Thesis (Ph.D.)--Hong Kong Baptist University, 2004. / Thesis submitted to the Dept. of Government and International Studies. Includes bibliographical references (leaves 325-357).

Cette thèse en Histoire et sémiologie porte sur les représentations de l’unité du peuple chinois (1949-2009) et le traitement médiatique des conflits au Tibet (2008) et au Xinjiang (2009). Dans le cadre d'une approche sémiotique, l'analyse des images et des textes nous permet de considérer comment les discours d'information, les discours institutionnels et ceux des industries culturelles font la promotion de l'unité du peuple chinois. Ce travail se concentre sur les écritures portées par le gouvernement chinois soucieux de proposer le récit collectif d'une société harmonieuse, de maintenir une nation solidaire au moment de deux crises sociales entre les Hans et les ethnies minoritaires. L'année 2008 aurait dû, grâce aux Jeux Olympiques, être l'année favorisant le nation-branding d'une Chine victorieuse. Or, cinq mois avant l’ouverture des JO de Pékin, les événements de Lhassa, capitale de la région autonome du Tibet, mettent sous tension le gouvernement chinois et soulignent une fracture profonde entre les Hans et les Tibétains. Un an après, des émeutes surviennent dans la Région autonome ouïghoure du Xinjiang. Pour traiter les récits médiatiques, nous comparons à la fois les différents points de vue portés par des journalistes chinois et français sur ces événements, nous observons aussi comment un certain nombre d’Ouïghours ont participé à un mouvement de réhabilitation des Xinjiangrens (habitants du Xinjiang) à la suite de la publication d’un livre Je viens du Xinjiang, ouvrage qui fait partie de notre corpus. Cette thèse observe donc comment les médias d'information, les séries télévisées, les écritures de l'histoire officielle promue par le gouvernement chinois, les productions des industries culturelles (cinéma, émissions de plateau, projets d'éditions imprimées...) finissent par former la légende collective de l'unité du peuple chinois. / The present thesis in History and Semiology concentrates on the representations of the unity of Chinese people (1949-2009) and the media coverage of conflicts in Tibet (2008) and Xinjiang (2009). From a semiotic approach, the analysis of images and texts give us an overview of how the information discourse, political discourse and cultural industry discourse, promote the unity of the Chinese people. This current research focuses on the writings of the Chinese government whose main concerns are to construct a collective narrative of a harmonious society and to maintain a united nation at the time of two social crises between the Han Chinese and other Chinese ethnic minorities. The year of 2008 should, thanks to the Olympic Games, be the year in favor of the nation-branding of a victorious in China. However, five months before the opening of the Beijing Olympics, the events in Lhasa -the capital of the Tibet Autonomous Region- put the Chinese government under pressure and brought to light the great divide between the Han and the Tibetans. A year later, riots occurred in the Xinjiang Uygur Autonomous Region. In order to analyze the media narrative, we compare different points of view of both Chinese and French journalists on these events. We also observe how a number of Uyghurs participated in a rehabilitation movement of Xinjiangrens (people of Xinjiang) after the publication of the book I come from Xinjiang - a work that is a part of our corpus. As a result, this thesis observes how, in 21st centry, the news, the television series, the official writings of the history promoted by the Chinese government, a diverse range of productions of cultural industries (new technology of information and communication, social network, cinema, TV program and the traditional media...) contribute to re-write a new collective legend of the unity of Chinese people.

This essay starts out in the world of art science looking out through the glasses of Anne D’Allevas analysis of performance and videoart, digital art and Roland Bathes Semiotics. By using Meta narratives and Popular culture we will examine how one music video and one video artwork lives in the same sphere. The point of this essay is to raise awareness of how popular culture is viewed both within, but also outside of the academic world. This essays will thoroughly analyze and discuss the differences that can be discovered when comparing music videos to video art. By connecting these findings to meta narratives we will uncover cultural and time specific traits, temporalities and narrative-structures.

共一冊，約二十萬字。全文共分七章：第一章略述錢大昕的時代背景與家世，著重在 學以及家學淵源的介紹。第二章略述錢大昕生平，介紹他生平的經歷，而特別著重他 的學術活動。第三章略考錢大昕的著作，並將其著作之刊刻情形列成一表，第四章略 述十駕摘齋養新錄的成書經過，以及刊行的情形。第五章與第六章介紹十駕齋養新錄 的內容，第五章先就其有關經學與小學者，做一述評：竹第六章則就其有關史學及其 他方面之見解，做一評述。第七章則就就十駕齋養新錄一書來看錢大昕之治學，最後 結論，敘述本論文的特色以及研究心得。在長達一年的研究與撰寫過程中，將錢大昕 及其十駕齋養新錄，從上述幾個方向加以探討，得知錢大昕乃是一位腳踏實地的學者 ，終其一生，都在實踐「兼人之學」的宏願，而成為「通儒」。

