<p>“To be, or not to be” surely constitutes a strange walk on the tight rope between delusion and reality, and apparently, Robert Fleming is a man with immense problems. Who is Ziggy Stardust, and who is Stephen Dedalus? Is it relevant to claim that there is more of David Bowie’s true personality inside Ziggy than of, for instance Charles Dickens’ great expectations within Pip? By examining Nick Hornby’s novel High Fidelity and it’s main character from a Freudian perspective using Freud’s theories and ideas of the oedipal concept, this is basically a plain attempt in search for a better psychological knowledge and understanding of the musical world of illusion, which finally ends up in a serious effort to interpret the true and inner meanings of Rob’s dreams and personality.</p>

“To be, or not to be” surely constitutes a strange walk on the tight rope between delusion and reality, and apparently, Robert Fleming is a man with immense problems. Who is Ziggy Stardust, and who is Stephen Dedalus? Is it relevant to claim that there is more of David Bowie’s true personality inside Ziggy than of, for instance Charles Dickens’ great expectations within Pip? By examining Nick Hornby’s novel High Fidelity and it’s main character from a Freudian perspective using Freud’s theories and ideas of the oedipal concept, this is basically a plain attempt in search for a better psychological knowledge and understanding of the musical world of illusion, which finally ends up in a serious effort to interpret the true and inner meanings of Rob’s dreams and personality.

The main purpose of this paper has been to use narratological theory for uncovering the narrative structure in Freud‟s cases, such as anachronisms and focalizing. My aim was to investigate the narrative and through these viewpoints discover what impact Freud‟s writing‟s had on the look of hysterical women. I choose one of the earliest cases,"Fräulein Elisabeth von R." which is published in Studien über Hysterie (I‟ve used the text translated to Swedish and published in Tidiga skrifter och historik. Freud, Sigmund, 1997). I‟ve consulted both Iréne Matthis and Jurgen Reeder to get a broader perspective on the psychoanalytic theory. Another author whom been invaluable is Karin Johannisson, her essays on the aesthetics that characterize hysteria has been very useful. By using the narratological theories of Mieke Bal and Gérard Genette I‟ve been able to uncover the structure of my narrative. The main concepts have been "text", "story" and "fabula" which symbolize three layers of the narrative, for the investigation of these three aspects I‟ve looked closer into anachronisms, retroversions and anticipations (internal and external), focalizor, narrator, actors and agents. The conclusion I‟ve reached is that Freud, by separating himself into the –less knowing and the –analyst and use this –less knowing version of himself as an assistant in the hunt of the answer to hysteria, he writes off Elisabeth as a character. He excludes her from her own anamnesis and fills the hole with himself and uses it as a part of his theory. Left again is the woman, without having been really listened to.

The essay examines the concept of revolt in D.H. Lawrence's novel Lady Chatterley's Lover through an analysis of its portrayal of society, oppression, and violence, as well as love, tenderness, and the body. Sigmund Freud's essay Civilization and Its Discontents is used as a theoretical framework.

No description available.

Zugl.: Jena, Univ., Diss., 2007.

Habilitationsschrift - Würzburg. / Bibliography: p. 241-263.

Sociological interest in psychoanalytic thought, which began early in this century, has thus far emphasized the implications of Sigmund Freud's clinical discoveries. However, beginning in 1912, Freud produced a series of works which addressed social themes. These works included Totem and Taboo, Group Psychology and the Analysis of the Ego, The Future of an Illusion, Civilization and its Discontents, and Moses and Monotheism, as well as a number of papers dealing with social themes. This study began with a review of the social and intellectual influences on Freud's life and thought. Then a content analysis of Freud's social writings, identified above, was undertaken, to assess the significance for contemporary social theory of Freud's social thought. Categories for analysis were constructed: Society: Social Origins, Social Control and Social Change; Social Groups; the Family; Religion. Freud's ideas concerning these social categories and social institutions were explicated and an assessment of Freud as a social theorist was undertaken.

235f. / Submitted by Suelen Reis (suziy.ellen@gmail.com) on 2013-04-01T17:51:25Z No. of bitstreams: 1 VeraComSeg.pdf: 1177660 bytes, checksum: 72f2796b9f70d2adeedb93f1d3541447 (MD5) / Approved for entry into archive by Ednaide Gondim Magalhães(ednaide@ufba.br) on 2013-04-10T13:47:24Z (GMT) No. of bitstreams: 1 VeraComSeg.pdf: 1177660 bytes, checksum: 72f2796b9f70d2adeedb93f1d3541447 (MD5) / Made available in DSpace on 2013-04-10T13:47:24Z (GMT). No. of bitstreams: 1 VeraComSeg.pdf: 1177660 bytes, checksum: 72f2796b9f70d2adeedb93f1d3541447 (MD5) Previous issue date: 2006 / Investigação teórica acerca da arquitetura da cena em Nelson Rodrigues, com o objetivo de aproximá-la da cena da ação psíquica concebida por Sigmund Freud, tendo como principal vetor de análise a noção de poética do fragmento, que encontra seu fundamento na concepção da escrita dramática descontínua, não-totalizante. A pesquisa também se orienta por um postulado segundo o qual o inconsciente é uma poética e está estruturado sob a modalidade do fragmento. Procede-se, de início, ao levantamento do repertório de procedimentos do autor, selecionando-se duas peças do conjunto da obra dramática rodrigueana, com a finalidade de inventariar as características do modo do fragmento. Em seguida, busca-se localizar a cena da ação psíquica a partir das manifestações da vida mental, em especial o sonho e o sintoma, com o objetivo de estabelecer um paralelo com a cena teatral, enquanto modos de atualização do inconsciente. Características principais da poética do fragmento, as categorias tempo e espaço são objeto de análise especial, em que se identificam as modalidades temporais freudianas com vistas à seleção de um modo temporal para aplicação em peça rodrigueana. Por fim, tendo por base a noção de cronotopo, procedese ao inventário das características cronotópicas das peças selecionadas, em suas relações com o conjunto da obra dramatúrgica, examinando-se igualmente os processos de linguagem e de composição da personagem, para alcançar, ao final, o horizonte do fragmento como estratégia própria de Nelson Rodrigues na construção da cena dramática. / Salvador

