[pt] Esta dissertação debruça-se sobre a obra teórica do historiador francês Michel de Certeau (1925 - 1986), interessando-se particularmente pela maneira como o autor articula a psicanálise à pesquisa e ao discurso da história. O argumento consiste em evidenciar aquilo que as afirmações de Certeau acerca da natureza da linguagem devem à teoria psicanalítica, notadamente à obra de Freud revisitada pelo psicanalista francês Jacques Lacan. Assumir tal abordagem do fenômeno da linguagem permite a Certeau questionar a relação do texto historiográfico com a realidade, assim como atrelar à sua reflexão teórica uma concepção de historicidade inspirada pelo tempo freudiano. Ressalta-se também o enraizamento na teoria psicanalítica da renitente crítica do autor quanto à incidência impensada da Instituição no discurso histórico, mas também no próprio discurso psicanalítico. Suas preocupações epistemológicas e éticas unem-se no conceito de ficção teórica, pensado junto a Freud. / [en] This dissertation studies the theoretical approach of history proposed by the French historian Michel de Certeau (1925 - 1986), focusing on the way the author introduces some psychoanalytic concepts in his argument. The most important between the concepts chosen is the approach of language developed within the reading of Freud by the French psychoanalyst Jaques Lacan, which allows the historian to question the supposed ties attaching history s methods and discourse to a certain conception of reality. This leads Michel de Certeau to a reflection on the incidence of a sort of freudian time in the act of writing history. On the basis of this development is Certeau s critics of the role played by institutions in the construction of knowledge and identity, for which elaboration he also convokes psychoanalysis. Certeau s epistemic and ethical concerns are assembled in the concept of theoretical fiction, brought up by a long length study of Freud s work.

This thesis comprises detailed readings of nine early-modern plays featuring female witches in an attempt to recover an understanding of how they were represented on the early-modern stage and what they meant to their first audiences. Drawing on twentieth-century theories of subjectivity, it offers an avenue for the explanation of moments of misogyny in the plays and identifies an unconscious communal anxiety which was revealed and perpetuated by the stage representation of the witch. Although we cannot fully recapture the experience of an audience of 400 years ago, this study attempts to do so in order to place the plays in the context of anxieties detectable in the period. By reading the plays in reference to theatrical conditions, this thesis identifies moments when the drama enlisted the subjectivity of the audience and the witch was constructed as uncanny. Such an approach contributes to the debate on the ages of actors performing certain female characters and suggests potential staging approaches for future performances.

From W.H. Auden’s The Age of Anxiety to Sigmund Freud’s Civilization and Its Discontents, modernists have frequently attested to the anxiety permeating members of modern civilisation. While critics have treated anxiety as a consequence of the historical circumstances of the modernist period—two World Wars and the disintegration of European empires—my aim is to view anxiety in both a psychoanalytical and political light and investigate modernist anxiety as a narrative ploy that diagnoses the modern condition. Defining modernist anxiety as feelings of fear and alienation that reveal the uncanny relation between self and ideological state apparatuses which themselves suffer from trauma, perversion, and neurosis—I focus on the works of four key modernist writers—Sigmund Freud, Virginia Woolf, E.M. Forster, and Gertrude Stein. These authors have repeatedly constructed the mind as an open system, making the psyche one of the sites most vulnerable to the power of colonial ideology but also the modernist space par excellence to narrate the building and falling of empire. While the first part of my dissertation investigates the neurosis of post-war London in Woolf’s Mrs. Dalloway, the second part of my thesis discusses the perverse demands of the colonial system in Forster’s A Passage to India and Woolf’s The Waves, arguing that Woolf and Forster extend Freud’s understanding of repetition compulsion by demonstrating that the colonial system derives a “perverse” pleasure from repeating its own impossible demands. The concluding section of my dissertation discusses Woolf and Stein’s queer primitivism as the antidote to anxiety and the transcendence of perversity. My dissertation revives Freud’s role in the modernist project: Freud not only provides avant-garde writers with a theory of consciousness, but his construction of the fragmented psyche—a construction which had come to dominate modernist renditions of internality by the early-twentieth century—functions as a political stratagem for an imperial critique. / Thesis (Ph.D, English) -- Queen's University, 2013-03-11 16:48:57.865

