[pt] Em 7 de fevereiro de 2009, a Bolívia promulgava uma nova Constituição. A carta, fruto de um longo processo constituinte, com aproximadamente quatro anos de duração, refundou o país a partir de uma concepção plurinacional, com respeito aos povos originários, aos trabalhadores, à natureza, à solidariedade e às filosofias ancestrais. Nela, estabeleceu-se o direito à autodeterminação dos povos indígenas originários, a ser materializada, dentre outros meios, pela autonomia indígena originário campesina. Entretanto, a união em torno do objetivo comum da descolonização do país não foi suficiente para erradicar as contradições da Bolívia, fruto da manutenção de estruturas do colonialismo nas relações sociais e entre sociedades, razão pela qual a concretização dos direitos reconhecidos constitucionalmente tem se operado a passos lentos e enfrentado desafios oriundos tanto de setores governistas quanto da oposição. Por essa razão, o presente trabalho tem como objetivo analisar se, e de que forma, a autonomia indígena originário campesina vem sendo implementada na Bolívia, mais de uma década após a promulgação do texto constitucional, por meio do estudo de caso do processo de aquisição de autonomia da nação originária Uru Chipaya, identificando eventuais entraves e dificuldades à materialização do direito à autodeterminação e do Estado Plurinacional. / [en] On February 7, 2009, Bolivia promulgated a new Constitution. The text, the result of a long constituent process, lasting approximately four years, re-founded the country from a plurinational concept, with respect to native peoples, workers, nature, solidarity and ancestral philosophies. In it, the right to self-determination of originay indigenous peoples was established, to be materialized, among other means, by indigenous originary peasant autonomy. However, the union around the common objective of the decolonization of the country was not enough to eradicate the contradictions of Bolivia, fruit of the maintenance of structures of colonialism in the social relations and between societies, reason why the realization of the constitutionally recognized rights has operated in slow steps and faced challenges from both government and opposition sectors. For this reason, the present work aims to analyze if, and in what way, the indigenous originary peasant autonomy has been implemented in Bolivia, more than a decade after the promulgation of the constitutional text, through the case study of originaru nation Uru Chipaya s acquisition process of indigenous originary peasant autonomy, identifying possible obstacles and difficulties to the materialization of the right to self-determination and the Plurinational State. / [es] En el 7 de febrero de 2009, Bolivia promulgó una nueva Constitución. La carta, fruto de un largo proceso constituyente, de aproximadamente cuatro años, refundó el país desde un concepto multinacional, con respeto a los pueblos originarios, los trabajadores, la naturaleza, la solidaridad y las filosofías ancestrales. En él, se establece el derecho a la autodeterminación de los pueblos indígena originario, que se materializará, entre otros medios, en la autonomía indígena originario campesina. Sin embargo, la unidad en torno al objetivo común de descolonización del país no fue suficiente para erradicar las contradicciones en Bolivia, resultado del mantenimiento de las estructuras del colonialismo en las relaciones sociales y entre las sociedades, ya que se pretendía la realización de dos derechos constitucionalmente reconocidos. operó a pasos lentos y enfrentó desafíos tanto del gobierno como de los sectores de oposición. Por eso, el presente trabajo tiene como objetivo analizar si, y de qué manera, se implementó la autonomía indígena originario campesina en Bolivia, a más de una década de la promulgación del texto constitucional, a través del estudio de caso del proceso de adquisición de la autonomía de la nación originaria Uru Chipaya, identificando posibles obstáculos y dificultades en la realización del derecho a la libre determinación y al Estado Plurinacional.

Através da análise da variabilidade da indústria cerâmica nos espaços intra e intersítios em dois assentamentos a céu aberto relacionados a grupos ceramistas pré-coloniais filiados às tradições Aratu e Uru e localizados no médio curso do rio Tocantins, este estudo objetivou fornecer parâmetros para o debate acerca de processos de interação cultural entre estes grupos ceramistas, que segundo alguns autores teriam motivado e configurado a ocupação humana pré-colonial do Brasil Central desde pelo menos o século X da era Cristã. Por meio dos testes estatísticos de Cluster e Componente Principal tal variabilidade é avaliada no intuito de compreender a organização do uso do espaço intra-sítio, bem como o grau de interação presente entre os assentamentos estudados / Through the analysis of the variability of the ceramic industry in the intrasite and intersite spaces in two open air pre-colonial settlements related the ceramist groups associated to the traditions Aratu and Uru and located in the middle course of the Tocantins River, this study objectified to supply parameters the debate concerning processes of cultural interaction between these ceramist groups, that according to some authors would have motivated and configured the pre-colonial occupation human of Central Brazil since at least century X. By means of the statistical tests of Cluster and Principal Component such variability is evaluated in intention to understand the organization of the use of the intrasite space, as well as the degree of present interaction between the studied settlements

