Made available in DSpace on 2016-04-28T20:40:16Z (GMT). No. of bitstreams: 1 Maristela Silva Fiel.pdf: 647564 bytes, checksum: f02b3bbfff131bc96f4d0065f79e713c (MD5) Previous issue date: 2010-05-19 / This study has lhe objective of understanding how lhe Brazilian social context's transgression interferes in lhe "expansion of himseJr'; which judgments people do in situations where people transgress rufes with lhe intention of adapt them to their own desires ("Brazilian knack'?; how they guide their actions in that context and which principies they define in their relationships among pairs, with lhe institutions and with lhe social net. To construct this study we accomplished a qualitative and an interpretative research, giving emphasis on lhe building of a reality based on lhe social nature and lhe importance of understanding lhe phenomenon in lhe contextual and systemic way. Focal groups where used as research instruments, which allowed us to dialogue about this topic with lhe participants and co-build knowledge on lhe studied phenomenon. Ten people of both sexes were interviewed, ages varying between 18 and 52 years old, socioeconomic levels C and B (data from lhe '~gência Brasil') and very low or even nulllevels of vulnerability (data from lhe 'índice Paulista de; Vulnerabilidade . Social - IPVS'). In lhe analysis and interpretation of lhe content Df lhe interviews we built four tables with lhe following thematic axis; ethics, moral, transgression and values; they were then divided in subclasses. The results showed that lhe individualism, lhe fact of "taking advantage", lhe competition and lhe decline of merit are guidelines in lhe search of a positive self concept. We live in a culture . 1 where what is shown is hierarchically above lhe good, lhe right and of what is fair / Este estudo teve como objetivo compreender como o contexto social brasileiro de transgressão interfere na "expansão de si mesmo"; quais julgamentos as pessoas fazem de situações em que as pessoas transgridem regras numa clara tentativa de adaptá-Ias aos próprios desejos ("jeitinho brasileiro"); como orientam suas ações nesse contexto e quais princípios definem em seus relacionamentos entre pares, com as instituições e com a rede social mais ampla. Para a construção deste estudo realizamos uma pesquisa qualitativa e interpretativa, enfatizando a natureza socialmente construída da realidade e a importância de compreender o fenômeno de forma contextualizada e sistêmica. O instrumento utilizado foi o grupo focal, que nos permitiu dialogar sobre o tema com os participantes e coconstruir conhecimentos sobre o fenômeno estudado. Foram entrevistadas dez pessoas de ambos os sexos, as idades varia,rafTl entre 18 à 52 anos, níveis sócioeconomicos C e B (dados da Agência Brasil) e ~íveis muito baixos ou nenhuma de vulnerabilidade (índice Paulista de Vulnerabilidade Social - IPVS). Na análise e interpretação do conteúdo das entrevistas construímos quatro tabelas com os seguintes eixos temi!ticos: ética, moral, transgressão e valores; os I quais foram posteriormente divididos em subcategorias. Os resultados obtidos . I demonstram que o individualismo, o "levar vantagem", a competição e o 'declínio do mérito são norteadores na busca de autoconceito positivo. Vivemos numa cultura na qual a visibilidade está hierarquicamente acima do bom, do certo e do justo