Submitted by Caroline Xavier (caroline.xavier@pucrs.br) on 2017-06-30T17:40:07Z No. of bitstreams: 1 DIS_FERNANDO_CARDOSO_BERTOLDO_PARCIAL.pdf: 1495379 bytes, checksum: 3014ae5802074b46cc95f6f86ae1f840 (MD5) / Made available in DSpace on 2017-06-30T17:40:07Z (GMT). No. of bitstreams: 1 DIS_FERNANDO_CARDOSO_BERTOLDO_PARCIAL.pdf: 1495379 bytes, checksum: 3014ae5802074b46cc95f6f86ae1f840 (MD5) Previous issue date: 2017-03-22 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / The present dissertation aims at investigating the possibility of dialogue between some of Sigmund Freud?s and J?rgen Moltmann?s positions. The intention is to verify, from this possible dialogue, whether Freud?s psychoanalysis is capable of bringing contributions to theology. The following works of Freud are studied, in specific, on religion: ?Obsessive actions and religious practices? (1907), ?Totem and taboo? (1913), ?The future of an illusion? (1917), ?Civilization and its discontents? (1929), ?Moses and monotheism? (1939); the studied works of Moltmann are ?Theology of hope? (1964), ?The crucified God? (1972). In this comparative analysis of texts, we work on the assumption that Sigmund Freud, in this studies, remained restricted to observation of the religious phenomenon from the perspective of obsessive neurosis, therefore not including the possible insights his general theory of the human mind could engender to the mature religious experience, as J?rgen Moltmann defines it. / A presente disserta??o tem como objetivo investigar a possibilidade de di?logo entre alguns posicionamentos de Sigmund Freud e J?rgen Moltmann. Pretendese, a partir desse poss?vel di?logo, averiguar se a psican?lise de Freud ? capaz de contribuir com a teologia. S?o estudadas, em espec?fico, as seguintes obras de Freud sobre religi?o: ?Atos obsessivos e pr?tica religiosa? (1907), ?Totem e tabu? (1913), ?O futuro de uma ilus?o? (1917), ?O mal-estar na civiliza??o? (1929) e ?Mois?s e o monote?smo? (1939); as obras de Moltmann consultadas s?o ?Teologia da esperan?a? (1964) e ?O Deus crucificado? (1972). Nessa an?lise comparada de textos, partimos do pressuposto de que Sigmund Freud, em seus estudos, manteve-se restrito ? observa??o do fen?meno religioso sob a perspectiva da neurose obsessiva, n?o contemplando, assim, as poss?veis contribui??es que sua teoria geral da mente humana poderia gerar para a experi?ncia religiosa madura, como a define J?rgen Moltmann.

Submitted by Camila Loscha (camila.loscha@uniceub.br) on 2016-05-06T19:33:32Z No. of bitstreams: 1 61001012.pdf: 2727480 bytes, checksum: 578dff373098afaf03a14cb49ddb37d5 (MD5) / Approved for entry into archive by Heres Pires (heres.pires@uniceub.br) on 2016-07-25T20:07:29Z (GMT) No. of bitstreams: 1 61001012.pdf: 2727480 bytes, checksum: 578dff373098afaf03a14cb49ddb37d5 (MD5) / Made available in DSpace on 2016-07-25T20:07:29Z (GMT). No. of bitstreams: 1 61001012.pdf: 2727480 bytes, checksum: 578dff373098afaf03a14cb49ddb37d5 (MD5) Previous issue date: 2016-05-06 / O presente trabalho é uma investigação sobre a busca da felicidade na obra de Sigmund Freud e a percepção do Supremo Tribunal Federal do Brasil sobre o tema. Para tanto, abordo as obras de Freud de forma cronológica, com ênfase em "O Mal-Estar na Civilização", para então proceder a uma investigação da busca da felicidade na Declaração de Independência dos Estados Unidos da América e na Suprema Corte dos Estados Unidos da América, demonstrando que a busca da felicidade, usada para fundamentar decisões judiciais, está intimamente ligada à ideia de liberdade. O trabalho é, também, uma abordagem teórica do direito ou princípio da busca da felicidade, mormente nos julgados exarados pelos STF. Ao final da dissertação, concluo pela não existência do direito à busca da felicidade, sendo ele fruto do se chamou de romantização do direito. / http://repositorio.uniceub.br/retrieve/22963/61001012.pdf