Made available in DSpace on 2016-08-10T10:37:00Z (GMT). No. of bitstreams: 1 ADRIANA APARECIDA MENDONCA - PARTE 1.pdf: 14352282 bytes, checksum: 171d14c00b793e733538c8e3856d0d83 (MD5) Previous issue date: 2005-01-26 / This project is organized in the perspective of the development of the exhibition on the child's cultural universe Uru Eu Wau Wau in the Cultural Center Jesco Puttkamer. It looks for, also, to establish a connection between the indigenous world and the national society starting from the concern with the respect and the coexistence among different cultures. For that, we built a group of expressed images in book, CD and games to be distributed to the town schools of Goiânia and visitors of the exhibition. Stimulating, like this, the education process starting from the patrimonial education and of the insert of the students to the museum. / Este projeto está organizado na perspectiva do desenvolvimento da exposição sobre o universo cultural da criança Uru Eu Wau Wau no Centro Cultural Jesco Puttkamer. Busca, também, estabelecer uma conexão entre o mundo indígena e a sociedade nacional a partir da preocupação com o respeito e a conivência entre culturas diferentes. Para isso, construímos um conjunto de imagens expressas em livro, CD, jogos e brincadeiras a serem distribuídos às escolas municipais de Goiânia e visitantes da exposição. Estimulando, assim, o processo educacional a partir da educação patrimonial e da inserção dos estudantes ao museu.

Study area, the UruS province, is located 70 km WNW of city of Ankara. Major settlements in the study area are two counties, UruS and G&uuml / d&uuml / l / and there are a number of villages, such as, from W to E, Macun, Yogunpelit, Kabaca, &Uuml / regil, &Ouml / zk&ouml / y, Tahtaci&ouml / rencik, Kirkkavak, Kavak&ouml / z&uuml / , Kayi and Karaca&ouml / ren. The study area is 189 km2 in size and included in 1/25000-scaled topographic quadrangles of H28a3, a4, d1 and d2. The G&uuml / d&uuml / l- UruS section of the &Ccedil / eltik&ccedil / i morphotectonic depression (&Ccedil / eltik&ccedil / i Basin) drained by the Antecedent Kirmir River and its second-order drainage system was first mapped in detail in the present study, and faults determining northern margin of the &Ccedil / eltik&ccedil / i depression were named as the UruS fault set comprising the SW part of the &Ccedil / eltik&ccedil / i Fault Zone / and the mechanism of the master fault of the UruS fault set was determined as left lateral oblique-slip fault with reverse component by the morphologic markers such as the deformed drainage system and pressure ridges. This was also supported by the fault plane solutions of the 2000.08.22 UruS earthquake. Three fault plane solutions, of which two of them for the 2000.08.22 UruS earthquake, and one of them for the 2003.02.27 &Ccedil / amlidere earthquake, were done to determine nature of the source. Ground material underlying the city of Ankara were divided into three categories: (a) well-lithified basement rocks, (b) Pliocene fluvio-lacustrine v sedimentary sequence, and (c) unconsolidated terrace and alluvial sediments of Quaternary age. Quaternary unconsolidated sediments are densely populated in Ankara. These sediments are fine-grained and have a maximum thickness of 200 m or more. Inside these sediments, static ground water level is very close (as on average: 6 m) to ground surface. These conditions are quite suitable for liquefaction of these unconsolidated alluvial sediments. In addition, basement rocks are full of zone of weakness. Even if, the city of Ankara is characterized by the shallow focus and small earthquakes (M&amp / #8804 / 5), it is open to the risk of large earthquakes to be sourced from the North Anatolian Fault System and the Seyfe Fault Zone located 110 km and 80 km, respectively, owing the ground material conditions beneath the city of Ankara. This point has to be taken out in constructions and site selection solution.