This thesis deals with miniature poems, which appeared at the beginning of the May fourth movement, as a genre of modern chinese poetry and was redoscovered by the misty poets after the Cultural revolution. Part of a brief introduction to the literary- historical contexts of both periods are short biographies of two representative poets of this genre, Bing Xin and Gu Cheng. Eventually the form and themes of miniature poems are introduced. The main part of this thesis is a comparative study of Bing Xin's and Gu Cheng's miniature poems. The thesis concludes, that Gu Cheng refines and eleborates the artistic value of the miniature poem. Part of the study is a criticism of primary source, as well as a summary of the current state of research. Key words: Modern poetry, Bing Xin, Gu Cheng, místy poetry, May fourth movement

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辛亥革命為一未竟全功、不澈底的革命，致有民二─民五先生發生的二次與三次革命 運動。本文旨在從民初革命背景的探究，呈現二次與三次革命運動的不可避免，並試 圖以比較之法，明悉革命成敗之由，以為日後反共復國革命之鑑。 本論文共壹冊，十一萬餘字，計分六章、十五節。 第一章：緒論。述明研究旨趣、研究方法與研究範圍。 第二章：革命背景。先對辛亥革命為一評估，再論政黨政治試行的失敗，接著分析民 初國內外的社會思潮與背景，最後對民初革命的對象─袁世凱為一瞭解。 第三章：二次革命。先論革命起因，後論革命事略。 第四章：三次革命。先論中華革命黨的成立，再論由仿帝制的醞釀而引起三次革命（ 反帝制運動），以護國軍的起義，最後終使帝制覆亡。 第五章：二次革命與三次革命之比較。本章從革命對象、革路命輿情、革命領袖與革 命策略四方面比較二次與三次革命的成敗。 第六章：結論。

本論文凡分五章，首章緒論，綜述南北朝代之背景與其文學發展的狀況，以見其對庾 信行誼與作品之影響。 次章評傳，介紹庾信之鄉里世系與生平事蹟，于其先世又著╲重仕宦之系統，以見其 生長背。景而其個人生平又配合作品之創作，分為三期。並述及家庭、交遊、思想、 學殖，以與其作品互相印證。然後引述其文學創作在多方面的成就。 第三章庾信辭賦之分篇研究，除劃分前後兩期外，各篇又就其結構內容與主要特色， 加以分析比較，以見其創作技巧與特殊表現。 第四章庾信辭賦之特色與比較，再就其十五篇賦，加以綜合分析比較，以探討庾信寫 作之一貫特色與不同的改變，由此更反復印證其生平與作品的息息相關。以期於庾信 作品有更完整之認識與瞭解。 末章結論，主要在評分介庾信于文學史上的地位與影響。首節與徐陵並論，以見南朝 文壇之風氣。次節與王褒並提，以見北方文壇受南人的影響。末節則說明庾信于後世 文學之重影響。

姚小青. / "2011年5月". / "2011 nian 5 yue". / Thesis (M.Div.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (leaves 36-37). / Abstract in Chinese and English. / Yao Xiaoqing. / Chapter (一） --- 引言 --- p.1 / Chapter 1.1 --- 硏究範圍 --- p.2 / Chapter 1.2 --- 硏究進路 --- p.3 / Chapter (二） --- 更生信徒之牧養需 要 --- p.4 / Chapter 2.1 --- 更生信徒之處境 --- p.4 / Chapter 2.2 --- 需要被接納 --- p.6 / Chapter 2.3 --- 需要信仰生命成長 --- p.8 / Chapter 2.4 --- 小結 --- p.9 / Chapter (三） --- 幫助更生信徒融入社群的牧 養 --- p.10 / Chapter 3.1 --- 「治療群體」之模式 --- p.11 / Chapter 3.2 --- 「治療群體」的發展 --- p.13 / Chapter 3.3 --- 以「治療群體」牧養 --- p.18 / Chapter 3.4 --- 小結 --- p.20 / Chapter (四） --- 硏究《更新會》之牧養模 式 --- p.22 / Chapter 4.1 --- 《更新會》之背景 --- p.23 / Chapter 4.2 --- 對更生信徒之牧養 --- p.26 / Chapter 4.3 --- 小結 --- p.33 / Chapter (五) --- 總結 --- p.34 / Chapter (六) --- 參考書目 --- p.36 / Chapter 6.1 --- 參考文章 --- p.36 / Chapter 6.2 --- 參考資料及網頁 --- p.37