No romance O Deus das Pequenas Coisas (1997) de Arundhati Roy, as transgressões são atitudes que se configuram como abundantes na narrativa, sendo realizadas em sua maioria pelos personagens marginalizados. A fim de obter uma compreensão mais profunda das razões que impulsionam tanto a narrativa quanto os personagens a cometer estas infrações, elas foram divididas em três níveis neste trabalho: pós-colonial, sociopolítico e afetivo. São aqui analisadas as transgressões dos personagens Velutha, Ammu, Estha, Rahel e Sophie. Os níveis das transgressões, suas motivações e os conceitos de trauma individual e cultural são colocados em contraponto para aprofundar a análise da narrativa do romance. No nível pós- colonial, são empregados conceitos de Panikkar (1969), Festino (2007), Forter (2014) e Outka (2011), enquanto Sztompka (2000, 2004), Alexander (2000) e Joseph (2010) permeiam o nível sociopolítico, finalizando o nível afetivo com Caruth (1995), Bose (1998) e Almeida (2002). A hipótese deste trabalho é de que Roy foca nas transgressões para, em primeiro lugar, criticar determinados elementos da sociedade indiana, e para provocar reações em seus leitores. Esta é sustentada através da citação de seus ensaios e discursos na análise do romance. / In The God of Small Things (1997), from Arundhati Roy, the transgressions are substantial throughout the narrative, as the majority of them are performed by marginalized characters. In order to comprehend more deeply the reasons which propel the narrative and the characters to such violations, they were divided into three levels in this work: post-colonial, socio-political and affective. The transgressions analyzed here are the ones performed by the characters Velutha, Ammu, Estha, Rahel and Sophie. The levels of the transgressions, their motivations and the concepts of individual and cultural trauma are all correlated so that the intentions of the narrative are elucidated. In the post-colonial level, the concepts of Panikkar (1969), Festino (2007), Forter (2014) and Outka (2011) are applied, whereas Sztompka (2000, 2004), Alexander (2000) and Joseph (2010) are used for the socio-political level; the affective level is observed with notions from Caruth (1995), Bose (1998) and Almeida (2002). The hypothesis of this work is that Roy focuses on the transgressions of minor characters not only to criticize particular elements from the Indian society but also to trigger the reaction of the readers. This is supported by her essays and speeches quoted along the analysis of the novel.

No romance O Deus das Pequenas Coisas (1997) de Arundhati Roy, as transgressões são atitudes que se configuram como abundantes na narrativa, sendo realizadas em sua maioria pelos personagens marginalizados. A fim de obter uma compreensão mais profunda das razões que impulsionam tanto a narrativa quanto os personagens a cometer estas infrações, elas foram divididas em três níveis neste trabalho: pós-colonial, sociopolítico e afetivo. São aqui analisadas as transgressões dos personagens Velutha, Ammu, Estha, Rahel e Sophie. Os níveis das transgressões, suas motivações e os conceitos de trauma individual e cultural são colocados em contraponto para aprofundar a análise da narrativa do romance. No nível pós- colonial, são empregados conceitos de Panikkar (1969), Festino (2007), Forter (2014) e Outka (2011), enquanto Sztompka (2000, 2004), Alexander (2000) e Joseph (2010) permeiam o nível sociopolítico, finalizando o nível afetivo com Caruth (1995), Bose (1998) e Almeida (2002). A hipótese deste trabalho é de que Roy foca nas transgressões para, em primeiro lugar, criticar determinados elementos da sociedade indiana, e para provocar reações em seus leitores. Esta é sustentada através da citação de seus ensaios e discursos na análise do romance. / In The God of Small Things (1997), from Arundhati Roy, the transgressions are substantial throughout the narrative, as the majority of them are performed by marginalized characters. In order to comprehend more deeply the reasons which propel the narrative and the characters to such violations, they were divided into three levels in this work: post-colonial, socio-political and affective. The transgressions analyzed here are the ones performed by the characters Velutha, Ammu, Estha, Rahel and Sophie. The levels of the transgressions, their motivations and the concepts of individual and cultural trauma are all correlated so that the intentions of the narrative are elucidated. In the post-colonial level, the concepts of Panikkar (1969), Festino (2007), Forter (2014) and Outka (2011) are applied, whereas Sztompka (2000, 2004), Alexander (2000) and Joseph (2010) are used for the socio-political level; the affective level is observed with notions from Caruth (1995), Bose (1998) and Almeida (2002). The hypothesis of this work is that Roy focuses on the transgressions of minor characters not only to criticize particular elements from the Indian society but also to trigger the reaction of the readers. This is supported by her essays and speeches quoted along the analysis of the novel.

