Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-07-05T20:38:51Z No. of bitstreams: 1 paulohenriquebrasileirosilverio.pdf: 2394114 bytes, checksum: 764b431c914bedbff598b75e1c9eaef6 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-08-08T15:05:14Z (GMT) No. of bitstreams: 1 paulohenriquebrasileirosilverio.pdf: 2394114 bytes, checksum: 764b431c914bedbff598b75e1c9eaef6 (MD5) / Made available in DSpace on 2017-08-08T15:05:14Z (GMT). No. of bitstreams: 1 paulohenriquebrasileirosilverio.pdf: 2394114 bytes, checksum: 764b431c914bedbff598b75e1c9eaef6 (MD5) Previous issue date: 2017-05-05 / (Jardim Sensorial da UFJF, um Espaço de Terapia e Conscientização). O Jardim Sensorial (JS) da Universidade Federal de Juiz de Fora (UFJF) é formado por três canteiros circulares. Apresenta a entrada no leste, referenciando o sol nascente (fogo), seu oposto oeste corresponde à terra do poente, ao sul o elemento água vem com as chuvas, e ao norte temos o ar de expansão. Este referencial é baseado no “Opy”, casa de reza Tupi-Guarani. Contém 30 plantas sensoriais distribuídas nestes quadrantes. O trabalho avaliou as sensações e percepções do JS por visitantes adultos (18 a 59 anos) a partir de questionários semiestruturados respondidos voluntariamente pelas pessoas que visitavam o JS necessariamente pela 1ª vez, a fim de comparar duas formas de visita, uma quando os visitantes necessariamente caminhavam calçados e sem venda, não tocando nem cheirando nenhuma planta, denominada forma controle (FC) e outra quando os visitantes necessariamente realizavam o percurso descalços e de olhos vendados, tateando e cheirando as plantas, denominada forma Jardim Sensorial (FJS). Foram respondidos 474 questionários pelos adultos, sendo para FJS, 239 questionários para o sexo feminino e 118 para o masculino, e para a FC, 64 questionários para o sexo feminino e 53 para o masculino. A média de idade dos visitantes foi de 25 anos e 98% experimentou este modelo sensorial pela primeira vez, confirmando o caráter inovador do JS. Os sentimentos gerados foram predominantemente positivos, destacando-se Tranquilidade, Bem-estar, Calma e Paz (para ambas as formas de visita) demonstrando que o JS alivia o stress cotidiano provocando relaxamento. A partir da análise estatística, a alteração nas formas de percepção geradas na FJS, aumento do tato, olfato, audição e energia, alteração da percepção do tempo e espaço, as lembranças provocadas pelo aroma de determinadas plantas, além dos sentimentos positivos despertados pela percepção da planta dos pés, demonstram que essa forma de visita retira o visitante do estado contemplativo cotidiano além de apresentar um caráter provocativo. A educação ambiental como destaque de transmissão de conhecimento, aponta o caráter conscientizador do JS. O JS promove o alívio do estresse, pois espontaneamente provoca sentimentos positivos, tornando o visitante mais relaxado e onde tato e olfato agradáveis promovem sinergia e consequente bem-estar. / (UFJF Sensory Garden, a Place of Theraphy and Awareness). The Sensory Garden (SG) of Federal University of Juiz de Fora (UFJF) is formed by three circular beds. Its entrance is directed to the east referring to the rising sun (fire), the west corresponds the land of the sunset, to the south the element water comes with the rains, and to the north, it has the air of expansion. This reference is based on "Opy", a Tupi-Guarani prayer house. The SG has 30 sensory plants distributed in these quadrants. The work evaluated the sensations and perceptions of SG through adult visitors (with age between 18 and 59 years) that answered voluntarily a semistructured questionary, in order to compare the two ways of visit: one when the visitors necessarily walked through the space with shoes and with no blindfold, without touching nor smelling any plant – it´s called Control Form (CF), and another one when visitors necessarily performed the course barefoot and blindfolded, groping and smelling the plants, - this way is called Sensory Garden Form (SGF). 474 questionnaires were answered by the adults, being 239 questionnaires for females and 118 for males in SGF, and for 64 surveys for women and 53 for men in CF. The average age of the visitors was 25 years, and 98% experienced this sensory model for the first time, confirming the innovative character of SG. The feelings generated were predominantly positive, standing out Tranquillity, Well-being, Calm and Peace (for both forms of visit) demonstrating that SG relieves daily stress causing relaxation. From the statistical analysis, the alteration in the forms of perception generated inside the SG increased tact, smell, hearing and energy. It also altered the perception of time and space, activated memories by the aroma of some plants, and awakened positive feelings by the judgment of the soles of the feet. All those sensations demonstrate that this form of visit removes the visitor from the daily contemplative state and besides that, present a provocative character. Environmental education as a highlight of knowledge transmission points out the awareness of SG. The SG promotes stress relief by spontaneously provoking positive feelings, making the visitor more relaxed and where pleasant tact and sense of smell promote synergy and consequent well-being.

