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51	Proti adaptaci: za transdisciplinaritu a menšinový film / Against adaptation: toward transdisciplinarity and minor cinema Petříková, Linda January 2014 (has links) Against Adaptation: Toward Transdisciplinarity and Minor Cinema Linda Petříková Abstract Over the past decades, the field adaptation studies has been trying to break new grounds and escape the confines of the predominant fidelity discourse. This thesis wants to propose new perspectives that have been widely underrepresented, at least in the Anglo-American context, drawing attention to the great relevance to adaptation of the writings of French critical thinkers, most notably Gilles Deleuze and his two-volume publication on cinema and Jacques Rancière and his continuation/reevaluation of Deleuze's film-related concepts. Without directly addressing questions of adaptation, the way both philosophers think about cinema is inseparable from their thinking about literature and indeed about other arts and media, exemplifying new transdisciplinary approaches to adaptation this thesis hopes to encourage. Even though it might seem counterintuitive, considering the efforts of adaptation studies to cut the roots it has grown within literary departments, I chose three Shakespearean adaptations for the case studies as I believe that such focus will enable us to see more clearly the significance of interstices as much as of the links the films form with the text. Jean-Luc-Godard's King Lear, Orson Welles's Chimes at...
52	De l'autre côté des mots : poétique des paroles muettes et politique contrariée dans la littérature québécoise : (Gauvreau, Miron, Aquin) Jalbert, Martin 16 April 2018 (has links) La présente thèse traite des manières singulières dont certaines oeuvres littéraires québécoises, marquées à des degrés divers par l'horizon de l'émancipation, disposent de la possibilité que les êtres humains puissent eux-mêmes s'affranchir des conditions de leur assujettissement et de leur domination. Elle emprunte pour cela à la philosophie de Jacques Rancière sa manière de penser les rapports entre littérature et politique et de lire les productions de l'art d'écrire comme des individualités inscrites dans le régime esthétique de la littérature, ce système de possibles défini par la contradiction entre le principe d'un langage nécessaire et celui de la contingence des mots. La cohabitation contradictoire de ces principes comprend des enjeux politiques dans la mesure où s'y rejoue la vieille guerre, remontant à Platon, contre cela même dont procèdent ces oeuvres et qui rend possibles à la fois la littérature, la politique et l'émancipation : le régime de la lettre ou de la contingence du langage, grâce auquel les mots, disponibles pour tout usage et pour tout locuteur, peuvent saisir les choses sous de nouveaux rapports. Les poétiques de Claude Gauvreau, de Gaston Miron et d'Hubert Aquin sont lues ici comme autant de dispositifs esthétiques construits sur la possibilité d'échapper, au moyen de la production de mots qui seraient plus que des mots, à la contingence de la lettre dont elles exploitent pourtant les pouvoirs. Ces dispositifs présentent des reconfigurations polémiques du sensible où seraient réconciliés les pôles opposés de l'homme, où les mots se prolongeraient en dehors d'eux-mêmes dans une existence repoétisée et dans une communauté du sentir partagé, mais où s'aboliraient le coeur même de la politique et la possibilité de l'émancipation. Leur politique est une politique contrariée. PS 8011.5 UL 2009 J26 Rancière, Jacques Autonomisation dans la littérature
53	Practicing the law of human dignity Chatzipanagiotou, Matthildi 03 March 2016 (has links) Die philosophischen Grundlagen der Meta-Dimension des Rechts auf Menschenwürde lösen eine Fragestellung aus, die die Grenzen der Disziplin des Rechts übertrifft: wie könnte das Transzendentale als ein Aspekt der Bedeutung von Menschenwürde dargestellt werden? Das Beharren auf der nicht-Bestimmung des Menschenbildes oder auf dem Begriff ‚Gott’ in der Präambel des Deutschen Grundgesetzes, wie es sich in der Deutschen Dogmatik widerspiegelt, gepaart mit dem Bestreben nach einer Fall-zu-Fall ad hoc Konkretisierung dessen, was Menschenwürde bedeutet, inspiriert diese Untersuchung von ‚etwas fehlt’ [‘something missing’]. In postmoderner Art und Weise beschreibt diese Geschichte das Gesetz der Menschenwürde als