聞一多（1899–1946）是詩人、學者，晚年思想左傾，熱衷於政治運動，遭暗殺而死，又成為大陸至今頌揚的鬥士。因為政治的因素，臺灣方面，罕少有人留意聞一多；大陸熱烈頌揚的氛圍，往往也造成對聞一多學術研究評價的偏頗。本論文以聞一多的《詩經》學為研究的主要重心，企圖根據最新的史料，以客觀的立場來重估聞一多《詩經》學的成就。本論文從聞一多的學者角色辨析入手。以往的研究者受聞一多晚年自白的影響，混淆了學者與鬥士時期的角色。第二章裡，筆者從早期的書信考知，聞一多成為古典學術的研究者，純粹出於興趣、能力與生計的考量。本章除為其學者的角色重新定位外，並藉以突顯大陸學界研究聞一多的迷思。第三章至第五章，討論了聞一多廣為人知、影響較深，也是後來學者津津樂道的三個《詩經》學主題。第三章談聞一多援佛洛伊德性學說解詩的論點、立說背景，聞一多接觸佛洛伊德學說的經過，以及援性說詩的影響、得失。筆者認為此種解詩方法有開拓眼界之功，但恐過於相信佛洛伊德性學說的科學性，導致在文本的閱讀有所不足，缺乏思辨，其說多有附會。第四章辨正聞一多的《詩經》時代嫁娶正時論。毛、鄭等學者或主秋冬、或主仲春為嫁娶正時，聞一多異於舊說，以春、秋兩季為嫁娶正時。本章考察了舊說及聞一多的新論，以《春秋》經記載嫁娶四季皆有，且分布均勻等證據，而定《詩經》時代應通年聽婚。第五章專論〈詩•新臺鴻字說〉一文。〈新臺〉「魚網之設，鴻則離之」的「鴻」字，舊解為鳥名，聞一多以為當解為蟾蜍。此說甚為風靡，許多學者都捨舊解而信從聞一多之論。透過對聞一多論點的辨析，筆者以此說無法通解古籍，且聞一多所論證據薄弱，故不可驟信，當依舊解釋作鳥名為宜。第六章結論，重申筆者在緒論中強調的客觀立場。聞一多的《詩經》研究成果，不愧為一大家，然也受到當時大膽、率斷的學風影響，而有失謹嚴。郭沫若「前無古人，後無來者」的誇獎，實過於溢美；後學必須以考而後信的態度，批判地繼承聞一多之創說，方是正途。

Walter Benjamin, in Thesis IX of his “Theses on the Philosophy of History,” wrote of the angel of history looking back at the past from the now-time of the present moment, at the historical wreckage, a single catastrophe as it were, piling in front of its feet, as it gets pulled forward facing back into the temporality of the future and the space of modernity’s violent excesses, heralded by the promise of apparent progress. As the title to my dissertation suggests, my study begins, following the angel’s look, with these three words, seeing what remains, and as such it is structured around the very nature of this arresting “look back” and that which is being regarded, the ruins, or the remains and remainders that exist after, and in the aftermath of, traumatic loss. Working with and across a variety of mediums, I conduct a series of exegetical studies of recent “texts” – literary, photographic, and cinematic – within which, I argue, this look back figures as central to the concern of how we might understand the simultaneous existence of the forces of remembrance and forgetting, and of mourning and melancholia in memory-work. The various “texts” within which I explore this look back are Anne Michaels’s novel Fugitive Pieces, the photographic series titled Library of Dust by David Maisel, the movies Hiroshima, mon amour by Marguerite Duras and Alain Resnais and Amour by Michael Haneke. I situate my exploration of the enigmatic nature of the look back in these different textual scenes alongside Sigmund Freud’s critical work on transference and transference love and Kaja Silverman’s rigorous expansion of the psychoanalytic objective of the “cure by love.” Here, it is my intention, as such, to work toward and expand on my thesis that this look, of the angel (or the materialist historian or the artist as witness), is a look of redemptive love, both against erasure and against the possibility of invisibility, “to awaken the dead” as it were, so as to address the loss inscribed in historical experiences with catastrophic temporality and to thereby redeem the ethical from within the scene of trauma.

