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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 51 to 57 of 57 (0.053 seconds)Spelling suggestions: "subject:"4he dew music"" "subject:"4he dew nusic""
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Addressing Technical and Musical Demands of Contemporary Music for Horn through Newly-Composed EtudesHessel, Eric 08 1900 (has links)
Contemporary music for horn often requires techniques and musical or notational considerations that are unconventional with respect to the standard pedagogy of the instrument. As such, these considerations often represent a level of challenge to which the average-intermediate to advanced-hornist is unprepared to approach or altogether unfamiliar. The most prominent of these demands arising in the last few decades of the twentieth century through today include microtonality (such as extended just intonation and quarter tones), extended techniques in combination or juxtaposition (such as multiphonics and right hand technique), rhythmic complexity (including metric modulation, non-dyadic meters, additive rhythms, and nested tuplets), and unconventional notations (graphic, spatial, and other temporal notations). This document first surveys the challenges of the repertoire in question, which includes works by György Ligeti, Thea Musgrave, Milton Babbitt, Brian Ferneyhough, Iannis Xenakis, Heinz Holliger, and Douglas Hill, among others. After considering the merits and limitations of existing pedagogical materials that work towards these ends, the document then underlines a strategic pedagogical goal for understanding and approaching unconventional contemporary repertoire through newly-composed etudes. This document is written in conjunction with and justification for the author's 24 Unconventional Etudes for Horn, and includes examples therefrom.
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In Relation to the Immense: Experimentalism and Transnationalism in 20th-Century ReykjavikBuffington, Adam 06 October 2020 (has links)
No description available.
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Love and Respect: The Bandung PhilharmonicWilson, Kevin Alexander January 2020 (has links)
No description available.
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| 54 |
MasksNicholas, Jeffrey Francis 22 April 2016 (has links)
No description available.
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| 55 |
The Diffusion of New Music through Online Social NetworksMonk, Adam Joel 25 June 2012 (has links)
No description available.
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| 56 |
An Investigation of Technological Impressions in Steve Reich and Beryl Korot's Three TalesMacRobbie, Danielle Elizabeth 19 December 2013 (has links)
No description available.
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Beckett, Barthelme, and Vonnegut : finding hope in meaninglessnessBritten, Alex M. 16 April 2012 (has links)
This thesis is a study of the shifting philosophical trends in the works of Samuel Beckett, Donald Barthelme, and Kurt Vonnegut as representations of a greater shift from modernism to postmodernism. I have chosen to explore Beckett's plays Waiting for Godot and Krapp's Last Tape, Barthelme's short stories "Nothing: A Preliminary Account," "The New Music," and "Kierkegaard Unfair to Schlegal," and Vonnegut's book Timequake to see how each author seeks to find a new hope in the face of a collapsed causal system. This work is an examination of the form and content of each author's work as it pertains to their own philosophical standing and in relation to the other two authors' works. I argue that each author finds a different hope for humanity depending on their place among the philosophical trends during their time. / Graduation date: 2012
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