Depuis quelques années, l’île colombienne de San Andrés fait beaucoup parler d’elle, particulièrement par rapport aux problèmes démographiques et la position défensive que certains de ses habitants ont adoptée face aux politiques gouvernementales. Leur position de refus contre les politiques du gouvernement central se traduit par des revendications ethniques et culturelles et par un désir d’autonomie qui s’appuie sur la nouvelle Constitution politique de 1991. Cependant, obnubilés par ce conflit politique, les travaux de recherche menés à San Andrés oublient souvent un élément important : les rapports sociaux entre les habitants insulaires. Ce travail prétend apporter un nouveau regard sur l’ethnohistoire, la mémoire et le présent des relations sociales et généalogiques de la société de San Andrés. En partant du point de vue des généalogies et de l’anthropologie de la parenté, son objectif est de comprendre les formes d’organisation sociale, culturelle et religieuse afin d’élucider le rôle et l’importance des unions mixtes et leurs descendants dans la société de San Andrés d’aujourd’hui. / In recent years, much attention has been paid to the Colombian island of San Andrés, focusing primarily on demographic problems and the defensive posture displayed by some of the island’s residents regarding central government policies. This posturing manifests itself through ethnic and cultural identity claims and a desire for political autonomy, which are legitimated by the 1991 Constitution. However, blindsided by the idea of a political conflict, the research done on San Andrés often omits a key aspect of life on the island: the social relationships that link its inhabitants to one another. This research aims to shed a new light on the ethnohistory and memory as well as the social and genealogical relationships that shape San Andrés’s present day society. From a genealogical point of view based in kinship studies and a thorough understanding of this society’s social, cultural and religious organization, this study’s objective is to identify the role and importance of mixed relationships and their descendants on San Andrés’s society today.

Thesis. 1979. M.Arch.A.S.--Massachusetts Institute of Technology. Dept. of Architecture. / MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH. / Includes bibliographical references. / M.Arch.A.S.

La recherche vise à revoir et analyser la situation du site archéologique de San Pasquale de Bova Marina (RC). Le site, découvert en 1983, a fait l'objet de fouilles archéologiques depuis 1985 qui ont révélé des structures légères de grande importance, parmi lesquelles se trouve un bâtiment classé comme une synagogue juive et daté du IVe siècle de notre ère. À côté de la structure juive ont été mis au jour d'autres bâtiments légers et deux zones de sépulture. Jusqu'à présent, la vie de la synagogue avait été datée du quatrième au sixième siècle de notre ère et les zones funéraires ont été mises en phase avec elle. Grâce à cette recherche, menée sur des documents et à travers une série de fouilles archéologiques, nous avons montré que la durée de vie de la synagogue ne va pas au-delà du milieu du Ve siècle et les deux cimetières ne sont pas reliés à elle. Nous reconstituons aussi plus précisément les différentes phases de la vie du bâtiment juif et leur développement. L'accent est mis sur des reconstructions tridimensionnelles de la mosaïque et de la salle de prière. Nous avons également constaté des différences profondes avec l'autre synagogue découverte en Italie, à Ostie, tandis que nous avons trouvé des points de contact avec les synagogues de la terre d'Israël, en particulier celles de la vallée de Beth Shéan. Le site de S. Pasquale di Bova Marina a donc connu une présence juive à partir du quatrième siècle jusqu’au milieu du cinquième lorsque la zone a continué à être utilisée principalement comme zone d'inhumation, puis l’arrêt de tout type de fréquentation au septième siècle, à l’instar d'autres sites sur la côte ionienne de la Calabre. / The research aims to reconsider and analyze the situation of the archaeological site of San Pasquale of Bova Marina (RC). The site, discovered in 1983, was the subject of archaeological investigations since 1985 and brought to light structures of great importance, among which is a building identified as a Jewish synagogue and dated to the fourth century of our era. Along with the Jewish structure, were brought to light other buildings and two burial areas. Until now, the life of the synagogue had been dated from the fourth to the sixth century of our era and burial areas were put in phase with it. Through this research, carried out on documents and through a series of archaeological excavations, we have shown that the life of the synagogue does not go beyond the middle of the fifth century and the two cemeteries are not connected to it. We also reconstruct more accurately the various phases of Jewish building life and their development. Fundamental point were the three-dimensional reconstructions of the mosaic floor of the classroom and of the hall of the prayer. We also found profound differences with the other synagogue discovered in Italy, at Ostia, while we found important points of contact with the synagogues of the Land of Israel, in particular those of the valley of Beth She'an. The site of S. Pasquale of Bova marina, then, saw a Jewish attendance from the fourth century to the middle of the fifth when the area continued to be used primarily as a burial area and then stop any type of attendance in the seventh century, as other sites places on the Ionian coast of Calabria.