Trojanisches Pferd und bietet hermeneutische und literarische Grundlagen für eine affirmative Haltung gegenüber einer ''leeren'' Rede im juristischen Diskurs. Die Forschungsfrage erweckt und umkreist die polemisch verbrämten Begriffe von ‚Leere’ und ‚Black Box’: Warum erscheint der Rechtsbegriff der Menschenwürde ‚leer’? Oder wie ist er ‚leer’? Warum und wie ist er eine ‚Black Box’? Wie erscheinen Manifestationen des Konzepts abstrakt wie Universalien, aber im Einzelnen konkret? Die ontologischen, sprachlich-analytischen und phänomenologischen philosophischen Erkenntnisse, vorgestellt im ersten Kapitel, bilden die Linse, durch die fünf maßgebliche Fälle des Bundesverfassungsgerichtes – über Abtreibung, lebenslange Freiheitsstrafe, Transsexualität, staatliche Reaktion auf Terroranschläge und die Gewährleistung eines menschenwürdigen Existenzminimums – im zweiten Kapitel analysiert werden. Die philosophischen Quellen werden nicht als Momente im langen Verlauf der Menschenwürde in der Geschichte der Ideen eingeklammert. / The philosophical underpinnings of what may be called the meta-dimension of the law of human dignity trigger a question that surpasses the boundaries of the discipline of law: how could the transcendental as an aspect of human dignity meaning be portrayed? The insistence on non-determination of the Menschenbild [human image] or ‘God’ in the Preamble to the German Basic Law [Grundgesetz] reflected in German legal doctrine, paired with the commitment to case-by-case ad hoc concretization of what human dignity means inspire this story of ‘something missing’. In postmodern fashion, this story portrays the law of human dignity as a Trojan Horse and provides hermeneutic and literary foundations for an affirmative stance towards ‘emptiness’ talk in legal discourse. The research question rekindles and twists polemically framed ‘emptiness’ and ‘black box’ contentions: Why does the legal concept of human dignity appear ‘empty’? Or, how is it ‘empty’? Why and how is it a ‘black box’? How do manifestations of the concept appear abstract as universals and concrete as particulars? The ontological, linguistic-analytical, and phenomenological philosophical insights presented in Chapter One compose the lens through which five benchmark Bundesverfassungsgericht cases – on abortion, life imprisonment, transsexuals, state response to terrorist attacks, and the guarantee of a dignified subsistence minimum – are analyzed in Chapter Two. The philosophical sources are not bracketed as moments in the long course of human dignity in the history of ideas. Menschenwürde Transsexualität Hermeneutik Gott Ludwig Wittgenstein Sprachspiel selbst Grundrechte Leerformel Redundanz Theorien nicht-Bestimmung ‚etwas fehlt'' metaphysisch ontologisch vorsokratisch Heraklit Catherine MacKinnon Jacques Rancière sprachlich-analytisch Gesichtsfeld Begrenzung phänomenologisch Emmanuel Levinas andere Gastfreundschaft Bundesverfassungsgericht Abtreibung lebenslange Freiheitsstrafe Luftsicherheitsgesetz menschenwürdiges Existenzminimum Recht und Literatur Transdisziplinarität hermeneutics God hospitality Ludwig Wittgenstein self Human dignity fundamental rights Leerformel [empty formula] empty box redundancy theories non-determination ‘something missing’ metaphysical ontological Presocratic Heraclitus Catherine MacKinnon Jacques Rancière linguistic-analytical field of sight language game limit phenomenological Emmanuel Levinas other abortion life imprisonment transsexuals dignified subsistence minimum law and literature transdisciplinarity 340 Recht 19 Recht PI 3600 ddc:340
54	Dissensus and Poetry: The Poet as Activist in Experimental English-Canadian Poetry Leduc, Natalie 28 January 2019 (has links) Many of us believe that poetry, specifically activist and experimental poetry, is capable of intervening in our society, as though the right words will call people to action, give the voiceless a voice, and reorder the systems that perpetuate oppression, even if there are few examples of such instances. Nevertheless, my project looks at these very moments, when poetry alters the fabric of our real, to explore the ways these poetical interventions are, in effect, instances of what I have come to call “dissensual” poetry. Using Jacques Rancière’s concept of dissensus and the distribution of the sensible, my project investigates the ways in which dissensual poetry ruptures the distribution of the sensible—“our