L'objet de cette thèse est double. Elle a tout d'abord pour finalité d'enrichir la compréhension des pratiques dans leurs rapports aux normes en dépassant une vision binaire en termes d'opposition ou non. Elle entend par ailleurs approfondir la connaissance sur les pratiques, encore peu explorées mais pourtant fondamentales, des managers de première ligne en matière de gestion des mobilités internes. Adoptant une approche« HRM-in-practice » et abductive, cette thèse repose sur l'étude d'une grande entreprise publique qui souhaite faire de ses managers de « véritables acteurs » d'une politique dite « d'activation des mobilités internes». Cette recherche met alors en évidence une diversité des pratiques RH des managers de première ligne alors même qu'ils font face à des normes identiques émanant de la Direction qui restreignent fortement leurs marges de manœuvre formelles. En introduisant les concepts de transgression et de bricolage dans le cadre d'analyse de la perspective de la pratique, nous montrons que derrière cette diversité se dissimulent quatre manières différentes de se comporter face aux normes : les pratiques peuvent non seulement s'opposer ou non aux normes, mais également prendre de la distance ou non avec ces dernières. Cette distinction des pratiques en fonction de leurs rapports de transgression et de bricolage vis-à-vis des normes permet tout d'abord de mettre en évidence les caractéristiques en termes de moyens mobilisés et de logiques d'action qui les différencient. Ces diverses pratiques apparaissent par ailleurs comme des réponses locales à des tensions qui peuvent être considérées relativement aux normes en vigueur ou au système de gestion des mobilités internes. Nous montrons enfin que les différents types de pratiques identifiés participent diversement à la fabrique des mobilités internes. / The purpose of this thesis is twofold. It first aims to enrich the understanding of practices considering how they are related to norms without restricting our view to a binary approach of opposition or not. It also intends to deepen the knowledge about first-line managers' practices in the internal mobility management process. While fundamental, these practices still remain poorly explored. Adopting a « HRM-in-practice » and an abductive perspective, this thesis relies on the study of a large public company that intends to give its managers a key role in internal mobility process. This study reveals a diversity of first-line managers' HR practices even though they are faced with the same top management's norms that severely restrict their formal leeway. By introducing the concepts of deviance and bricolage into the Practice Perspective's analysis framework, we show that this diversity conceals four different ways of behaving towards norms: in addition to opposition or not to norms, practices can also apply them with more or Jess distance. The distinction of these practices regarding the consideration of norms with or without deviance and bricolage first highlights the differentiation in used resources and action logics. These practices can also be considered as local adaptations to tensions related either to current norms or to the internal mobility management system. We finally show that the different practices that have been identified contribute to the construction of internal mobility in different ways.

Dans cette étude, nous cherchons à établir des identités polynomiales dans le cadre de la combinatoire non-commutative. Dans un premier temps, nous présentons de nouvelles structures de Nambu-Lie, en classifiant totalement les (n-1)-structures sur l'espace R^n, et en donnant une méthode permettant de construire des crochets de tout ordre sur une algèbre de Lie. Nous proposons également une quantification de l'une de nos structures, grâce aux polynômes standards et aux algèbres de Clifford d'indice pair. Dans un second moment, en généralisant la notion de polynôme standard au cas des algèbres graduées, nous cherchons à démontrer une version du théorème d'Amitsur-Levitzki sur les superalgèbres de Lie osp(1,2n) en suivant une démonstration de Kostant dans le cas classique. Nous sommes amenés à démontrer des super-versions des propriétés et résultats nécessaires à la démonstration dans le cas classique, notamment en définissant un super-opérateur de transgression de Cartan-Chevalley.