Submitted by Aline Batista (alinehb.ufpel@gmail.com) on 2016-03-04T13:43:16Z No. of bitstreams: 2 Sítios de cultivo.pdf: 8193144 bytes, checksum: df5104ab2b682948202d59e9ce53adb4 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2016-03-04T14:24:18Z (GMT) No. of bitstreams: 2 Sítios de cultivo.pdf: 8193144 bytes, checksum: df5104ab2b682948202d59e9ce53adb4 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2016-03-04T14:27:55Z (GMT) No. of bitstreams: 2 Sítios de cultivo.pdf: 8193144 bytes, checksum: df5104ab2b682948202d59e9ce53adb4 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Made available in DSpace on 2016-03-04T14:30:38Z (GMT). No. of bitstreams: 2 Sítios de cultivo.pdf: 8193144 bytes, checksum: df5104ab2b682948202d59e9ce53adb4 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2014-04-30 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / A produção poética aqui contemplada, apresenta a compilação de trabalhos realizados a partir de práticas cotidianas e do fazer experimental, envolvendo cultivo e cuidado ligados à jardinagem. Entretanto, reverberando em formas mais alargadas do conceito. Dentro desta perspectiva, componho jardins no contexto da arte como atividade pessoal, coletiva, afetiva e artística. Buscando na utilização de diferentes dispositivos - vasos, livros, vídeos, continentes que permitam práticas de cultivo e a abertura para novos sentidos, que podem ser atribuídos ao repraticar ações ordinárias. Para tanto, me debruço sobre teóricos como Martin Heidegger e Alfredo Bosi, versando sobre a palavra cultivo, Anne Cauquelin acerca do jardim, Michel de Certeau, sobre o cotidiano e Reinaldo Laddaga abordando sobre a arte, e também na produção de artistas como Claude Monet, Maria Ivone dos Santos e Hélio Fervenza, Marilá Dardot, Paulo Damé, Fernando Limberger, que conduziram a reflexão dos processos de criação, que tem como fundamento as atividades do cotidiano, e o cultivo das plantas como arte. / The poetic production here contemplated presents the compilation of works based on everyday practices and experimental doing, involving cultivation and care related to gardening. However, it reverberates in enlarged forms of the concept. Within this perspective, I compose gardens in the context of art as a personal, collective, emotional and artistic activity. Seeking the use of different devices - vases, books, videos, continents that enable cultivation practices as well as openness to new senses, that can be recognized when repracticing ordinary actions. To do so, I dwell on theoretical as Martin Heidegger and Alfredo Bosi, approaching the word cultivation, Anne Cauquelin concerning the garden, Michel of Certeau, on the everyday life and Reinaldo Laddaga addressing about the art, and also in the production of artists like Claude Monet, Maria Ivone dos Santos and Hélio Fervenza, Marilá Dardot, Paulo Damé, Fernando Limberger, who led to the reflection of the creation processes, which is based on everyday life activities, and the cultivation of plants as art.