definite configurations of what is given as our real, as the object of our perceptions and the field of our interventions”—to look at the ways poetry actually does politics (Dissensus 156). I look at three different types of dissensual poetry: concrete poetry, sound poetry, and instapoetry. I argue that these poetic practices prompt a reordering of our society, of what is countable and unaccountable, and of how bodies, capacities, and systems operate. They allow for those whom Rancière calls the anonymous, and whom we might call the oppressed or marginalized, to become known. I argue that bpNichol’s, Judith Copithorne’s, and Steve McCaffery’s concrete poems; the Four Horsemen’s, Penn Kemp’s, and Christian Bök’s sound poems; and rupi kaur’s instapoems are examples of dissensual poetry. Canadian literature Canadian poetry Experimental poetry Concrete poetry Visual poetry Sound poetry Instagram poetry Instapoetry bpNichol Steve McCaffery Judith Copithorne The Four Horsemen Penn Kemp Christian Bök rupi kaur instapoet Stephen Collis Sina Queyras Jacques Rancière Dissensus Activism Activist Walter Benjamin Michael Warner
55	民主原則規範性困境之解決——透過論辯倫理學建構基進審議民主的嘗試 / A Solution to the Normative Dilemma of Principle of Democracy: An Outline of Radical Deliberative Democracy via Discourse Ethics 呂政諺, Lyu, Jheng-Yan Unknown Date (has links) 民主原則之規範性困境，今日已於所有民主國家的政治生活中，展現為層出不窮的民主危機。尤其因為民粹威權主義於成熟民主國家的大行其道，民主危機的解決已成為當代民主迫在眉睫的問題。為求取釜底抽薪的解決之道，則必須從理論層面出發，對民主之概念進行徹底的反省。然而，法學本身顯然難以克服此一困境，而必須將道德哲學與政治哲學的理論資源與方法納入視野之內，以便從規範性證立民主的基本內涵開始，循序漸進地獲致其反映於制度層面應有的具體內容。　　過往的民主理論證立民主之所以具有無法克服的困難，是因為其終須依賴當代多元社會下有爭議的道德信念。對此，本文以Jürgen Habermas的「論辯倫理學」為基礎，從而對民主的基本精神提出無爭議的規範性證立。透過論辯倫理學的進一步推演，Habermas亦導出「法律論辯理論」，以說明法律作為施展強制力的工具是如何被證立的。藉由結合論辯倫理學與法律論辯理論，便能將民主強制付諸於日常生活的實踐之中，據此呈現出民主作為憲法原則的應有樣貌。植基於此一的路徑，本文拓展了Habermas的理念，從而證立並闡發民主的核心精神。　　此一依循論辯倫理學及法律論辯理論所獲致的民主原則內容，即為審議民主理論。依據前述的理論奠基，本文認為審議民主理論蘊含的內容可歸結為「論辯之基本權」以及「政治平等諸規則」兩大理念，並能透過基進民主理論的批判以深化對後者的理解，從而闡發審議民主理論的基進意涵。「基進審議民主」明確而豐富的內容不僅宣告著民主原則規範性困境之解決，也同時於實踐上提出了化解民主危機的制度建議。 / In the political life of all democracies, the normative dilemma of principle of democracy has appeared as endless crises of democracy. Accrodingly, to solve the crisis of democracy thus becomes an urgent issue for the contemporary democracy. As populist authoritarianism propagated on a upsetting scale around developed democracies, finding a resolution also grows more significant. To solve this problems once and for all, we must proceed forward from a theoretical perspective that indicate a profound reflection on the concept of democracy. Because jurisprudence becomes manifest in lack of proper paths to overcome this dilemma by itself, incorporating the theoretical resources and methods of ethics and political philosophy into the field of vision may be imperative and necessary. With the foundation that justifies fundamental connotations of democracy in a normative approch, we will obtain the specific contents that democracy reflects at the institutional level progressively. 　　Previous works on democratic theory are so difficult to justify democracy per se because their justifications depending on controversial moral beliefs in contemporary plural society drift into failure. In this regard, Jürgen Habermas advanced the “Discourse Ethics” which suggests a non-controversial normative justification of democratic essences as the most promising theory at present. Through employing Discourse Ethics, Habermas deduced “Discourse Theory of Law” to explain how to justify law as a compulsory instrument. In this manner, democracy can be forced into daily life, via combining Discourse Ethics and Discourse Theory of Law, to draw a ideal form as a a constitutional principle. Through the illustration of Habermas's doctrine, this thesis tries to broaden the ways to understand and describe the democracy. 　　“Deliberative Democracy” is the very idea derived from Discourse Ethics and Discourse Theory of Law. Based on the foundations of the above, this thesis suggests that the contents of Deliberative Democracy can be attributed to the two basic concepts including “fundamental rights of discourse” and “rules of political equality”, which, through criticisms of radical democracy, shall be further deepen the understanding of the latter to elucidate what radical meanings do Deliberative Democracy have. With specific and profuse contents, radical deliberative democracy not only invents a solution to the normative dilemma of principle of democracy, but puts forward institutional proposals to resolving crises of democracy in practice simultaneously. 基進審議民主民主原則審議民主基進民主政治平等論辯阿列西穆芙洪席耶德沃金伯林桑德爾 Radical Deliberative Democracy Principle of Democracy Deliberative Democracy Radical Democracy Political Equality Discourse Robert Alexy Chantal Mouffe Jacques Rancière Ronald Dworkin Isaiah Berlin Michael Sandel