Why do people transgress legal borders on beaches by the lakes and the coastline, despite thefact of a Swedish law defending the beach and a rigorous administration mirroring it? Nationalstudies show great differences in regional and local practice regarding the administration ofthe law of beach defense, Strandskyddslagen.This licentiate thesis explores the administration of Swedish beaches from both an actorand a structural point of view. It was carried out as a case study of three municipalities situatedby the southeast part of the Baltic and inland. The interviewed actors were regional andlocal civil servants including local politicians. The purpose of the thesis was to reveal whatimplications daily practice among civil servants and local politicians have on the forms ofhow beaches are appropriated and dominated. The thesis focus on the dualism of the privateand the public space. Drawing on structural and poststructural theory and qualitative methodologythe importance of methodology is argued. The author use a triangulation of differenttheories and methods. Grounded on interviews, five areas were thematized; ideology, power,professional cultures, communication and mirroring. The thesis reveals that chains of causesto the heterogeneity of the local and regional beach administration, can be investigated moreefficiently by using a combination of qualitative and quantitative methodology.The author found that the administrators personal ideology in relation to the ideology expressedby the law is of importance in the daily practice. He also show how the two mainparts of Strandskyddslagen contribute to the development of two identifiable approaches inthe civil servants practice. This finding he connects with the development of professional staffcultures. Eventually the thesis discuss the importance of interior communication betweendifferent levels of the administration and underpin the rising cost problem when municipalitiesare delegated the main responsibility for mirroring the beaches. This leading to a tendencyof a growing appearance of corporate influence on local public politics regarding exploitationof land close to beaches.The author propose a closer communication between regional and municipal environment-and building administrators. He emphasizes the importance of transparency, communicationand education at both the regional, local administrative and political level of the beachadministration.

本論文研究的是巴塔耶的普遍經濟論，它主要分四部分來探討。它首先從時間的瞬間性和能量的耗費兩個原理出發來說明什麼是普遍經濟。接著說明的是聖世界與俗世界二分的原理，這又可分兩部分來討論。從勞動與消盡的第一組對立可以產生聖俗的區分判隼，一者是勞動的超越性世界，一者是獻祭暴力的內在性世界。從禁忌與越度的第二組對立可以導出聖俗的再次區分，一者是禁忌所管轄的俗世界，一者是人性逾越的歡慶狀態。此外，普遍經濟論可以充分說明各種笑的型態，最終導向對超越的虛無性的笑。最末，本論文從死亡共同體的角度提出一種普遍經濟的友情論。 / This study is to discuss the theory of general economy of Georges Bataille. The argument falls into four parts. First, it accounts for what general economy means by inspecting two principles: that of instant and that of expenditure. Next, the discussion goes to what separates the sacred from the profane world. On the one hand, the profane world is dominated by work and labor which make it transcendent while the sacred immanent world is liberated from within by the representation of sacrificial violence. On the other hand, while the taboo has a command of the profane, human beings achieve and celebrate their sovereignty by transgressing the interdiction. Then, the discussion shows that general economy can have sufficient and satisfactory explanation of the morphology of laughter. Finally, it proposes a new meaning of friendship from the economic view.

La criminalité féminine est interrogée dans cette thèse sous l'angle de l'épistémologie clinique. La référence d'épistémologie clinique est ici celle de la théorie de la médiation initiée par Jean Gagnepain. Cette thèse envisage la criminalité féminine en mettant en perspective la biologie, la psychopathologie et la sociologie. En premier lieu est envisagé la spécificité du féminin dans la sexuation et la sexualité, puis dans le crime. La thèse est que les gemes féminin et masculin sont structuralement épicènes, et que la différence sexuelle biologique est réintroduite conjoncturalement dans le politique. Le politique dans la majorité des pays et des civilisations hormis l'ancienne Egypte et les pays scandinaves, ont toujours inscrits la femme en situation de minorât et d'insolite, voire de personne incomplète. La construction de savoir sur le féminin induit d'analyser les conditions anthropologiques de l'élaboration. Suit un recensement des modes de construction du féminin dans l'antiquité, à travers les mythes et la condition sociale de la femme. Cette perspective permet une comparaison de la détermination du féminin, ainsi que du masculin, et au-delà des modes mythiques et scientifiques de la détermination anthropologique. La deuxième partie propose une analyse située dans l'institutionnel prenant en charge la femme criminelle. Institutionnel que Jean Gagnepain nomme pouvoir modulaire, regroupant le didactique, le thérapeutique et le juridique. La troisième et dernière partie est consacrée aux illustrations cliniques des hypothèses