Cette recherche porte sur les textes théoriques qui accompagnent la révolution du jardin moderne dans l’Angleterre et la France des Lumières, et se propose d’étudier sous l’angle de la mimèsis ce corpus aujourd’hui bien connu des spécialistes. Il s’agit de retracer, suivant une progression chronologique, les étapes d’un cheminement intellectuel qui conduit, dans le dernier tiers du 18e siècle, à la reconnaissance du statut libéral de l’art des jardins, désormais compté au nombre des arts de représentation. L’affirmation du caractère mimétique de la composition non narrative qu’est l’œuvre paysagère, a été préparée par l’inflexion sensualiste et hédoniste donnée à la théorie de l’imitation dès le tournant du 17e et du 18e siècle, et le déplacement qui s’opère alors dans le discours sur l’art, d’une poétique vers une esthétique. Deux termes se trouvent au cœur de ce rapprochement de la discipline horticole avec la doctrine de la mimèsis. Tout d’abord, celui de "scène" naturelle, qui permet de saisir, dans l’objet esthétique qu’est le "paysage", une catégorie d’image nouvelle, à la fois liée aux représentations poétique ou picturale, et distincte de celles-ci. Ensuite, celui d’"enchantement", dont l’évolution sémantique révèle les mutations et les tensions qui affectent la pensée du paysage au cours du 18e siècle. / This study is focused on the theoretical writings that are contemporary with the invention and spreading of landscape gardening in 18th-century England and France, and aims to throw new light on a corpus that is now well known to specialists. It maps out the intellectual developments which laid the ground for an integration of garden theory into the system of fine arts based on the concept of mimesis. The assumption that a non-narrative artistic medium such as garden is a representation was anticipated by new developments in aesthetics at the turn of the 17th and 18th centuries, whereby the theory of imitation was reinterpreted on the basis of sensualist and hedonist assumptions. Two notions are instrumental in assimilating the practice of gardening with the making of visual replicas. First, the concept of "natural scene", which identifies landscape as a new category of picture, both distinct from - and linked with - pictorial and poetic images. Secondly, a specific sort of aesthetic illusion that involves a dynamic process, usually referred to by contemporaries as "enchantment". The semantic evolution of the latter term during the 18th century, and its various meanings in the context of landscape and garden design, enables us to better apprehend the antagonisms that shape this field of thought.

Cette thèse est consacrée à l’évolution de la notion de jardin collectif et de leur place dans la ville. Elle s’appuie tout d’abord sur une mise en perspective historico-géographique de la notion de jardin dans le bassin méditerranéen, entre orient et occident, de l’antiquité à nos jours. La notion de jardin a pris, en effet, au cours du temps des acceptions très différentes, jardins nourriciers ou jardins d’agréments, mais aussi jardins privés, jardins publics et jardins collectifs. Nous resserrons ensuite notre approche sur les jardins collectifs, jardins ouvriers, jardins familiaux et aujourd’hui jardins partagés. Pour cela nous focalisons notre recherche sur l’agglomération lyonnaise de la fin du 19ème siècle à nos jours. Cette analyse historico-géographique s’appuie à la fois sur un travail d’archives et sur une cartographie des jardins. Pour associer, profondeur historique et approche spatiale, nous interrogeons les facteurs historiques, politiques, démographiques, économiques et sociaux qui, durant cette période, se révèlent déterminants dans la localisation et les usages des jardins collectifs. Cette analyse des dynamiques spatiales de création de jardins tout au long du 20ème siècle, reflète l’évolution de leur place et de leurs fonctions dans la ville. Ceci nous permet de révéler à la fois des valeurs et des fonctions attribuées aux jardins qui ont une forte stabilité dans le temps, alors que d’autres renvoient à des conceptions et à des préoccupations historiquement comme géographiquement situées. Pour cela, nous attachons une attention particulière à resituer la question des jardins collectifs dans les transformations des politiques urbaines, avec pour la période récente la montée en puissance des préoccupations liées au développement durable et à la place de la nature en ville. / This PhD thesis deals with the evolution of the notion of collective garden and their place and functions in the city. Firstly, on the basis of an historical and geographical perspective, it provides a background of the notion of garden in the Mediterranean area, between East and West, from the ancient world to the modern day. The concept of garden has taken over time very different meanings, food-producing garden or pleasure garden, but also private gardens, public and community gardens.Then our approach focuses on collective gardens, namely workers' gardens, family gardens and community gardens. Our research focuses on the city of Lyon and its metropolitan area from the late 19th century to today. This historical and geographical analysis is based on both an archival work and a cartographic approach. To mix historical depth and spatial approach we inquire about the historical, political, demographic, economic and social factors that determine the location and the uses of collective gardens. This analysis of the spatial dynamics throughout the twentieth century reflects the evolution of their place and their functions in the city. This allows us to identify the values and functions of collective gardens that have a high stability over time, while others refer to conceptions and concerns which are historically and geographically situated. We thus pay particular attention to place the issue of community gardens in transformations of urban policies, characterized for the recent period by the increasing influence of sustainable development concerns and emerging issues on the place of nature in cities.