56	The politics & poetics of Gulliver’s travel writing Cox, Philip 03 September 2019 (has links) Working at the intersection of narrative studies and political theory, this thesis performs an original critical intervention in Gulliver’s Travels studies to establish the work as an intertextual response to the hegemonic articulations of European travel writing produced between the 15th and 18th centuries under the discourse of Discovery. My argument proceeds through two movements. First, an archeology of studies on Gulliver’s Travels that identifies key developments and points of significance in analyses of the satire’s intertextual relationship with travel writing. Second, a discursive analysis of the role of Discovery generally, and travel writing specifically, in constructing European hegemony within a newly global context. Together these movements allow me to locate Gulliver’s Travels firmly within the discourse of Discovery and to specify the politics of the text and the poetics of its operations. For this analysis I adopt a conceptualization of hegemony elaborated by Ernesto Laclau and Chantal Mouffe in Hegemony and Socialist Strategy (1985), which defines discourse as a structured totality of elements of signification, wherein the meaning and identify of each element is constituted by articulatory practices competing to fix the differences and equivalences between it and others within the discourse. An hegemonic discourse is one that successfully limits the possibility of novel articulations according to a particular governing logic. In the Age of Discovery, this governing logic, I argue, is a socio-spatial logic that constructed the “European” subject through its difference from the “Non-European,” the “civilized” subject through its difference from the “savage,” and the “free land” of the “savage” peoples through its difference from the occupied lands of the “civilized.” To conduct the concomitant critical analysis of Gulliver’s Travels, I draw upon Jacques Rancière’s conception of the “distribution of the sensible,” which refers both to the partitions determined in sensory experience that anticipate the distributions of parts and wholes, the orders of visibility and invisibility, and the relationships of address or comportment beneath every community; and to the specific practices that partake of these distributions to establish the “common sense” about the objects that make up the common world, the ways in which it is organized, and the capacities of the people within it. This enables me to establish travel writing as an articulatory practice that utilized a narrative modality to “reveal” the globe in a Eurocentric image dependent upon the logic of Discovery: a discursively constructed paradigm that I identify as what others have labeled “travel realism,” which organized the globe into a single field of discursivity predicated upon the “civilizational” and “rational” superiority of Europeans over their non-European Others. Gulliver’s Travels, I conclude, intervenes in this distribution of the sensible by utilizing the satirical form as a recomposing logic to upend the paradigm of travel realism and break away from the “sense” that it makes of the bodies, beings, and lands it re-presents. / Graduate Gulliver's Travels Jonathan Swift Ernesto Laclau Chantal Mouffe Carl Schmitt Jacques Rancière Richard Hakluyt Samuel Purchas Michel De Certeau Barbara Shapiro Felipe Fernández-Armesto Stephen Greenblatt hegemony and socialist strategy nomos of the earth distribution of the sensible politics of literature discovery doctrine of discovery inter caetera treaty of tordesillas international relations public law jus gentium europaeum jus publicum international law travel writing travel realism european history atlantic exploration travel grand tour exploration discourse theory early modern period medieval hegemony discourse of fact postcolonialism colonialism political theory narrative studies literary analysis metaphor discursive analysis

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