本文的研究主題為唐修《晉書》與《世說新語》間的敘事差異，對二書重出資料進行研究考察，研究的重心在於《世說新語》材料進入《晉書》後所產生的變化，觀察史家如何引用《世說新語》，整理歸納敘事差異的類型，探究敘事差異現象背後的原因及其意涵。 在第一章緒論中，從《晉書》援引《世說新語》引發前人褒貶兩極的評價，討論史家以小說入史的適切性，檢討前人涉及二書的研究文獻，並說明本文所採用的研究方法及進行步驟。 第二章聚焦於《晉書》援引《世說新語》的部份，統計二書的重出資料，編成表格以綜觀整體，發現《晉書》有「累篇成傳」、「一事重出」、「傳聞異辭」和「事涉數人，載於一傳」的現象，反映出史家援引材料入傳有其考量，並非一味以《世說新語》為準，所收錄的《世說新語》篇章不僅作為實例豐富《晉書》的記載，也彌補人物事蹟缺乏的境況。史家依循事件發展邏輯、人物關聯和事件材料性質三種方式排列《世說新語》的材料，將數則事件建立新連結，形成條理清晰的脈絡，融入史傳的順時敘述中。 第三章分析《晉書》與《世說新語》重出資料中的敘事差異，其中簡化型的敘事差異為最大宗，可分成簡省人物言語活動、事件的敘事部分和混合型三種簡化類型，其他敘事差異現象包括史家修改局部文句、將材料另做他用和增添非敘事話語，從文本分析中可看出史家藉由增刪修改文句，提升傳主在事件中的重要性，塑造傳主的正面形象，而所增添的非敘事話語透露史家的判斷，雖未直接臧否人物，褒貶自在其中。 第四章檢視敘事差異中所反映出的史家道統取向，二書相異的敘述可見史家所重視的宗法社會之倫常，由朝廷延伸至家庭，從標舉君臣相處之道，到修補家庭倫常關係，呈現史家對於傳統禮教的維護，強調倫理綱常中「忠」與「孝」的價值。史家的道統取向在女子紀事方面尤其明顯，依據女子在家庭倫理中所扮演的角色為其定位，調整敘述所刻劃出的人物形象，標舉德才兼備和人品有瑕的女子，確立道德尺度對立的兩端，以達成社會教化的目的。 第五章為結語，概述研究二書敘事差異的三階段：現象分析──原因探索──意義呈現，二書的敘事差異反映史家的撰史的原則和道統取向，史家援引《世說新語》豐富了《晉書》的史傳，彰顯出兩晉的時代精神，造就《晉書》的獨特，即便援引《世說新語》入傳，史家仍掌握敘述的主導性，使《晉書》保有光彩熠熠的歷史價值。 / This thesis focused on the narrative differences between Jin Shu and Shi Shuo Xin Yu, according to two books’ repeated data, the focus of research is Shi Shuo Xin Yu material into Jin Shu , observing how historians cite Shi Shuo Xin Yu, summarizing in the type of narrative differences, reasons for the differences in the narrative and meaning behind the phenomena. In Chapter one, Looking back at history，Citing Shi Shuo Xin Yu caused different evaluation from scholars of former times, we discussed the appropriateness of historians’ quotation, reviewing former scholars’ research which involved in two books, to expound research methods and procedure used in this paper. The second chapter focused on Jin Shu quoted Shi Shuo Xin Yu in part, Organize two books’ duplicate data, compiled forms for considering overall, Found that Jin Shu There are " linking events constitute a biography ", " the same recurring events ", "different versions of hearsay" and "matter involving several people, documented in a biography " phenomenon, Historians quoted material reflecting the transfer had its considerations, not took Shi Shuo Xin Yu as a criterion, the collection of Shi Shuo Xin Yu articles is not only rich in examples as Jin Shu records, but also make up for the lack of documented life stories. Historians arranged Shi Shuo Xin Yu articles in three ways, following the logic of events, people relationship and events associated with the nature, to create a new link for several events, forming a coherent context, put into Jin Shu in chronological narration. (the narrative chronicled the events) Chapter 3 analyzed the narrative differences between Jin Shu and Shi Shuo Xin Yu, simplifying narration accounts for the largest part of the narrative differences, assorting simplified narration into 3 types, consisted of simplifying the dialogues and activities, the narrative part of the event and the mixed type. Other narrative differences include historians’ partial sentence modification, rewrite the sentence for other purposes, and add non-narrative discourse. As can be seen from the text analysis, historians enhance the importance of specific character in the incident by modifying the text or creating a positive image of the characters. Non-narrative discourse added by historians revealed their judgments. Chapter 4 viewed the Confucian Orthodoxy in narrative differences, rewriting the events reflected that historians regarded ethics of patriarchal society highly. Extending from the court to the family, historians presented the proper relationships between the emperor and his Courtiers and maintained the ethical relationship of family. Historians emphasized the moral value of "loyalty" and "filial piety", expressing the maintenance of traditional Confucianism. The narrative which female involved in also indicated the Confucian Orthodoxy, Historians decided the female’ historical status by her role in the family and adjust the images in the description. By praising virtuous women and criticizing the flawed, historians established moral contrast ends of the scale for the purpose of social education. Chapter 5 is the epilogue which outlined a three-stage study of narrative differences between two books, from analysis of the phenomena, to the reasons behind the modification, then reflected the meaning between the lines. Narrative differences revealed the writing principles of historical works and tendency towards the Confucian Orthodoxy. Citing Shi Shuo Xin Yu enriched the content of Jin Shu and highlighted the zeitgeist of the Jin Dynasty. In spite of the quotation, Historians ruled the main narrative, let the value of Jin Shu shine in history.