Submitted by Sandra Pereira (srpereira@ufrrj.br) on 2017-03-30T11:33:11Z No. of bitstreams: 1 2015 - Silvana Telles da Silva.pdf: 2749705 bytes, checksum: c7194e4e04e94cb3e38694eff00390b1 (MD5) / Made available in DSpace on 2017-03-30T11:33:11Z (GMT). No. of bitstreams: 1 2015 - Silvana Telles da Silva.pdf: 2749705 bytes, checksum: c7194e4e04e94cb3e38694eff00390b1 (MD5) Previous issue date: 2015-08-31 / The short democratic experience of the period known as 1946 Republic (1945-1964) is an important reference in the Brazilian political history as a whole. Among some of its main features, we can highlight the promulgation of the 1946 Constitution, important reforms in the electoral legislation on the issue of political participation, the formation of a broad party-political agenda and other factors that reinforce the importance of the conjectural complexity of the period. In this sense, related to the fragility of the political institution scenario, this Master thesis aims to analyze and understand the Brazilian political situation of this the brief democratic period. This analysis will be based on the interpretation of Francisco Clementino de San Tiago Dantas (1911-1964) in the column ?V?rias Not?cias?, published in the ?Jornal do Commercio? between the years 1957-1959. / A curta experi?ncia democr?tica do per?odo conhecido como Rep?blica de 1946 (1945-1964) ? uma importante refer?ncia no conjunto da hist?ria pol?tica brasileira. Dentre algumas de suas principais caracter?sticas, podemos destacar a promulga??o da Constitui??o de 1946, reformas importantes na legisla??o eleitoral acerca da quest?o da participa??o pol?tica, a forma??o de uma ampla agenda pol?tico-partid?ria, entre outros fatores que refor?am a import?ncia da complexidade conjuntural do per?odo. Neste sentido, relacionado ao cen?rio de fragilidade na institui??o pol?tica, a presente disserta??o pretende analisar e compreender a conjuntura pol?tica brasileira do breve per?odo democr?tico. Esta analise ser? feita a partir da interpreta??o de Francisco Clementino de San Tiago Dantas (1911-1964) na coluna ?V?rias not?cias? publicadas no ?Jornal do Commercio? entre os anos de 1957 a 1959

This study examines the conditions of hopelessness in the city of San Bernardino. The purpose of this study was to examine the ways in which women and men's accessing of services for homelessness differ. This study employs a survey administered at an event given specifically for the homeless population in San Bernardino, and the differences between men and women and their access to support is documented.

This study examined the support services offered to kinship providers through the Kinship Family Center and find ways to increase and/or improve these support services for kinship care providers who are caring for children that are dependents of San Bernardino County.

Leon Battista Alberti's church of Sant' Andrea in Mantua has been closely studied by many Renaissance scholars in relation to its layout, dimensions, proportions, chronology, style and aesthetics, as well as earning its place in both Alberti's corpus and the sweep of Renaissance architecture. The thesis investigates how eloquence is embodied in the sequential repetition of the triumphal arch motif between inside and outside. This thesis it is based on extensive and critical review of historical and theoretical literature. It marks a close examination of Sant?Andrea and to lesser extent San Francesco in Rimini, revisiting key ideas, texts and words. The principal finding of the thesis is that Alberti?s concept of respondeo, as developed in De Re Aedificatoria is the key to understanding the triumphal arch motif and its repetition in the interior. The thesis also comprehensively outlines the variety of contexts in which repondeo can be understood. This term, correlated to the passing of time and to rhetorical-based Albertian terms as decorum and convenio, means a 'sensitive suitability' between parts. The analysis of the triumphal arch motif of Sant?Andrea suggests that formalism has played a more important role in Alberti's design for this church than previously believed. This is by the motif's rigorous outline changing between the interior nave and the exterior fa??ade according to the observer's different visual perceptions. The rhetorical structure of the triumphal arch, in the way that it moves became from two to three dimensions in the fa??ade, seeks familiarity with the city's surrounding environment to establish simultaneity of actions. In this way, by joining the historical-religious point of references to a strategy of perception, the triumphal arch achieves public consensus. This rhetorical program is addressed especially by the patron of the church of Sant' Andrea Ludovico Gonzaga II also the ruler of Mantua with popular aspects of his public representations.