Através da análise da variabilidade da indústria cerâmica nos espaços intra e intersítios em dois assentamentos a céu aberto relacionados a grupos ceramistas pré-coloniais filiados às tradições Aratu e Uru e localizados no médio curso do rio Tocantins, este estudo objetivou fornecer parâmetros para o debate acerca de processos de interação cultural entre estes grupos ceramistas, que segundo alguns autores teriam motivado e configurado a ocupação humana pré-colonial do Brasil Central desde pelo menos o século X da era Cristã. Por meio dos testes estatísticos de Cluster e Componente Principal tal variabilidade é avaliada no intuito de compreender a organização do uso do espaço intra-sítio, bem como o grau de interação presente entre os assentamentos estudados / Through the analysis of the variability of the ceramic industry in the intrasite and intersite spaces in two open air pre-colonial settlements related the ceramist groups associated to the traditions Aratu and Uru and located in the middle course of the Tocantins River, this study objectified to supply parameters the debate concerning processes of cultural interaction between these ceramist groups, that according to some authors would have motivated and configured the pre-colonial occupation human of Central Brazil since at least century X. By means of the statistical tests of Cluster and Principal Component such variability is evaluated in intention to understand the organization of the use of the intrasite space, as well as the degree of present interaction between the studied settlements

The same historical documentation that provides evidence for the reasons why the Puquina language disappeared, also provides linguistic information which, in combination with archaeological studies, allows us to interpret its history in the period prior to the Inca conquest of Collasuyu, as well as during the time under Incas domination. Using the method of regressive history, and making use of various disciplines (history, archaeology, linguistics), this paper proposes an interpretation of the history of the last Puquina-speakers. / La documentación histórica proporciona datos que permiten entender los motivos de la desaparición del idioma puquina a la vez que facilita información lingüística que, junto con los estudios arqueológicos, brindan una interpretación de su historia en la época que precede a la conquista inca del Collasuyu, así como de la etapa de su dominio en este territorio. Sobre la base del método de historia regresiva y mediante el empleo de varias disciplinas, como la historia, la arqueología y la lingüística, el presente artículo propone una interpretación de la historia de los últimos puquinahablantes.

Made available in DSpace on 2016-08-10T10:36:49Z (GMT). No. of bitstreams: 1 Rosangela Barbosa Silva.pdf: 6739599 bytes, checksum: 8c0c247b98070155b00d978b89d4e370 (MD5) Previous issue date: 2004-12-22 / This work is based in a museological curatorial management to promote a temporary and itinerant exhibit, notably formed by visual registries documented by Jesco von Puttkamer, when the national society came to meet the Uru Eu Wau Wau, indigenous people inhabitants of the state of Rondonia. This expositive clipping is based on the pictures which portray the universe of the Uru Eu Wau Wau children, as the reflexion elements of the aspects of interracial contact, the children universe and the role of children as spokespeople in the indigenous and white relationship. These registries, which belong to the Instituto Goiano de Pré-História e Antropologia (Pre- Historical and Anthopological Institute in Goiânia), at Universidade Católica de Goiás (Catholic University), are part of a photographical collection in slides, produced by Jesco in the 1980 s, being the witnesses materials of the mediation between the above mentioned indigenous society and the surround society. Like material vestiges, the slide collection of the Uru Eu Wau Wau allows us to look back on the moment of contact, visualizing some of the aspects of that moment. Created to be the museological curatorial raw material for the assembly of the temporary and itinerant exhibit, the image collection of the Uru Eu Wau Wau is treated as museological object. Being such an object, the photographical registries may be targets of many possibilities, considering that the museological strategy originates an interactive and polysemous game for those who visit the exhibit. / Este trabalho é constituído de um projeto de gestão curatorial museológica para realização de uma exposição temporária e itinerante, baseada notadamente em registros visuais documentados por Jesco von Puttkamer, quando do encontro da sociedade nacional com os Uru Eu Wau Wau, povo indígena que habita o Estado de Rondônia. O recorte expositivo fundamenta-se nas imagens que retratam o universo das crianças Uru Eu Wau Wau como elementos para reflexão das questões que envolvem o contato interétnico, o universo infantil e o papel da criança como interlocutora na relação entre índio e branco . Esses registros, que pertencem ao Instituto Goiano de Pré-História e Antropologia, da Universidade Católica de Goiás, formam uma coleção fotográfica em suporte de slides, produzida por Jesco na década de 1980, sendo os testemunhos materiais da mediação entre a sociedade indígena em questão e a sociedade circunvizinha. Como vestígios materiais, a coleção de slides Uru Eu Wau Wau permite revisitar o momento do contato, visualizando alguns aspectos daquele momento. Concebida como matéria-prima da gestão curatorial para montagem de exposição de caráter temporário e itinerante, a coleção de imagens dos Uru Eu Wau Wau é tratada como objeto museal. Enquanto tal, os registros fotográficos podem ser alvos de várias possibilidades já que a estratégia museológica produz um jogo interativo e polissêmico de quem visita a exposição.