L’importance du rôle des petites agricultures dans les processus de sécurité alimentaire et de souveraineté alimentaire est de plus en plus reconnue. A Sainte-Lucie comme en Martinique, un certain nombre d’acteurs s’engagent officiellement pour une agriculture diversifiée s’appuyant sur les préceptes du développement durable. C’est en tenant compte de ce contexte qu’en partie l’idée de réaliser une étude sur la petite agriculture de Sainte-Lucie et de la Martinique a germé. Aussi, le présent travail se veut-il avant tout une contribution au diagnostic de la petite agriculture face à la modernisation des systèmes agricoles intensifs dans chacune de ces deux îles. Il s’agit de mettre à l’évidence les richesses et les insuffisances de cette petite agriculture, mais aussi les atouts et les contraintes de l’environnement. En grande partie elle prend appui sur le jardin créole, système agricole considéré par bien d’acteurs comme un fondement culturel et une base culturale. Dans chacune des deux îles, beaucoup de petits agriculteurs font de la biodiversité une composante primordiale de la gestion de leurs systèmes agricoles. Les enjeux visés ici portent sur la contribution d’une gestion optimale de cette biodiversité à la promotion des agrosystèmes paysans durables à différentes échelles spatio-temporelles. Dès lors, tout dépend des méthodes d’accompagnement des agriculteurs à mettre en œuvre. Va-t-on poursuivre avec des approches descendantes basées sur la logique de transfert ? Si non, le moment n’est-il pas venu de réunir les conditions pouvant permettre la mise en œuvre des véritables démarches de co-construction ? / The important role of small farmers in the process in food security and of food sovereignty is increasingly recognized. In St. Lucia as in Martinique, a number of actors officially committed to a diverse agriculture based on the precepts of sustainable development. It is in the light on this context that partially, the idea of a study on small holder St Lucia and Martinique germinated. Also, the present work is first and foremost a contribution to the diagnosis of small-scale agriculture to modernization of the intensive agricultural systems in each of these two islands. It is put clearly the richness and the inadequacies of this small scale-agriculture, but also the advantages and constraints of the environment. In large part it builds on the creole garden, agricultural system considered by many actors as a cultural foundation and a base of farming practices. In each of the two islands, many small farmers make biodiversity an essential component of management of their farm systems. The stakes referred here relate to the optimal management contribution of biodiversity to promote sustainable peasant agro-ecosystems at different spatial and temporal scales. Therefore, everything depends on farmer coaching methods to set up. Will we continue with down approaches based on logic of transfer ? Otherwise, isn’t time to create the conditions that could allow the development of real co-construction steps ?

Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished

Thinking of the villa quarters of Budapest, Andrássy Road, Svábhegy or the Rózsadomd are the ones that first come to mind of many. These are the most well-known rows of villas of the capital, but in the green zone of the 16th district there is a less well-known but yet even more remarkable villa quarter: Mátyásföld. Mátyásföld was founded in 1887 in the outskirts of Cinkota, part of the eastern agglomeration of Budapest at the time. Every source has recorded the circumstances of its establishment as legendary. However, its founder was a good businessman rather than a character from a fairy tale. He recognised the change of lifestyles typical of the era, and sought business opportunities. It became fashionable at the time that anyone who could afford to do so, created a second, representative home in the green area outside the city, but still within the reach of the centre. In the outskirts of the city, more and more holiday homes and villa quarters were established, and Mátyásföld was created also for this purpose. The central issue of this dissertation is how Mátyásföld, founded in the agglomeration of the capital, was built and how it managed to fit into the urban development of Budapest, as well as the life of its inhabitants. Beyond its unique geographic and administrative situation, the role...

Everyone wants to live in a healthy environment, an idea that has always been closely associated with the healthy landscape. Pretoria CBD is no longer a place that offers such a landscape; it is congested, fragmented and placeless. People move far and wide to get away from its hostile environments, chasing after the high gloss images of nature displayed on the billboards and posters of suburbia. They race to find a patch of land within the security complexes and estates of the east, all the while being savagely pursued by the evils of urban sprawl and decentralization. Surely there must be a way of addressing mans need and desire for landscape without perpetuating urban problems and destroying the very nature they strive for? In order to ensure a sustainable future for Pretoria needs to investigate new ways to deal with the urban problems of sprawl and decay. This thesis explores the potential of using landscape as the basis with which one can reorder and reconstruct the urban form in a way that will offer people the ideals they search within a sustainable urban environment. The investigation starts at a regional scale in order to holistically address urban issues and identify opportunities and then works its way across a range of scales down to detail design and place making. It looks new methods of constructing contemporary landscapes not by mere superimposition but by working with the current and historic urban fabric as well as the social, historical and environmental processes that have shaped it over time. It looks to the far from idyllic, yet brutally honest, post-industrial landscape of Pretoria West to construct hybrid landscapes. Arguing that if one were to genuinely offer people a healthy landscape, one they can experience and relate to, the might actually want to live in the city, in return awakening spontaneous urban renewal. / Dissertation (ML(Prof))--University of Pretoria, 2011. / Architecture / unrestricted

