point at which the disciplines texts break. In order to mediate between these two levels, I will first relate the idea of dialogue at the level of field interaction to the concept of dialectic at the theoretical level. I will then follow the movement of conceptual deconstruction and reestablishment carried out by the author for the concepts of group and culture with the purpose of considering the status of nomination in his texts and relating it to anthropologys conception of difference as alterity.

Tableau d’honneur de la Faculté des études supérieures et postdoctorales, 2013-2014. / Ce mémoire présente un recueil de nouvelles traversé par une succession de moments de clarté et d’ombre caractéristiques de la notion de deuil. La réflexion subséquente à ce recueil s’inspire de la vision de la création littéraire de Gabrielle Roy. L’essence de cette «grammaire» de la création est vue comme un ensemble de quatre conditions nécessaires à l’émergence d’une œuvre littéraire. Au moment d'entreprendre l'écriture, il ne faut pas prendre conscience des intentions qui nous habitent, demeurer disponible pour que la grâce de l’inspiration nous permette d’accéder au trésor d’images logé dans notre inconscient, prêt à rejaillir et à être ordonné par le fruit du travail en une œuvre de «vivante vérité» où, à la suite de Gabrielle Roy, il est possible d’atteindre «cette vie mystérieuse que des mots pourtant pareils à ceux de tous les jours parviennent parfois à capter à cause de leur assemblage comme tout neuf».