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2016-10-17T17:40:58Z No. of bitstreams: 1 Jefferson da Silva.pdf: 1640396 bytes, checksum: f70b3b2b3a161938b4fc51975869cec9 (MD5) / Made available in DSpace on 2016-10-17T17:40:58Z (GMT). No. of bitstreams: 1 Jefferson da Silva.pdf: 1640396 bytes, checksum: f70b3b2b3a161938b4fc51975869cec9 (MD5) Previous issue date: 2016-08-17 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This present work intends to reflect the issues of disappropriation and reappropriation of consciousness from Ricoeur’s work Freud and Philosophy: An Essay on Interpretation. Questioning the cogito's position as first truth and then entering the criticism by Freud's theories, from the interpretation of Ricoeur, it seeks to reflect the issue of disappropriation of the subject as a source of reflection, its consequences and the possibilities of its reappropriation. Broaching such issues from the philosophical methodology and hermeneutics of suspicion, this research is justified by the attempt to think the subject of reflection and the philosophy from Ricoeur’s interpretation after suspicion posed by Freud's theories. Ricoeur, contrasting reflection as immediate intuition, reflects about the reality of the unconscious in order to show that the subject is not what ‘it think it is’. Once broached the issue of unconscious reality, the subject is “disappropriated” of his immediate consciousness meaning that, even before the reflection, there is the position of desire, a certain archeology. However, Ricoeur points out that, in addition to an “arché”, it is also possible to see that the subject has a “telos”, a teleology. Thus, the subject after the Freudian suspicion appears geared for both the position of desire, the archeology, as to an end, the teleology, with one dispossession both for the past and for the future. It is carefully examined on this double disappropriation that the subject is revealed disproportionate, having no coincidence himself with himself, since it is limited both in understanding its origin and in understanding its end. It is precisely reflecting about the disproportion that one realizes that the subject cannot reappropriate himself, turning to its own ego, in order to not be deceived by the distortions arising from the unconscious, but it is necessary to move towards the works and monuments of culture that say of himself. It is through the mediation of objective structures that the subject even being disproportionate can go reappropriating himself. Therefore, the symbols of culture, because of their objectivity, become a mean for the subject to go reappropriating himself and becoming conscious. They engender in a unit which is disproportionate in the subject. So that interpreting the symbols the subject can go reappropriating himself and changing his action in the world. Analyzing the tragedy of ‘Oedipus the King’ and the way reflected about the subject throughout this research, it could be presented more clearly that it is possible to think of reappropriation even after the disappropriation. At the end of the research, it can be affirmed that the subject, even after disappropriated as the source of reflection and revealing himself disproportionate, can reappropriate himself and go becoming conscious / A presente pesquisa tem como escopo refletir as questões da desapropriação e reapropriação da consciência a partir da obra de Ricoeur Da Interpretação: ensaio sobre Freud. Questionando a posição do cogito como primeira verdade e em seguida adentrando nas críticas feitas pelas teorias freudianas, a partir da interpretação de Ricoeur, busca-se refletir a questão da desapropriação do sujeito como origem da reflexão, seus desdobramentos e as possibilidades de sua reapropriação. Abordando tais questões a partir da metodologia filosófica e da hermenêutica da suspeita, esta pesquisa se justifica pela tentativa de pensar o sujeito da reflexão e a filosofia a partir da interpretação ricoeuriana após a desconfiança posta pelas teorias freudianas. Ricoeur, contrapondo a reflexão como intuição imediata, reflete a respeito da realidade do inconsciente com o objetivo de mostrar que sujeito não é aquilo que pensa ser. Uma vez abordada a questão da realidade do inconsciente, o sujeito é desapropriado de sua consciência imediata significando que, antes mesmo da reflexão, o que existe é a posição do desejo, uma certa arqueologia. Porém, Ricoeur destaca que, além de uma arché, também é possível perceber que o sujeito possui um telos, uma teleologia. Deste modo, o sujeito depois da suspeita freudiana aparece voltado tanto para a posição do desejo, a arqueologia, como para um fim, a teleologia, ocorrendo um desapossamento tanto para o passado quanto para o futuro. É aprofundando nessa dupla desapropriação que o sujeito se revela desproporcional, não possuindo coincidência de si consigo mesmo, pois é limitado tanto na compreensão de sua origem quanto na compreensão do seu fim. É justamente refletindo a respeito da desproporção que se percebe que o sujeito não pode reapropriar-se de si mesmo, voltando-se para o próprio ego, a fim não se iludir com as distorções advindas do inconsciente, mas é necessário que se lance em direção às obras e monumentos da cultura que dizem dele mesmo. É pela mediação de estruturas objetivas que o sujeito mesmo sendo desproporcional pode ir reapropriando de si mesmo. Por isso, os símbolos da cultura, por sua objetividade, tornam-se um meio para o sujeito ir-se reapropriando de si mesmo e ir-se tornando consciente. Eles engendram em uma unidade o que no sujeito é desproporcional. Por isso o sujeito interpretando os símbolos pode ir-se reapropriando de si mesmo e mudando sua ação no mundo. Analisando a tragédia de Édipo-Rei e o percurso refletido a respeito do sujeito ao longo desta pesquisa, pôde-se apresentar de forma mais nítida que é possível pensar na reapropriação mesmo depois da desapropriação. Ao final da pesquisa, pode-se afirmar que o sujeito, mesmo depois de desapropriado como origem da reflexão e se revelando desproporcional, pode reapropriar-se de si mesmo e ir-se tornando consciente