<p>The thesis focuses on Bolivian Indians who are assimilated into ethnic groups as one of many consequences of the colonial past. An understanding of the complexity of this construction draws from disciplines such as Anthropology, Archaeology, History, Sociology, in an effort to expose the power relations behind the construction. Departing from written sources and the general belief that the area would lodge the most ancient of such Indians, the Uru from Lake Poopó, a specific location has been selected in the Oruro province of the mid Bolivian highlands. The province is named after this people. The identity of the Uru people has been established by reference to other Indians in the Bolivian Andes known as the Aymara or the Quechua. Colonial accounts written by the Spanish conquerors, including priests, soldiers and commoners, as well as modern sources are discussed and analysed. The fieldwork combines archaeological and anthropological methods. Finally, the importance of multidisciplinary approaches is discussed in an effort to contribute to an understanding of multi-cause phenomena in this case the constructed ethnic identity of the Uru people.</p>

The thesis focuses on Bolivian Indians who are assimilated into ethnic groups as one of many consequences of the colonial past. An understanding of the complexity of this construction draws from disciplines such as Anthropology, Archaeology, History, Sociology, in an effort to expose the power relations behind the construction. Departing from written sources and the general belief that the area would lodge the most ancient of such Indians, the Uru from Lake Poopó, a specific location has been selected in the Oruro province of the mid Bolivian highlands. The province is named after this people. The identity of the Uru people has been established by reference to other Indians in the Bolivian Andes known as the Aymara or the Quechua. Colonial accounts written by the Spanish conquerors, including priests, soldiers and commoners, as well as modern sources are discussed and analysed. The fieldwork combines archaeological and anthropological methods. Finally, the importance of multidisciplinary approaches is discussed in an effort to contribute to an understanding of multi-cause phenomena in this case the constructed ethnic identity of the Uru people.

This research considers how the culture of game developer Cyan Worlds influences the gameplay environment and the culture of fans in Myst Online: Uru Live. The game has gone through two commercial releases and in both cases it was cancelled after a short time. Fans have attempted to salvage the game by producing their own server software and content creation tools. Recently, Cyan released their own source code and development tools to the fan community, giving fans an official channel for creating new content. This work builds off of Pearce's (2009b) study of the culture of Uru players and emergent play, but adds the dimension of considering the culture of developers themselves. A primary goal of this study was to determine how the culture of a game developer like Cyan shapes the constraints of the designed "play ecosystem" (Pearce 2009b: 7), and how it shapes the processes by which fans can salvage aspects of the game to create new content. One finding is that the design of Uru's gameplay environment is rooted in the cultural practices, personal philosophical goals and individual personality traits of its developers. Fans were able to assert ownership over the Uru story-world and the means of production of new content by proactively applying technical and problem-solving skills--the same sorts of skills that players must apply to solving puzzles in Myst games. This fan action, coupled with Cyan's goal of making an open-ended world, has helped to propel the initiative to provide open-source tools for creating new content. When fans produce new content, they draw significantly from an existing shared cultural repertoire of cues and conventions. These conventions are supported both by the software affordances of the development environment and by cultural precedent--they are readily adapted to Myst-like narratives and are easily "read" by experienced players.