Submitted by Rodrigo Caetano Andreu null (caetano_andreu@yahoo.com.br) on 2017-04-03T19:56:49Z No. of bitstreams: 1 dissertação final.pdf: 714057 bytes, checksum: 210f91ba881a4c7ae5159af3a3b03a74 (MD5) / Approved for entry into archive by Luiz Galeffi (luizgaleffi@gmail.com) on 2017-04-11T20:37:58Z (GMT) No. of bitstreams: 1 andreu_rc_me_sjrp.pdf: 714057 bytes, checksum: 210f91ba881a4c7ae5159af3a3b03a74 (MD5) / Made available in DSpace on 2017-04-11T20:37:58Z (GMT). No. of bitstreams: 1 andreu_rc_me_sjrp.pdf: 714057 bytes, checksum: 210f91ba881a4c7ae5159af3a3b03a74 (MD5) Previous issue date: 2017-02-23 / Este trabalho consiste no estudo do trabalho de análise e interpretação proposto por Walter Benjamin no seu projetado livro Charles Baudelaire, um poeta na época do capitalismo avançado, especificamente no capítulo "Sobre alguns motivos na obra de Baudelaire", em que a criação poética é destacada como mecanismo de defesa. Na interpretação de Benjamin, o poeta Baudelaire, ao se sentir ameaçado e constrangido pelas adversidades repressivas do corpo social, defende-se na e com a poesia que escreve. Nesse âmbito, o próprio poeta se intitula um “esgrimista”, que se utiliza do seu material de trabalho, o lápis e a caneta, como armas de defesa no duelo contra os percalços externos de uma sociedade que sofreu com as contradições pós-revolução industrial, principalmente no que diz respeito à exploração da força de trabalho dos empregados das indústrias e suas consequências sociais. Tal interpretação resultou na formulação do conceito de experiência de choque, de que nos valemos como medium de reflexão para compreender outra: a análise benjaminiana da experiência anterior e posterior ao excesso de estímulos sofridos pelo homem da modernidade. Tendo por base essa perspectiva, também investigamos a criação poética a partir da relação existente entre a poeticidade de Baudelaire e a tese freudiana, vinculada à psicanálise, cuja principal premissa é a existência de um mecanismo de defesa por parte da consciência humana em face aos estímulos externos e internos. Com isso, entendemos a maneira como Benjamim encarou a composição de Charles Baudelaire em todas as nuances da estruturação psicológica do indivíduo. Dentro dessa proposta, os instrumentos teóricos essenciais à realização da pesquisa estão ligados, de um modo geral, às relações que se estabelecem entre a criação poética, a análise histórica concomitante à vida do poeta e aspectos pontuais da teoria freudiana e de seus seguidores sobre os mecanismos de defesa. Assim, notamos que o projetado livro de Walter Benjamin, com sua estilística interpretativa própria e inovadora, perpassa as mais distintas faces da modernidade, possibilitando uma crítica pautada na percepção e compreensão da realidade pelas lentes das vertentes sociológica e psicanalítica. / This work consist in the work of analysis and interpretation propost for Walter Benjamin, in your project book Charles Baudelaire a poet in advanced capitalism, specifically in chapter about some reasons in the work of Baudelaire, in which the poetic creation is highlighted as defense mechanisms. To Benjamin, when he feels threatened and uncomfortable for adversid repressive of body social, Baudelaire defends himself with his poetry whos writes. In this context on poet himself is called a “fencer” which uses the work material, pencil and pen as defensive weapons in the duel against external mishaps of a society that suffered from post industrial revolution contradictions, mainly in what respect of exploration of the force to work of employees of industries and yours consequences social. Such interpretation resulted in formulation concept of shock experience that we will use as a medium of reflection to understand another: benjaminian analysis of previous experience and after the excess stimuli suffered by the man in modernity. Based on this perspective also investigate the poetic creation from the relationship between will psychoanalysis, whose main premise is the existence of a defense mechanism of the human consciousness in college to external stimuli and internal. We understand the way Benjamin stared at Charles Baudelaire composition in all the nuances of the individual psychological structure. In this proposal, essences theoretical tools will carry out the research are linked, in general, ace relations established between the poetic creation, historical concomitant analysis of the poet´s life and specific aspects of Freud´s theory and his followers on the defense mechanism. Thus we note that the book Walter Benjamin: Charles Baudelaire a poet in advanced capitalism, with its own innovative interpretive stylistic runs through the most different faces of modernity, allowing a critical guided by the reality show through the lens of the sociological and psychoanalyst aspects.