Submitted by Liliane Ferreira (ljuvencia30@gmail.com) on 2018-04-03T10:58:57Z No. of bitstreams: 2 Dissertação - Sabrina Costa Braga - 2018.pdf: 1414313 bytes, checksum: ddb2ac8042127d7a53d185e43c8b135e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-04-03T11:03:51Z (GMT) No. of bitstreams: 2 Dissertação - Sabrina Costa Braga - 2018.pdf: 1414313 bytes, checksum: ddb2ac8042127d7a53d185e43c8b135e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2018-04-03T11:03:51Z (GMT). No. of bitstreams: 2 Dissertação - Sabrina Costa Braga - 2018.pdf: 1414313 bytes, checksum: ddb2ac8042127d7a53d185e43c8b135e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-02-27 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / The comparisons between the ideas of Norbert Elias and Sigmund Freud have been the subject of several studies that stablish that there is a connection in the way both authors understand human societies. In accordance with the studies about the civilizatory process, Elias devoted himself to the search of explanations of how, within a civilized society like the one in 20th Century Germany, the existence of concentration camps was made possible. Our goal here is to beyond pointing out the presence of psychoanalysis in Elias theory of the Civilizatory process, to also show how psychoanalysis is present in its interpretation of the Nazi phenomenon. In order to reach such goal, we start from a detailed investigation of Elias’s work, from his approach to the historical and cultural context in which he lived and the conditions in which his writings were produced. Then moving on to a detailed study of the main aspects of his analysis of Nazism, until we come to the role of psychoanalysis as a possible axis for understanding the Elisian theory. / As analogias entre as ideias de Norbert Elias e Sigmund Freud já foram tema de diversos estudos que comprovaram haver relação no modo em que ambos os autores compreendem as sociedades humanas. Para além dos estudos sobre o processo civilizador, Elias se dedicou a busca pela explicação de como foi possível a existência de campos de concentração no corpo de uma sociedade civilizada como a Alemanha do Século XX. O nosso objetivo aqui é, além de apontar a presença da psicanálise na teoria do processo civilizador de Elias, mostrar como a psicanálise está presente também em sua interpretação do fenômeno nazista. Para alcançar tal objetivo, partimos de uma investigação detalhada da obra de Elias, começando por uma abordagem do contexto histórico e cultural em que viveu e das condições de produção de seus escritos, passando por um estudo detalhado dos aspectos mais importantes de sua análise do nazismo, até chegarmos à psicanálise como um eixo de compreensão possível para a teoria eliasina.

This paper discusses the perspective of Sigmund Freud on the figure of Moses. It seeks to understand the reasons for writing the book, thought paradigms, historical images, which were thought to author axis. A large part is dedicated to criticism of Freud's works, as well as psychoanalysis, which for him was a key area for understanding the history of the Jewish nation, which was constituted after a period of suppressed neuroses. Indispensable area is the multiplicity of areas of the human soul and the mentality of the Jewish community. Powered by TCPDF (www.tcpdf.org)

<p>“To be, or not to be” surely constitutes a strange walk on the tight rope between delusion and reality, and apparently, Robert Fleming is a man with immense problems. Who is Ziggy Stardust, and who is Stephen Dedalus? Is it relevant to claim that there is more of David Bowie’s true personality inside Ziggy than of, for instance Charles Dickens’ great expectations within Pip? By examining Nick Hornby’s novel High Fidelity and it’s main character from a Freudian perspective using Freud’s theories and ideas of the oedipal concept, this is basically a plain attempt in search for a better psychological knowledge and understanding of the musical world of illusion, which finally ends up in a serious effort to interpret the true and inner meanings of Rob’s dreams and personality.</p>

“To be, or not to be” surely constitutes a strange walk on the tight rope between delusion and reality, and apparently, Robert Fleming is a man with immense problems. Who is Ziggy Stardust, and who is Stephen Dedalus? Is it relevant to claim that there is more of David Bowie’s true personality inside Ziggy than of, for instance Charles Dickens’ great expectations within Pip? By examining Nick Hornby’s novel High Fidelity and it’s main character from a Freudian perspective using Freud’s theories and ideas of the oedipal concept, this is basically a plain attempt in search for a better psychological knowledge and understanding of the musical world of illusion, which finally ends up in a serious effort to interpret the true and inner meanings of Rob’s dreams and personality.