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This paper proposes to investigate the place occupied by money in the psychic economy, given its supreme status acquired in most societies and times when human life began in civilization. This is an investigation of social phenomena by psychoanalytical bias, featuring in a research in psychoanalysis bibliographic method and interpretive reading, from the theoretical perspective of Freud and psychoanalytical productions in the field. It is dedicated to the study of money from a point of view of originating the subject drives, with explanation of the history, origin and practical evolution of money and its role of supremacy in industrial civilizations, passing the meanings and representations common sense already studied the psychological science and being analyzed by the interpolation of the subject of the unconscious, driven by instincts and desire. It reads that the money is not only as an object with instinctual and representational effects of the subject, but it is holder of a structural capacity of the psyche, constituting as Cipher own constitution of being. The presence of an ambivalent relation of the subject to money, where money is links the domination scenarios and human exploitation is consistent with the impossible harmony between human and civilized life. The handles of the psychoanalytic subject with money does not make appropriate balance and harmony since money amoeda also instinctual antagonisms originate. / Este trabalho propõe investigar o lugar ocupado pelo dinheiro na economia psíquica, considerando seu estatuto supremo adquirido na maior parte das sociedades e épocas em que a vida humana se pôs em civilização. Trata-se de uma investigação de fenômenos sociais pelo viés psicanalítico, caracterizando-se numa pesquisa em psicanálise de método bibliográfico e leitura interpretativa, a partir da perspectiva teórica de Freud e de produções psicanalíticas no campo. Dedica-se ao estudo do dinheiro de um ponto de vista das pulsões originárias do sujeito, com explanação sobre a história, origem e evolução prática da moeda, bem como seu papel de supremacia nas civilizações industriais, perpassando os significados e representações no senso comum já estudados pela ciência psicológica e sendo analisados pela interpolação do sujeito do inconsciente, movido pelas pulsões e pelo desejo. Lê-se que o dinheiro não se constitui somente enquanto objeto com efeitos pulsional e representacional do sujeito, mas é detentor de uma capacidade estruturante sobre o psiquismo, se instituindo como cifra da própria constituição do ser. A presença de uma relação ambivalente do sujeito para com o dinheiro, em que o dinheiro se atrela a cenários de dominação e exploração humana é coerente com a impossível harmonia entre o humano e a vida civilizada. A lida do sujeito psicanalítico com o dinheiro não se faz cabível de equilíbrio e harmonia já que o dinheiro amoeda também os antagonismos pulsionais originários.

Fundação de Apoio a Pesquisa e à Inovação Tecnológica do Estado de Sergipe - FAPITEC/SE / This research integrates the investigations with regard to the Anthropological Theory and seeks to identify convergences, divergences, incorporations and congenerous relations between two knowledges which are Structural Anthropology and the Psychoanalysis. To that, we took as empiric object the work of the french anthropologist Claude Lévi-Strauss, exponent of the structuralism in Anthropology and we elected, by cutting off, his critics and parallels presented in some of his texts in relation to Sigmund's Freud work. The chapters were conducted by discussions such as the notion of unconsciousness, interdisciplinarity among the theories, incest's interdiction and consciousness' autonomy. / Esta pesquisa integra as investigações pertinentes à Teoria Antropológica e busca identificar convergências, divergências, incorporações e relações congêneres entre dois saberes, quais sejam, a Antropologia Estrutural e a Psicanálise. Para tanto, tomamos como objeto empírico a obra do antropólogo francês Claude Lévi-Strauss, expoente do estruturalismo na Antropologia e elegemos por recorte as suas críticas e paralelos presentes em alguns de seus textos em relação à obra de Sigmund Freud. Os capítulos foram norteados por discussões como noção de inconsciente, interdisciplinaridade nas teorias, interdição do incesto e autonomia da consciência.