張可久，名久可，號小山，是元後期的散曲家。元散曲作家當中，他的作品最多，他一生只創作散曲，不作雜劇，可稱「散曲專家」。他在散曲史上，是元後期「清麗騷雅派」的關鍵人物。而他的散曲在文字運用上，可說是宋詞以後中國韻文的繼承者。故他有「詞林宗匠」之稱。本論文以隋樹森輯《全元散曲》載的小山散曲作品為主要範圍。本論文共分六章，主要內容如下︰首章敘述「研究動機、方法」、「元代的時代背景」、「元後期散曲之潮流」，並簡介「小山作品版本」。第二章探討「小山生平略考」，先研討「名號問題」、「生卒年考」，而後論述「生平略述」、「交遊」。通過這一章，可以深刻地認識作者的生活環境。第三章探討「小山散曲之內容分析」，將小山散曲的內容歸納為十類來說明其作品的內容。第四章探討「小山散曲之藝術技巧」，論述小山散曲在文字上、格律上的技巧，是對小山散曲的形式的探析。第五章探討「小山散曲之風格」，將小山散曲的風格分為「清麗華美」、「騷雅蘊藉」、「積鬱淒婉」、「超脫豪放」四點來論述其風格。第六章為「結論」，綜論「小山散曲的藝術特色」，探討「小山在中國散曲史上的地位」。

Since Chu T¡¦ien-wen was sixteen years old, she has been an important role in Taiwan literature. Chu T¡¦ien-wen has been influence by her parents and Zhang Ai-ling in Chinese literature for a long time. In the chinese ritual music cultur, she was educated under Hu Lan-cheng and became an author in the style of Zhang Qiang Hu Diao. Therefor, Chu T¡¦ien-wen and her sister Chu T'ien-hsin published San San magazine. However, after been through Nativist Literature Controversy and Hu Lan-cheng's death, she became a screenwriter for the movie, directed by Hou Hsiao-hsien and became one of the important participant of New Movie Movement in Taiwan. To face the problems of cross-srait relations and the visitions for the relatives, leading Chu T'ien-wen walk out military dependents' village and walk out San San and Grand View Garden, the style has also changed from San San ¢w¢w a young girl¡¦s fantasies style through growth theme of military dependents' village style and turned into the metropolis mature style. After Hu Lan-cheng passed away, Chu T'ien-wen swore to accomplish his unfinished ¡§ Woman Theory ¡¨ . To pass down the Female Writing of Woman Theory of Civilization, she decided to use ¡§ the Splendors of Fin de Siècle ¡¨ Notes of a Desolate Man and Words of a Witch. Hu Lan-cheng used to describe Chu T'ien-wen as a Japanese witch, and praised of the youth and beauty of her literature of art, which gives an inspiration to Chu T'ien-wen and to start a journey for witch. In ¡§ the Splendors of Fin de Siècle ¡¨ , giving Chu T¡¦ien-wen an advice as witch who predicted that patriarchal society were devastated. And in Notes of a Desolate Man that a desolate man who had feminine soul to offer Japanese witching dance for god. In Words of a Witch as witching word to fly from time and death that become unique to Chu T'ien-wen¡¦s Witched Writings.

Thesis (M.A.)--Southwest Texas State University, 1944. / Various newspaper articles, photographs, and other memorabilia related to Riverside mounted throughout.