Orientador: Silvana Barbosa Rubino / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-27T13:48:43Z (GMT). No. of bitstreams: 1 Magalhaes_CristianeMaria_D.pdf: 9671178 bytes, checksum: f789e3aa06e801c3ea3bd4b4b089ed68 (MD5) Previous issue date: 2015 / Resumo: O Desenho da História no Traço da Paisagem: patrimônio paisagístico e jardins históricos no Brasil - memória, inventário e salvaguarda é um estudo sobre o patrimônio paisagístico, a paisagem cultural e os jardins históricos no Brasil, no decorrer do século XX. A tese propõe realizar uma abordagem acerca do importante patrimônio paisagístico brasileiro, com especial atenção aos jardins de interesse histórico, transitando pelas percepções e nuances do termo paisagem. O eixo central da pesquisa girou em torno da construção da ideia de paisagem cultural, no Brasil, a partir da década de 1930, e como o órgão de preservação federal (atual IPHAN) patrimonializou os bens do patrimônio paisagístico ao longo das décadas de 1930-2010. O objetivo geral foi contextualizar, qualificar e pontuar sob quais circunstâncias foi protegido o patrimônio paisagístico brasileiro, a partir da década de 1930, abordando e explicitando como se deu a construção da ideia de paisagem cultural, em diálogo com as normativas internacionais. Os Jardins Históricos, uma das categorias do Patrimônio Paisagístico brasileiro, é tema privilegiado nesta pesquisa por ter se tornado o carro chefe quando da criação do Departamento de Patrimônio Natural dentro do quadro burocrático e organizacional da SPHAN/próMemória, na década de 1980. A pesquisa aponta que o estudo destes bens evidencia um projeto patrimonial, arquitetônico e urbanístico maior, gestado ao longo do século XX, em que as formas de estar e se relacionar com a cidade, com a arquitetura do passado e, principalmente, com o patrimônio cultural se põem em destaque. Realiza-se, ainda, um Inventário do patrimônio paisagístico brasileiro, sistematizado em categorias tipológicas / Abstract: History drawings within the landscape line: landscape heritage and historic gardens in Brazil - Its memory, inventory and safeguard is a study of landscape heritage along with its cultural landscape and historic gardens during the twentieth century in Brazil. The thesis proposes to carry out an approach transiting perceptions and nuances of the term landscape with special attention to historic garden interests and important Brazilian landscape heritage. The central foundation of the research has revolved around the cultural landscape construction idea in Brazil from the 1930s on. And the federal organ preservation (current IPHAN) claimed property on the assets of the landscape heritage from 1930 to 2010. The overall objective was to contextualize, qualify and score the circumstances which protected the Brazilian landscape heritage from the 1930s on. Thus, addressing and explaining how the dialogue regarding the construction of cultural landscape idea at international standards was made. Historic Gardens, one of the Brazilian landscape heritage categories is the prevailing theme in this research as it became a main reference during the creation of the Natural Heritage Department in the 1980s within the bureaucratic and organizational framework of SPHAN / Pro-memoria.The research shows that the study of these assets presents a bigger heritage; architectural and urban project managed during the twentieth century in which the ways of being and relating to the city, to past architecture and especially to cultural heritage is put in the spotlight. An Inventory of the Brazilian landscape heritage systematized in typological categories is also made / Doutorado / Politica, Memoria e Cidade / Doutora em História

The purpose of this study will explore increasing gang membership, gang structure, and strategies utilized by the criminal justice system in attempting to curb gang-related crime and activities. Through a quantitative research study, the researcher examined crime in the cities of Garden Grove, California and Santa Ana, California in an attempt to determine the success of the Santa Nita Gang Injunction in reducing crime within the injunctions "safety zone."