A partir des deux romans d'Ángeles Mastretta, Arráncame la vida et Mal de amores - dont la publication est séparée par un écart de dix ans - nous nous attachons à montrer comment le personnage féminin répond à un projet spécifique de représentation et d'écriture. Notre étude met en relief aussi bien la variété des personnages constituant le " personnel " des deux romans que les constantes nous permettant d'établir un " système de personnages " qui répond à l'exploration d'une thématique chère à la romancière : le statut de la femme dans la société, ses possibilités d'action ainsi que les relations de couple, qui occupent une place importante dans l'œuvre romanesque de Mastretta. La première partie de cette analyse met en évidence la suprématie du personnage féminin dans l'espace textuel qui lui est consacré, tout en démontrant l'importance des personnages masculins dans la construction de figures féminines transgressives. La deuxième partie de cette étude propose d'examiner comment les figures romanesques s'inscrivent dans un espace et une Histoire essentiels à la construction et la représentation d'un nouveau regard portant aussi bien sur des espaces traditionnellement hostiles (présents dans les textes pour être subvertis) que sur la retranscription de faits fondamentaux de l'histoire mexicaine, proposant un nouveau regard sur l'Histoire. Enfin, la troisième partie s'attache à souligner l'originalité d'une écriture qui, sous l'apparence de la légèreté et la simplicité, produit de nombreux effets de sens grâce à l'humour et à l'ironie, au mélange de genres littéraires et aux références à la culture populaire.

Seppur premiata da una fortuna minore rispetto a quella occorsa alle opere narrative, la produzione teatrale di Svevo rappresenta una parentesi determinante della sua carriera letteraria: il triestino, infatti, ci ha lasciato un corpus teatrale significativo, composto da tredici copioni, distribuiti su un arco biografico che si estende dal 1880, anno dell’Ariosto governatore, fino ad arrivare, con La rigenerazione, agli anni immediatamente precedenti alla morte. Si consideri, inoltre, che quella per il teatro fu una passione che accompagnò Svevo per l’intera esistenza, sia come frequentatore di spettacoli tanto in Italia quanto all’estero, sia come critico per le più importanti testate triestine. Per questi motivi, è parso opportuno in questo lavoro di ricerca tornare su un tema – quello delle commedie di Svevo – meno considerato dalla critica. Nella prima sezione della tesi, intitolata Svevo e il teatro, dopo un rapido profilo della critica e della storia delle rappresentazioni, si è cercato di delineare i confini del rapporto che unì Svevo al mondo del palcoscenico. Nella seconda sezione di del lavoro, intitolata Trasgressione, ribellione e falsificazione nel teatro sveviano, sono state prese in analisi le pièces del triestino; le commedie sono state raggruppate in base a tre nuclei tematici: trasgressione, ribellione e falsificazione. / Although rewarded by a minor fortune than that which occurred to the novels, Svevo’s plays are a determinant parenthesis of his literary career: in fact, the writer has left thirteen commedies, distributed over a biographical arch which extends from 1880, the year of Ariosto governatore, up to, with La rigenerazione, the years immediately preceding his death. Consider, too, that the theater was a passion that accompanied Svevo for the whole of life, both as a frequenter of shows in Italy and abroad, both as a critic for the most important newspapers in Trieste. For these reasons, it seemed appropriate in this research back on a theme - that of Svevo’s plays - less regarded by critics. In the first section of the thesis, entitled Svevo e il teatro, after a short outline of the criticism and of the history of representations, we tried to delineate the borders of the relationship that joined Svevo to the world of the stage. In the second section of the work, entitled Trasgressione, ribellione e falsificazione nel teatro sveviano, were taken into analysis the plays; comedies were grouped according to three themes: transgression, rebellion and forgery.