A presente tese pretende elaborar um modelo libertário em criminologia psicanalítica, buscando uma articulação entre a criminologia psicanalítica e o paradigma criminológico da reação social. Assim, pretende-se construir uma criminologia psicanalítica que, em vez de questionar-se sobre o que leva a pessoa a cometer o crime, associando criminalidade e psicopatologia, coloque seu ferramental teórico a serviço da desconstrução e deslegitimação do sistema punitivo. Ademais, a tese aborda aspectos propriamente clínicos, traçando encaminhamentos para a constituição de uma clínica psicanalítica da vulnerabilidade, tendente a propiciar o fortalecimento do indivíduo perante o sistema punitivo. Para tanto, a tese realiza uma revisão bibliográfica sobre as obras de Sigmund Freud e seus discípulos imediatos, a fim de demonstrar que o modelo criminológico legitimante da punição não se coaduna com a psicanálise freudiana. A partir dessa constatação e da colocação dos desafios consubstanciados no advento do paradigma da reação social, a tese traça encaminhamentos para a instrumentalização da psicanálise em direção à crítica das práticas punitivas institucionais. / This thesis aims to develop a libertarian model in psychoanalytic criminology, seeking a link between the psychoanalytic criminology and the criminological paradigm of social reaction. Thus, the thesis aims to built a psychoanalytic criminology that, instead of questioning about what drives a person to commit the crime, linking crime and psychopathology, puts its theoretical tools in service of the deconstruction and the delegitimization of the punitive system. Moreover, the thesis addresses properly clinical subjects, tracing referrals to the constitution of a \"psychoanalytic clinic of vulnerability\", aimed at providing the empowerment of the individual before the punitive system. Therefore, the thesis makes a review on the works of Sigmund Freud and his immediate disciples, in order to demonstrate that the criminological model that legitimates punishment is inconsistent with Freudian psychoanalysis. Based on this findings and placing the challenges embodied in the advent of the paradigm of social reaction, the thesis traces referrals to the instrumentalization of psychoanalysis toward the critic of institutional punitive practices.

ABSTRACT An attempt to put the horror writer H. P. Lovecraft on the map of psychoanalytical criticism, this analysis examines Lovecraft’s use of setting, characters, and narrative mode and structure in “The Call of Cthulhu” (1926) to show how his construction of horror has its ground in psychology, or, more specifically, in ideas of identity and violated boundaries of the self. In addition, brief reflections on Modernist art, its connections with psychoanalysis, and its analogies to Lovecraftian imagery are provided in order to show the echoes of the Zeitgeist in Lovecraft’s horrors. Although Lovecraft made claims for the universality of the horror he depicted, the present analysis also maps its specific and time-bound characteristics. / e-mail: lordlabil@hotmail.com

The ubiquity of the ‘Nazi’ – the fictional Doppelgänger of the historical Nazi – in the various media of popular culture is both disturbing and fascinating. There is an important relationship between the ‘Nazi’ and its audience; related to but separate from the historical Nazi, the creation and reception of the ‘Nazi’ both enables and exemplifies the continual processing of the past. Using a purpose-built framework (concept and terminology) for the study of the ‘Nazi’ as a phenomenon in and of itself, in combination with Freud’s concept of the uncanny, this thesis examines the dynamics of the relationship between the ‘Nazi’ and its audience in four examples: television episodes “Deaths-Head Revisited,” “He’s Alive” (The Twilight Zone), and “Patterns of Force” (Star Trek); and Serdar Somuncu’s performances/readings of Mein Kampf. The temporal and geographical context of the episodes (1960s America) seem far removed from Somuncu’s performances (1990s/2000s Germany), but analysing the production and effects of the uncanny moments generated in each case reveals a provocative raison d’être that spans across the geographical and temporal divide. / Graduate / 0311 / 0900

This essay provides an analysis of the novel When Nietzsche Wept written by Irvin D. Yalom. The novel takes place during the late eighteen hundred century in Vienna and throughout this essay I explore how Yalom has created a setting, where he has placed some of most prominent philosophers of this time in his fictional world in order to educate the reader about the birth of psychoanalysis and give an alternative version to how it emerged. I argue that Yalom manages to implement different original theories in connection to psychoanalysis to show how the ideas circulating at that point in history contributed to the development of psychoanalysis. The essay compares the original theories of Freud, Breuer and Nietzsche to those brought forward by the characters and illustrates the similarities in order to support Yalom´s alternative version. In conclusion, this essay demonstrates how Yalom has created an alternative version of the development of psychoanalysis by blending original theories with fictive events in order to show how psychoanalysis was a zeitgeist of its time and had more than one founding father.

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